Entertainmentpage 19 Technique • Friday, February 16, 2001 • 19

Total Page:16

File Type:pdf, Size:1020Kb

Entertainmentpage 19 Technique • Friday, February 16, 2001 • 19 ENTERTAINMENTpage 19 Technique • Friday, February 16, 2001 • 19 Neal Boortz talks to GT Slow down, have a roll ENTERTAINMENT Staff writer David Reynolds talks to The Two Bits Man offers suggestions talk-show host Neal Boortz on issues of on making getting a speeding ticket a Technique • Friday, February 16, 2001 interest to Tech students. Page 23 more pleasant experience. Page 25 Hopkins offers a lot of bite for your buck in ‘Hannibal’ By Kit FitzSimons ling’s search for a serial killer. ured expatient of Lecter’s trying When brain food goes wrong Her only source of information to find the doctor and torture was a psychopathic psychologist, him to death. This sets in mo- MPAA Rating: R Dr. Hannibal “The Cannibal” tion events that bring Clarice Starring: Anthony Hopkins, Lecter. While helping Clarice, (now played by Julianne Moore) Julianne Moore, Ray Liotta Dr. Lecter delves into her psyche back onto the case and Hanni- Director: Ridley Scott and discovers she is not like oth- bal Lecter back into her life. Studio: Universal Pictures For those of you who have Running Time: 135 minutes seen Silence of the Lambs, Han- Rating: yyyy Hannibal is a nibal is sure to be just as en- grossing. However, it is also just There is only so far you can cinematic page- plain gross. There is scarcely an go into the mind of a serial killer turner that keeps organ not seen in one form or before starting to like him. There another being splashed onto the is also only so much monstrosi- you on the edge of ground or…um…mixed with ty you can see from this charac- your seat…or flava beans and a nice Chianti. ter you like without starting to For the weak of heart (or stom- gag. This seems to be the exper- huddling at the ach or liver or…whatever), this iment enacted by Hannibal, the back of it. is probably a movie to see with sequel to Silence of the Lambs. someone who has a strong shoul- Silence of the Lambs swept der to bury your face in every through the 1991 Academy once in a while. Awards, winning Best Picture, er so-called heroes. Though Cla- Notice I did not say you Director (Jonathan Demme), rice catches the serial killer at shouldn’t see it—just that you Screenplay, Actor (Anthony the end, Lecter escapes and dis- should avert your eyes wisely. Hopkins), and Actress (Jodie appears into the wide world. This movie is spectacular, stay- By Phil Bray / UNIVERSAL PICTURES Foster). The film told the story Hannibal picks up ten years Will Julianne Moore effectively fill the role of FBI Agent Clarice Starling? To see how of young FBI agent Clarice Star- later with a deranged and disfig- See Hannibal, page 25 she compares to Jodie Foster’s Academy Award-winning turn, check out Hannibal. DramaTech Measure for Measure Big Easy funk, shaken like mad By Alan Back them a chance to figure out where it. Vogel’s command of the Ham- Finally settled his pizza tab! they wanted to go. mond organ and Ellman’s abili- “It was in the process of do- ty to do shameless things to his There are plenty of cynics in ing that little recording that ev- horns go a long way toward es- the music business who will tell erybody started thinking about tablishing the groove. you that everything’s already been changing direction a little bit— The axe man came into the done. Nobody comes up with not having so much guitar, do- picture five years ago while the new ideas these days, they say, ing more of an instrumental band was doing a summer tour and nine-tenths of the people thing. That was kind of the end on the West Coast. “Ben came ripping off the old stuff just make of Galactic Prophylactic; our out and did half of it,” Vogel a mess of it. former lead singer and other gui- said. “We didn’t have a perma- Said cynics might change their tar player went on to other nent horn player at the time. tune if they dropped in on a gig For a little while we kind of tag- by the New Orleans six-piece teamed between a couple of play- Galactic. The worlds of rock and “Funky music that ers from New Orleans, Ben being jazz have been taking note of you can dance one of them. Then over time, he this funky crew, if for no other just became the guy, you know? reason than the fact that they to…is part of the It was just clear that he was the know how to make the old school fabric of