Shifting Strategies: Australian Architects and the Future

Total Page:16

File Type:pdf, Size:1020Kb

Shifting Strategies: Australian Architects and the Future Discussion Shifting strategies: The rapid urbanization of Australian architects and China is opening up significant the future of Chinese cities opportunities for Australian Words by Paul Violett and Silvia Micheli architectural practices – both large multinationals with global offices as well as smaller firms working primarily from Australia. They are demonstrating a valuable ability to respond to the dynamism of the Chinese market and to offer high-quality designs that are sensitive to history and place. The World Bank forecasts that, by 2030, in the country.4 In China, most projects seventy percent of the Chinese population by Australian firms that go beyond the will live in cities. This estimate confirms schematic design phase need to be that the fast urbanization that has completed in collaboration with a Local characterized the country’s development Design Institute (LDI), and project sources over the last few decades is expected vary from traditional tender processes to continue – in 1978, only 18 percent of to competitions and recommendations Chinese citizens lived in cities, but by 2015, from existing relationships. Compared that number had climbed to 56 percent.1 to a decade ago, Australian offices are now Booming Chinese urbanism has offered operating in China well beyond the major numerous and significant working coastal centres of Shanghai, Shenzhen and opportunities to Australian architectural Beijing. Progressively, they have penetrated practices, whose presence in China has mainland China, with a large number of increased steadily over the last four recent projects in emerging cities such as decades. The service sector is now a Chongqing, Chengdu, Zhuhai, Xi’an, Tianjin larger contributor to Chinese GDP than and Nanjing, as well as in some rural areas.5 manufacturing – a major driver of The largest of these practices economic growth – and China is Australia’s are global firms: architectural offices that largest services export market, worth $15.8 started their activity in Australia but are billion in 2017 (18.7 percent of Australia’s now operating at a multinational level, with total services exports).2 In 2015, the China– projects and office locations across the Australia Free Trade Agreement (ChAFTA) globe, including in China.6 Among them are was passed, facilitating new or significantly Hassell, Populous and Woods Bagot. These improved market access.3 firms have staff numbers of more than 150 Australian architectural practices people and a recognized design capability have been taking advantage of steadily to manage and deliver substantial projects improving bilateral relationships between in a limited amount of time to international Australia and China, and continue to standards. They typically leverage their demonstrate responsiveness to the size, experience and capabilities towards extreme dynamism that characterizes the specialist projects. Populous, for example, Chinese design and construction market. has completed more than fifty projects The high degree of flexibility displayed by in China, including large arenas, stadiums Australian architectural firms is certainly and other entertainment venues.7 appreciated in a country in which rapid Brearley Architects and Urbanists urbanization exceeds the availability of (BAU), Jackson Teece, Cox Architecture, local professionals. Austrade, Australia’s Group GSA and Denton Corker Marshall lead government agency for international (DCM) are some offices that work primarily trade promotion and investment attraction, from Australia yet earn substantial reports that there are currently more than commissions in China. Although not forty Australian architectural practices operating at the same scale as the global working in China and more than three firms listed above, they have been involved hundred firms that have won work in producing a number of significant works 56 Architecture Australia Denton Corker Marshall’s overseas. For instance, BAU, which has PTW was acquired by China Construction design for the Kaida offices in Melbourne and Shanghai, has Design International (CCDI), a Chinese Science Park in Dongguan carried out a wide range of projects in architecture and engineering consulting integrates multiple sustainability features China and has a deep understanding firm that employs around four thousand into the architecture. of the character of the fast-growing staff.9 The acquisition has enabled PTW, Chinese cities in which it brings now based in China and Australia, to step innovation.8 Similarly, Jackson Teece up its regional reach while resolving has recently proposed five projects for pre-existing cashflow problems. Design senior communities in China and is practice Gossamer operates under a establishing a reputation in that country different strategy of partnership. Led for aged-care architecture. by Australian designers, Gossamer is a Other Australian firms undertake multidisciplinary design division of the occasional work in China on a project-by- GVL Group, one of China’s leading LDIs. project basis. These include Melbourne- This operational approach is based on the based John Wardle Architects and Sydney- cross-pollination between international based Candalepas Associates. These and local capabilities and has led to firms, which are place-focused, design projects such as LOOP (2019), one of considered projects that engage with the Shanghai’s first community consultation local environment and history. In response urban regeneration projects. to a growing appreciation and demand In 2014, the Chinese government for quality design in China, astute clients released a national urbanization plan are recognizing the value of this authentic to address internal migration and respond and crafted approach. to issues