When Richard Thompson Returns to the Bay Area in December
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WHEN THEY SEE US Companion Guide Works Cited
WHEN THEY SEE US Companion Guide Works Cited Section / Header /SubHeader Link Name and Link Type Source | Author Section 1, When They See Us Learning New York’s Exonerated Five Article History.com | History.com Editors Guide: An Introduction https://www.history.com/topics/1980s/central-park-five Section 1, When They See Us Learning film in four parts Article Vulture.com | Matt Zoller Seitz Guide: An Introduction https://www.vulture.com/2019/07/vulture-tv-awards-best-miniseries-when-th ey-see-us.html Section 1, When They See Us Learning vacated Court Case Leagle.com | Supreme Court, New Guide: An Introduction https://www.leagle.com/decision/2002675194misc2d4811604 York County Section 1, Giving Context: Setting the New York Magazine, Central Park Revisited, October 21, 2002 Article Nymag.com | Chris Smith Stage for the Series, Background, https://nymag.com/nymetro/news/crimelaw/features/n_7836/index.html Setting and Context, Giving Context: Setting the Stage for the Series Section 1, Giving Context: Setting the crack cocaine epidemic Article Villagevoice.com | Albert Samaha Stage for the Series, Background, https://www.villagevoice.com/2014/08/07/the-rise-and-fall-of-crime-in-new- Setting and Context, Giving Context: york-city-a-timeline/ Setting the Stage for the Series Section 1, Giving Context: Setting the high unemployment Article Villagevoice.com | Albert Samaha Stage for the Series, Background, https://www.villagevoice.com/2014/08/07/the-rise-and-fall-of-crime-in-new- Setting and Context, Giving Context: york-city-a-timeline/ -
Jeff Rupert Bio
Jeff Rupert Bio Saxophonist Jeff Rupert is a YAMAHA performing artist. Performing and recording credits include associations with Diane Schuur, Mel Tormé, Kevin Mahogany, Ernestine Anderson, and Benny Carter’s Grammy winning Harlem Renaissance . Jeff Rupert toured for fifteen years with Sam Rivers ; four albums ensued, and from 1997- 2002 he toured and recorded with Maynard Ferguson . Jeff Rupert’s six recordings as a leader have all charted on Jazz Week . Do That Again! was #39 out of the top 100 jazz albums of 2014 , and En Plein Air: The Jazz Professors play Monet charted on Jazz Week to #29 . Performance venues include the Blue Note, Birdland, Carnegie Hall, Lincoln Center, the Kennedy Center, the Tokyo Forum, the National concert hall of Taipei, Taiwan, and jazz festivals in Europe, Israel, Australia, New Zealand and Japan. Rupert’s latest release Imagination is a collaboration with pianist Richard Drexler. As a composer and arranger, Rupert has written for Bob Berg, James Moody, Maynard Ferguson, Kenny Drew Jr, Kevin Mahogany and Judy Carmichael. Rupert has produced four big band albums for the Flying Horse Big Band, all featuring original compositions and arrangements. Jeff Rupert is Pegasus Distinguished Professor, Trustee Endowed Chair, and Director of Jazz Studies at the University of Central Florida (UCF), and founder of Flying Horse Records. “Jeff Rupert has a classic tenor sound, the virtuosity to execute practically any musical idea, and the imagination to make those ideas worth hearing.” Ed Berger, the Institute of Jazz Studies. “Jeff Rupert, he is dynamite!” Mel Torme. “From the moment I first heard Jeff Rupert with my band I considered him one of the great jazz players of today.” Maynard Ferguson. -
Sundance Institute and Skywalker Sound Announce Independent Filmmakers and Film Composers for July Music and Sound Design Labs
FOR IMMEDIATE RELEASE Media Contact: June 30, 2015 Emel Shaikh 310.360.1981 [email protected] Stephen Kenneally Industrial Light & Magic / Skywalker Sound 415.746.2306 [email protected] Sundance Institute and Skywalker Sound Announce Independent Filmmakers and Film Composers for July Music and Sound Design Labs Fellows Include Kris Bowers, Germaine Franco, Danielle Eva Schwob and Jeremy Turner Creative Advisors Include Academy Award Winner Todd Boekelheide and Emmy Award Winner Laura Karpman Los Angeles, CA — Sundance Institute and Skywalker Sound today announced the independent narrative and documentary directors and composers selected for the Sundance Institute Music and Sound Design Labs