life [in right person, musically and per- come alive all over again. sonality-wise.” The core of the band came New Orleans].” Ditto for singer Theryl de together in the early ’90s when Rich Vogel Clouet, who came in to do two high school buddies Robert Keyboards, Galactic tracks during the recording of Mercurio (bass) and Jeff Raines Coolin’ Off and started showing (guitar) moved to New Orleans up at the band’s gigs. Mercurio from Washington, D.C., to at- things.” The band dropped the has described him as their “per- tend college. By 1994, drum- second half of its moniker and manent special guest,” and ac- mer Stanton Moore and soon hit the studio again, re- cording to Vogel, he hasn’t missed keyboard man Rich Vogel had cording the debut album Coo- a show since that first session. signed on to play with the out- lin’ Off for Fog City in the De Clouet and his a cappella fit, which was going under the summer of 1995. group Hollygrove contribute name Galactic Prophylactic and Galactic has been on Capri- vocals to five cuts on Late, evok- working with various horn sec- corn Records since 1998, re-re- ing the Delta bluesman at times tions and a second guitarist. leasing Coolin’ Off that same year while jumping ahead to the soul- They caught the attention of and putting out two subsequent jazz era at others. Dan Prothero, founder of San discs. Their latest effort, last year’s Though the band as a whole By Robert Hill / STUDENT PUBLICATIONS Francisco’s independent Fog City Late for the Future, mixes to- is strongly rooted in Louisiana Valerie Peek and Kecia Rigsby prepare for todays’ DramaTech opening of record label, and were invited in gether a few stiff belts of jazz, funk, they don’t mind taking Measure for Measure. Performances will be held in the Dean Dull Theatre. to record a song for a jazz com- funk, and soul and lets the lot the occasional trip into deep left For a review of the show, please turn to page 22 of this week’s Technique. pilation he was planning. Vogel ferment in the swamp—and then explained that these sessions gave dares people not to get down to See Galactic, page 20 A cappella at UTC ‘November,’ ‘Earth’ at local theaters Under the Couch will host an evening of a Nelson Moss (Keanu Reeves, mak- Also opening today is Down to Earth, cappella performances from three different ing another attempt at romantic dra- a story of “premature reincarnation” groups next Thursday, February 22, begin- ma) and Sarah Deever (Charlize Theron) directed by Chris and Paul Weitz. Fun- ning at 8:00 p.m. have nothing in common except an nyman Chris Rock stars as a man who Georgia Tech groups Sympathetic Vibra- hour spent in the DMV in Sweet No- meets his untimely demise...only to find tions and Nothin’ But Treble will be joined by vember, opening today in theaters. Their out it wasn’t quite his time to go. As a Vocal Tonic. unconventional relationship brings re- result, he’s allowed back into the real The cost is $5.00, or only $3.00 with a sults neither could have ever anticipat- world—with the catch that he’s now in Tech student ID. ed. Pat O’Connor directs. a much older man’s body. 20 • Friday, February 16, 2001 • Technique ENTERTAINMENT or wondering if it was really going line music service opened shows for the first half of ence that recalled their early days in Galactic from page 19 to work at all, we were like, ‘Screw ARTISTdirect.com, the tour also the tour), make life on the road small clubs and bars. “You can get it. Let’s take it out, do whatever and features Primus bassist Les Clay- even more rewarding, he said. in front of a new audience and play field—so deep, in fact, that they see what happens.’” pool’s side project—the Frog Bri- At first glance, it’s an unlikely some music for them that they don’t end up climbing into the seats. Cue The end result caught everybody gade—and the New York trio Drums matchup. One group plays live but get to hear a lot of. I don’t think up “Two Clowns” at the end of Late by surprise: “I don’t know if we had & Tuba. sounds like a house DJ spinning they get too many New Orleans and you can hear them jump from really made it before it as a band, Vogel stated, “[ARTISTdirect away (Lake Trout). Another crosses funk bands there every day…They tight grooving into goofy free-form but we liked it—‘I don’t know what was] interested in having Les do it. old-time street bands with tripped- were very enthusiastic, so it was just experimentalism.
