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2021 Spring/Summer Series
Dear Patrons, Welcome back to live events at the Bologna Performing Arts Center! We are excited to have artists returning to our stage, and look forward to inviting you to attend shows again. Things will be a little different this spring and summer. Due to the ongoing nature of the pandemic, we are going to put each show on sale individually, about 4-6 weeks before each event. This allows us to make sure we are following the most recent executive orders, including audience capacity guidelines. Please refer to the on-sale dates for each artist in this brochure. Seating has been reduced for our Spring/Summer Series, and is being sold in staggered pairs and groups. We ask that you purchase all of the seats in the grouping to ensure that patrons are comfortable being seated together. At this time, all patrons are required to wear masks during their visit to the Bologna Performing Arts Center. All of our staff and volunteers will also wear masks, and do daily temperature checks and symptom monitoring. We ask you to please monitor your own health, and stay home if you do not feel well. We have also increased our cleaning and sanitation regimens. We have invested in new cleaning systems to ensure that the theater is totally sanitized prior to every performance. We encourage you to call us at 662-846-4625 or visit our website www.bolognapac.com for the latest health and safety operating guidelines prior to your visit. We are eager to resume presenting live events with this Spring/Summer Series. -
Senate Resolution 301 By: Senators Brown of the 26Th, Staton of the 18Th and Mullis of the 53Rd
07 LC 34 1063 Senate Resolution 301 By: Senators Brown of the 26th, Staton of the 18th and Mullis of the 53rd ADOPTED SENATE A RESOLUTION 1 Dedicating the Phil Walden Memorial Interchange; and for other purposes. 2 WHEREAS, impresario, music pioneer, and savvy businessman Phil Walden nurtured and 3 gave voice to hundreds of musicians who contributed to shaping America´s music history, 4 from Southern rock to rhythm and blues to alternative rock; and 5 WHEREAS, born in Greenville, South Carolina, on January 11, 1940, the second of three 6 sons to Mr. and Mrs. C.B. Walden, Phil Walden came to Macon, Georgia, at the age of three, 7 planting his roots deep in this state´s red clay; and 8 WHEREAS, after graduating from Lanier High School in 1958, Phil Walden enrolled at 9 Mercer University, and while a student, the charismatic and determined teen began his 10 legendary career in the music industry by booking emerging bands for fraternity parties 11 around Georgia; and 12 WHEREAS, in 1960, he opened the Phil Walden Artists and Promotions agency on Mulberry 13 Street in Macon, signing on a young Georgia artist named Otis Redding, who later had one 14 of the defining songs of the era, "(Sittin' on the) Dock of the Bay"; and 15 WHEREAS, a 1962 graduate of Mercer University, Phil Walden served his country with 16 honor, completing a tour of duty with the Adjutant General Corp of the United States Army, 17 where he rose to the rank of 1st Lieutenant; and 18 WHEREAS, over more than four decades, Phil Walden, through his Georgia based recording 19 companies Capricorn Records and Velocette Records, represented and produced some of the 20 hottest musical talent of the times, including renowned hit-makers Sam and Dave, Percy 21 Sledge, the Allman Brothers Band, the Marshall Tucker Band, the Dixie Dregs, Elvin 22 Bishop, Wet Willie, Widespread Panic, Cake, and 311, establishing Georgia as a haven for S. -
EG Kight Five-Time WC Handy Nominee!