resulting from rapid urban Beyond more traditional offices, development. These included strategies hybrid ways of practising have also to reduce congestion and pollution, to emerged. This was the case with PTW, one improve the quality of urban development of Australia’s oldest architectural firms, and architecture, to increase public green with recognized expertise in tall buildings space, and to preserve historical buildings and architect of the famous “Water Cube” and enhance “city character.”10 This National Aquatics Center, completed shift toward a more sustainable approach, in 2008 for the Beijing Olympics. In 2013, attention to lifestyle and increased Image Denton Corker Marshall Denton Corker Image Jan / Feb 2020 57 Discussion sophistication of the built environment breezes and filtered sunlight to permeate Likewise, Gossamer’s competition coincided with Chinese president the five-thousand-seat arena.14 Another proposal for a stretch of waterfront along Xi Jinping’s appeal for less “weird example is the Kaida Science Park in the Jing River (2019) is a well-balanced architecture” to be built in the country. Dongguan by Denton Corker Marshall interaction of architecture and natural China’s construction boom had provided (due for completion in 2021), where landscape, conceived as an ecological opportunities for many international multiple sustainability features will be park that would turn Xi’an’s new Xixian practices to realize projects that couldn’t integrated into the architecture. The focus area into a vibrant and environmentally be completed elsewhere, but this now of the building is on cross-ventilation sensitive district. The proposal “celebrates looks set to change.11 In 2016, China’s and airflow, creating a landscaped city the site’s history at the origin of the State Council released new urban planning room and using shading devices to reduce Silk Road through strategies that tap guidelines, which stated that “bizarre thermal load. BAU’s Duolan Dong Dong into ancient and enduring histories architecture that is not economical, Mixed Use Complex (2012) in Hangzhou of traditional architecture, merchant functional, aesthetically pleasing combines landscape architecture trade and agricultural innovation.” or environmentally friendly” would not with architecture and urban design. Important examples of smaller scale be built in the future.12 This new focus The architects explain that the project’s work with a keen sensitivity to place are on a healthier built environment, increased green roof “provides the city with the Chinese projects completed by Kerry wellbeing and buildings with long-term a unique public open space [and] creates Hill Architects, an Australian practice with purpose for Chinese cities will be familiar social, entertaining, community garden offices in Singapore and Perth. The stunning to architects from Australia, where urban and recreational space for occupants.” Amanyangyun resort in Shanghai (2017) design research is active and responsive This aligns with another developing highlights a response that establishes, to the evolution of technologies, lifestyles trend inw China focused on preserving according to the architects, “a deep-rooted and expectations.13 Many Australian the quality of both the built environment sense of connection to place and culture.” practices are internationally recognized and the natural context. Hassell’s Silk Twenty-five Ming and Qing Dynasty houses for their considered, sensitive relationship Road Corridor, a competition concept were rescued from the rising waters of a to landscape and history, and for crafting in Shenzhen, is a multi-layered project new dam in Jiangxi Province and relocated attentive solutions for contemporary life. that uses a winding sky deck to tie together to Shanghai.
Recommended publications
  • Thinking About Architecture and Portraiture
    18 PORTRAIT 33 PORTRAIT 33 19 Thinking about architecture and portraiture Portraits + Architecture is an experiment. In the twenty-first century the social, The exhibition at the National Portrait cultural and ecological imperatives Gallery presents the work of seven of architectural practice resonate leading Australian architect teams with strongly with artistic, philosophical commissioned photographic portraits and sociopolitical ideas and actions. by seven Australian photographers. Many architects, designers, artists and The participants have been asked to writers are interested in how issues think about their creative practice in of sustainability and ethics relate to a new way. Portraits + Architecture innovation and creativity in technology, explores the relationship between aesthetics and functionality. We are creative thinking and identity and increasingly aware of the impact of incorporates new photographic portraits the built environment on our daily of creative individuals and groups. lives, how the design of our dwellings, The architect teams are known for workplaces and public spaces affects our their contemporary and highly distinctive psychological and physical wellbeing. work. They have made significant Portraits + Architecture explores contributions to Australian architecture the thinking that informs creative and design culture. The photographers architecture practice rather than work across a spectrum of fine art, the details of specific buildings or commercial, and design practice and architectural projects. The selection of have produced bold and original the participating architect teams was photographic portraits for the exhibition. based on the original nature of their 20 PORTRAIT 33 PORTRAIT 33 21 practice. As a group, they represent a photographer to create a suite of portrait Portrait of CO-AP 2009 in the exhibition entry zone, where diversity of scale, working from different photographs in response to a defined Ross Honeysett visitors are invited to participate in locations in Australia.