Recommended publications
  • Tearing out the Income Tax by the (Grass)Roots
    FLORIDA TAX REVIEW Volume 15 2014 Number 8 TEARING OUT THE INCOME TAX BY THE (GRASS)ROOTS by Lawrence Zelenak* Rich People’s Movements: Grassroots Campaigns to Untax the One Percent. By Isaac William Martin New York: Oxford University Press. 2013. I. INTRODUCTION ............................................................................. 649 II. A CENTURY OF RICH PEOPLE’S ANTI-TAX MOVEMENTS ......... 651 III. EXPLAINING THE SUPPORT OF THE NON-RICH .......................... 656 IV. BUT WHAT ABOUT THE FLAT TAX AND THE FAIRTAX? ............ 661 V. THE RHETORIC OF RICH PEOPLE’S ANTI-TAX MOVEMENTS: PARANOID AND NON-PARANOID STYLES .................................... 665 VI. CONCLUSION ................................................................................. 672 I. INTRODUCTION Why do rich people seeking reductions in their tax burdens, who have the ability to influence Congress directly through lobbying and campaign contributions, sometimes resort to grassroots populist methods? And why do non-rich people sometimes join the rich in their anti-tax movements? These are the puzzles Isaac William Martin sets out to solve in Rich People’s Movements.1 Martin’s historical research—much of it based on original sources to which scholars have previously paid little or no attention—reveals that, far from being a recent innovation, populist-style movements against progressive federal taxation go back nearly a century, to the 1920s. Although Martin identifies various anti-tax movements throughout the past century, he strikingly concludes that there has been “substantial continuity from one campaign to the next, so that, in some * Pamela B. Gann Professor of Law, Duke Law School. 1. ISAAC WILLIAM MARTIN, RICH PEOPLE’S MOVEMENTS: GRASSROOTS CAMPAIGNS TO UNTAX THE ONE PERCENT (2013) [hereinafter MARTIN, RICH PEOPLE’S MOVEMENTS].
    [Show full text]
  • Senate Resolution 301 By: Senators Brown of the 26Th, Staton of the 18Th and Mullis of the 53Rd
    07 LC 34 1063 Senate Resolution 301 By: Senators Brown of the 26th, Staton of the 18th and Mullis of the 53rd ADOPTED SENATE A RESOLUTION 1 Dedicating the Phil Walden Memorial Interchange; and for other purposes. 2 WHEREAS, impresario, music pioneer, and savvy businessman Phil Walden nurtured and 3 gave voice to hundreds of musicians who contributed to shaping America´s music history, 4 from Southern rock to rhythm and blues to alternative rock; and 5 WHEREAS, born in Greenville, South Carolina, on January 11, 1940, the second of three 6 sons to Mr. and Mrs. C.B. Walden, Phil Walden came to Macon, Georgia, at the age of three, 7 planting his roots deep in this state´s red clay; and 8 WHEREAS, after graduating from Lanier High School in 1958, Phil Walden enrolled at 9 Mercer University, and while a student, the charismatic and determined teen began his 10 legendary career in the music industry by booking emerging bands for fraternity parties 11 around Georgia; and 12 WHEREAS, in 1960, he opened the Phil Walden Artists and Promotions agency on Mulberry 13 Street in Macon, signing on a young Georgia artist named Otis Redding, who later had one 14 of the defining songs of the era, "(Sittin' on the) Dock of the Bay"; and 15 WHEREAS, a 1962 graduate of Mercer University, Phil Walden served his country with 16 honor, completing a tour of duty with the Adjutant General Corp of the United States Army, 17 where he rose to the rank of 1st Lieutenant; and 18 WHEREAS, over more than four decades, Phil Walden, through his Georgia based recording 19 companies Capricorn Records and Velocette Records, represented and produced some of the 20 hottest musical talent of the times, including renowned hit-makers Sam and Dave, Percy 21 Sledge, the Allman Brothers Band, the Marshall Tucker Band, the Dixie Dregs, Elvin 22 Bishop, Wet Willie, Widespread Panic, Cake, and 311, establishing Georgia as a haven for S.
    [Show full text]
  • 27682 Text.Indd
    FairTax: The Truth Answering the Critics NNEALEAL BBOORTZOORTZ & CONGRESSMAN JOHN LINDER WITH ROB WOODALL 2276827682 TText.inddext.indd iiiiii 112/21/072/21/07 33:35:43:35:43 PPMM This book is dedicated to the millions of individuals and businessmen who labor daily trying to cope with our current punishing tax code and who long for relief. We also dedicate this book to the critics of the FairTax. Set your agendas aside, approach with an open mind, and you will become FairTax supporters. As for the thousands of people inside the D.C. Beltway who make their livings gaming the current tax code, we hope one day to force you to seek another more honest line of work. 2276827682 TText.inddext.indd v 112/21/072/21/07 33:35:44:35:44 PPMM PREFACE: THE BIRTH OF A MOVEMENT ou know how these conversations get started. You and Ya few friends start talking about how to make the world a better place. Most likely, something—good or bad— has happened recently to precipitate it. Maybe one of you has had a stroke of good fortune: a job, a successful new business venture, a wedding or birth in the family. Maybe one of you has witnessed a tragedy and found a new grate- fulness for what you have. Maybe you’ve just received a big hug from your spouse and kids, and you just have that “all’s right in the world” feeling you want to share. However it starts, this kind of conversation: How can we spread the feeling? How can we make things better for others, the way they’ve been going for us?—can last for hours.