EG KIGHT Singer Songwriter Guitar Player Entertainer The recipient of the 2013 Georgia Music Legend Award, which honors people from Georgia who have contributed to the state's musical heritage, EG Kight is honored to represent her home state, bringing her diverse musical menu to the fans at clubs, theaters, festivals and corporate events across America and in Europe. Kight has been nominated for the 2015 Blues Music Awards Koko Taylor Award, she landed on the AXS.com list of Top 5 Best Blues Artists of 2014, and her latest album landed on the Blues Bytes 2014 Top 10 Albums list, and the Roots Music Report's Top 100 Blues Album Chart for 2014. She was also nominated for two Blues Blast awards, and has had six previous Blues Music Awards nominations, twice for Song of the Year. Many artists have recorded her songs, and she’s had songs on two Grammy-nominated albums, and on two compilations that maintained Billboard chart positions for over a year. Kight’s style transcends musical boundaries. With a blend of americana, southern rock, blues, pop, jazz, gospel and funk, Kight continues to help shape contemporary blues. Early in her career Kight was dubbed “The Georgia Songbird,” and today she is considered one of the few true blues vocalists. With a rich and velvety voice that’s been compared to a cross between Phoebe Snow and Bonnie Raitt, and a mastery of the guitar that has her holding her own next to any other player, Kight mesmerizes audiences of all ages, as a solo, a duo (as the Peach Pickin’ Mamas), and with her Blue South band. -
Titan Global Entertainment, Inc. 11077 Biscayne Boulevard, Suite 200 Miami, Florida 33161
Titan Global Entertainment, Inc. 11077 Biscayne Boulevard, Suite 200 Miami, Florida 33161 http://www.titan-entertainment.net/ Titan Global Entertainment, Inc. (OTCPK: TGLE) is a full service music entertainment company that is broken into four divisions: 1. Titan Omni Portable Media Player is Titan's multimedia player which provides customers with personalization to the ultimate level. Along with the ability to play and record music, video, and voice, musicians can interact and collaborate through the virtual studio anywhere in the world to create music and video. The Omni combines the most sophisticated technology with a user-friendly interface to provide the most exciting interactive experience in technology today. Titan believes there is an overwhelming difference in the features of the Omni that will produce a superior user experience over competitors such as the Apple iPod at a lower retail price. It is expected to be 40% of Titan’s revenues. 2. Titan Tunes which is Interactive Web Portal similar to iTunes.Titprovidesindividualsall over the world with access to a dynamic and innovative multimedia portal for music, movies, and videos, and Titan Tunes is expected to be 15% of revenues. 3. Titan Music specializes in artist management, record production & distribution through Universal Music Group. Titan develops, produces, records, distributes, manages, and publishes artists within the music and entertainment industry. Titan provides high quality music consulting through know-how and contacts within the industry the record production division with exclusive distribution through Universal Music Group. It will include creation of artist demo packages using professional studios and engineers, producers and various other related services. -
Entertainmentpage 19 Technique • Friday, February 16, 2001 • 19
