DOCSLIB.ORG

2017 Marks an Impressive Milestone in the Australian Design Community with the Design Institute of Australia Celebrating Its 70Th Year Since Inception

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2017 Marks an Impressive Milestone in the Australian Design Community with the Design Institute of Australia Celebrating Its 70Th Year Since Inception DIA SA/NT Awards Sub-Committee Susanna Meaghan Alex Vicki Jaana Mandy Daniel Bilardo Williams Moeck Rebuli Bithell Goehr Stanning Platinum Sponsor Silver Sponsor UCI are a proud South Australian owned and operated company that manufacture and deliver office furniture solutions. UCI prides itself on creating innovative work environments that bring people together to share, collaborate, socialise and learn. UCI is passionate about designing, manufacturing, distributing and supplying the very best in commercial furniture, aligned with forward thinking and trends. UCI is committed to understanding the individual re- quirements of their clients and exceeding their expectations with products and performance. Hannah Simon Natasha Stephanie Penny Judd Alice Price Williams Ugrinic Candelli Ryall Crush Ackland Bronze Sponsor ceramics In Kind Sponsor Friends of the DIA Awards CONTENTS PRODUCT COMMUNICATION BUILT ENVIRONMENT OUTSTANDING AWARDS Presidents Letter 7 25th Anniversary 9 Jury Panel 25 CONTENTS Gold Award 37 Silver Award 40 PRODUCT Entrants 42 Gold Award 45 Silver Award 47 COMMUNICATION Entrants 50 Gold Award 53 Silver Award 61 BUILT ENVIRONMENT Entrants 64 Collaboration Award 69 UCI Award 70 OUTSTANDING AWARDS Premier Award 71 Acknowledgements Thank you to Clancy Larsen DIA SA/NT Awards Book designed by Judd Crush and Alice Ackland, Enoki Printed by: Paper supplied by: 6 FROM THE PR ESIDE N T 7 2017 marks an impressive milestone in the Australian design community with the Design Institute of Australia celebrating its 70th year since inception. Locally, we also have cause for celebration, delivering our 25th annual DIA SA/NT Design Awards. We celebrate not merely due to this longevity, but FROM because collectively we have been working together over this time making our industry stronger and furthering the understanding and acceptance of design, as a requirement for many things in the greater community. Locally and nationally we have been working on changes for the future within the DIA and with all things, it takes time. Meanwhile we present a survey of wonderful works this year, seeing over 70 entries from a variety of disciplines including many multi skilled designs, crossing boundaries between these disciplines. As an industry I feel we have grown and what may have been illusory boundaries are being dismantled, with practices and individuals taking a larger holistic approach to their works. The Design Institute of Australia continues its THE commitment to celebrating design excellence through our Awards program – along with other initiatives such as Live Design and our GOTYA, Graduate of the Year program – we strive to shine a light on the world class contribution of local designers. Over the past 25 years, many awardees have gone on to win national and international acclaim, engaging a much larger audience than our local community. As a group we now have a much stronger voice in our community. As we look forward we also take this opportunity to look backwards and introduce some of our local icons of design. PR ESIDE N TThank you to everyone whose effort has contributed to our awards and our industry. Thanks also to all those who entered our 25th awards and congratulations to all the recipients of awards. Good luck in the year ahead. 25TH ANNI VERS ARY 10 Introducing the 25th (Silver) Anniversary of the Design This year, the DIA SA/NT Awards Subcommittee made up Institute of Australia South Australia/Northern Territory of industry professionals, has reviewed the entry process. Awards (DIA SA/NT Awards). It is a strongly supported An Awards website handled entry submissions for the and successful event in SA and has launched many first time, project presentations were re-introduced and careers and lauded many established firms. The Design short listed projects in the Built Environments category Institute of Australia is celebrating its 70th year. were afforded site visits, just like they were years ago. The 25th Anniversary of the DIA SA/NT Awards program The Organisation was founded as the Society of is a celebration of the past and a positive step towards Designers in 1947, and first incorporated as the the future. Industrial Design Institute of Australia in August 1958, with Chapters in Victoria, New South Wales and 25 Icons South Australia. The Institute joined the International To commemorate the 25th Anniversary of the DIA SA/NT Council of Australia in 1960, and in 1982 was named Awards, 25 South Australian Design Icons from the past the Design Institute of Australia as it is today. In 1988 and present are being celebrated for their contribution the organisation merged with the Society of Interior to the design industry. An exhibition has been curated Designers of Australia (SIDA) and the Textile Design to showcase these 25 icons, bringing their contributions Industry (ATDA) becoming a National Body rather forward to highlight the incredible richness they have than a Federal Body. brought to the culture of South Australia. Each year into the future one new icon will be added to this already The SA/NT Awards program was first associated with the impressive list as a celebration of the appreciation of Royal Australia Institute of Architects (RAIA) in 1992 and outstanding design and its lasting legacy. in 1995 established the DIA SA/NT Awards program. The DIA SA/NT Awards supports the full spectrum of Design disciplines: Interior Architecture/Design, Graphic Design, Industrial Design, Furniture Design, and Product Design. 