Misrepresenting the Shoah in American Film
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Jew Taboo: Jewish Difference and the Affirmative Action Debate
The Jew Taboo: Jewish Difference and the Affirmative Action Debate DEBORAH C. MALAMUD* One of the most important questions for a serious debate on affirmative action is why certain minority groups need affirmative action while others have succeeded without it. The question is rarely asked, however, because the comparisonthat most frequently comes to mind-i.e., blacks and Jews-is seen by many as taboo. Daniel A. Farberand Suzanna Sherry have breached that taboo in recent writings. ProfessorMalamud's Article draws on work in the Jewish Studies field to respond to Farberand Sherry. It begins by critiquing their claim that Jewish values account for Jewish success. It then explores and embraces alternative explanations-some of which Farberand Sheny reject as anti-Semitic-as essentialparts of the story ofJewish success in America. 1 Jews arepeople who are not what anti-Semitessay they are. Jean-Paul Sartre ha[s] written that for Jews authenticity means not to deny what in fact they are. Yes, but it also means not to claim more than one has a right to.2 Defenders of affirmative action today are publicly faced with questions once thought improper in polite company. For Jewish liberals, the most disturbing question on the list is that posed by the comparison between the twentieth-century Jewish and African-American experiences in the United States. It goes something like this: The Jews succeeded in America without affirmative action. In fact, the Jews have done better on any reasonable measure of economic and educational achievement than members of the dominant majority, and began to succeed even while they were still being discriminated against by this country's elite institutions. -
The Holocaust: Full Book List
Page 1 Holocaust Books for Young Readers Prejudice, Discrimination, Tolerance, Bullying, Being an Upstander The Sneetches by Dr. Seuss (1961) – Ages 4 - 8 Picture book that teaches children to be tolerant through a metaphor of what happened during the Holocaust https://greenvilleartspartnership.files.wordpress.com/2010/12/thesneetchesguide.p df https://www.teachingchildrenphilosophy.org/BookModule/TheSneetches Terrible Things: Allegory of the Holocaust by Eve Bunting (1996) Ages 6 and up. The author teaches children about the Holocaust through an allegory using animals. This introduction to the Holocaust encourages young children to stand up for what they think is right, without waiting for others to join them. It shows young readers the dangers of being silent in the face of danger. https://rapickering.files.wordpress.com/2011/08/terrible-things-questions.docx ______________________________________________________________ Brundibar by Toni Kushner (2003) – Ages 6 - 9 Picture book based on the Czech Opera performed by the children of Terezin. Brundibar tells the story of a brother and sister who stand up against tyranny with the help of other children in order to help their sick mother. http://www.ratiotheatre.org/Brund-SG www.pbs.org/now/arts/brundibar.html _____________________________________________________________ Star of Fear, Star of Hope by Jo Hoestlandt (1993) – Ages 7 - 10 The story of a nine year old girl who is confused by the disappearance of her Jewish friend during the Nazi occupation of Paris. www.holyfamilyregional.com/.../Star%20of%20Fear%20Star%20of%20Hope.p df _____________________________________________________________ Page 2 Mischling, Second Degree: My Childhood in Nazi Germany by Ilse Koehn (1977) Ages 11 - 14 A memoir of Ilse Koehn who is classified a Mischling, second degree citizen in Nazi Germany. -
National Gallery of Art Spring10 Film Washington, DC Landover, MD 20785
4th Street and Mailing address: Pennsylvania Avenue NW 2000B South Club Drive NATIONAL GALLERY OF ART SPRING10 FILM Washington, DC Landover, MD 20785 A JOURNEY STILL VOICES, THROUGH INNER LIVES: MOVING SPANISH CATALUNYA: THE JOURNALS COMPOSITIONS: EXPERIMENTAL POETRY OF OF ALAIN ASPECTS OF FILM PLACE CAVALIER CHOPIN BEAT MEMORIES de Barcelona), cover calendar page calendar International), page four page three page two The Savage Eye Arrebato The Savage Eye L’arbre deL’arbre les cireres Battle of Wills Tríptico elemental de España SPRING10 details from (Centre de Cultura Contemporania de Barcelona) (Photofest) (Photofest) (InformAction and Philippe Lavalette) Philippe (InformAction and The Savage Eye (Photofest) (Centre de Cultura Contemporania , Thérèse (Photofest), Irène (Pyramid Monuments: Matta-Clark, Graham, Smithson Redmond Entwistle in person Saturday June 19 at 2:00 Film Events A clever and amusing critique of three minimalists, Monuments portrays a problem that emerges in the work of Robert Smithson, Gordon Matta- Clark, and Dan Graham, as each artist retraces his relationship to New Figaros Hochzeit (The Marriage of Figaro) Jersey. “An alle gory for the effects that globalization has had on society Introduction by Harry Silverstein and landscape” — Rotterdam Film Festival. (Redmond Entwistle, 2009, Saturday April 17 at 1:00 16 mm, 30 minutes) The postwar German DEFA studio (Deutsche Film-Aktiengesellschaft) Manhattan in 16 mm produced a series of popular black-and-white opera films in the late 1940s Saturday June 19 at 3:30 at their Potsdam-Babelsberg facility. Mozart’s Figaros Hochzeit, the first of these, featured wonderfully showy sets and costumes. (Georg Wildhagen, A sequence of documentary and experimental shorts, filmed over the past 1949, 35 mm, German with subtitles, 109 minutes) Presented in association twenty years in the now rare 16 mm gauge, observes, lionizes, and languishes with Washington National Opera. -
DOROTTYA JÁSZAY, ANDREA VELICH Eötvös Loránd University
Film & Culture edited by: DOROTTYA JÁSZAY, ANDREA VELICH Eötvös Loránd University | Faculty of Humanities | School of English and American Studies 2016 Film & Culture Edited by: DOROTTYA JÁSZAY, ANDREA VELICH Layout design by: BENCE LEVENTE BODÓ Proofreader: ANDREA THURMER © AUTHORS 2016, © EDITORS 2016 ISBN 978-963-284-757-3 EÖTVÖS LORÁND TUDOMÁNYEGYETEM Supported by the Higher Education Restructuring Fund | Allocated to ELTE by the Hungarian Government 2016 FILM & CULTURE Marcell Gellért | Shakespeare on Film: Romeo and Table of Juliet Revisioned 75 Márta Hargitai | Hitchcock’s Macbeth 87 Contents Dorottya Holló | Culture(s) Through Films: Learning Opportunities 110 Géza Kállay | Introduction: Being Film 5 János Kenyeres | Multiculturalism, History and Identity in Canadian Film: Atom Egoyan’s Vera Benczik & Natália Pikli | James Bond in the Ararat 124 Classroom 19 Zsolt Komáromy | The Miraculous Life of Henry Zsolt Czigányik | Utopia and Dystopia Purcell: On the Cultural Historical Contexts of on the Screen 30 the Film England, my England 143 Ákos Farkas | Henry James in the Cinema: When Miklós Lojkó | The British Documentary Film the Adapters Turn the Screw 44 Movement from the mid-1920s to the mid-1940s: Its Social, Political, and Aesthetic Context 155 Cecilia Gall | Representation of Australian Aborigines in Australian film 62 Éva Péteri | John Huston’s Adaptation of James Joyce’s “The Dead”: A Literary Approach 186 FILM & CULTURE Eglantina Remport & Janina Vesztergom | Romantic Ireland and the Hollywood Film Industry: The Colleen -
Postclassical Hollywood/Postmodern Subjectivity Representation In
Postclassical Hollywood/Postmodern Subjectivity Representation in Some ‘Indie/Alternative’ Indiewood Films Jessica Murrell Thesis submitted for the Degree of Doctor of Philosophy Discipline of English Faculty of Humanities and Social Sciences University of Adelaide August 2010 Contents Abstract .................................................................................................................. iii Declaration ............................................................................................................. iv Acknowledgements.................................................................................................. v Introduction ........................................................................................................... 1 Chapter 1. Critical Concepts/Critical Contexts: Postmodernism, Hollywood, Indiewood, Subjectivity ........................................................................................12 Defining the Postmodern.....................................................................................13 Postmodernism, Cinema, Hollywood. .................................................................22 Defining Indiewood. ...........................................................................................44 Subjectivity and the Classical Hollywood Cinema...............................................52 Chapter 2. Depthlessness in American Psycho and Being John Malkovich.........61 Depthlessness, Hermeneutics, Subjectivity..........................................................63 -
Value Added: Jews in Postwar American Culture 69