    [Show full text]
  • Top 12 Soul Jazz and Groove Releases of 2006 on the Soul Jazz Spectrum
    Top 12 Soul Jazz and Groove Releases of 2006 on the Soul Jazz Spectrum Here’s a rundown of the Top 12 albums we enjoyed the most on the Soul Jazz Spectrum in 2006 1) Trippin’ – The New Cool Collective (Vine) Imagine a big band that swings, funks, grooves and mixes together R&B, jazz, soul, Afrobeat, Latin and more of the stuff in their kitchen sink into danceable jazz. This double CD set features the Dutch ensemble in their most expansive, challenging effort to date. When you can fill two discs with great stuff and nary a dud, you’re either inspired or Vince Gill. These guys are inspired and it’s impossible to not feel gooder after listening to Trippin.’ Highly recommended. 2) On the Outset – Nick Rossi Set (Hammondbeat) It’s a blast of fresh, rare, old air. You can put Rossi up there on the Hammond B3 pedestal with skilled survivors like Dr. Lonnie Smith and Reuben Wilson. This album is relentlessly grooving, with no ballad down time. If you think back to the glory days of McGriff and McDuff, this “set” compares nicely. 3) The Body & Soul Sessions – Phillip Saisse Trio (Rendezvous) Pianist Saisse throws in a little Fender Rhodes and generally funks up standards and covers some newer tunes soulfully and exuberantly. Great, great version of Steely Dan’s “Do It Again.” Has that feel good aura of the old live Ramsey Lewis and Les McCann sides, even though a studio recording. 4) Step It Up – The Bamboos (Ubiquity) If you’re old enough or retro enough to recall the spirit and heart of old soul groups like Archie Bell and the Drells, these Aussies are channeling that same energy and nasty funk instrumentally.
    [Show full text]
  • EG Kight Five-Time WC Handy Nominee!
    EG KIGHT Singer Songwriter Guitar Player Entertainer The recipient of the 2013 Georgia Music Legend Award, which honors people from Georgia who have contributed to the state's musical heritage, EG Kight is honored to represent her home state, bringing her diverse musical menu to the fans at clubs, theaters, festivals and corporate events across America and in Europe. Kight has been nominated for the 2015 Blues Music Awards Koko Taylor Award, she landed on the AXS.com list of Top 5 Best Blues Artists of 2014, and her latest album landed on the Blues Bytes 2014 Top 10 Albums list, and the Roots Music Report's Top 100 Blues Album Chart for 2014. She was also nominated for two Blues Blast awards, and has had six previous Blues Music Awards nominations, twice for Song of the Year. Many artists have recorded her songs, and she’s had songs on two Grammy-nominated albums, and on two compilations that maintained Billboard chart positions for over a year. Kight’s style transcends musical boundaries. With a blend of americana, southern rock, blues, pop, jazz, gospel and funk, Kight continues to help shape contemporary blues. Early in her career Kight was dubbed “The Georgia Songbird,” and today she is considered one of the few true blues vocalists. With a rich and velvety voice that’s been compared to a cross between Phoebe Snow and Bonnie Raitt, and a mastery of the guitar that has her holding her own next to any other player, Kight mesmerizes audiences of all ages, as a solo, a duo (as the Peach Pickin’ Mamas), and with her Blue South band.
    [Show full text]
  • Titan Global Entertainment, Inc. 11077 Biscayne Boulevard, Suite 200 Miami, Florida 33161
    Titan Global Entertainment, Inc. 11077 Biscayne Boulevard, Suite 200 Miami, Florida 33161 http://www.titan-entertainment.net/ Titan Global Entertainment, Inc. (OTCPK: TGLE) is a full service music entertainment company that is broken into four divisions: 1. Titan Omni Portable Media Player is Titan's multimedia player which provides customers with personalization to the ultimate level. Along with the ability to play and record music, video, and voice, musicians can interact and collaborate through the virtual studio anywhere in the world to create music and video. The Omni combines the most sophisticated technology with a user-friendly interface to provide the most exciting interactive experience in technology today. Titan believes there is an overwhelming difference in the features of the Omni that will produce a superior user experience over competitors such as the Apple iPod at a lower retail price. It is expected to be 40% of Titan’s revenues. 2. Titan Tunes which is Interactive Web Portal similar to iTunes.Titprovidesindividualsall over the world with access to a dynamic and innovative multimedia portal for music, movies, and videos, and Titan Tunes is expected to be 15% of revenues. 3. Titan Music specializes in artist management, record production & distribution through Universal Music Group. Titan develops, produces, records, distributes, manages, and publishes artists within the music and entertainment industry. Titan provides high quality music consulting through know-how and contacts within the industry the record production division with exclusive distribution through Universal Music Group. It will include creation of artist demo packages using professional studios and engineers, producers and various other related services.