11 Dr Andrew Welch Dr Andrew Welch is Program Director of the Bachelor of Visual Arts, School of Art Architecture and Design, University of South Australia, where he teaches jewellery and object making. Andrew has worked in Higher Education for over 25 years as lecturer, course coordinator, studio head (Jewellery and Metal) and most recently (from 2014) in the role of Program Director. In 2010 he completed a Doctor of Philosophy at the Australian National University and his thesis topic ‘Contemporary Processes and Historical Precedents for Handmade Crafts Practice in the Context of Technological Change’ reinvigorated his interest in the handmade approach to jewellery making. He has been selected for several survey exhibitions including Contemporary Wearables, the National Contemporary Jewellery Award and the Contemporary Australian Silver & Metalwork Award Castlemaine and has designed and made awards for clients such as the Royal Australian Chemical Institute (Stranks Medal) and the Australian Institute of Architects (James Irwin Medal). 12 Bert Flugelman Professor Emeritus Bob Miller-Smith Bert Flugelman was an Austrian-born visual artist, best known for his geometric steel sculptures, and was Bob Miller-Smith has been a passionate and effective responsible for one of the most iconic public artworks contributor to design education for over fifty years. With in Adelaide’s history: the Malls Balls. Other major works professional qualifications in typography, his academic include the stainless steel piece Tetrahedra, previously positions have included Head of Design at Swinburne placed at the entrance to the Adelaide Festival Centre, University, Head of the South Australian School of and the Sydney shish kebab sculpture, which inspired Design, and Principal of Duncan of Jordanstone College such controversy in the late 1970s that the lord mayor of Art and Design at the University of Dundee. He intervened in its placement. Flugelman has been deeply currently holds the position of Professor Emeritus of involved in arts education, having served as a lecturer Design at Swinburne University. Miller-Smith introduced and later as Head of Sculpture at the South Australian the first Bachelor of Design degree in 1979, providing School of Art. He later became a senior lecturer at the students with a dedicated educational course in design school of creative arts at the University of Wollongong. for the first time in the world. Over the years, Miller- After years of service, he was made a professorial fellow, Smith has been a great advocate and champion of design, and later received an honorary doctorate of creative art. and has been an active and committed Design Institue Flugelman was also instrumental in the establishment of of Australia member. His opinions and knowledge of the Adelaide’s Experimental Art Foundation. design industry and education have made an invaluable contribution in both South Australia and Victoria. Miller-Smith is a member of the DIA Hall of Fame, and a Life Fellow. 13 Brian Smyth David Robertson Now retired, former automotive designer Brian Smyth David Robertson is the managing director of Icarus FDIA first made his mark at Chrysler Australia with Industrial Design, a multi-disciplinary design consultancy the design of many iconic vehicles including the Simca providing design and strategic planning services in Station Wagon and the legendary Valiant. Drawing on a product, graphic, web, and corporate identity design. combination of engineering and art backgrounds, Smyth David Robertson LFDIA is the managing director of Icarus became a talented industrial and automotive designer. Industrial Design, a multi-disciplinary design consultancy Upon his departure from Chrysler in 1977 I.E. Webber, providing design and strategic planning services in Deputy Chairman, noted that “Brian Smyth is a man product, graphic, web, and corporate identity design. He of outstanding ability, experience, and achievement spent his first years as a professional designer working in the field of industrial design.” He has also worked as principal assistant to Brian Smyth & Associates. His internationally, contributing to design programs in extensive professional involvement in product marketing Detroit, and also in South Africa. Smyth joined the and corporate graphics culminated in professional Design Institute of Australia in 1963, and became recognition as a graphic designer by the Design Institute president of the South Australian Branch from 1976 of Australia. Robertson was the longest serving national to 1979. He was made a Fellow in 1979 in recognition president of the Design Institute of Australia. In his of his outstanding contribution to the Institute.