    [Show full text]
  • BRG 18 Preliminary Inventory ______
    _____________________________________________________________________ WOODS BAGOT ARCHITECTS PTY. LTD BRG 18 Preliminary Inventory __________________________________________________________________ Edward Woods (1837-1913) arrived in South Australia during 1860 and began working for the architect Edmund Wright. He helped design the GPO and Town Hall before starting out on his own in 1869; his first commission being St. Peter's Cathedral. By 1884, he had been appointed the colony's Architect-in-chief, and was an inaugural member of the S.A. Institute of Architects formed in 1886. Walter Bagot (1880-1963), a grandson of Henry Ayers and a student of St. Peter's College, became articled to Woods in 1899. He later studied architecture in London before entering into partnership with Woods in 1905. The following year, Bagot assisted with the formation of the first school of architecture in Adelaide, under the auspices of the School of Mines. Herbert Jory, James Irwin and Louis Laybourne-Smith joined the practice as partners in ensuing years; Laybourne-Smith (1880-1965) was also Head of the School of Architecture for 40 years and instrumental in its foundation. Woods Bagot have been a very influential in South Australia, with early emphasis on traditional styles and in ecclesiastical architecture. The firm designed Elder House, the Trustee Building, Bonython Hall, Barr Smith Library, the War Memorial, Carrick Hill and a number of churches in Adelaide and the country. Later commissions included John Martins, the Bank of NSW, CML and Da Costa Buildings, ANZ Bank and the Elizabeth City Centre, while more recent examples include Standard Chartered, Commonwealth Bank, Telecom and Mutual Health buildings.
    [Show full text]
  • A Symposium Exploring Digital Architectural and Built Environment Records
    Born digital: a symposium exploring digital architectural and built environment records WORKSHOP PRESENTERS AND PRESENTATION SUMMARIES Monday 18 April 2016 Morning Session 9am-12.30pm Venue: Council Room, Hawke Building Level 5 Welcome and Introduction Assoc Prof Christine Garnaut, Director: Architecture Museum, School of Art Architecture and Design, University of South Australia E: [email protected] Archaeology of the Digital and born-digital archives at CCA Tim Walsh, Digital Archivist, Canadian Centre for Architecture, Montreal The last few decades have seen radical changes in the tools, education, and practice of architecture and design. Archaeology of the Digital is part of a multi-year research project launched by the Canadian Centre for Architecture (CCA) to investigate the development and use of computers in architecture, and the first step in the CCA’s strategic objective of creating a collection of digital architecture. The project, spanning a period of three years and including exhibitions, seminars, public programs and publications, has fostered research around two crucial under-addressed topics: how to collect, preserve, and catalogue born-digital architectural archives, and how to make this material accessible to the public and to researchers. Tim Walsh will share details and experiences from the project, and speak to the opportunities and challenges of archiving born-digital files of architecture and design. Tim Walsh is the Digital Archivist at the Canadian Centre for Architecture, an international research centre and museum in Montreal dedicated to the study of architecture as a public concern. He holds an MS in Library and Information Science from Simmons College, where he concluded his studies with a research paper entitled “Preservation and Access of Born-Digital Architectural Design Records in an OAIS-Type Archive,” and a BA in English from the University of Florida.