Value Added: Jews in Postwar American completely secularized, even surpas. skepticism. So complete ~ triur Bless America" (1918, rev. 1938rcOl: Value Added: Jews in Postwar gled Banner" as the national antherr remember. The principle of separatiOi American Culture obstacle. 2 Until the early 1960s, however, th. pluralism were unrealized. Although Stephen J. Whitfield dency has not recurred, John F. Ker (BRANDEIS UNIVERSITY) longer necessary for the holder of the years later, another symbolic defeal conformity with the landmark U.S. Though Protestantism had long unoft the country, the Supreme Court bann five New York children challenged Americans are "descended from the same ancestors, speaking the same language, graders was eleven-year-old Joe Rotn professing the same religion, attached to the same principles of government, very graduation, he later recalled, some of similar in their manners and customs," John Jay wrote in The Federalist No.2, in before talking to him.) The shock Wi defense of the new Constitution. 1 At least he got the politics right: All the basic Long Island and across the country. A political institutions of the United States had been created by the end of the eigh the Supreme Court's ruling, and lib· teenth century, and none since then. But the Framers could scarcely have imagined their outrage. Two years later, the Re how the culture would keep shifting into new configurations. Regional and ethnic whether 1964 was "the time for our I customs would vary widely, new languages would get injected (at least for one or our school rooms"; and a conservativ two generations) and religious pluralism would become legitimated, largely because increasing antisemitism if the Jews ~ Americans increasingly did not have the same ancestors. -
1.20: Mandatory Minimums Guests: Mayor Karen Freeman-Wilson and Kathleen “Bird” York
The West Wing Weekly 1.20: Mandatory Minimums Guests: Mayor Karen Freeman-Wilson and Kathleen “Bird” York [Intro Music] JOSH: You're listening to “The West Wing Weekly.” I'm Joshua Malina. HRISHI: And I'm Hrishikesh Hirway. Today we're talking about Episode 20 from Season 1. It's called "Mandatory Minimums." JOSH: It was written by fan favorite Aaron Sorkin, and it was directed by Bob Berlinger - incredibly nice, funny, great guy and an excellent director. I worked with him on, I think, something like twelve episodes of Sports Night . He directed me in my brief appearance in a TV movie starring Charisma Carpenter called See Jane Date , and - he's great. HRISHI: And now he's directing See Jane Cregg . JOSH: Ah. There you go! HRISHI: Coming up later in the episode, we're going to be joined by Mayor Karen Freeman- Wilson of Gary, Indiana to talk to us about the issue of mandatory minimums, and we're going to be joined by Kathleen York, who makes her first appearance in the series guest-starring as Andrea Wyatt. JOSH: Ok, music guy: Gary, Indiana. Made famous in what musical? HRISHI: Our Town ? JOSH: Good guess, but it's not a musical. HRISHI: [laughs] Our Town isn't a musical? JOSH: So, I guess that would be among the worst possible guesses. HRISHI: [laughs] It's on a stage! JOSH: There's a song in The Music Man - oh, now I've given it away - The Music Man . HRISHI: Is it The Music Man ? JOSH: Since your original guess was a straight play, I figured I'd just zoom right ahead to the correct answer: The Music Man. -
Essays on Humor and Identity in American Jewish Fiction
UNLV Retrospective Theses & Dissertations 1-1-2004 Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction Jason Paul Steed University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Steed, Jason Paul, "Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction" (2004). UNLV Retrospective Theses & Dissertations. 2577. http://dx.doi.org/10.25669/501a-0s8y This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. E56AYS(3NPnJNK%tAfü3E&ENTTrf n^/UÆEKKLANTEM%SHI%CTK%% by Jason Paul Steed Bachelor of Arts Brigham Young University 1995 Master of Fine Arts University of Idaho 1999 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2004 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3143390 Copyright 2004 by Steed, Jason Paul All rights reserved. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
Modern Marvels Jewish Adventures in the Graphic Novel