Load more

Recommended publications
  • BRG 18 Preliminary Inventory ______
    _____________________________________________________________________ WOODS BAGOT ARCHITECTS PTY. LTD BRG 18 Preliminary Inventory __________________________________________________________________ Edward Woods (1837-1913) arrived in South Australia during 1860 and began working for the architect Edmund Wright. He helped design the GPO and Town Hall before starting out on his own in 1869; his first commission being St. Peter's Cathedral. By 1884, he had been appointed the colony's Architect-in-chief, and was an inaugural member of the S.A. Institute of Architects formed in 1886. Walter Bagot (1880-1963), a grandson of Henry Ayers and a student of St. Peter's College, became articled to Woods in 1899. He later studied architecture in London before entering into partnership with Woods in 1905. The following year, Bagot assisted with the formation of the first school of architecture in Adelaide, under the auspices of the School of Mines. Herbert Jory, James Irwin and Louis Laybourne-Smith joined the practice as partners in ensuing years; Laybourne-Smith (1880-1965) was also Head of the School of Architecture for 40 years and instrumental in its foundation. Woods Bagot have been a very influential in South Australia, with early emphasis on traditional styles and in ecclesiastical architecture. The firm designed Elder House, the Trustee Building, Bonython Hall, Barr Smith Library, the War Memorial, Carrick Hill and a number of churches in Adelaide and the country. Later commissions included John Martins, the Bank of NSW, CML and Da Costa Buildings, ANZ Bank and the Elizabeth City Centre, while more recent examples include Standard Chartered, Commonwealth Bank, Telecom and Mutual Health buildings.
    [Show full text]
  • A Symposium Exploring Digital Architectural and Built Environment Records
    Born digital: a symposium exploring digital architectural and built environment records WORKSHOP PRESENTERS AND PRESENTATION SUMMARIES Monday 18 April 2016 Morning Session 9am-12.30pm Venue: Council Room, Hawke Building Level 5 Welcome and Introduction Assoc Prof Christine Garnaut, Director: Architecture Museum, School of Art Architecture and Design, University of South Australia E: [email protected] Archaeology of the Digital and born-digital archives at CCA Tim Walsh, Digital Archivist, Canadian Centre for Architecture, Montreal The last few decades have seen radical changes in the tools, education, and practice of architecture and design. Archaeology of the Digital is part of a multi-year research project launched by the Canadian Centre for Architecture (CCA) to investigate the development and use of computers in architecture, and the first step in the CCA’s strategic objective of creating a collection of digital architecture. The project, spanning a period of three years and including exhibitions, seminars, public programs and publications, has fostered research around two crucial under-addressed topics: how to collect, preserve, and catalogue born-digital architectural archives, and how to make this material accessible to the public and to researchers. Tim Walsh will share details and experiences from the project, and speak to the opportunities and challenges of archiving born-digital files of architecture and design. Tim Walsh is the Digital Archivist at the Canadian Centre for Architecture, an international research centre and museum in Montreal dedicated to the study of architecture as a public concern. He holds an MS in Library and Information Science from Simmons College, where he concluded his studies with a research paper entitled “Preservation and Access of Born-Digital Architectural Design Records in an OAIS-Type Archive,” and a BA in English from the University of Florida.
