End Time Call of Cthulhu

Total Page:16

File Type:pdf, Size:1020Kb

End Time Call of Cthulhu reality, and of our frightful position therein, that we shal either go mad from the revelation or flee from the light into Michael C. LaBossiere End Time reality, and of our frightful position therein, that we shal either go mad from the revelation or flee from the light into d h sciences, each straining in its own direction, have hithert infinity, and it was not meant that we should voyage far. h placid island of ignorance in the midst black seas o the human mind to correlate all its contents. e live on h e a i r most m s m s e o d c i a u er t s e ciful thing in th d End Time l k i a Call of Cthulhu supplement n t Dr. Michael C. LaBossiere o t w l l e Introduction e d In 1993 Pagan Publishing's End Time product came to an unceremonious end. Contained herein is the material I wrote for the project. While the project was never g b completed, you will find here the results of many hours of work. e u The End Time grew out of my Blood Moon adventure, published in Chaosium's Strange t Aeons. Essentially, it is a dark future in which the stars have become right (or nearly w right) and humanity has been forced to flee the earth. i If the material proves to be popular, I will revise the text to make it more organized s l and complete. I also have unfinished material, maps and such. o l m e Legal Information e o wo p This material is copyright 1993, 2001 by Dr. Michael C. LaBossiere. It may be freely distributed for personal use provided that it is not modified and no fee above the e normal cost of distribution is charged for it. d r n a Visit my web site at ld, think, is th y www.opifex.cnchost.com. u p Call of Cthulhu is Registered Trademark of Chaosium Inc. t http://www.chaosium.com/cthulhu/. Chaosium Inc. 900 Murmansk Street Suite 5 s Oakland, CA 94607. h u e c h p t i e e r c r i i n f g y e i inability o n t g o g v e i t s h last update: 22/3/2002 t e a document layout by zak r 965 s o o f f f f END TIME the new NASA director, meet secretly to discuss the danger facing humanity. 6 2036: Wu and Lessarre meet again and decide to propose the construction of a space station which will be used in the construction of a vessel capable of reaching Mars. After sufficient pressure is applied, the American and Chinese Key Points in the governments agree to begin construction of the station. Future History 2038: Construction begins on the space station and proceeds at a very slow rate. Political pressure results in a further decrease in its funding. “Pork barrel politics”as well as profiteering on the Keeper's version part of the involved corporations results in massive cost overruns, further slowing the project down. The project is further 2020: The first human moon base is completed, despite several delayed by defective equipment supplied by the government mysterious accidents and numerous setbacks due to political contractors. opposition and financial difficulties. The moon base, which is run by the UN, is operated by international teams and helps 2039: The moon, under the influence of Domaag T’eel, begins enhance the level of international cooperation in space. to shift in its orbit. Minor coastal flooding and weather disruptions occur, killing several hundred across the globe. The 2022: Dr. Rice, of NASA, receives a copy of the Kercez corpse city of R’lyeh is briefly exposed as is the island of Fragments from a friend and begins translating the work. Ghatanothoa. Statistically significant increases occur the the worldwide rate of insanity and the crime rates as the influence 2027: Dr. Rice completes his translation and interpretation of the of the Great Old Ones begin to grow. Dr. Wu pleads with her Kercez Fragments and learns that the work details much of the government for more funding and with the aid of information Mi-Go’s role in the development of humanity as well as secrets contained in ancient texts and the latest scientific data, she is on how to unlock hidden potentials in the human mind. able to persuade the Chinese government to increase their Attempting to use the spells within the book. Dr. Rice drives space development efforts. LeSarre is less successful in America, himself mad and is institutionalized. After his recovery, Dr. Rice due to the prevailing attitude against spending further money forms the anti-space Brotherhood of Christ. His translation is in space. found by his colleague Dr. Tensler. Tensler follows Dr. Rice in trying the secrets contained