    [Show full text]
  • Exhibition Report Thank You
    19 FEBRUARY – 22 MAY 2016 EXHIBITION REPORT THANK YOU Museum of Brisbane acknowledges the support of Museum of Brisbane Board many organisations and individuals who helped bring to life Living in the city: New architecture in Brisbane Sallyanne Atkinson ao, Chairman & the Asia-Pacific. The exhibition was spawned by the Andrew Harper inaugural Asia Pacific Architecture Forum, a joint initiative Jeff Humphreys ofArchitecture Media and State Library of Queensland. Alison Kubler The Museum is grateful to these organisations and Chris Tyquin particularly wishes to recognise the invaluable guidance David Askern (Company Secretary) of Architecture Media’s Cameron Bruhn. The Museum also acknowledges the support of Audi Centre Brisbane as Museum Partner, Hilton Hotel Brisbane as Accommodation Partner, and Media Partner’s goa, 612 ABC Brisbane and The Weekend Edition. It is only with the support of these organisations that the Museum can deliver award-winning exhibitions free for the community. Museum Partner Accommodation Partner Media Partners Exhibition Supporters Living in the city is co-presented with Architecture Media Life at Home: Richard Kirk Architect, Courtyard Residence 2015, as part of Asia Pacific Architecture Forum. architectural illustration Cover: Making Communities: HASSELL, Shenzhen Affordable Housing Design 2012, architectural rendering FAST FACTS 75,334 people visited Museum of Brisbane during the exhibition Making Communities: The University of Queensland Student Housing 6 public programs Precinct, St Lucia, Wilson Architects
    [Show full text]
  • Heritage Management Plan Final Report
    Australian War Memorial Heritage Management Plan Final Report Prepared by Godden Mackay Logan Heritage Consultants for the Australian War Memorial January 2011 Report Register The following report register documents the development and issue of the report entitled Australian War Memorial—Heritage Management Plan, undertaken by Godden Mackay Logan Pty Ltd in accordance with its quality management system. Godden Mackay Logan operates under a quality management system which has been certified as complying with the Australian/New Zealand Standard for quality management systems AS/NZS ISO 9001:2008. Job No. Issue No. Notes/Description Issue Date 06-0420 1 Draft Report July 2008 06-0420 2 Second Draft Report August 2008 06-0420 3 Third Draft Report September 2008 06-0420 4 Fourth Draft Report April 2009 06-0420 5 Final Draft Report (for public comment) September 2009 06-0420 6 Final Report January 2011 Contents Page Glossary of Terms Abbreviations Conservation Terms Sources Executive Summary......................................................................................................................................i How To Use This Report .............................................................................................................................v 1.0 Introduction............................................................................................................................................1 1.1 Background..........................................................................................................................................1
    [Show full text]
  • AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
    AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours.
    [Show full text]
  • Media Release EMBARGOED TILL 10 NOVEMBER 2011, 2030 HOURS SINGAPORE TIME
    Annex B Media Release EMBARGOED TILL 10 NOVEMBER 2011, 2030 HOURS SINGAPORE TIME ANNEX B: PRESIDENT‟S DESIGN AWARD 2011 JURY PANEL 1. Ms Lei-Mei Julia Chiu Executive Director Japan Institute of Design Promotion (JDP); and Professor Musashino Art University (Japan) 2. Mr John Denton Founding Director Denton Corker Marshall Pty Ltd (Australia) 3. Mr Brandon Gien Managing Director Good Design Australia; and Chair Australian International Design Awards (Australia) 4. Mr Garrick Hamm Creative Partner Williams Murray Hamm (United Kingdom) 5. Prof Heng Chye Kiang Dean School of Design and Environment, National University of Singapore (Singapore) 6. Mr Fernando Menis Founder Menis Arquitectos (Spain) 7. Mr Mok Wei Wei Architect & Principal W Architects Pte Ltd (Singapore) 8. Mr Neil Porter Director Gustafson Porter Ltd (United Kingdom) 1 | 18 Annex B Media Release EMBARGOED TILL 10 NOVEMBER 2011, 2030 HOURS SINGAPORE TIME 9. Mr Matthias Sauerbruch Founder and Director Sauerbruch Hutton Architects (Germany) 10. Mr Richard Seymour Co-Founder Seymourpowell (United Kingdom) 11. Mr Michael Sorkin Founder Michael Sorkin Studio; and Chair New York Institute for Urban Design (United States of America) 12. Mr Tai Lee Siang Group Managing Director, Architecture Ong & Ong Pte Ltd (Singapore) 13. Mr Tan Yoong Owner and Designer Tan Yoong (Singapore) 14. Ms Jureeporn Thaidumrong CEO and Creative Chairwoman nudeJEH (previously JEH united) (Thailand) 15. Mr Tham Khai Meng Worldwide Creative Director and Chairman Worldwide Creative Council Ogilvy & Mather, New York (United States of America) 16. Mr Nathan Yong Furniture Designer Nathan Yong Design (Singapore) 2 | 18 Annex B Media Release EMBARGOED TILL 10 NOVEMBER 2011, 2030 HOURS SINGAPORE TIME Jury Biographies Ms Lei-Mei Julia Chiu Executive Director, Japan Institute of Design Promotion Professor, Muasashino Art University (Japan) Leimei has spent most of her adult life working to help designers and students of design promote their work across national and cultural barriers.