ENTERTAINMENTpage 19 Technique • Friday, February 16, 2001 • 19 Neal Boortz talks to GT Slow down, have a roll ENTERTAINMENT Staff writer David Reynolds talks to The Two Bits Man offers suggestions talk-show host Neal Boortz on issues of on making getting a speeding ticket a Technique • Friday, February 16, 2001 interest to Tech students. Page 23 more pleasant experience. Page 25 Hopkins offers a lot of bite for your buck in ‘Hannibal’ By Kit FitzSimons ling’s search for a serial killer. ured expatient of Lecter’s trying When brain food goes wrong Her only source of information to find the doctor and torture was a psychopathic psychologist, him to death. This sets in mo- MPAA Rating: R Dr. Hannibal “The Cannibal” tion events that bring Clarice Starring: Anthony Hopkins, Lecter. While helping Clarice, (now played by Julianne Moore) Julianne Moore, Ray Liotta Dr. Lecter delves into her psyche back onto the case and Hanni- Director: Ridley Scott and discovers she is not like oth- bal Lecter back into her life. Studio: Universal Pictures For those of you who have Running Time: 135 minutes seen Silence of the Lambs, Han- Rating: yyyy Hannibal is a nibal is sure to be just as en- grossing. However, it is also just There is only so far you can cinematic page- plain gross. There is scarcely an go into the mind of a serial killer turner that keeps organ not seen in one form or before starting to like him. There another being splashed onto the is also only so much monstrosi- you on the edge of ground or…um…mixed with ty you can see from this charac- your seat…or flava beans and a nice Chianti. -
Duane Allman an Anthology Mp3, Flac, Wma
Duane Allman An anthology mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Blues Album: An anthology Country: Japan Released: 1972 Style: Southern Rock MP3 version RAR size: 1269 mb FLAC version RAR size: 1365 mb WMA version RAR size: 1995 mb Rating: 4.8 Votes: 656 Other Formats: ADX ASF RA MMF XM AHX AIFF Tracklist Hide Credits B.B. King Medley - A. Sweet Little Angel B. It's My Own Fault C. How Blue Can You Get? –The Bass – Pete CarrDrums – Johnny SandlinEngineer – Jimmy Johnson Lead 1-1 7:05 Hourglass* Guitar – Duane AllmanOrgan – Paul HornsbyVocals, Electric Piano – Gregg AllmanWritten-By [A] – R. King*, J. Taub*Written-By [B] – John Lee HookerWritten-By [C] – Mel London Hey Jude Baritone Saxophone – James MitchellBass – Jerry Jermott*Drums – Roger HawkinsEngineer, Producer, Arranged By – Rick HallLead Guitar –Wilson 1-2 – Duane AllmanOrgan – Marvell ThomasPiano – Barry BeckettRhythm 4:01 Pickett Guitar – Jimmy Johnson Saxophone – Floyd NewmanTenor Saxophone – Aaron Varnell, Joe ArnoldTrumpet – Gene MillerVocals – Wilson PickettWritten-By – J. Lennon, P. McCartney* The Road Of Love Baritone Saxophone – Floyd Newman, James MitchellDrums – Roger HawkinsEngineer, Producer, Arranged By – Rick HallLead Guitar – –Clarence 1-3 Albert Lowe*Organ – Marvell ThomasPiano – Barry BeckettRhythm 2:54 Carter Guitar – Jimmy Johnson Slide Guitar – Duane AllmanTenor Saxophone – Aaron Varnell, Joe ArnoldTrumpet – Gene MillerWritten-By, Vocals, Guitar – Clarence Carter Goin' Down Slow Bass – Berry OakleyDrums – Johnny SandlinEngineer, -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-27-1975 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1975). The George-Anne. 767. https://digitalcommons.georgiasouthern.edu/george-anne/767 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. E1 e R K R y FEB 27 1975 roOWSWbOUTHEHWO E«E <r ^ eorse-annepublished by students cf georgia southern college SzI. 55 No. 21 Slalesboro, Georgia I'luirsdav, February 27, 1!17,»JC Marshall Tucker Band Coming Wednesday Since 1969, when The Allman drums, and percussion; and Brothers Band became the first Jerry Eubands, alto sax, flute, original blues and boogie band in and vocals. the South, there have been Lead guitarist Toy Caldwell several additions to the list. explains, "When we formed this Among these are the Marshall band, we said, 'Man, let's quit Tucker Band and Grinder Switch, doing all this copy music and try appearing March 5 at the Hanner to be a little more original about Fieldhouse. it all. Let's play what we want to The Marshall Tucker Band, one play.' " Their determination to of the South's biggest blues rock "go for broke" and devote all of groups, is based in Spartanburg, their efforts towards the success South Carolina. -
February 1, 1980, Page 7 •SGA (Continued from Page 3) Commuter Students Have Five Fund Was Approved by Senate Contract Options, Mark and Executive Council
