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School Crossings Guards Controversy
School Crossings | Regional Committee Guards Controversy ! i To Get Estimates i < Mayor, Police Head | e r | Discuss Three Plans; Differ In Marlboro Twpi j Debt Limit $600,000 (About Their Authority j Member National Editorial Association New Jersey Press Association Monmouth County Press Association ! For Proposed Board Sharp division or opinion oc c - i / - c n I ^ Regional School Survey curred fit tlie .Marlboro Township 86th YEAR — 35th WEEK MATAWAN, N. J., THURSDAY, MARCH 3, 1955 oingle C opy oeven Cents: committee meeting Monday night Committee meeting Thursday be- j in the Keyport High School cafc- tween Mayor Dennis Buckley and , tcria made plans to have cost esti members of the police committee | Mayor To Run Again THE FIRST TIME A MATAWAN HIGH BASKETBALL TEAM EVER DID THIS Madison Board To Lots Pledged For mates secured on various regional oVcr the authority and duties to] Mayor Spal'furd W. Sclianck 1 school building plans. Hoards of be given men hired to watch j confirmed this morn ini; that | education in this area represented school crossings. lie Imd cleciileil (o run fur an Sample Opinion Church, When Needed !nl the meeting were Keyport, Charles McCue, chairman of tlie ; other term as mayor of tlie Keansburg, Uninn Beach, Matawan, police. committee. Wild thc. commit- borough on Ihc Republican Questionaire To Seek Matawan Township I Ilarilan Township and Ilolmdel l^llcn he had sounded out men I ticket. The mayor will com- i Township. tt'lfo niiyhl bc in terested in the plete his second two-year Residents Views On To Aid, Ricci States; | Thc group requested Karl B. -
Printable Schedule
Schedule for 9/29/21 to 10/6/21 (Central Time) WEDNESDAY 9/29/21 TIME TITLE GENRE 4:30am Fractured Flickers (1963) Comedy Featuring: Hans Conried, Gypsy Rose Lee THURSDAY 9/30/21 TIME TITLE GENRE 5:00am Backlash (1947) Film-Noir Featuring: Jean Rogers, Richard Travis, Larry J. Blake, John Eldredge, Leonard Strong, Douglas Fowley 6:25am House of Strangers (1949) Film-Noir Featuring: Edward G. Robinson, Susan Hayward, Richard Conte, Luther Adler, Paul Valentine, Efrem Zimbalist Jr. 8:35am Born to Kill (1947) Film-Noir Featuring: Claire Trevor, Lawrence Tierney 10:35am The Power of the Whistler (1945) Film-Noir Featuring: Richard Dix, Janis Carter 12:00pm The Burglar (1957) Film-Noir Featuring: Dan Duryea, Jayne Mansfield, Martha Vickers 2:05pm The Lady from Shanghai (1947) Film-Noir Featuring: Orson Welles, Rita Hayworth, Everett Sloane, Carl Frank, Ted de Corsia 4:00pm Bodyguard (1948) Film-Noir Featuring: Lawrence Tierney, Priscilla Lane 5:20pm Walk the Dark Street (1956) Film-Noir Featuring: Chuck Connors, Don Ross 7:00pm Gun Crazy (1950) Film-Noir Featuring: John Dall, Peggy Cummins 8:55pm The Clay Pigeon (1949) Film-Noir Featuring: Barbara Hale 10:15pm Daisy Kenyon (1947) Romance Featuring: Joan Crawford, Henry Fonda, Dana Andrews, Ruth Warrick, Martha Stewart 12:25am This Woman Is Dangerous (1952) Film-Noir Featuring: Joan Crawford, Dennis Morgan 2:30am Impact (1949) Film-Noir Featuring: Brian Donlevy, Raines Ella FRIDAY 10/1/21 TIME TITLE GENRE 5:00am Dr. Jekyll and Mr. Hyde (1931) Thriller Featuring: Fredric March, Miriam Hopkins -
Catholic-Courier-Journal-1955
*n^T*! ? V re^- t-_,^_^.«i,„J_ -^ X. f^S'"?^'^^^^? - **»v* fi Aubur*>&.?« n Court *fe er Guild Work- --wiliT^l^rt^^Itt^1"^: dresses'»a|'.y*ll'i'•*»- W'iie#lo TV & RADIO missions lot- \%jft$m " Riding- ON Ml .mm*-'*-- meir|tot*tfetfy;^ifiuMo|/-'' * MAWS ' At fc^Bita&HSiSJi.,.* <JfBl'/ ' \ *• 9 KUMWA ' PARAMOUNT %. %3 KMOfTohO-Rl A-S 25 Vr*. fni'iww I4TXL1B SIlStawM. Detective ,-\ A-l ^i_ w hv ~W -F^Xl? 1"' •$*,! Playfufdie - &A^fc JlMttmMtt. T]l«ii*#1R©i^^ M AUDITORIUM «Kwnr*ta» Under a»«aa b»r4 lOftttns. **••,.;..• ,.,.„. r *'• .-& pmtlR- Pacttio—^*an. JOL-Fek 8 Nil irieh - StlbtM IETINGS: * ^^- ;.;;*;, %%;£.%.. ;.;'\ " (Partly Objectionable •- SIOU STATIONEST co. fljttmn <h|t Fe^titege* 'iJwrrent faf*M& B«fftoGuUd (H)th School GW.) S:S« leastpji , $* (For Adulte—SIGN mssaxino} .... .• ,,sr*ifi^A,fHiSAtRl!~'' y^hrlna IPah- Ifieb; MS (Fot>'-AduIt»->SIGK m»f axlne) ,^Jt*Jfeiiae«a^^ o •••• ^ Irt -thiiMdiiy-HBnchMtalic GuW i;tt a^~Vertf Bev. * ^SsT'y^i *.]W«q*^<J4SJ|.- .«. • <•._ ••''i>i' ;•%_ ••r"- ..-• •-..->> 81* MwiiHhir ft* Of the fe&eie Guild (Business team Defeats Woinett) fcfo r>.nv--Bev, Joseph Attend, «$&1B. Sampson WAF's First of a series of basketball games between the CXO. Girls' «$ Team and the Sampson WAFs Chaplain Aj^^Wmm^ was played Jan. 25 on the Colum bus .Civic Center Courts with the CYO girls emerging victors by a §|^ewwf-fe^,_^,.._.{_ tuJwffiii^.HMi^lHV Bdwart MlUutuaeo, l*«re*nee Ctaiey, Jalten Wright, score of 30 to 27. , _ ;jmir,:tmm- 'l^fr *ny »«ti». -