    [Show full text]
  • Deakin Research Online
    Deakin Research Online This is the published version: Jones, David 2011, Bagot, Walter, in The encyclopedia of Australian architecture, Cambridge University Press, Port Melbourne, Vic., pp.60-60. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30041726 Reproduced with the kind permission of the copyright owner. Copyright: 2011, Cambridge University Press in Domestic Architecture in Australia (1919), Some nineteenth BAGOT, WALTER century Adelaide architects (1958), 'Early Adelaide architecture' WALTER Hervey Bagot (1880- 1963) was born in North (1953-8), edited Reveries in retrospect (1946), written by his Adelaide, son of a prominent stockbroker and pastoralist. He wife,]osephine Margaret Barritt, and regularly lectured on was apprenticed in 1899 to Edward Woods, later studying Italian painting at the Art Gallery of SA. He was the recipient architecture at King's College, London (1902- 5). Upon his of a Worshipful Company of Carpenters silver medal (1903), return to Adelaide in 1905, Woods offered him a partnership, RIBA associateship (1904) and FRIBA (1926); served as RAIA establishing the practice Woods Bagot (later known variously (SA) President (1917-19), was elevated to LFRAIA (1960); as Woods Bagot Laybourne-Smith & Irwin). Described as a and created a Cavaliere Ordine al Merito della Repubblica Italiana 'master of architectural detail, both classic and medieval', he (Knight of the Order of Merit of the Republic ofItaly) in 1962 was passionate about classical and traditional designs, especially for services to the Australian- Italian Association. northern Italian architecture. He spending many summers DAV ID JONES there, embracing, in his writings and designs, the climatic relevance and appropriateness of this style for Adelaide and its J.
    [Show full text]
  • Woods Bagot: Creating Immense Projects on a Human Scale
    MAY 19 MAY ISSUE 35 HAS GREENWASHING STAGNATED SUSTAINABLE DESIGN? WOODS BAGOT: CREATING IMMENSE PROJECTS ON A HUMAN SCALE CAN DESIGN HELP CHANGE A WORKSPACE'S CULTURE? A LOOK AT DENTSU AEGIS NETWORK'S SCHIAVELLO.COM WELLNESS-FOCUSED WORKSPACE PROJECTS PEOPLE DESIGN KNOWLEDGE NEWS CULTURE SCHIAVELLOFURNITURE.COM/AGILE-TABLE Hello. Welcome to Details 35. Since the beginnings of Schiavello over 50 years ago, we have always pushed boundaries, never satisfied with merely meeting the status quo. In property development, construction and furniture, we are constantly asking how we can do more, do better, and excel further than has previously been achieved. This approach is perfectly encapsulated in our company motto, ‘Anything is possible.’ In this issue of the magazine, we explore this practice in a few different ways. On pg. 16, Sara Kirby takes a critical look at greenwashing, how it has stagnated the design industry, and what the future of sustainable design looks like. She explores how we can look past media spin and push to make our future more environmentally sustainable, something that we as a company are deeply invested in. In our profile section (pg. 12), Sandra Tan talks to Grant Boshard of Woods Bagot, a studio that needs no introduction. Together the pair reveals how Woods Bagot has achieved such an enduring legacy – with an answer that is, at least partially, to do with the practice’s open embracing of change and constant questioning of how it can adapt and be better. For Schiavello, we profile Dentsu Aegis Network (DAN) Perth, a project we took on right from the beginning, all the way through to the moment the ribbon was cut on opening day.