at Skywalker Sound. This will be the third year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California. The Labs are part of 24 residential labs the Institute hosts annually to discover and foster the talent of emerging independent artists in film, theatre, new media and episodic content. The Music and Sound Design Labs provide a space for composers, directors and sound designers to collaborate on the process of designing a soundtrack for film. Fellows participate in workshops and creative exercises under the guidance of leading film composers and film music professionals acting as Creative Advisors.The Music and Sound Design Lab for narrative feature films (July 7-21) is a joint initiative of the Institute’s Film Music Program and Feature Film Program, and the Music and Sound Design Lab for documentaries (July 22-30) is a joint initiative of the Film Music Program and Documentary Film Program. Peter Golub, Director of the Sundance Institute Film Music Program, said, "This year’s fellows include an outstanding group of composers whose work will deepen and enrich the experience of the diverse personal stories being told by these fiction and documentary filmmakers. -
Am Ir El S Affar
Two RiversTwo Ensemble AMIR E Visiting Artist Series presents L SAFFAR’S ARTIST PARTNER PROGRAM March 3, 2017 . 7&9PM KOGOD THEATRE at The Clarice VISITINGVAS ARTIST SERIES Visiting Artist Series presents AMIR ELSAFFAR’S Two Rivers Ensemble Amir ElSaffar,trumpet/santur Francois Moutin, bass Nasheet Waits, drums Ole Mathisen, tenor saxophone/soprano saxophone Tareq Abboushi, buzuq Zafer Tawil, percussion/oud This performance will last approximately 1 hour 10 minutes without intermission. The Two Rivers Ensemble is a sextet of jazz and Middle Eastern musicians that has made innovative strides in using the maqam modal system to transform the jazz idiom. Deeply rooted in musical forms of Iraq and the Middle East, the music still speaks the language of swing, improvisation, and group interaction, resulting in a sound that is distinct from other contemporary cross-cultural musical fusions. After more than a decade of extensive performing and touring and the release of three critically- acclaimed albums, the Two Rivers Ensemble has developed an instinctive ease PROGRAM NOTES with ElSaffar’s innovative music, playing with a creativity in a style that is rooted in tradition, while venturing into an entirely novel aesthetic. Tonight’s program consists of Amir ElSaffar’s composition entitled Crisis was commissioned by Newport Jazz Festival in 2013 and called by Downbeat Magazine, “certainly the first Middle Eastern-imbued jazz combo at Newport to win a standing ovation for its first song.” The music was composed after Amir ElSaffar spent a year living in Egypt, where he witnessed the Arab Spring protests first-hand, and Lebanon, where he worked with Syrian musicians who were living through that country’s harrowing civil war. -
Joe Alterman
Joe Alterman "When listening to Joe Alterman perform, it is obvious that he has studied the history of jazz piano. However, his own style of playing is appealing, challenging and quite satisfying." — Ramsey Lewis "Joe is a true inspiration to me. He is a part of the next generation of great jazz musicians who care and he is going to go somewhere with his music."— Les McCann "Joe has a great sense of what is most meaningful in the history and tradition of our music, and a real solid musical vision of where he wants to take it.” — Houston Person "Talk about the joy of jazz!...It's a pleasure to hear this music...You've got it!" — Nat Hentoff, from "Joe Alterman Strikes A Chord," published in the Wall Street Journal on May 1, 2013 "The new Harry Connick.” — Linda Lorence Critelli, vice president, SESAC For more information, please visit www.joealtermanmusic.com For booking inquiries or to contact Joe directly, please email [email protected] In a recent feature on Joe Alterman in the Wall Street Journal, legendary writer Nat Hentoff wrote, “'Talk about the joy of jazz!...It's a pleasure to hear this music'…You've got it!” Born and raised in Atlanta, Georgia, Alterman moved to New York in the fall of 2007 to study music at New York University, where he also earned his Master’s Degree in Music. While there, he had the opportunity to study with greats including Don Friedman, Joe Lovano and John Scofield. He has performed at venues around the world including the Blue Note Jazz Club in Milan, Blues Alley in Washington, DC, and Preservation Hall in New Orleans; he has led groups at venues in New York City including the Blue Note Jazz Club, the Iridium, the Kitano, and Dizzy’s Club Coca-Cola, among others. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Coconut and Feeling Inside of My Self Into How the Music’S Captured