within the book and also drives 2040-2044: Domaag T’eel gains more an more power and the himself mad. In the process Tensler’s mind comes in contact situation on earth continues to worsen as it alters the moon’s with Domaag T’eel, a massive alien entity the Mi-Go have been orbit further. The coastal flooding and weather disruption growing in the moon for centuries in an attempt to forestall the worsens and becomes severe in many areas, resulting in return of the Great Old Ones. In his madness, Tensler decides thousands of death. R’lyeh becomes almost completely that Domaag T’eel will reward him with the secrets of time and exposed as does the island of Ghatanothoa. The world rates of space if he frees it. Unknown to Dr. Tensler, Domaag T’eel is a insanity and crime begin to clime at alarming rates and odd, mindless mass of alien flesh which only desires its freedom. After inexplicable events occur on a regular basis. Faced with the two years, Tensler returns to NASA. reality of the situation, many nations decide to become involved in the construction of the space station and in 2042 2030:Due to political considerations, NASA’s budget is construction begins on the Phoenix, a large vessel capable of threatened with a substantial reductions in order to fund a carrying nearly one hundred humans in suspended animation series of new welfare programs. Diane Saunders, the dynamic to Mars. director of NASA, leads the fight against the budget reduction. Dr. Tensler, who is obsessed with reaching the moon, throws his 2045: The Phoenix is completed and sets out for Mars.When the considerable influence behind Director Saunders. In the end, Phoenix reaches Mars months latter the crew and passengers the vote goes narrowly in favor of continued space begins the construction of a colony dome. Conditions continue development and Director Saunders is even able to persuade to worsen on earth as the influence of the Great Old Ones the UN into providing funding for a Mars mission. continues to increase as the veils between the worlds begin to weaken. Driven by desperation, the nations of earth devote 2033: Director Saunders is assassinated by fringe elements of the almost their full energies to the construction of space vessels. Brotherhood of Christ. Without her guidance, NASA begins to Massive, madness and fear induced riots become common in flounder and the UN begins to cut back on its funding for the all major earth cities. Mars mission. 2046: The corpse city of R’lyeh is fully exposed as is the island of 2034: Dr. Tensler arranges to be transferred to the UN scientific Ghatanothoa. The situation on earth continues to deteriorate. moon base and begins taking steps immediately to free his Around the globe, many small coastal communities are taken “master.” Shortly after his arrival, Dr. Tensler frees and is over by the Deepe Ones and the human inhabitants are killed consumed by Domaag T’eel. At the cost of destroying the or used as breeding stock. Deeper inland, many small human outposts on the moon, the Mi-Go and humans are able communities fall prey to other Mythos entities. Ships at sea to imprison the entity again. The Mi-Go, fearing further human begin to vanish and aircraft lift off never to land again. Fear tampering, contact the leaders of the earth and forbid and paranoia become the order of the day. On Mars, the basic humanity from ever returning to the moon. Abandoned and structures of the colony are established and construction of without shelter, the human survivors on the moon perish. additional habitats begins at a rapid (and desperate) pace. 2035: Domaag T’eel, with its intelligence greatly increased due 2047: A second space ship, the Argo, carrying 100 humans in to its consumption of Dr. Tensler and several Mi-Go, begins to suspended animation leaves for Mars. Construction begins on strain at the Mi-Go containment. The Mi-Go, in the guise of the three more vessels as all doubt of the danger facing humanity “Grays”, for unknown reasons, warn the human leaders of earth vanishes. Though the profiteering and sloppy manufacturing of the danger posed by this entity. At a secret UN meeting, continues to some degree, desperation and fear work speeds which the “Grays” attend, the UN decides to study the up ship production greatly and shifts work round the clock on problem. Dr. Wu, of China’s space program, and David LeSarre, each vessel. page 3 END TIME 2048: The spread of madness infects nearly the entire world. produce a breathable atmosphere within a few centuries.