Patricia Medina Y María Montez. Dos Estrella Coetáneas De Hollywod De
PATRICIA MEDINA Y MARÍA MONTEZ. DOS ESTRELLAS COETÁNE- AS DE HOLLYWOOD DE ASCENDENCIA CANARIA. ANÁLISIS CONTRASTIVO PATRICIA MEDINA AND MARIA MONTEZ. TWO CONTEMPORARY HOLLYWOOD STARS OF CANARY DESCENT. CONTRASTIVE ANALYSIS Inodelbia Ramos Pérez* y Pedro Nolasco Leal Cruz** Cómo citar este artículo/Citation: Ramos Pérez, I. y Leal Cruz, P. N. (2017). Patricia Medina y María Montez dos estrellas coetáneas de Hollywood de ascendencia canaria. Análisis contrastivo. XXII Coloquio de Historia Canario-Americana (2016), XXII-064. http://coloquioscanariasmerica.casadecolon.com/index.php/aea/article/view/10007 Resumen: Patricia Medina y María Montez son dos estrellas de Hollywood de ascendencia canaria, el padre de la primera nació en Las Palmas de Gran Canaria, el de la segunda en Garafía (La Palma). Las dos artistas tuvieron una vida paralela y carreras exitosas. Ambas se casaron con actores muy conocidos del cine del siglo pasado. Nuestro objetivo es hacer un estudio y contraste de estas dos famosas actrices. Palabras clave: Patricia Medina, María Móntez, cine, Gran Canaria, La Palma, Hollywood, Siglo XX Abstract: Patricia Medina and Maria Montez are two Hollywood stars of Canary descent. The father of the former was born in Las Palmas de Gran Canaria and the father of the latter was born in Garafia (La Palma). Both artists had a parallel life and enjoyed successful careers, both stars had well-known husbands in the world of stardom of the twentieth Century. Our aim is to make a study and contrast between them. Keywords: Patricia Medina, Maria Montez, cinema, Gran Canaria, La Palma, Hollywood, XXth Century INTRODUCCIÓN Canarias tiene el orgullo y privilegio de contar con dos artistas de nivel internacional, hijas de padres canarios. -
British Film Institute Report & Financial Statements 2006
British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society. -
Th' Abstract of All Faults: Antony Vs. the Hegemonic
Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol. 3, No. 1 (2010) ARTICLE Th’ Abstract of All Faults: Antony vs. the Hegemonic Man RACHAEL KELLY, UNIVERSITY OF ULSTER ABSTRACT The story of the lives and deaths of Cleopatra VII of Egypt and her lover, the Roman triumvir Marcus Antonius, have been the subject of considerable mythologisation in the two millennia since their suicides at Alexandria. In recent years, some scholars have noted that the image of Cleopatra has been used, in various texts, to perform cultural anxieties about the meaning of acceptable womanhood. However, whilst there is some evidence (albeit problematic) that the screen Cleopatras of the past forty years have been subject to a recuperation of sorts, there has been no similar recuperation or critical analysis of the image of Antonius (or Antony). This paper seeks to examine the use of Antony to interrogate notions of hegemonic masculinity on screen, through an analysis of five texts covering the years 1934-2007 which feature Antony in a key role. By investigating the opposition of Antony and his performance of deficient masculinity against the recurring figure of the paradigm or hegemonic man, this paper seeks to position Antony as a site for the negotiation and articulation of anxieties about the performance of idealised masculinity. KEY WORDS Mark Antony, gender performance, historical films, hegemonic masculinity If bodies in perspective space appear to be ranged along a continuum from closer to father away, might there not be an equivalent continuum in psychic space? To understand masculinity in terms of others, we need to consider two distinct situations: one in which masculinity is defined vis-à-vis various opposites and one in which masculinity is experienced as a kind of merging or fusion of self with others. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
IL FANTASTICO COLUMBIA Di Renato Venturelli