    [Show full text]
  • Exhibition Report Thank You
    19 FEBRUARY – 22 MAY 2016 EXHIBITION REPORT THANK YOU Museum of Brisbane acknowledges the support of Museum of Brisbane Board many organisations and individuals who helped bring to life Living in the city: New architecture in Brisbane Sallyanne Atkinson ao, Chairman & the Asia-Pacific. The exhibition was spawned by the Andrew Harper inaugural Asia Pacific Architecture Forum, a joint initiative Jeff Humphreys ofArchitecture Media and State Library of Queensland. Alison Kubler The Museum is grateful to these organisations and Chris Tyquin particularly wishes to recognise the invaluable guidance David Askern (Company Secretary) of Architecture Media’s Cameron Bruhn. The Museum also acknowledges the support of Audi Centre Brisbane as Museum Partner, Hilton Hotel Brisbane as Accommodation Partner, and Media Partner’s goa, 612 ABC Brisbane and The Weekend Edition. It is only with the support of these organisations that the Museum can deliver award-winning exhibitions free for the community. Museum Partner Accommodation Partner Media Partners Exhibition Supporters Living in the city is co-presented with Architecture Media Life at Home: Richard Kirk Architect, Courtyard Residence 2015, as part of Asia Pacific Architecture Forum. architectural illustration Cover: Making Communities: HASSELL, Shenzhen Affordable Housing Design 2012, architectural rendering FAST FACTS 75,334 people visited Museum of Brisbane during the exhibition Making Communities: The University of Queensland Student Housing 6 public programs Precinct, St Lucia, Wilson Architects
    [Show full text]
  • AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
    AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours.
    [Show full text]
  • Deakin Research Online
    Deakin Research Online This is the published version: Jones, David 2011, Bagot, Walter, in The encyclopedia of Australian architecture, Cambridge University Press, Port Melbourne, Vic., pp.60-60. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30041726 Reproduced with the kind permission of the copyright owner. Copyright: 2011, Cambridge University Press in Domestic Architecture in Australia (1919), Some nineteenth BAGOT, WALTER century Adelaide architects (1958), 'Early Adelaide architecture' WALTER Hervey Bagot (1880- 1963) was born in North (1953-8), edited Reveries in retrospect (1946), written by his Adelaide, son of a prominent stockbroker and pastoralist. He wife,]osephine Margaret Barritt, and regularly lectured on was apprenticed in 1899 to Edward Woods, later studying Italian painting at the Art Gallery of SA. He was the recipient architecture at King's College, London (1902- 5). Upon his of a Worshipful Company of Carpenters silver medal (1903), return to Adelaide in 1905, Woods offered him a partnership, RIBA associateship (1904) and FRIBA (1926); served as RAIA establishing the practice Woods Bagot (later known variously (SA) President (1917-19), was elevated to LFRAIA (1960); as Woods Bagot Laybourne-Smith & Irwin). Described as a and created a Cavaliere Ordine al Merito della Repubblica Italiana 'master of architectural detail, both classic and medieval', he (Knight of the Order of Merit of the Republic ofItaly) in 1962 was passionate about classical and traditional designs, especially for services to the Australian- Italian Association. northern Italian architecture. He spending many summers DAV ID JONES there, embracing, in his writings and designs, the climatic relevance and appropriateness of this style for Adelaide and its J.
