2016 Fall Brochure
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Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
Four on the Floor—And in The
CHICAGO’SFREEWEEKLYSINCE | SEPTEMBER | SEPTEMBER CHICAGO’SFREEWEEKLYSINCE Four on the fl oor—and in the air The Joff rey Ballet introduces a quartet of new company members. THIS WEEK CHICAGOREADER | SEPTEMBER | VOLUME NUMBER IN THIS ISSUE T R - CITYLIFE King’sSpeechlooksgoodbutthe city’srappersbutitservesasa @ 03 FeralCitizenAnexcerptfrom dramaisinertatChicagoShakes vitalincubatorforadventurous NanceKlehm’sTheSoilKeepers 18 PlaysofnoteOsloilluminates ambitiousinstrumentalhiphop thebehindthescenes 29 ShowsofnoteHydeParkJazz PTB machinationsofMiddleEast FestNickCaveFireToolzand ECSKKH DEKS diplomacyHelloAgainoff ersa morethisweek CLSK daisychainoflustyinterludes 32 TheSecretHistoryof D P JR ChicagoMusicLittleknown M EP M TD KR FEATURE FILM bluesrockwizardZachPratherhas A EJL 08 JuvenileLiferInmore 21 ReviewRickAlverson’sThe foundhiscrowdinEurope S MEBW thanadultswhoweresent Mountainisafascinatingbut 34 EarlyWarningsCalexicoPile SWDI BJ MS askidstodieinprisonweregivena ultimatelyfrustratingmoodpiece TierraWhackandmorejust SWMD L G secondchanceMarshanAllenwas 22 MoviesofnoteTheCat announcedconcerts EA SN L oneofthem Rescuersdocumentstheheroic 34 GossipWolfGrünWasser L CS C -J F L CPF actsofBrooklyncatpeopleMisty diversifytheirapocalypticEBMon D A A FOOD&DRINK ARTS&CULTURE Buttonisbrimmingwithwitty NotOKWithThingstheChicago CN B 05 RestaurantReviewDimsum 12 LitEverythingMustGopays dialogueandcolorfulcharacters SouthSideFilmFestivalcelebrates LCIG M H JH andwinsomeatLincolnPark’sD tributetoWickerPark’sdisplaced -
Davidsonian 10/06/10.Indd
www.thedavidsonian.com DAVIDSON COLLEGE WEDNESDAY , OCTOBER 6, 2010 VOLUME 102, NUMBER 5 Local Food Promotion Environmental Studies at Commons- Not So Community Spotlight Adopted as Davidson’s Local After All Students serve town of Davidson Newest Major YUXI LIN KATHLEEN VOEGTLI Staff Writer Staff Writer On October 19th, Vail Commons will be In May, the faculty approved the adop- hosting A Taste of the Carolinas, an event tion of Environmental Studies as an academ- that was formerly named A Taste of David- ic major at Davidson. son. While the change of title may seem in- Dr. Annie Ingram, the chair of the pro- signifi cant, the underlying controversy is far gram, expressed her enthusiasm at introduc- from it. ing this “genuinely interdisciplinary” major, While looking for new menu ideas, Com- which draws from fi elds including science, mons came up with the idea of A Taste of Da- economics and politics. Dr. Ingram expresses vidson, which would feature products grown confi dence that the core requirements, which or manufactured in the Carolinas. It will were “created with a great deal of attention replace the traditional “Voice Your Choice” and care,” ensure that the major provides Food Show this year. both depth and rigor. All Environmental “While it was very popular, the past cou- Studies majors will be given a broad over- ple of years the event did not offer us many view of the fi eld before selecting a track that menu ideas. Since ‘local’ is such a current will deepen their knowledge in environmen- topic, we chose to look in that direction,” As- tal sciences, social sciences or humanities. -
Clubbing in Los Angeles Jonny Coleman Tackles the Multi-Farious Scene in One of America's Biggest Cities
Clubbing in Los Angeles Jonny Coleman tackles the multi-farious scene in one of America's biggest cities. Los Angeles has always been a capital of pop culture. Outside of rave, however, it's never had much of a reputation for its dance music culture. Until recently, that is. The efforts of local promoters have given rise to enormous EDM festivals, the Low End Theory-driven beat scene and thriving techno and house crews—and have led to the city finally becoming internationally recognized. Now, it seems, a place that houses four million people inside the city limits and 18 million in the greater Southland area, is finally representing itself on the world stage. True to its geography—a set of suburbs fronting as a megalopolis—Los Angeles doesn't have a dominant sound or theme. Instead, there are many scenes tugging for attention and battling over the few legitimate dance venues the city has to offer. It's enormously difficult to acquire a liquor license in LA, thanks in no small part to club-owning cowboys like Eddie Nash (of Wonderland murder fame), and those that do can't serve all that late anyway. Most nights last from 10 until 2 or 3 AM (a reality that often results in seeing your headlining DJ for two hours). It doesn't help that many of the historical clubs/bars in places like Hollywood and West Hollywood are a tough sell to fans of underground music, as the price points, degree of parking difficulty and douchebaggery quotient are all high. That means that many parties of note take place downtown or in other east side neighborhoods (if not a private estate). -