•/_ Vol.57 James Madison University. Harrisonbarg, Virginia Friday, February 1,1*84 No. 31 State legislators debate " L drinking, drug use bills ■it By THERESA BEALE some age increase to result from the two bills. Drinking and drugs will be included In r legislative debate circles this year as the BARRY has introduced similar bills for the ■ General Assembly considers bills to raise the past four or five sessions. Last year one of his drinking.age and prohibit drug paraphernalia. drinking bills was defeated by nine votes on the i Del. Warren Barry, R-Fairfax, has proposed house floor. ■ \ bills that would raise the drinking age from 18 President Carter's suggestion for resump- ■ ^ to 19 and from 18 to 20. Bom have been tion of draft registration may hinder passage '. V»^, referred to the General Laws Committee for of Barry's bills, Derby said, since many people further consideration. hold the contention that "if they're old enough Prohibiting the manufacture, delivery or to fight, they're old enough to drink." ' 1 > •-- possession of drug paraphernalia is the thrust Del. John Rust Jr., R-Fairfax, has proposed 1 of a new bill drafted by Sen. Joe Canada, R- a bill that would return the drinking age to 21, K Virginia Beach It is undergoing consideration the minimum age before 1974. , in the Courts of Justice Committee. Drug use among youth is the main concern Barry's drinking bills are aimed at keeping behind Canada's drug paraphernalia bill, Photo by Bill Tar fcftQtiO alcohol out of the high schools, according to a according to legislative aide Bruce Meadows. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 1-22-1981 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1981). The George-Anne. 924. https://digitalcommons.georgiasouthern.edu/george-anne/924 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Hostages move out. Reagan settles in The GEORGE-ANNE Volume 61, No. 9 Georgia Southern College Statesboro, Georgia January 22, 1981 University status formula approved By SALLY SCHERER "It would take us five years future," said Charles because 18 and 19 year olds and I'm sure enrollment is to develop high quality The state Board of to reach 7,500 full-time Austin, vice president for aren't available and we're not the absolute criteria." programs, good students Regents approved a students and I'm probably academic affairs, "there are riding out the baby boom." Austin feels that the will be attracted." formula in their December being optimistic." too many things working The new regulation funding of GSC is the most Cook, who was on the meeting that will allow Throughout the entire against it." Austin cited takes nothing into con- critical factor in terms of task force that approved the senior colleges to reach university system, the total population decrease and sideration except en- the future and reaching requirement, said, "I didn't university status only if growth records for fall inflation as. -
Home with the Armadillo
Mellard: Home with the Armadillo Home with the Armadillo: Public Memory and Performance in the 1970s Austin Music Scene Jason Dean Mellard 8 Produced by The Berkeley Electronic Press, 2010 1 Greezy Wheels performing at the Armadillo World Headquarters. Photo courtesy of the South Austin Popular Culture Center. Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 3 “I wanna go home with the Armadillo Good country music from Amarillo and Abilene The friendliest people and the prettiest women You’ve ever seen.” These lyrics from Gary P. Nunn’s “London Homesick Blues” adorn the wall above the exit from the Austin Bergstrom International Airport baggage claim. For years, they also played as the theme to the award-winning PBS series Austin City Limits. In short, they have served in more than one instance as an advertisement for the city’s sense of self, the face that Austin, Texas, presents to visitors and national audiences. The quoted words refer, if obliquely, to a moment in 9 the 1970s when the city first began fashioning itself as a key American site of musical production, one invested with a combination of talent and tradition and tolerance that would make of it the self-proclaimed “Live Music Capital of the World.”1 In many ways, the venue of the Armadillo World Headquarters served as ground zero for these developments, and it is often remembered as a primary site for the decade’s supposed melding of Anglo-Texan traditions and countercultural lifestyles.2 This strand of public memory reveres the Armadillo as a place in which -