IL FANTASTICO COLUMBIA di Renato Venturelli Negli anni dello studio-system, il fantastico non godeva di grande stima presso i boss della Columbia. A questo proposito, c’è un aneddoto che la dice lunga sull’argomento. Lo sceneggiatore George Axelrod si presentò un giorno dal boss Harry Cohn con la sceneggiatura di un film fantastico, ma si sentì rifiutare lo script con la solita motivazione: “fantasies don’t make money”. “Ma L’inafferrabile signor Jordan ha fatto un sacco di soldi...” obiettò lo scrittore. “Certo - ribatté Cohn - ma pensa quanti ne avrebbe fatti di più se non fosse stato un film fantastico!”. Eppure, molti dei più importanti film della Columbia appartengono a questo genere: da Orizzonte perduto (1937) e L’inafferrabile signor Jordan (1941), capolavori dell’epoca classica, fino a Incontri ravvicinati del terzo tipo (1977) o Ghostbusters (1984), di gran lunga i maggiori successi Columbia degli anni ‘70 e ‘80. E, ripercorrendo la storia della compagnia, troviamo parecchie altre tappe importanti: da Il mistero della camera nera e il ciclo dei “mad doctors” di Boris Karloff tra gli anni ‘30 e ‘40 ai serials di grande successo popolare (su tutti un Superman realizzato con due soldi da Sam Katzman), dalle barocche invenzioni di Ray Harryhausen alle geniali astuzie di William Castle (un vero e proprio regista “allevato in casa”). E’ difficile tracciare con sicurezza le linee di tendenza, ma per gli anni in cui esisteva uno “stile” più o meno tipico dei diversi studios, la Columbia si era distinta nel settore per un paio di film “fantasy” ad alto budget (appunto Orizzonte perduto e L’innafferrabile signor Jordan), più una notevole quantità di film “B”, serials e piccole produzioni che ben rappresentano i suoi terreni d’azione preferiti. -
Der US-Amerikanische Western in Den Deutschen Kinos (1933-1960): Eine Filmografie 2011
Repositorium für die Medienwissenschaft Jonas Wegerer Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie 2011 https://doi.org/10.25969/mediarep/12759 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wegerer, Jonas: Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 128). DOI: https://doi.org/10.25969/mediarep/12759. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0128_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 128, 2011: Western. Redaktion und Copyright dieser Ausgabe: Jonas Wegerer. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0128_11.html Letzte Änderung: 13.9.2011. Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie Zusammengestellt von Jonas Wegerer Liste 1: Zwischen 1949 und 1960 in deutschen Kinos 1960 sind mehr als 650 Western erstaufgeführt wor- erstaufgeführte amerikanische Western den, fast ein neuer Western pro Woche. Liste 2: Zwischen 1933 und 1940 in deutschen Kinos erstaufgeführte amerikanische Western In Liste 1 sind alle Western, die zwischen 1945 und 1960 in den deutschen Kinos erstaufgeführt wurden, mit deutschem Verleihtitel, Datum der Erstauffüh- rung und Originaltitel und Produktionsjahr, verzeich- Der Western, das „amerikanische Genre par excel- net. -
Junior by CHARLES E
A Newspaper Devoted " Complete News, Pictures To the Community Interest Presented Fairly, Clearly Full Local Coverage And Impartially 'Each Week VOL. XVI—NO. 3 FORDS, N. J., THURSDAY, NOVEMBER. 12, 1953 PRICE EIGHT CENTS Sweetness Work Starts to Aid Avenel Pedestrian Safety Yule Clubs and '53 Total Light $355,000 Junior By CHARLES E. GREGORY Woodbridge Bank to Pay There are a few people who Today, Fords After Nov. fake \ to worrying a,boiit me 18; Both Show Gains pn'ihfrequent occasions^ and WOODBRIDGE — Woodbridge Township residents who have ; they are concerned now over Christmas Clubs in the Wood- \jny vigor in urging an equal- bridge National Bank and. the Nicklas Sees ization of assessments. They Fords National Bank will have fare convinced my only suc- approximately $355,000 to spend 3,300 Pupils for Christmas gifts this year if cess will be represented in they so desire. •; the establishment of myself Fred P. Buntenbach, cashier of me • as an unmitigated, upper- the Wood-bridge National Bank, case heelv < . V reports that checks, dated Novem- WOODBRIDGE—As the result ber 13, are in the mail and should of a warning by Superintendent of I must tell them here that be received this morning. Even Schools Victor C. Nicklas, Monday, if this is really the case, then though the checks are dated for which shows that 3,300 pupils in tomorrow they will be honored to- the elementary schools will be on '•vie. must take that chance. I day. The Woodbridge National double session by 1956 unless new • -am dealing, in this situation, Bank Club amounts to $155,000 buildings are provided, the Board hot; only with a principle but with 1,300 members. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,