    [Show full text]
  • Woods Bagot: Creating Immense Projects on a Human Scale
    MAY 19 MAY ISSUE 35 HAS GREENWASHING STAGNATED SUSTAINABLE DESIGN? WOODS BAGOT: CREATING IMMENSE PROJECTS ON A HUMAN SCALE CAN DESIGN HELP CHANGE A WORKSPACE'S CULTURE? A LOOK AT DENTSU AEGIS NETWORK'S SCHIAVELLO.COM WELLNESS-FOCUSED WORKSPACE PROJECTS PEOPLE DESIGN KNOWLEDGE NEWS CULTURE SCHIAVELLOFURNITURE.COM/AGILE-TABLE Hello. Welcome to Details 35. Since the beginnings of Schiavello over 50 years ago, we have always pushed boundaries, never satisfied with merely meeting the status quo. In property development, construction and furniture, we are constantly asking how we can do more, do better, and excel further than has previously been achieved. This approach is perfectly encapsulated in our company motto, ‘Anything is possible.’ In this issue of the magazine, we explore this practice in a few different ways. On pg. 16, Sara Kirby takes a critical look at greenwashing, how it has stagnated the design industry, and what the future of sustainable design looks like. She explores how we can look past media spin and push to make our future more environmentally sustainable, something that we as a company are deeply invested in. In our profile section (pg. 12), Sandra Tan talks to Grant Boshard of Woods Bagot, a studio that needs no introduction. Together the pair reveals how Woods Bagot has achieved such an enduring legacy – with an answer that is, at least partially, to do with the practice’s open embracing of change and constant questioning of how it can adapt and be better. For Schiavello, we profile Dentsu Aegis Network (DAN) Perth, a project we took on right from the beginning, all the way through to the moment the ribbon was cut on opening day.
    [Show full text]
  • Register of Architects & Non Practising Architects
    REGISTER OF ARCHITECTS & NON PRACTISING ARCHITECTS Copyright The Board of Architects of Queensland supports and encourages the dissemination and exchange of information. However, copyright protects this document. The Board of Architects of Queensland has no objection to this material being reproduced, made available online or electronically , provided it is for your personal, non-commercial use or use within your organisation; this material remains unaltered and the Board of Architects of Queensland is recognised as the owner. Enquiries should be addressed to: [email protected] Register As At 29 June 2021 In pursuance of the provision of section 102 of Architects Act 2002 the following copy of the Register of Architects and Non Practicing Architects is published for general information. Reg. No. Name Address Bus. Tel. No. Architects 5513 ABAS, Lawrence James Ahmad Gresley Abas 03 9017 4602 292 Victoria Street BRUNSWICK VIC 3056 Australia 4302 ABBETT, Kate Emmaline Wallacebrice Architecture Studio (07) 3129 5719 Suite 1, Level 5 80 Petrie Terrace Brisbane QLD 4000 Australia 5531 ABBOUD, Rana Rita BVN Architecture Pty Ltd 07 3852 2525 L4/ 12 Creek Street BRISBANE QLD 4000 Australia 4524 ABEL, Patricia Grace Elevation Architecture 07 3251 6900 5/3 Montpelier Road NEWSTEAD QLD 4006 Australia 0923 ABERNETHY, Raymond Eric Abernethy & Associates Architects 0409411940 7 Valentine Street TOOWONG QLD 4066 Australia 5224 ABOU MOGHDEB EL DEBES, GHDWoodhead 0403 400 954 Nibraz Jadaan Level 9, 145 Ann Street BRISBANE QLD 4000 Australia 4945 ABRAHAM,
    [Show full text]
  • Weitzman School of Design
    UNIVERSITY OF PENNSYLVANIA Weitzman School of Design 2020 Career Plans Survey Report Methodology Sections Career Services at the University of Pennsylvania annually 1. Post-Graduation Outcomes surveys graduating students to provide a snapshot of their post- graduation plans. 2. Full-Time Job Offers & Hiring Timeline This report looks at 320 Weitzman School of Design graduates who received their degrees between August 2019–May 2020. 3. Geography & International Students were surveyed up to six months from their graduation Students date, with a 39% response rate. Additional information was 4. Positions & Salaries by Program then collected via LinkedIn and other sources, bringing the total knowledge rate up to 61%, a total of 196 known graduate outcomes. Given the impact of the pandemic, a significant number of graduates “Seeking Employment” received job offers in 2021. However, we are unable to include that information in our report, as our data collection ends in November, following national standards. 1 2020 WEITZMAN SCHOOL OF DESIGN CAREER PLAN REPORT Post-Graduation by the Numbers 196 responses Full-Time Employment 74.0% Seeking Employment 20.9% Given the impact of the pandemic, a significant Part-Time Employment 2.0% number of graduates “Seeking Employment” received Continuing Education 2.0% job offers in 2021. However, we are unable to include that information in our report, as our data collection Seeking Continuing Education 0.5% ends in November, following national standards. Not Seeking 0.5% 78.1% of graduates were either employed or enrolled in continuing education within the first 6 months after graduation. Outcomes by Program 196 responses - graduates from multiple programs are counted once in each program.