Age of Displacement As the U.S
CHICAGO’SFREEWEEKLYSINCE | FEBRUARY | FEBRUARY CHICAGO’SFREEWEEKLYSINCE Mayoral Spotlight on Bill Daley Nate Marshall 11 Aldermanic deep dives: DOOR TO DOOR IN THE 25TH Anya Davidson 12 THE SOCIALIST RAPPER IN THE 40TH Leor Galil 8 INSIDE THE 46TH Maya Dukmasova 6 Astra Taylor asks what democracy is Sujay Kumar 22 Age of displacement As the U.S. government grinds to a halt and restarts over demands for a wall, two exhibitions examine what global citizenship looks like. By SC16 THIS WEEK CHICAGOREADER | FEBRUARY | VOLUME NUMBER TR - A NOTE FROM THE EDITOR @ HAPPYVALENTINE’SDAY! To celebrate our love for you, we got you a LOT lot! FOUR. TEEN. LA—all of it—only has 15 seats on its entire city council. PTB of stories about aldermanic campaigns. Our election coverage has been Oh and it’s so anticlimactic: in a couple weeks we’ll dutifully head to the ECAEM so much fun that even our die-hard music sta ers want in on it. Along- polls to choose between them to determine who . we’ll vote for in the ME PSK side Maya Dukmasova’s look at the 46th Ward, we’re excited to present runo in April. But more on that next week. ME DKH D EKS Leor Galil’s look at the rapper-turned-socialist challenger to alderman Also in our last issue, there were a few misstatements of fact. Ben C LSK Pat O’Connor in the 40th—plus a three-page comics journalism feature Sachs’s review of Image Book misidentifi ed the referent of the title of D P JR CEAL from Anya Davidson on what’s going down in the 25th Ward that isn’t an part three. -
When Richard Thompson Returns to the Bay Area in December
***For Immediate Release*** Winter Fest 2015 Friday, February 27 - Sunday, March 8, 2015 Cafe Stritch, The Continental, Hedley Club, MACLA, San Pedro Square Market, San Jose Stage Company and other venues in Downtown San Jose, CA Event Info: www.sanjosejazz.org/winterfest Tickets: $15 - $30, $175/VIP All Concert Pass; Select Youth Band Shows Are Free National Headliners: Taylor McFerrin Kris Bowers Kendrick Scott Oracle Marc Cary Focus Trio Diane Schuur Mads Tolling Quartet with Tierney Sutton Denise Perrier Trio with Houston Person Les Yeux Noirs Bay Area Youth Ensemble Performances: San Jose Jazz High School All Stars Homestead Jazz Ensemble Valley Christian Jazz Ensemble Los Gatos High School Jazz Band Kuumbwa Jazz Honor Band "McFerrin has a knack for knowing just how many elements he can balance." -Pitchfork "Kris Bowers is definitely an artist to watch." -Huffington Post "Kendrick Scott is already one of the very finest drummers on the jazz scene." -All About Jazz "(Marc Cary is) a jazz pianist of broad expertise." -New York Times "Now, as a bandleader (Mads Tolling will) showcase not just his flying bow and creatively nimble improvisation, but also his eclectic arrangements." -SF Bay Guardian "To hear this band (Les Yeux Noirs) reworking traditional dance music and Yiddish lullabies is to behold a remarkably deft aesthetic transformation." -Chicago Tribune San Jose, CA -- Friday, February 20, 2015 -- Renowned for its annual Summer Fest, the iconic Bay Area institution San Jose Jazz kicks off 2015 with dynamic arts programming honoring the jazz tradition and ever-expanding definitions of the genre with singular concerts curated for audiences within the heart of Silicon Valley. -
Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions
Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis Abstract: The rise of jazz-R&B-hip hop fusions in contemporary Los Angeles offers an opportunity to Downloaded from http://direct.mit.edu/daed/article-pdf/148/2/23/1831401/daed_a_01740.pdf by guest on 02 October 2021 reflect on the ways jazz matters to black audiences today. Drawing on recent Afrofuturist art and theo- ry as well as on Amiri Baraka’s analysis of the “changing same” in black music, this essay traces out the significance of work by artists as diverse as Kamasi Washington, Flying Lotus, Thundercat, and Robert Glasper, positing that their music tells us that jazz matters not only in itself, but also in its continuing ca- pacity to engage in cross-genre dialogues for musicians and audiences who hear it as part of a rich con- tinuum of African American musical expression. We are, it seems, in an age of Afrofuturism. The release of the Black Panther feature film in Febru- ary 2018 was greeted with a spate of think pieces across a range of media, explaining the term Afro- futurism for an unfamiliar audience. “T’Challa, also known as the Black Panther, the title character of the blockbuster movie, wasn’t the first person to land a spaceship (or something like it) in down- town Oakland, Calif.,” starts one such article.1 Such pieces point back to bandleaders Sun Ra and George Clinton (and sometimes to Jamaican dub artist Lee “Scratch” Perry) to provide background for the film’s mix of the old and the new, technolo- gy and the spirit, space-age Africa, and, eventually, a sense of diasporic culture that travels in both di- rections across the Black Atlantic–in ships in the gabriel solis is Professor of sky rather than the sea–suturing the fissures rent Musicology at the University of by the middle passage, by war, and by colonial mo- Illinois at Urbana-Champaign. -
00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:06 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Morgan and I wanted to kick off 2020, and the 2020s in general, with a look back at the decade we just left behind, and to do so the two of us have compiled our favorite ten of the 2010s. 00:00:24 Music Music [The following songs play in rapid succession, crossfading into each other with no gap between them] “Fall in Love (Your Funeral)” off the album New Amerykah Part Two (Return of the Ankh) by Erykah Badu. Up-tempo, grooving R&B/soul. You don't wanna fall in love [Fades into…] 00:00:28 Music Music “See You Again” off the album Flower Boy by Tyler, the Creator. A short instrumental section with soaring horns. Fades into… 00:00:35 Music Music “Ah Yeah” off the album Black Radio by Robert Glasper Experiment. Slow, harmonized vocalizing over snaps. Fades into… 00:00:44 Music Music “Momma” off the album To Pimp a Butterfly by Kendrick Lamar. Mid-tempo rap. Sun beaming on his beady beads exhausted Tossing footballs with his ashy black ankles [Fades into…] 00:00:50 Music Music “Drunk in Love” off the album Beyoncé by Beyoncé. Poppy hip-hop. Surfboard, surfboard Graining on that wood, graining, graining on that wood [Fades into…] 00:00:56 Music Music “Nights” off the album Blond by Frank Ocean. -
Piano Bass (Upright And/Or Electric)
January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Danny Avila Contrast and Tujamo *
561 DRUM & BASS SPECIAL! 27-PAGES OF JUNGLIST GOODNESS! DJMAG.COM WHALE OF A TIME MOBY’S NEW BOOK TEKLIFE LIVING & BREATHING DANCE MUSIC! CREW DJMAG.COM LIVE ON DJ RASHAD’S FOOTWORK LEGACY THE CONTINUED WIDESCREEN ELI ESCOBAR DRUM & BASS OF IN PURSUIT OF HAPPINESS * MUSIC DOWNLOAD * CLUBS CONTENT BY HIGH JEWELZ & SPARKS, * TECHNOLOGY TECHNOLOGY DANNY AVILA CONTRAST AND TUJAMO * HAS D&B COMMERCIALISATION GONE TOO FAR? SIGMA, GOLDIE, GROOVERIDER, FRICTION & MORE EXPLORE VOTE NOW! HOSPITALITY IN THE PARK UK’S FIRST D&B FEST D&B IN AMERICA — F*** YEAH! ALL THE No. 561 NOMINEES EXIT RECORDS PROFILED September 2016 TRUE TO THE CRAFT WE CZECH OUT No.561 September 2016 £4.95 LET IT ROLL & BEATS EVOLUTION £4.95 OCTAVE ONE, MACHINEDRUM, HERVÉ, THOMAS GANDEY, BLACK DEVIL DISCO CLUB, PLUS: FELIX DICKINSON, RECLOOSE, REBOOT, DE SLUWE VOS, SECRET CINEMA, SILKY… cover1.indd 1 12/08/2016 14:00 Untitled-1 1 18/07/2016 12:16 Contents Cover Shot: LARRY ROSTANT 032 WIDESCREEN DRUM & BASS High Contrast’s cinematic productions have made him the undisputed master of underground-credible yet mainstream-accessible d&b. DJ Mag heads to Cardiff to meet the man behind the music... FEATURES 038 COMMERCIAL PROPERTIES Following Sigma’s collab with Take That, we ask industry heavyweights to way up the pros and cons of commercial d&b 046 NON-CORPORATE HOSPITALITY Label heads London Elektricity and Chris Goss talk 20 years of Hospital Records 038 COMMERCIAL D&B 051 EXIT RECORDS and the UK’s fi rst ever d&b festival... 051 BOW DOWN TO THE EXIT We sit down with Exit Records boss dBridge to see why his boundary- breaking imprint stays true to the craft..