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BRG 18 Preliminary Inventory ______
_____________________________________________________________________ WOODS BAGOT ARCHITECTS PTY. LTD BRG 18 Preliminary Inventory __________________________________________________________________ Edward Woods (1837-1913) arrived in South Australia during 1860 and began working for the architect Edmund Wright. He helped design the GPO and Town Hall before starting out on his own in 1869; his first commission being St. Peter's Cathedral. By 1884, he had been appointed the colony's Architect-in-chief, and was an inaugural member of the S.A. Institute of Architects formed in 1886. Walter Bagot (1880-1963), a grandson of Henry Ayers and a student of St. Peter's College, became articled to Woods in 1899. He later studied architecture in London before entering into partnership with Woods in 1905. The following year, Bagot assisted with the formation of the first school of architecture in Adelaide, under the auspices of the School of Mines. Herbert Jory, James Irwin and Louis Laybourne-Smith joined the practice as partners in ensuing years; Laybourne-Smith (1880-1965) was also Head of the School of Architecture for 40 years and instrumental in its foundation. Woods Bagot have been a very influential in South Australia, with early emphasis on traditional styles and in ecclesiastical architecture. The firm designed Elder House, the Trustee Building, Bonython Hall, Barr Smith Library, the War Memorial, Carrick Hill and a number of churches in Adelaide and the country. Later commissions included John Martins, the Bank of NSW, CML and Da Costa Buildings, ANZ Bank and the Elizabeth City Centre, while more recent examples include Standard Chartered, Commonwealth Bank, Telecom and Mutual Health buildings. -
A Symposium Exploring Digital Architectural and Built Environment Records
Born digital: a symposium exploring digital architectural and built environment records WORKSHOP PRESENTERS AND PRESENTATION SUMMARIES Monday 18 April 2016 Morning Session 9am-12.30pm Venue: Council Room, Hawke Building Level 5 Welcome and Introduction Assoc Prof Christine Garnaut, Director: Architecture Museum, School of Art Architecture and Design, University of South Australia E: [email protected] Archaeology of the Digital and born-digital archives at CCA Tim Walsh, Digital Archivist, Canadian Centre for Architecture, Montreal The last few decades have seen radical changes in the tools, education, and practice of architecture and design. Archaeology of the Digital is part of a multi-year research project launched by the Canadian Centre for Architecture (CCA) to investigate the development and use of computers in architecture, and the first step in the CCA’s strategic objective of creating a collection of digital architecture. The project, spanning a period of three years and including exhibitions, seminars, public programs and publications, has fostered research around two crucial under-addressed topics: how to collect, preserve, and catalogue born-digital architectural archives, and how to make this material accessible to the public and to researchers. Tim Walsh will share details and experiences from the project, and speak to the opportunities and challenges of archiving born-digital files of architecture and design. Tim Walsh is the Digital Archivist at the Canadian Centre for Architecture, an international research centre and museum in Montreal dedicated to the study of architecture as a public concern. He holds an MS in Library and Information Science from Simmons College, where he concluded his studies with a research paper entitled “Preservation and Access of Born-Digital Architectural Design Records in an OAIS-Type Archive,” and a BA in English from the University of Florida. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
Deakin Research Online
Deakin Research Online This is the published version: Jones, David 2011, Bagot, Walter, in The encyclopedia of Australian architecture, Cambridge University Press, Port Melbourne, Vic., pp.60-60. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30041726 Reproduced with the kind permission of the copyright owner. Copyright: 2011, Cambridge University Press in Domestic Architecture in Australia (1919), Some nineteenth BAGOT, WALTER century Adelaide architects (1958), 'Early Adelaide architecture' WALTER Hervey Bagot (1880- 1963) was born in North (1953-8), edited Reveries in retrospect (1946), written by his Adelaide, son of a prominent stockbroker and pastoralist. He wife,]osephine Margaret Barritt, and regularly lectured on was apprenticed in 1899 to Edward Woods, later studying Italian painting at the Art Gallery of SA. He was the recipient architecture at King's College, London (1902- 5). Upon his of a Worshipful Company of Carpenters silver medal (1903), return to Adelaide in 1905, Woods offered him a partnership, RIBA associateship (1904) and FRIBA (1926); served as RAIA establishing the practice Woods Bagot (later known variously (SA) President (1917-19), was elevated to LFRAIA (1960); as Woods Bagot Laybourne-Smith & Irwin). Described as a and created a Cavaliere Ordine al Merito della Repubblica Italiana 'master of architectural detail, both classic and medieval', he (Knight of the Order of Merit of the Republic ofItaly) in 1962 was passionate about classical and traditional designs, especially for services to the Australian- Italian Association. northern Italian architecture. He spending many summers DAV ID JONES there, embracing, in his writings and designs, the climatic relevance and appropriateness of this style for Adelaide and its J. -