    [Show full text]
  • 4-6 December 2019 Amsterdam
    Founder Partner 4-6 December 2019 Headline Partners Amsterdam A festival like no other WAF is where your community meets to share expertise and learn from each other. By attending the World Architecture Festival, you will gain inspiration and ideas for your own work. It is the only global architecture festival that combines awards, seminars and networking. At the heart of the festival sits a unique live-judged awards programme. Why you need to be at WAF 2019: • Watch 530+ live pitches from your peers as they compete in the WAF awards. Gain inspiration for your work by learning how other architects have tackled problems. Plus, hear what the judges think. • Hear from international speakers discussing the most critical challenges you face as an architect. This year’s programme theme is 'FLOW: People, Data, Nature, Power'. • Meet future collaborators and the lead-architects of the most innovative projects in the world. Essential to being a successful global practice. Ensure you are part of the discussion. Book your delegate pass to attend this December in Amsterdam. worldarchitecturefestival.com What’s On Keynotes Live & awards- Talks judging The Parties Drawing Prize Amsterdam Product Workshops Architecture Exhibition Tours INSIDE World Gala Festival Dinner of Interiors The AR Student Emerging Charrette Architecture Awards Main Stage Programme Wednesday 4 December 10:00»10:05 Welcome to WAF 2019 Paul Finch, Programme Director, World Architecture Festival 10:05»10.10 Amsterdam Prize Announcement 10:30»11:10 Talk – Zero Speaker: Andrew Whalley,
    [Show full text]
  • Art Casualty of Built History – Curator Essay
    1 Art Casualty of Built History Curator Essay by Emily Collins Museum Consultant and Curator with the Women’s and Children’s Health Network Following on from Forgotten Murals of the Adelaide Children’s Hospital (2018), the exhibition Forgotten Murals II: Art Casualty of Built History sketches the life story of another significant large-scale artwork to emerge from the Women’s and Children’s Hospital archives. The work was a Modernist concrete mural relief with raised abstract motifs designed by Reginald Goodman Steele (1911–84), an architect for Woods, Bagot, Laybourne-Smith and Irwin (now the global firm Woods Bagot). Bold in both design and scale, the sculpture inhabited the upper southern façade of the General Purposes Building (GPB) constructed c1962–4 at the old Children’s Hospital in North Adelaide. A mid-century example of Arts in Health, this playful artwork was designed to bring happiness to young patients. It also brightened the days of those who laboured to maintain the built environment to support their healing. There are few known photographs of this artwork. It was difficult to capture in entirety. Its host structure, the low-rise GPB, dwelled in a shadow between the towering chimney of the Hospital’s Boiler House and the 11-storey Outpatients (Clarence Rieger) Building, which it was built to serve. Woods Bagot had been commissioned to design all three structures as part of the same major project. The GPB was charged with housing the Hospital’s electrical transformers, emergency generator, liquid oxygen plant and maintenance workshops. Reginald Steele, creator of the curious mural, was articled to Woods Bagot in the late 1920s while studying at the South Australian (SA) School of Mines and Industries (now the University of South Australia).