BUY 1 GET 1 1/2 OFF Buy any dinner entree at regular price, get the second for HALF OFF! Must present coupon, cannot combine with other discounts. Sounds across the divide One per table. Valid Mon-Thu only. Expires 10/30/19. Kendrick Scott Oracle’s music builds bridges out of walls Happy Hour BY MARCUS CROWDER Monday–Friday 3–6pm Voted “Best of Sacramento” 1315 21st St • Sacramento 3 years in a row! 916.441.7100 to forwards,” Scott says. “How we could best tell that story of walking on a bridge?” Scott’s producer Derrick Hodge finally told him to use the insecurity he felt and let it be a part of the music he was making. Freed into exploring Thai Food & gluten free options ideas rather than second-guessing them, Scott pulled THE together the record he wanted. on T “Derrick helps me translate what I’m hearing coconut and feeling inside of my self into how the music’s captured. He understands the wavelength that I work on,” he says. & Veggi ofu es Scott says he was also buoyed by the engagement T of longtime Oracle colleagues—pianist Taylor Eigsti, th PHOTO COURTESY OF BLUE NOTE RECORDS i w guitarist Mike Moreno, reedist John Ellis and bassist ’19 y Joe Sanders, along with special guest turntablist Jahi r Sundance—who contributed compositions during the r sessions. u Best Thai C “When I compose a record I think of the d grand arc of the record itself and how each track e fits inside of the record and inside of the narra- R tive,” Scott says. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Top 12 Soul Jazz and Groove Releases of 2006 on the Soul Jazz Spectrum
Top 12 Soul Jazz and Groove Releases of 2006 on the Soul Jazz Spectrum Here’s a rundown of the Top 12 albums we enjoyed the most on the Soul Jazz Spectrum in 2006 1) Trippin’ – The New Cool Collective (Vine) Imagine a big band that swings, funks, grooves and mixes together R&B, jazz, soul, Afrobeat, Latin and more of the stuff in their kitchen sink into danceable jazz. This double CD set features the Dutch ensemble in their most expansive, challenging effort to date. When you can fill two discs with great stuff and nary a dud, you’re either inspired or Vince Gill. These guys are inspired and it’s impossible to not feel gooder after listening to Trippin.’ Highly recommended. 2) On the Outset – Nick Rossi Set (Hammondbeat) It’s a blast of fresh, rare, old air. You can put Rossi up there on the Hammond B3 pedestal with skilled survivors like Dr. Lonnie Smith and Reuben Wilson. This album is relentlessly grooving, with no ballad down time. If you think back to the glory days of McGriff and McDuff, this “set” compares nicely. 3) The Body & Soul Sessions – Phillip Saisse Trio (Rendezvous) Pianist Saisse throws in a little Fender Rhodes and generally funks up standards and covers some newer tunes soulfully and exuberantly. Great, great version of Steely Dan’s “Do It Again.” Has that feel good aura of the old live Ramsey Lewis and Les McCann sides, even though a studio recording. 4) Step It Up – The Bamboos (Ubiquity) If you’re old enough or retro enough to recall the spirit and heart of old soul groups like Archie Bell and the Drells, these Aussies are channeling that same energy and nasty funk instrumentally. -
En Vogue Ana Popovic Artspower National Touring Theatre “The