    [Show full text]
  • The Rise of Talk Radio and Its Impact on Politics and Public Policy
    Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox.
    [Show full text]
  • Duane Allman an Anthology Mp3, Flac, Wma
    Duane Allman An anthology mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Blues Album: An anthology Country: Japan Released: 1972 Style: Southern Rock MP3 version RAR size: 1269 mb FLAC version RAR size: 1365 mb WMA version RAR size: 1995 mb Rating: 4.8 Votes: 656 Other Formats: ADX ASF RA MMF XM AHX AIFF Tracklist Hide Credits B.B. King Medley - A. Sweet Little Angel B. It's My Own Fault C. How Blue Can You Get? –The Bass – Pete CarrDrums – Johnny SandlinEngineer – Jimmy Johnson Lead 1-1 7:05 Hourglass* Guitar – Duane AllmanOrgan – Paul HornsbyVocals, Electric Piano – Gregg AllmanWritten-By [A] – R. King*, J. Taub*Written-By [B] – John Lee HookerWritten-By [C] – Mel London Hey Jude Baritone Saxophone – James MitchellBass – Jerry Jermott*Drums – Roger HawkinsEngineer, Producer, Arranged By – Rick HallLead Guitar –Wilson 1-2 – Duane AllmanOrgan – Marvell ThomasPiano – Barry BeckettRhythm 4:01 Pickett Guitar – Jimmy Johnson Saxophone – Floyd NewmanTenor Saxophone – Aaron Varnell, Joe ArnoldTrumpet – Gene MillerVocals – Wilson PickettWritten-By – J. Lennon, P. McCartney* The Road Of Love Baritone Saxophone – Floyd Newman, James MitchellDrums – Roger HawkinsEngineer, Producer, Arranged By – Rick HallLead Guitar – –Clarence 1-3 Albert Lowe*Organ – Marvell ThomasPiano – Barry BeckettRhythm 2:54 Carter Guitar – Jimmy Johnson Slide Guitar – Duane AllmanTenor Saxophone – Aaron Varnell, Joe ArnoldTrumpet – Gene MillerWritten-By, Vocals, Guitar – Clarence Carter Goin' Down Slow Bass – Berry OakleyDrums – Johnny SandlinEngineer,
    [Show full text]
  • Capricor Phil Walden
    August 6, 1993 ISSUE #337 $6.95 708 Stokes Road Medford, N J 08055 609-654-7272 609-654-6852 TOP PRIORITY LILLIAN AXE Capricor LILLIAN AXE Phil CRUCIFIED HARD ACT TO FOLLOW Walden BLACKEIS' SWEET SIXTEEN ALTERNATIVE PICK THE OCEAN BLUE SUBLIME HARD HITTEF INSIDE: • FROM OTIS REDDING TO THE ALLMANS AND WIDESPREAD PANIC--PHIL WALDEN HAS SEEN THAT AND MOORE bnins • END OF AN ERA: COX LMA'S TAMPA ROCK LEGEND WYNF WITH CHANGE TO HOT AC SUNNY 95 RUMORED al INFINITY 2ND QUARTER EARNINGS PROMPT 3 FOR 2 SPLIT II RANDY HOCK TO LEAVE MCA FOR DEAL WITH DENNY SOMA CH t.sNe ▪ KUKQ DROPS NEW ROCK FORMAT, WILL SIMUL KIFPD FOR NOW • LISA MICHAELSON IS ELEKTRA'S NEW NACAIAZZ/AAA MGR. • BARNES, BETTS, CURELOP, EDWARDS, HUGHES, JANG, LOGAN, LUCZAK, MCNUTT, OWEN AND MORE MEET FOR CANOE CARNEY 93! dAD B r RISE/UNIDENTIFIED TOP PRIORITY illian Axe, "Crucified", I.R.S. Last year Poetic Justice hit sales figures in excess of 120,000 with corresponding chart success along the way. Lillian Axe has been blessed with the talent to write great Lsongs, work hard, pay their dues, and break into the AOR ranks with solid singles like "True Believer" and "No Mailer What". Psychoschizophrenia will likely take the band to the next level with hard hitting "Crucified" as a first release. Steve's guitar blazes once again as he incorporates his classical training and a terrific edge to the album. Steve takes Axe's sound to a darker, heavier place with results that are already paying oft Early action at WWBZ, WRZK, KZRX, WVCR and WKLO have people like John Edwards at the Blaze admitting, "It has just the right texture for us." KLQ's Dave Wellington adds, "I'm really impressed with the sound of their new stuff" We think you'll agree HARD ACTS TO FOLLO W ishbone, "Unyielding Conditioning", Columbia Fis/ibones forte has always been „ ve performances.