Recommended publications
  • A History of the Future David J. Staley
    History and Theory,Theme Issue 41 (December 2002), 72-89 ? Wesleyan University 2002 ISSN: 0018-2656 A HISTORYOF THE FUTURE DAVIDJ. STALEY ABSTRACT Does history have to be only about the past? "History"refers to both a subject matterand a thoughtprocess. That thoughtprocess involves raising questions, marshallingevidence, discerningpatterns in the evidence, writing narratives,and critiquingthe narrativeswrit- ten by others. Whatever subject matter they study, all historians employ the thought process of historicalthinking. What if historianswere to extend the process of historicalthinking into the subjectmat- ter domain of the future?Historians would breach one of our profession's most rigid dis- ciplinarybarriers. Very few historiansventure predictions about the future, and those who do are viewed with skepticism by the profession at large. On methodological grounds, most historiansreject as either impractical,quixotic, hubristic,or dangerousany effort to examine the past as a way to make predictionsabout the future. However, where at one time thinking about the future did mean making a scientifical- ly-based prediction,futurists today arejust as likely to think in terms of scenarios.Where a predictionis a definitive statementabout what will be, scenarios are heuristicnarratives that explore alternativeplausibilities of what might be. Scenario writers, like historians, understandthat surprise,contingency, and deviations from the trend line are the rule, not the exception; among scenario writers, context matters.The thought process of the sce- nario method shares many features with historical thinking. With only minimal intellec- tual adjustment,then, most professionally trainedhistorians possess the necessary skills to write methodologicallyrigorous "historiesof the future." History, according to Kevin Reilly, is both a noun and a verb.' By this Reilly means that "history" refers to both a subject matter-a body of knowledge-and a thought process, a disciplined habit of mind.
    [Show full text]
  • The Other in Science Fiction As a Problem for Social Theory 1
    doi: 10.17323/1728-192x-2020-4-61-81 The Other in Science Fiction as a Problem for Social Theory 1 Vladimir Bystrov Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] Vladimir Kamnev Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] The paper discusses science fiction literature in its relation to some aspects of the socio- anthropological problem, such as the representation of the Other. Given the diversity of sci-fi genres, a researcher always deals either with the direct representation of the Other (a crea- ture different from an existing human being), or with its indirect, mediated form when the Other, in the original sense of this term, is revealed to the reader or viewer through the optics of some Other World. The article describes two modes of representing the Other by sci-fi literature, conventionally designated as scientist and anti-anthropic. Thescientist representa- tion constructs exclusively-rational premises for the relationship with the Other. Edmund Husserl’s concept of truth, which is the same for humans, non-humans, angels, and gods, can be considered as its historical and philosophical correlate. The anti-anthropic representa- tion, which is more attractive to sci-fi authors, has its origins in the experience of the “dis- enchantment” of the world characteristic of modern man, especially in the tragic feeling of incommensurability of a finite human existence and the infinity of the cosmic abysses.
    [Show full text]
  • A Future History of Water