jewish literature Identity and Imagination modern marvels Jewish Adventures in the Graphic Novel Essay by Jeremy Dauber atran assistant professor of yiddish language, literature, and culture at columbia university Presented by Nextbook and the American Library Association modern marvels Jewish Adventures in the Graphic Novel Jeremy Dauber Back when he was on Saturday Night Live, Adam Sandler used to do a skit called “The Hanukkah Song,” where he would sing about all the celebrities no one knew were Jewish (“David Lee Roth lights the menorah, / So do James Caan, Kirk Douglas, and the late Dinah Shore-ah.”). If Sandler were to write a similar tune about comic books, he’d have his work cut out for him. Superman? The Last Son of Krypton was the brainchild of two Jewish men from Cleveland, Jerry Siegel and Joe Shuster. Batman? The handiwork of Bob Kane and Bill Finger. The Marvel comic book characters who have made their way to a multiplex near you—the Fantastic Four, the X-Men, the Hulk? The products of Stanley Lieber and Jacob Kurtzberg’s imaginations (better known as Stan Lee and Jack Kirby). More than two million Eastern European Jewish immigrants arrived in the United States between 1880 and 1920, just in time to participate in the great explosion of American popular arts: fi lm, radio, vaudeville, sports, and eventually television. One of the most page 1 powerful of these new cultural institutions was the periodical press, both in Yiddish and in English. Publishers like William Randolph Hearst and Joseph Pulitzer, determined to reach as many readers as possible, transformed the newspaper, introducing new features like advice columns, full-color photo sections, and, of course, the comic strip. -
GCM2017 Catalogo+Calendario V6
ASSOCIAZIONE CULTURALE Kinemathek, Berlin); Anke Mebold (Deutsches “LE GIORNATE DEL CINEMA MUTO” Filminstitut – DIF); Andreas Thein (Filmmuseum Düsseldorf); Stefan Drößler (Filmmuseum Soci fondatori München); Oliver Hanley (Filmuniversität Paolo Cherchi Usai, Lorenzo Codelli, Babelsberg Konrad Wolf); Anke Wilkening Piero Colussi, Andrea Crozzoli, Luciano De (Friedrich-Wilhelm-Murnau-Stiftung); Anna Giusti, Livio Jacob, Carlo Montanaro, Mario Leippe, Reiner Ziegler (Landesfilmsammlung Quargnolo†, Piera Patat, Davide Turconi† Baden-Württemberg). Presidente Giappone: Masaki Daibo, Yoshiro Irie, Akira Livio Jacob Tochigi (National Film Center, Tokyo); Alexander Direttore emerito Jacoby, Johan Nordström David Robinson Italia: Luigi Calabrese (Associazione La Bottega Direttore delle Idee, Taranto); Carmen Accaputo Jay Weissberg (Cineteca di Bologna); Luisa Comencini, Roberto Della Torre, Matteo Pavesi, Marcello Seregni (Fondazione Cineteca Italiana, Milano); Laura Ringraziamo sentitamente per aver collaborato Argento, Daniela Currò, Franca Farina, Felice al programma: Laudadio, Irela Núñez Del Pozo, Maria Assunta Argentina: Fernando Citara (Archivo General de la Pimpinelli (Fondazione CSC - Cineteca Nazionale, Nación, Buenos Aires). Roma); Maria Ida Biggi, Marianna Zannoni (Fondazione Giorgio Cini, Venezia); Immagine Australia: Sally Jackson, Meg Labrum, Gayle Lake, Ritrovata, Bologna; Stella Dagna, Claudia Gianetto Caitlyn Leon (National Film and Sound Archive, (Museo Nazionale del Cinema, Torino); Luca Canberra). Mazzei (Università di Roma -
The Student Newspaper of Imperial College London Rd PAGE 2 the STUDENT NEWSPAPER of IMPERIAL COLLEGE LONDON SATURDAY 3 OCTOBER 2015 Felixonline.Co.Uk
ISSUE 1611 SATURDAY 3rd OCTOBER 2015 The Student Newspaper of Imperial College London rd PAGE 2 THE STUDENT NEWSPAPER OF IMPERIAL COLLEGE LONDON SATURDAY 3 OCTOBER 2015 felixonline.co.uk [email protected] A word from the Editor Contents ello and welcome to run something. Don’t ask me what News 3 Editor-in-Chief Grace Rahman this, the very first the others are here for, but I do the FELIX of the year. newspaper. Comment 7 News Editor And thanks for taking It’s a big old job, which needs Cecily Johnson the time to read my editorial, you a big team behind it. This means Feature 12 sweet angel. that there’s plenty of room for Comment Editor H Congrats for getting this far! You you. We’re always after illustrators, Tessa Davey Science 15 all deserve a pat on the back for photographers, writers and other Science Editor getting into Imperial. You deserve a cuties to get involved. You can read Clubs & Societies 19 Jane Courtnell little sit down for moving all your more about what we get up to in stuff into halls. By the end of freshers Clubs and Societies on page 19. We Music 22 Arts Editors week, you’ll need a beach holiday. have a good time. Indira Malik, Jingjie But for now, it’s time to forget your Stop me if you see me around the Arts 25 Cheng and Max A-Level results, unfollow all your place. Please. Most of my friends Falkenberg school friends on Facebook and have graduated and have proper jobs probably knock in a minute.