Architecture in Queensland
ARCHITECTURE IN QUEENSLAND Queensland architecture has always presented with a unique expression... Architecture in Queensland 3 Welcome to Brisbane and the Queensland 20 今年昆士兰布里斯班为二十国集团首脑峰会 The G20 year brings global attention to 随着二十国集团首脑峰会(G20)的召开, (Q20) Queensland Construction Day, a major (Q20)东道主。在盛会开幕之前,欢迎诸 Queensland architects who understand their 全球的目光都将焦距昆士兰州。昆士兰优秀 international showcase of Queensland’s property 位光临昆士兰建筑工程日。这一特殊的节日 place in the world and the opportunities that are 的建筑师对其在世界同行中的地位和如何发 and construction landmark developments and 是昆士兰州地产开发和建筑工程成果展示, available in their region. They are delivering work 挥地域潜力都有着深刻的理解,而他们的设 featuring this wonderful display of Architecture 本书更特地汇集介绍了本州各类优秀建筑 to a world class standard. 计正展示出世界性的高水准。 in Queensland. 项目。 Queensland architecture has always presented 昆士兰的建筑总是以其独特的风格见长,充 More than any other Australian city, Brisbane 与澳大利亚其它城市不同,布里斯班是在极 with a unique expression, evolving as it has 分体现地域气候条件和澳大利亚北部所独特 has transformed to a world standard city in a very 短的时间内发展成为世界性的都市的。三十 in response to the climatic opportunities and 的热带和亚热带景观环境特征。 short time frame. Brisbane is a city that only thirty 年前,布里斯班基本上没有城市中心和城市 challenges of this subtropical / tropical place set 昆士兰是各种极端条件的集合体,其内涵丰 years ago had virtually no city centre residential 居民,城市设施少之又少。本人在布里斯班 in a vast northern Australian landscape. 富的城市元素往往靠近海洋或毗邻曲折的河 population and very limited public realm provision. 和世界各地的房产和金融行业有三十多年的 流而设。这些河流途经宽广的内陆地区,沿 I have over thirty years’ experience in the 执业经验,亲睹城市如此迅速而彻底的转变 Queensland is a state of extremes – a place with 岸遍布丰富的矿产、农业和草场资源。 property and finance sector both in Brisbane and 令人惊叹。如今的布里斯班是一个生机勃勃 richly varied regional urban settlements, many 的、公共设施十分精良的城市。 close to the sea or on the great serpentine rivers internationally and the transformation of Brisbane 这些景观催生了地区内建筑的品质、趣味和 during this time is remarkable. It is now a thriving fed from the large and dry inland areas rich in 位于城市核心区的所有住宅、大多数办公和 变化。新近开发的建筑则集中体现了昆士兰 energetic place with exceptional standards of mineral, agricultural and pastoral opportunities. -
Annual Report 2012-2013
National Trust of Queensland Annual Report 2012-2013 National Trust of Queensland Annual Report 2012-2013 The Annual Report is an account of the financial and non-financial performance of the National Trust of Queensland. The National Trust of Queensland welcomes feedback on this report and suggestions for improvement. The National Trust of Queensland is committed to providing accessible services to Queenslanders from all culturally and linguistically diverse backgrounds. If you have difficulty in understanding the Annual Report, you can contact us on (07) 3223 6666 and we will arrange for an interpreter to effectively communicate the report to you. © National Trust of Queensland 2013 Images Front Cover: Tim Nemeth Photography Page 6: Dingo and Owl, Currumbin Wildlife Sanctuary Page 15: ‘May Bell Ferry’, Dr Melanie Piddocke Page 16: James Cook Museum, Sharon Kleinschmidt Other images: Tim Nemeth Photography “What we care for today, we will appreciate tomorrow” National Trust of Queensland Annual Report 2012-2013 23 September 2013 The Honourable Andrew Powell MP Minister for Environment and Heritage Protection 400 George Street Brisbane Qld 4000 Dear Minister I am pleased to present the Annual Report 2012-2013 for the National Trust of Queensland. I confirm that this Annual Report substantially complies with the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009. I also confirm that this Annual Report substantially complies with the detailed requirements set out in the Annual Report Requirements for Queensland Government Agencies. The National Trust has made a considerable effort to comply with these requirements within its available resources and continues to move towards having a fully compliant Annual Report. -
Woods Bagot: Creating Immense Projects on a Human Scale