    [Show full text]
  • Mr Hugh Andrew O'neill
    Citation - Hugh O’Neill Born in 1933 and educated in Melbourne, Hugh Andrew O’Neill earned a Bachelor of Architecture from The University of Melbourne in 1956. He has gone on to make an outstanding contribution at a national level to architectural education, and has been instrumental in fostering Indonesian-Australian cultural relations over a period of more than fifty years. While studying at the University of Melbourne, O’Neill met a considerable number of Colombo Plan scholars who introduced him to the culture and arts of the Asian region. O’Neill joined the Australian Indonesian Association of Victoria in 1956 and through this started a life-long association with the country and the broader cultures of the region. Through these contacts, O’Neill undertook volunteer aid work from 1958-60, served on the Association’s Committee (1962-75), was Chair of the Volunteer Graduate Scheme to Indonesia (1963-70), and President of the Australian- Indonesian Association (1969-72). This led to his membership (1972-99) and chairmanship (1983-9) of the National Committee of the Overseas Service Bureau, Australian Volunteers International. His commitment to education has also been significant. Over a period of more than thirty years, O’Neill taught architectural design to successive generations of first year architecture students at the University of Melbourne, in effect providing the initial training of Victoria’s top architects including eventual Australian Institute of Architects Gold Medal winners such as Denton Corker Marshall and Gregory Burgess. However more significantly, O’Neill pioneered the teaching of Asian architecture at the University of Melbourne from 1962, which became and still remains a key teaching and research specialization and a distinguishing element in a Faculty that was one of the first in Australia to take a lead in the training of students from Southeast Asian and the Indian sub-continent through the Colombo Plan.
    [Show full text]
  • EOI A3 20090430.Indd
    Built Pedagogy ‘outstanding work of architecture, the design, collaboration, procurement and construction of which evolves from working closely with everyone who will use the building into the future’re’ ‘enabling completed and in-process work of staff and student to be highly visible’ ‘formally and informally engage others in the activities of the faculty through exhibition, conversation and creative collaboration’ ‘the building becomes a principal tool for teaching architecture, urban design, landscape and building’ Didactic expression of building elements | North acoustic facade to Princes Highway | Art + Design | Monash Atrium cafe flows into garden | Manchester Civil Justice Centre Manchester Civil Justice Cemtre “For those of us who teach architecture as well as make it, the space in which we do it carries an extra burden of critique.” Stuart Harrison | New Education Spaces Denton Corker Marshall BUILT PEDAGOGY | | Faculty of Art + Design | Monash University 1 The Academic Environment needs to create interactive and transformable collaborative research venues that allow seamless integration of research and practice along with quiet individual research creating a workplace that will attract the best staff. “Links between undergraduate education, professional practise and faculty research are often oversimplified; opportunities to enrich and strengthen undergraduate education through exposure to the research process are missed.” Ashraf M Salama Melbourne Museum | Researchers and curators visible in attractive, light filled workspaces Unlike traditional museums the research centre is clearly visible to the public above the foyer “Rethinking the conventions of design practice is … an optimistic and essential project, undertaken with the knowledge that our efforts make a difference in the physical environment. … we need to create new organisational structures, new patterns and forms of collaboration.
    [Show full text]
  • EDUCATION / Royal Melbourne Institute of Technology Bachelor Of
    BATES SMART CURRICULUM VITAE EDUCATION SYNOPSIS / Royal Melbourne Institute of Technology Steve is highly experienced and has worked Bachelor of Architecture, 1987 internationally on a broad range of projects. Steve commenced his career in Melbourne PROFESSIONAL EXPERIENCE working with Denton Corker Marshall on Steve joined Bates Smart in 2014 and several major projects, including; 101 Collins became a Studio Director in 2015. Street, Melbourne Exhibition Centre and Prior to Joining Bates Smart the Melbourne Museum. Following this / Aedas Interiors, Hong Kong Steve relocated to Warsaw, Poland where he joined Aedas as a Director. In 2011 / Aedas CE, Warsaw, Poland he relocated again, this time to Aedas’s / ttsp HWP Polska, Warsaw Poland Hong Kong office where he was given the / Denton Corker Marshall, Warsaw, Poland task of creating a new residential interior STEVE JONES / Denton Corker Marshall, Beijing, China design team. BArch In 2014 Steve returned to Melbourne and Studio Director / Denton Corker Marshall, Melbourne joined Bates Smart, working on a number of significant mixed-use projects. Steve’s exposure to a wide range of cultures helps him to understand the varying needs of clients, consultants and contractors and how to apply methods which allow the entire team to work together harmoniously. His key strength is an ability to communicate effectively with clients to fully understand their needs. BATES SMART CURRICULUM VITAE PROJECT EXPERIENCE HOSPITALITY COMMERCIAL RESIDENTIAL / Queensbridge Tower, Southbank, Prior to Joining Bates Smart / Capitol Grand, South Yarra Melbourne (design competition) / Sterlinga Business Center, Lodz, Poland / Illoura House, Melbourne Prior to Joining Bates Smart / Łużycka Office Park, Gdynia, Poland / Classic, East Melbourne / Venetian Macao Alterations and Additions / Philip Morris Polska, Administration and / No.
    [Show full text]