    a future history of water Future History a Duke University Press Durham and London 2019 of Water Andrea Ballestero © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Mindy Basinger Hill Typeset in Chaparral Pro by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Ballestero, Andrea, [date] author. Title: A future history of water / Andrea Ballestero. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identifiers:lccn 2018047202 (print) | lccn 2019005120 (ebook) isbn 9781478004516 (ebook) isbn 9781478003595 (hardcover : alk. paper) isbn 9781478003892 (pbk. : alk. paper) Subjects: lcsh: Water rights—Latin America. | Water rights—Costa Rica. | Water rights—Brazil. | Right to water—Latin America. | Right to water—Costa Rica. | Right to water—Brazil. | Water-supply— Political aspects—Latin America. | Water-supply—Political aspects— Costa Rica. | Water-supply—Political aspects—Brazil. Classification:lcc hd1696.5.l29 (ebook) | lcc hd1696.5.l29 b35 2019 (print) | ddc 333.33/9—dc23 LC record available at https://lccn.loc.gov/2018047202 Cover art: Nikolaus Koliusis, 360°/1 sec, 360°/1 sec, 47 wratten B, 1983. Photographer: Andreas Freytag. Courtesy of the Daimler Art Collection, Stuttgart. This title is freely available in an open access edition thanks to generous support from the Fondren Library at Rice University. para lioly, lino, rómulo, y tía macha This page intentionally left blank contents ix preface
    [Show full text]
  • Download The
    RPG REVIEW Issue #33, December 2016 ISSN 2206-4907 (Online) Transhumanism Interview with Rob Boyle ¼ Designer©s Notes for Cryptomancer¼ Reviews of Eclipse Phase and supplements ¼. A Cure for Aging? GURPS Transhuman ¼ Aeorforms for Blue Planet ¼ APP setting for Big Damn Sci-Fi .. RPGaDay 2016 ¼ Morlocks for GURPS ¼ Doctor Strange and Arrival Movie Reviews ¼ and much more! 1 RPG REVIEW ISSUE 33 December 2016 TABLE OF CONTENTS Administrivia, Coop News, Editorial many contributors p2-6 Interview with Rob Boyle with Rob Boyle p7-10 Transhumanism is Total Nonsense by Karl Brown p11-13 Have We Found A Cure for Aging? by Karl Brown p14-15 Cryptomancer Designer©s Notes by Chad Walker p16-17 Cryptomancer Review by Lev Lafayette p18-19 Transhuman RPG Reviews by Lev Lafayette p20-40 Aeroforms for Blue Planet by Karl Brown p41-42 Sue Gurney, Infomorph Slave Robot by Adrian Smith p43-44 APP for Big Damn Sci-Fi by Nic Moll p45-46 Morlocks for GURPS by Gideon Kalve Jarvis p47-48 RPGaDay 2016 with Lev Lafayette and Karl Brown p49-57 Doctor Strange Movie Review by Andrew Moshos p58-60 Arrival Movie Review by Andrew Moshos p61-63 Next Issue: RPG Design by many people p64 ADMINISTRIVIA RPG Review is a quarterly online magazine which will be available in print version at some stage. All material remains copyright to the authors except for the reprinting as noted in the first sentence. Contact the author for the relevant license that they wish to apply. Various trademarks and images have been used in this magazine of review and criticism.
    [Show full text]
  • Simone Caroti – the Generation Starship in Science Fiction
    Book Review: The Generation Starship In Science Fiction A Critical History, 1934-2001 Simone Caroti reviewed by John I Davies Dr Simone Caroti has now delivered his presentation on The Generation Starship In Science Fiction to students taking the i4is-led interstellar elective at the International Space University in both 2020 and 2021. Here John Davies reviews his 2011 book based on his PhD work at Purdue University*. Within an overall chronological plan the major themes in Dr Caroti's book seem to me to be - ■ The conflict between the two conceptions of a worldship. Is it a world which happens have an artificial "substrate" or is it a ship with a mission which happens to require a multi-generation crew. ■ How can the vision of dreamers like Tsiolkovsky, J D Bernal and Robert Goddard be made to inspire the source civilisation, for whom this is a massive enterprise, the initial travellers, their intermediate descendants and those who must make a new world at journeys end? ■ And, more practically, how can culture, science and technology be sufficiently preserved over many generations? Opening Chapters The book sees the development of the worldship as a fictional theme in six overlapping eras - the first worldship ideas (not all as fiction), Published: McFarland 2011 mcfarlandbooks.com The Gernsback Era, 1926-1940 , The Campbell Era, 1937-1949, The Image credit: Bill Knapp,Arrival Birth of the Space Age, 1946-1957, The New Wave and Beyond, www.artprize.org/bill-knapp 1957-1979 and The Information Age, 1980-2001. Caroti read a lot of science fiction and speculative non-fiction before beginning his PhD at Purdue University.