    [Show full text]
  • The C-SPAN Archives: an Interdisciplinary Resource for Discovery, Learning, and Engagement
    The Year in C-SPAN Archives Research Volume 1 Article 1 10-15-2014 The C-SPAN Archives: An Interdisciplinary Resource for Discovery, Learning, and Engagement Robert X. Browning Purdue University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/ccse Part of the American Politics Commons Recommended Citation Browning, Robert X. (2014) "The C-SPAN Archives: An Interdisciplinary Resource for Discovery, Learning, and Engagement," The Year in C-SPAN Archives Research: Vol. 1 , Article 1. Available at: https://docs.lib.purdue.edu/ccse/vol1/iss1/1 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. The C-SPAN Archives: An Interdisciplinary Resource for Discovery, Learning, and Engagement Cover Page Footnote To purchase a hard copy of this publication, visit: http://www.thepress.purdue.edu/titles/format/ 9781557536952 This article is available in The Year in C-SPAN Archives Research: https://docs.lib.purdue.edu/ccse/vol1/iss1/1 Browning: The C-SPAN Archives: An Interdisciplinary Resource for Discovery, THE C-SPAN ARCHIVES An Interdisciplinary Resource for Discovery, Learning, and Engagement Published by Purdue e-Pubs, 2014 1 The Year in C-SPAN Archives Research, Vol. 1 [2014], Art. 1 https://docs.lib.purdue.edu/ccse/vol1/iss1/1 2 Browning: The C-SPAN Archives: An Interdisciplinary Resource for Discovery, THE C-SPAN ARCHIVES An Interdisciplinary Resource for Discovery, Learning, and Engagement edited by ROBErt X. BROWNING PURDUE UNIVERSITY PRESS, WEST LAFAYETTE, INDIANA Published by Purdue e-Pubs, 2014 3 The Year in C-SPAN Archives Research, Vol.
    [Show full text]
  • June-Oct 2021
    JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest.
    [Show full text]
  • Village Planning Update
    Volume XXXIV No. 32 sewaneemessenger.com Friday, Sept. 7, 2018 Historic Vote on Mountain Village Planning Update: Goat Trail Crossing: Bookstore and Grocery News Monteagle to Apply for $1M Grant by Leslie Lytle, Messenger Staff Writer by Leslie Lytle, Messenger Staff Writer News about the bookstore and Th e Bishop’s Common, the former specialty food market led the location of the bookstore, is being At a special called meeting Sept. 4, the Monteagle City Council voted discussion at the September Vil- considered as the bookstore’s tem- to authorize the Mountain Goat Trail Alliance (MGTA) to write a grant lage Planning update meeting porary home. on the town’s behalf, requesting up to $1 million to get the trail across hosted by Frank Gladu, Special The mixed-use grocery and the interstate. Following the route the railroad once used to transport Assistant to the Vice-Chancellor. apartment building is slated for coal from the Plateau, the walking and biking trail will extend from Tasked with overseeing the plan, location on the lot currently oc- Cowan to Palmer when complete. Gladu has identifi ed fi ve priority cupied by the Hair Depot. The “For 10 years we’ve been trying to fi gure out how to bridge the inter- projects, with the new bookstore recently completed conceptual state,” said MGTA President Nate Wilson. and mixed-use grocery-apartment design shows the market front If Monteagle receives the funds requested in the Southeast Develop- building currently topping the list. door facing the intersection. Th e ment District (SDD) Multimodal Grant, the town will be required to Wendy Wall Th e bookstore is expected to be 10,000 square foot ground fl oor pay 5 percent of the construction costs, up to $25,000 per year over a open by the beginning of the next might house other retail businesses two year period.
    [Show full text]