MAY 19 MAY ISSUE 35 HAS GREENWASHING STAGNATED SUSTAINABLE DESIGN? WOODS BAGOT: CREATING IMMENSE PROJECTS ON A HUMAN SCALE CAN DESIGN HELP CHANGE A WORKSPACE'S CULTURE? A LOOK AT DENTSU AEGIS NETWORK'S SCHIAVELLO.COM WELLNESS-FOCUSED WORKSPACE PROJECTS PEOPLE DESIGN KNOWLEDGE NEWS CULTURE SCHIAVELLOFURNITURE.COM/AGILE-TABLE Hello. Welcome to Details 35. Since the beginnings of Schiavello over 50 years ago, we have always pushed boundaries, never satisfied with merely meeting the status quo. In property development, construction and furniture, we are constantly asking how we can do more, do better, and excel further than has previously been achieved. This approach is perfectly encapsulated in our company motto, ‘Anything is possible.’ In this issue of the magazine, we explore this practice in a few different ways. On pg. 16, Sara Kirby takes a critical look at greenwashing, how it has stagnated the design industry, and what the future of sustainable design looks like. She explores how we can look past media spin and push to make our future more environmentally sustainable, something that we as a company are deeply invested in. In our profile section (pg. 12), Sandra Tan talks to Grant Boshard of Woods Bagot, a studio that needs no introduction. Together the pair reveals how Woods Bagot has achieved such an enduring legacy – with an answer that is, at least partially, to do with the practice’s open embracing of change and constant questioning of how it can adapt and be better. For Schiavello, we profile Dentsu Aegis Network (DAN) Perth, a project we took on right from the beginning, all the way through to the moment the ribbon was cut on opening day. -
Links and Accessing Social Media Accounts in Our Sector
Taking it online Engaging through Social Media The following links enable you to access more detailed information about Social Media and the way it is used. Because we are delivering this as a Zoom webinar this list of URLS referred to in Anne’s presentation encourages you to explore further. Links referred to in presentation Taking it online How does social media affect people and the world – Youtube understanding #socialography Sensis Yellow pages social media annual survey report, 2018 – interesting reading 75+ social media platforms – abbreviated explanations Source: Influencer Marketing Hub (USA) SLQ’s social media channels & options – Check out State Library social media channels online without an account Social Media platforms – getting started through Youtube Setting up a Facebook account for a not-for-profit organisation – (2013) Setting up a Twitter account for a not-for-profit organisation – (2012) 7 tips on using Instagram – business article but it does refer to all the features – March 2020 Social media take-up is reasonably strong with today’s participants. Various tables below list Facebook accounts for Peak bodies and member organisations attending today; twitter handles to follow and Instagram accounts I was able to find quickly. We encourage you to follow, like, interact with and share these as part of your social media communication online. Queensland’s GLAM sector Peak organisations on Facebook National Archives Australia https://www.facebook.com/naagovau Museums & Galleries Queensland https://www.facebook.com/magsq -
Brisbane Open House Public Relations Plan
Prepared for AMB379 Public Relations Campaigns (May 2016) Brisbane Open House Public Relations Plan Brisbane Open House Public Relations Plan EXECUTIVE SUMMARY Brisbane Open House has approached Glasshouse Public Relations to ensure the organisation maintains a positive growth trajectory and is well-positioned to obtain sponsorship and funding in a highly competitive operating environment The opportunity to increase, awareness of and engagement with Brisbane Open House among Brisbane young professionals and university has been identified as a way to meet this goal. Glasshouse Public Relations is proud to introduce the Unlock Your City Campaign. The campaign is innovative, creative and cost-effective and has been designed to truly unlock the potential of Brisbane Open House whilst maximizing their reputation and building relationships with a new target audience and the local community. Glasshouse Public Relations have utilised a strategic approach that incorporates media and community relations to capture the interest and involvement of a new target public that they had not specifically targeted in previous campaigns. Furthermore the strategy is cost-effective and has incorporated competition-based incentives, social media, traditional media and community engagement. Tactics have been designed to achieve the specific goals and objectives relating to awareness and engagement among the target public towards Brisbane Open House events and as brand overall. This proposal discusses how this campaign can achieve the public relations goal and ultimately, achieve Brisbane Open House’s goal while using the slogan “unlock your city” as an underlying key message that shines through each tactic.. The three key tactics and mutliple sub-tactics will be implemented throughout that campaign period of mid June – October 2016 and are detailed in the campaign’s tactical timeline. -