    [Show full text]
  • Foundation and Empire Kindle
    FOUNDATION AND EMPIRE PDF, EPUB, EBOOK Isaac Asimov | 304 pages | 01 Apr 1997 | Random House Publishing Group | 9780553293371 | English | New York, NY, United States Foundation and Empire PDF Book I just don't know any of them, except the person who recommended it to me, and she already read it, so. E' un tipo di fantascienza molto suggestiva. The contrast is quite striking. I can write on and on - wish to talk to more Asimovian fans out there. Later writers have added authorized, and unauthorized, tales to the series. Upon approaching the planet, they are drawn inside the Moon's core, where they meet a robot named R. The Mule whose real name is never revealed is a mental freak and possesses the ability to sense and manipulate the emotions of others. This tale was definitely a nod to Belisarius a famous Roman general. His notability and fame increase and he is eventually promoted to First Minister to the Emperor. And by the time Bayta breaks out of that mindset, it is too late. Asimov really blew this one out of the water. Lathan Devers, a native of the Foundation, and Ducem Barr, a patrician from the planet Siwenna, have been "guests" of Bel Riose for several months when it becomes clear that they will soon be treated as enemies, or even be killed. Namespaces Article Talk. I envy you if you have not read Foundation and Empire before or if you have read but possess an even worse memory than mine well, may be the latter not so much.
    [Show full text]
  • Dragon Magazine
    Blastoff! The STAR FRONTIERS™ game pro- The STAR FRONTIERS set includes: The work ject was ambitious from the start. The A 16-page Basic Game rule book problems that appear when designing A 64-page Expanded Game rule three complete and detailed alien cul- book tures, a huge frontier area, futuristic is done — A 32-page introductory module, equipment and weapons, and the game Crash on Volturnus rules that make all these elements work now comes 2 full-color maps, 23” x 35” together, were impossible to predict and 10¾" by 17" and not easy to overcome. But the dif- A sheet of 285 full-color counters the fun ficulties were resolved, and the result is a game that lets players enter a truly wide-open space society and explore, The races wander, fight, trade, or adventure A quartet of intelligent, starfaring by Steve Winter through it in the best science-fiction races inhabit the STAR FRONTIERS tradition. rules. New player characters can be D RAGON 7 members of any one of these groups: The adventure ple who had never played a wargame or a Humans (basically just like you With the frontier as its background, role-playing game before. In order to tap and me) the action in a STAR FRONTIERS game this huge market, TSR decided to re- Vrusk (insect-like creatures with focuses on exploring new worlds, dis- structure the STAR FRONTIERS game 10 limbs) covering alien secrets or unearthing an- so it would appeal to people who had Yazirians (ape-like humanoids cient cultures. The rule book includes never seen this type of game.
    [Show full text]
  • Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
    DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A.
    [Show full text]
  • Provenance: a Future History
    Provenance: A Future History The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Cheney, James, Stephen Chong, Nate Foster, Margo Seltzer, and Stijn Vansummeren. 2009. Provenance: a future history. In Proceeding of the 24th ACM SIGPLAN conference companion on object oriented programming systems languages and applications. New York, NY: ACM. Published Version doi:10.1145/1639950.1640064 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:5346327 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Provenance: A Future History James Cheney Stephen Chong Nate Foster University of Edinburgh Harvard University University of Pennsylvania [email protected] [email protected] [email protected] Margo Seltzer Stijn Vansummeren ∗ Harvard University HasseltUniversity/TransnationalUniversityof [email protected] Limburg, Belgium [email protected] Abstract queryable; it’s indexed by standard search engines and can Science, industry, and society are being revolutionized by be queried anywhere. radical new capabilities for information sharing, distributed Provenance is pervasive, invisible, and handled automat- computation, and collaboration offered by the World Wide ically by default. Ten years ago people regularly used data Web. This revolution promises dramatic benefits but also without knowing where it was hosted or originated. Today poses serious risks due to the fluid nature of digital infor- such a thing is unthinkable.