An Evening with Jazz Trumpeter Art Davis Ana Popovic En Vogue Photo Credit: Ruben Tomas ArtsPower National Alyssa Photo Credit: Thomas Mohr Touring Theatre “The Allgood Rainbow Fish” Photo Courtesy of ArtsPower welcome to North Central College ometimes good things come in small Ana Popovic first came to us as a support act for packages. There is a song “Bigger Isn’t Better” Jonny Lang for our 2015 homecoming concert. S in the Broadway musical “Barnum” sung by When she started on her guitar, Ana had everyone’s the character of Tom Thumb. He tells of his efforts attention. Wow! I am fond of telling people who to prove just because he may be small in stature, he have not been in the concert hall before that it’s a still can have a great influence on the world. That beautiful room that sounds better than it looks. Ana was his career. Now before you think I have finally Popovic is the performer equivalent of my boasts lost it, there is a connection here. February is the about the hall. The universal comment during the smallest month, of the year, of course. Many people break after she performed was that Jonny had better feel that’s a good thing, given the normal prevailing be on his game. Lucky for us, of course, he was. But weather conditions in the month of February in the when I was offered the opportunity to bring Ana Chicagoland area. But this little month (here comes back as the headliner, I jumped at the chance! Fasten the connection!) will have a great influence on the your seatbelts, you are in for an amazing evening! fine arts here at North Central College with the quantity and quality of artists we’re bringing to you. -
Monterey Jazz Notes.Indd
Cal Performances Presents About the Artists Saturday, January , , pm Th e Monterey Jazz Festival th Anniversary Monterey Jazz festivals, both in performance and Zellerbach Hall Band refl ects the long history of artistic excel- instruction. lence and sophisticated informality for which the Grammy-winning trumpeter Terence Festival has gained international fame. Blanchard was the MJF’s Artist-in-Residence, All-star bands at Monterey have been part and appeared at the MJF in and with Monterey Jazz Festival of the casual atmosphere of the Monterey Jazz his own groups. Terence is a strong supporter of Festival (MJF). Since , the Festival has as- jazz education and is the Artistic Director of the th Anniversary Tour sembled master musicians under the “Monterey Th elonious Monk Institute of Jazz Performance in All-Stars” moniker. At least all-star bands have New Orleans. graced Festival stages and have included Gil Evans, NEA Jazz Master Recipient James Moody has Gerry Mulligan, Elvin Jones, Dizzy Gillespie, appeared at the MJF six times since , where he Clark Terry, Ray Brown, Sonny Stitt, Max Roach, has performed with Quincy Jones, Dizzy Gillespie, Shelly Manne, Bobby Hutcherson, Hank Jones, the Preservation Bebop Jazz Band, the Terence Milt Jackson and many more. Blanchard Sextet and the MJF th Anniversary Th e MJF th Anniversary all-star band epito- Band, among others. In , he performed a mizes the spirit and history of the MJF’s artistic special free concert to celebrate the MJF’s th legacy. Chosen for their devotion to spreading jazz Anniversary. to the world, outstanding leadership abilities and Vocalist Nnenna Freelon is a six-time Grammy masterful performances, the th Anniversary nominee who the Los Angeles Times placed “in the Band celebrates the Festival’s golden moment as very top echelon” of jazz singers. -
Downtown Walking
N Montgomery St Clinton Ct Autumn A B C D E F G H I J d v N Blv Stockton Av A Guadalupe Gardens n Mineta San José Market Center VTA Light Rail Japantown African Aut t North S 1 mile to Mountain View 1.1 miles ame 0.8 miles International Airport ne American u i m a D + Alum Rock 1 n 3.2 miles e Community t r Terr Avaya Stadium St S N Almade N St James Services th Not 2.2 miles Peralta Adobe Arts + Entertainment Whole Park 0.2 miles 5 N Foods Fallon House St James Bike Share Anno Domini Gallery H6 Hackworth IMAX F5 San José Improv I3 Market W St John St Little Italy W St John St 366 S 1st St Dome 201 S Market St 62 S 2nd St Alum Rock Alum Food + Drink | Cafés St James California Theatre H6 Institute of H8 San José G4 Mountain View 345 S 1st St Contemporary Art Museum of Art Winchester Bike Share US Post Santa Teresa 560 S 1st St 110 S Market St Oce Camera 3 Cinema I5 One grid square E St John St 288 S 2nd St KALEID Gallery J3 San José Stage Co. H7 Center for the E5 88 S 4th St 490 S 1st St represents approx. Trinity Performing Arts Episcopal MACLA/Movimiento H8 SAP Center B2 255 Almaden Blvd 3 minutes walk SAP Center n St Cathedral de Arte y Cultura Latino 525 W Santa Clara St San José Sharks | Music m Americana 510 S 1st St tu Children’s D7 Tabard Theatre Co.