Register of Architects & Non Practising Architects
REGISTER OF ARCHITECTS & NON PRACTISING ARCHITECTS Copyright The Board of Architects of Queensland supports and encourages the dissemination and exchange of information. However, copyright protects this document. The Board of Architects of Queensland has no objection to this material being reproduced, made available online or electronically , provided it is for your personal, non-commercial use or use within your organisation; this material remains unaltered and the Board of Architects of Queensland is recognised as the owner. Enquiries should be addressed to: [email protected] Register As At 29 June 2021 In pursuance of the provision of section 102 of Architects Act 2002 the following copy of the Register of Architects and Non Practicing Architects is published for general information. Reg. No. Name Address Bus. Tel. No. Architects 5513 ABAS, Lawrence James Ahmad Gresley Abas 03 9017 4602 292 Victoria Street BRUNSWICK VIC 3056 Australia 4302 ABBETT, Kate Emmaline Wallacebrice Architecture Studio (07) 3129 5719 Suite 1, Level 5 80 Petrie Terrace Brisbane QLD 4000 Australia 5531 ABBOUD, Rana Rita BVN Architecture Pty Ltd 07 3852 2525 L4/ 12 Creek Street BRISBANE QLD 4000 Australia 4524 ABEL, Patricia Grace Elevation Architecture 07 3251 6900 5/3 Montpelier Road NEWSTEAD QLD 4006 Australia 0923 ABERNETHY, Raymond Eric Abernethy & Associates Architects 0409411940 7 Valentine Street TOOWONG QLD 4066 Australia 5224 ABOU MOGHDEB EL DEBES, GHDWoodhead 0403 400 954 Nibraz Jadaan Level 9, 145 Ann Street BRISBANE QLD 4000 Australia 4945 ABRAHAM, -
Weitzman School of Design
UNIVERSITY OF PENNSYLVANIA Weitzman School of Design 2020 Career Plans Survey Report Methodology Sections Career Services at the University of Pennsylvania annually 1. Post-Graduation Outcomes surveys graduating students to provide a snapshot of their post- graduation plans. 2. Full-Time Job Offers & Hiring Timeline This report looks at 320 Weitzman School of Design graduates who received their degrees between August 2019–May 2020. 3. Geography & International Students were surveyed up to six months from their graduation Students date, with a 39% response rate. Additional information was 4. Positions & Salaries by Program then collected via LinkedIn and other sources, bringing the total knowledge rate up to 61%, a total of 196 known graduate outcomes. Given the impact of the pandemic, a significant number of graduates “Seeking Employment” received job offers in 2021. However, we are unable to include that information in our report, as our data collection ends in November, following national standards. 1 2020 WEITZMAN SCHOOL OF DESIGN CAREER PLAN REPORT Post-Graduation by the Numbers 196 responses Full-Time Employment 74.0% Seeking Employment 20.9% Given the impact of the pandemic, a significant Part-Time Employment 2.0% number of graduates “Seeking Employment” received Continuing Education 2.0% job offers in 2021. However, we are unable to include that information in our report, as our data collection Seeking Continuing Education 0.5% ends in November, following national standards. Not Seeking 0.5% 78.1% of graduates were either employed or enrolled in continuing education within the first 6 months after graduation. Outcomes by Program 196 responses - graduates from multiple programs are counted once in each program. -
4-6 December 2019 Amsterdam
Founder Partner 4-6 December 2019 Headline Partners Amsterdam A festival like no other WAF is where your community meets to share expertise and learn from each other. By attending the World Architecture Festival, you will gain inspiration and ideas for your own work. It is the only global architecture festival that combines awards, seminars and networking. At the heart of the festival sits a unique live-judged awards programme. Why you need to be at WAF 2019: • Watch 530+ live pitches from your peers as they compete in the WAF awards. Gain inspiration for your work by learning how other architects have tackled problems. Plus, hear what the judges think. • Hear from international speakers discussing the most critical challenges you face as an architect. This year’s programme theme is 'FLOW: People, Data, Nature, Power'. • Meet future collaborators and the lead-architects of the most innovative projects in the world. Essential to being a successful global practice. Ensure you are part of the discussion. Book your delegate pass to attend this December in Amsterdam. worldarchitecturefestival.com What’s On Keynotes Live & awards- Talks judging The Parties Drawing Prize Amsterdam Product Workshops Architecture Exhibition Tours INSIDE World Gala Festival Dinner of Interiors The AR Student Emerging Charrette Architecture Awards Main Stage Programme Wednesday 4 December 10:00»10:05 Welcome to WAF 2019 Paul Finch, Programme Director, World Architecture Festival 10:05»10.10 Amsterdam Prize Announcement 10:30»11:10 Talk – Zero Speaker: Andrew Whalley,