Capricor Phil Walden
August 6, 1993 ISSUE #337 $6.95 708 Stokes Road Medford, N J 08055 609-654-7272 609-654-6852 TOP PRIORITY LILLIAN AXE Capricor LILLIAN AXE Phil CRUCIFIED HARD ACT TO FOLLOW Walden BLACKEIS' SWEET SIXTEEN ALTERNATIVE PICK THE OCEAN BLUE SUBLIME HARD HITTEF INSIDE: • FROM OTIS REDDING TO THE ALLMANS AND WIDESPREAD PANIC--PHIL WALDEN HAS SEEN THAT AND MOORE bnins • END OF AN ERA: COX LMA'S TAMPA ROCK LEGEND WYNF WITH CHANGE TO HOT AC SUNNY 95 RUMORED al INFINITY 2ND QUARTER EARNINGS PROMPT 3 FOR 2 SPLIT II RANDY HOCK TO LEAVE MCA FOR DEAL WITH DENNY SOMA CH t.sNe ▪ KUKQ DROPS NEW ROCK FORMAT, WILL SIMUL KIFPD FOR NOW • LISA MICHAELSON IS ELEKTRA'S NEW NACAIAZZ/AAA MGR. • BARNES, BETTS, CURELOP, EDWARDS, HUGHES, JANG, LOGAN, LUCZAK, MCNUTT, OWEN AND MORE MEET FOR CANOE CARNEY 93! dAD B r RISE/UNIDENTIFIED TOP PRIORITY illian Axe, "Crucified", I.R.S. Last year Poetic Justice hit sales figures in excess of 120,000 with corresponding chart success along the way. Lillian Axe has been blessed with the talent to write great Lsongs, work hard, pay their dues, and break into the AOR ranks with solid singles like "True Believer" and "No Mailer What". Psychoschizophrenia will likely take the band to the next level with hard hitting "Crucified" as a first release. Steve's guitar blazes once again as he incorporates his classical training and a terrific edge to the album. Steve takes Axe's sound to a darker, heavier place with results that are already paying oft Early action at WWBZ, WRZK, KZRX, WVCR and WKLO have people like John Edwards at the Blaze admitting, "It has just the right texture for us." KLQ's Dave Wellington adds, "I'm really impressed with the sound of their new stuff" We think you'll agree HARD ACTS TO FOLLO W ishbone, "Unyielding Conditioning", Columbia Fis/ibones forte has always been „ ve performances. -
The Marshall Tucker Band Rider
THE MARSHALL TUCKER BAND RIDER Rider to be attached and made part of AofM contract number ________, dated ______________________between THE MARSHALL TUCKER BAND, hereinafter called “ARTIST,” and______________________________________________ hereinafter called “PURCHASER”. The following provisions shall be deemed incorporated in and part of the agreement for the performance of THE MARSHALL TUCKER BAND on _______________________ at _____________________________________________ in ______________________ The purpose of this rider is to guarantee the PURCHASER, the ARTIST, and the audience the best performance situation possible. 1. NO DEVIATIONS OR ELIMINATIONS FROM THIS RIDER SHALL BE MADE WITHOUT PRIOR APPROVAL OF THE ARTIST’S MANAGEMENT. DEVIATIONS OR ELIMINATIONS WILL ONLY DELAY THE SUCCESSFUL EXECUTION OF THIS CONTRACT. 2. ALL TECHNICAL INQUIRIES SHOULD BE DIRECTED TO: DAVID WARREN AT NUMBERS BELOW. 3. ALL PRESS RELATED TO INQUIRES SHOULD BE DIRECTED TO: RON RAINEY MGMT: 310/277-4050 310/557-8421 – FAX 4. STAGE HANDS ARE REQUIRED TO LOAD AND UNLOAD. ****NO STAGEHANDS, NO SHOW**** Personal Management Production Manager RON RAINEY MANAGEMENT, INC. David Warren 315 South Beverly Drive Phone (864) 473-0815 Suite 407 Fax (864) 473-0817 Beverly Hills, CA 90212 Phone (310) 277-4050 Fax (310) 557-8421 Best wishes for a successful engagement! 1 1. BILLING A. Billing in all advertising & publicity is to read “THE MARSHALL TUCKER BAND.” B. ARTIST shall receive 100 percent EXCLUSIVE HEADLINE BILLING in all advertising, marquees, displays, programs,