    [Show full text]
  • The Posthuman Trajectory of Isaac Asimov's Foundation Universe
    The Posthuman Trajectory of Isaac Asimov’s Foundation Universe Item Type Article Authors Hay, Jonathan Citation Hay, J. (2021). The posthuman trajectory of Isaac Asimov’s Foundation Universe. The New York Review of Science Fiction, 31(1), no. 355, 13-19. Publisher Burrowing Wombat Press Journal The New York Review of Science Fiction Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 30/09/2021 10:01:05 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/625333 The Posthuman Trajectory of Isaac Asimov’s Foundation Universe Abstract Although he privately identified as a humanist, Isaac Asimov’s future history series Foundation Universe (1951 - 1993) is distinctly posthuman. Rhetorically and stylistically, the series utilises a number of repetitive components to ground its SF narratives within readers’ cognitive frames of reference. The series therefore gestures towards the entirely commonplace manner with which we engage with technologies in contemporary societies, and correspondingly, uses the rhetorical strategy of novum decay to suggest that posthuman life will be profoundly everyday. The mundane and repetitive components present within the series, and their connotations, are exemplified via the textual analysis of nine novels from the series; The Stars Like Dust (1951), Foundation (1951), The Currents of Space (1952), Foundation and Empire (1952), Second Foundation (1953), Foundation’s Edge (1982), Foundation and Earth (1986), Prelude to Foundation (1988), and Forward the Foundation (1993). Keywords: Isaac Asimov, Foundation series, critical posthumanism, novum decay. 1. Introduction When Isaac Asimov began to expand the fictional universe of his acclaimed Foundation Trilogy in 1982—almost thirty years after the publication of its prior entry, Second Foundation (1983)—he did so with the express intention of assimilating its continuity into a unified “history of the future” with his Robot and Galactic Empire series (Prelude ix).
    [Show full text]
  • Future History
    As Csicery-Ronay writes in “Third Beauty,” “most science fictions are futuristic. They are set in a future history. They are set in a future time vis-a-vis the author’s present, or they include an event—an invention, a discovery, a seed—that will prove to be a history transforming novum.” Science fiction stories “don’t pretend to predict a future, but to explain a future past.” Thus, even though they are set in the future, science fiction stories are always written in the past tense. “SF’s completed futures mediate the relationship between the human present and the future…. They playfully represent the colonization of the future by the present, through the forceful extension of contemporary trends.” At the same time, these “future histories” return to the present, giving us our ideas of what may come, a vision of our hopes, dreams and fears. SF’s future histories estrange us from the present. They show us something strange yet also, often, familiar. In this way, SF can help us see the present in a new way. For instance, think about Weinbaum’s “Martian Odyssey” in the context of 1930s race relations. Weinbaum, even though writing about an alien, is modeling a new mode of interracial relations in a time of segregation and coming genocide: friendship. Still, SF is mostly “imaginary prediction, drawing on the same sort of historical-projective suspension of disbelief as the real thing, if only to explore, to problematize, and to play with it.” The idea of a future that can be radically different from the present originates in the revolutionary politics of eighteenth century Europe.
    [Show full text]
  • Guiding Visions of the Space Age
    GUIDING VISIONS OF THE SPACE AGE: HOW IMAGINATIVE EXPECTATIONS DIRECTED AN INDUSTRY by Daniel Waymark Goodman A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History MONTANA STATE UNIVERSITY Bozeman, Montana April 2019 ©COPYRIGHT by Daniel Waymark Goodman 2019 All Rights Reserved ii To Annie, For your unending love, support and patience. “With a bad telescope and a powerful imagination, there is no saying what you may not accomplish.” H. G. Wells, 1898 iii ACKNOWLEDGEMENTS I am enormously grateful for the support of a network of brilliant faculty and friends at Montana State University’s Department of History and Philosophy. I am especially privileged to have had the constant guidance of Dr. Michael Reidy over the last two years. Michael, this project could not have happened without your mentorship, critical eye and insights. I am deeply indebted to have had your support and friendship. I am also hugely thankful to have had the guidance of Dr. Brett Walker and Dr. Timothy LeCain. Brett, you taught me new ways of approaching history that have reshaped my worldview. Tim, in enhancing my understanding of my own country’s history, you provided me much of the context I needed for this project. I also owe a debt of gratitude to Dr. Billy Smith and Dr. James Meyer for greatly advancing my skills as a writer and thinker. You both pushed me again and again, and I am glad you did. Additionally, to the friendly staff at the Smithsonian Air and Space Museum archives in Chantilly, Virginia, thanks for all of your help providing me ample sources for this research as well as future projects.
    [Show full text]