    [Show full text]
  • Uapcompany.Com UAP
    uapcompany.com UAP WE ARE EXPLORERS WE ARE CREATIVES WE ARE MAKERS We collaborate with Artists, Architects, Designers & Developers to bring uncommon creativity to the public realm & expert resources to creativity. We Curate, Design & Construct. Image: UAP Brisbane Workshop uapcompany.com ABOUT UAP UAP WHAT WE DO CURATE DESIGN BUILD Public Art Masterplans and Dedicated artist and Project management Strategies architect support Technical Documentation Artwork theming Development of design Fabrication concepts Artist procurement and Installation management Fabrication and installation methodology review Public programming Strategic partnerships Image: Daniel Tobin with UAP & Bureau^proberts – Al Fanar (Beacon), Saudi Arabia uapcompany.com uapcompany.com ABOUT UAP UAP OUR LOCATIONS + GLOBAL PROJECTS 5000+ 2600+ 300+ Projects delivered globally Creatives we have Projects UAP are delivering collaborated with right now New York Chengdu Shanghai Dubai Shenzhen Singapore Brisbane Sydney Melbourne Our team work across the globe, with three key Studios and Workshops in New York, Brisbane and Shanghai, with four worldwide satellite offices in Detroit, Shenzhen, Singapore and Melbourne. uapcompany.com UAP GLOBAL CAPACITY UAP UAP Brisbane Workshop UAP Shanghai Workshop UAP Polich Tallix Foundry 30 DESIGNERS 50 DESIGNERS 10 DESIGNERS 20 TECHNICAL DOCUMENTATION TEAM 5 PROJECT MANAGERS 5 PROJECT MANAGERS 10 PROJECT MANAGERS 500 FABRICATORS 100 FABRICATORS 2 ADVANCED MANUFACTURING ROBOTS 10 PROCUREMENT SPECIALISTS 7,500M2 WORKSHOP AUSTRALIA’S LARGEST DEDICATED ART FOUNDRY 10,000M2 WORKSHOP NORTH AMERICA’S LARGEST DEDICATED ART FOUNDRY UAP AUSTRALIA UAP CHINA UAP NORTH AMERICA Home to 100 employees and a 5,000m2workshop spread through two The UAP Shanghai workshop is a unique fabrication set-up.Associated with Consisting of 115 employees within a 7,500m2 workshop, this is North buildings, UAP Australia is the country’s largest art foundry.
    [Show full text]
  • MIPIM Asia Awards 2019 Winners Announced
    26- 27 November 2019, Grand Hyatt Hong Kong, Hong Kong SAR MIPIM Asia Awards 2019 Unveiling APAC’s most outstanding real estate projects Paris, 26 September 2019 – The Asia-Pacific’s most ambitious, innovative and revelatory real estate projects have been chosen as winners of the MIPIM Asia Awards 2019 – the leading regional property awards otherwise known as the “Oscars of the Asian real estate world”. A total of 33 trailblazing property developments have been recognised with the influential industry honour, revealed ahead of MIPIM Asia Summit 2019, the continent’s leading property summit, coming to Hong Kong SAR on November 26-27. “Winning a MIPIM Asia Award has long been established as one of the most prestigious prizes for real estate projects across the APAC region,” said MIPIM Director Ronan Vaspart. “We celebrate the developers, architects, government authorities and other property visionaries who push the boundaries, break the rules, and make unimaginable possibilities the solid realities of our skylines,” he added. Founded in 2007, the annual MIPIM Asia Awards celebrate the most technically impressive and inventive property developments from across the APAC region, considering both finished developments and un-built projects in the planning stage. The jury, chaired this year by François Trausch, CEO of Allianz Real Estate, Germany, reviewed a record total of 132 entries, which were whittled down to the final 33 winners, drawn from 8 countries, by the esteemed judging panel of 18 industry experts. The jury meeting was held this year at naked Castle in Moganshan, Zhejiang Province, China, which was Gold Winner of the MIPIM Asia Awards 2018 in the category Best hotel & tourism development.
    [Show full text]