Shiraz, the Rich City, Not the Wine ☺

Total Page:16

File Type:pdf, Size:1020Kb

Shiraz, the Rich City, Not the Wine ☺ Shiraz, the rich City, not the Wine ☺ To me, carpets started as a question mark that needed answers and explanations. That soon, developed to be a subject of research leading to a career and my passion. As a tradition in my family, I followed the footsteps of my late father Mohamed and his love to carpets. Living in London, I took the many opportunities that the British capital offered and attended courses at the Sotheby's Institute in the history and origin of carpets. I extended my knowledge in the field by later on attending several auctions, reading and mainly travelling. Recently, I have visited Shiraz, South Part of Iran; capital of the Fars province. In short, Shiraz is known as the city of poets, wine and flowers. It is also considered by many Iranians to be the city of gardens, due to the many gardens and fruit trees that can be seen in the city. I went from Beirut to Bahrain to catch my connecting flight. As a hobby, I had my knitting tools with me while waiting at the gate, and yes I enjoy knitting and especially when it’s a blanket or hat for my 3 years old nephew. To my surprise, once settles in my seat with my seatbelt on, I see and smell burgers and huge take away bags from the Mc Donald’s right outside our gate, circulating between the female passengers. As informed by my neighbor, the kids in Iran love Mc Donald’s and hence bringing some is a must as Mc Do does not exist there. I was looking forward to visiting the nomads land, Persepolis, Hafez Tomb and simply discover the city. At 10pm, upon my arrival, my friends insisted I visited “Shah Cheragh” Mosque, the King of Light. It is the tomb of brothers Amir Ahmad and Mir Muhammad, both of whom were brothers of Imam Reza (8th saint in Shiite Islam). It became a place of pilgrimage since the 14th century. The multicolored reflections from the countless minute mirror tiles inside the shrine are quite dazzling and the golden topped minarets above it are superb. Hence, it is a must see place to visit and highly recommended. Making a wish is always in my agenda when visiting a holy place. After checking in my room @ Homa Hotel, a 5 star government hotel, I had few hours to sleep for my next day of full discovery. My morning visit was to Wakil Bazaar, the old souk pronounced as Vakil (since the W in Farsi is pronounced V) before it shots at noon for prayers & lunch. The souk reopens at around 5pm after lunch and siesta! Vakil Bazaar is highly recommended: hundreds of vendors housed in an ancient bazaar. Carpets, carpets and more carpets were everywhere in Shiraz. The Rug is the floor covering, the bed mat, the table they eat on; it’s also the protection against wind and sand in the desert. Carpet is predominant in every house, in every tent and in every shop in the bazaar. Weaving carpet is an art in itself, it’s an endless procedure that a lot of people do not recognize or tend to ignore. Being passionate myself about carpets in general, I fell in love even more with this 100% handmade art ... starting with cutting the wool from the sheep, lambs, goats, and even camels, which gives more than 4 and 5 shades of natural colored wool. Then comes the washing, the dying technique, the design, the weaving, & again the final trimming and cutting... A lot of vegetables are used to make organic colours like aubergine, onion, sunflower, henna, pomegranate, saffron... However today the main color ingredients that big carpet manufacturers use are: The madder roots for red, the pomegranate skin for yellow, the indigo for blue (usually imported from India), walnut for brown and green herbs called «Jachir» in Farsi for a dark yellow or mustard colour which comes out after boiling it with the wool.. With only these 5 ingredients, the ISO award winning company I visited, managed to create 160 shades of colours. I learnt that if you want a dark purple which is my favorite colour on carpets you use the dark wool as a base and boil it with the combination of red and blue... Today, we also have designers who are university graduates in carpet design, they draw the new designs on the computer and print large graph papers for the weavers to follow. It was very interesting to meet these designers (usually women) and it was more interesting to actually give them my own designs for 3 different carpets that I drew for them while choosing the colour combination myself from a huge chart of colours. The designs I am choosing are very contemporary with trendy colours to match the spirit of my concept store “Oumnia” in Saifi Village. Once executed, my customer can also order the same in the size and colours he/she wishes to have. Hence a tailor made couture rug, a statement I always use «Fashion for Floors». The exciting part is the final outcome in few months, as it takes at least 4 months to weave a small rug of an approximate size 1.5 x 1 meters, sometime more depending on the knot density. In general, tribal carpets have a low knot density compare to city carpets where the knots are tightly knotted and silk is used more often. Again women usually are the weavers. The bigger the carpet the more women sit on the horizontal loom (typical for tribal carpets) to complete the rug. A carpet sized 3 x 2 meters would take 10 months to 1 year to complete. Another fact I learnt is that the older the female weaver is the better it is to weave a carpet. That’s because elderly women usually have the expertise and are mainly patient for this kind of timeless work. Visiting the Gashgai/Qashgai nomads was amazing, just seeing how simple and primitive their live is while my mobile rings in the middle of the desert, their home. Their only worry is the wellbeing of their sheep and goats. Another interesting spot I visited is the tomb of the famous romantic poet Hafez, whom prose, “ghazal” are weaved on the famous 16th century carpets, ie: the Ardabil, showcased at the Victoria and Albert Museum in London, UK and its mate in the Los Angeles LACMA Museum. Hafez Tomb: Hafez is the greatest master of Persian lyric poetry and the literary giant of the 14th century. The extraordinary popularity and the wide appeal of this great poet among all Persian-speaking people make his tomb a cherished placed, visited by all. Saadi Tomb: is also recommended. Mausoleum/tomb of Saadi where lie the remains of one of Iran’s greatest poets. Even from the very early days after the poet’s death, the mausoleum of Sa’di became a place of pilgrimage to lovers of poetry and literature. Persepolis: Takht-e-Jamshid is one of the most beautiful architectural masterpieces of the second half of the first millennium BC. It covers an area of more than 130,000 sqm. Located 60 km north of Shiraz, this Superb historic building ranks among the most important architectural achievements of the world and is included in the World Heritage list of UNESCO. Qor’an Gate (Dar vazeh Quran): the city’s main entrance. The original gate was built as an ornamental decoration by the Buwayhid dynasty about 1000 years ago, but this was replaced 60 years ago by a new gate, which is considered one of the finest architectural designs in Iran and has won numerous awards. From the gate, walk up the stone stairways to enjoy picturesque and panoramic views of Shiraz. Shiraz is also considered by many Iranians to be the city of gardens, due to the many gardens and fruit trees that can be seen in the city. Hence the popularity of the picnics, customs and habit in Shiraz: The Eram Garden (Bagh-e Eram) is a striking location for visitors with a variety of plants as well as a historic mansion. Historical evidence suggests it was constructed during the Seljuk Dynasty on the orders of the celebrated Seljuk monarch Sanjar. Before you leave the city get a Souvenir or two: maybe a carpet ☺, sweets like Gaz (nougat), pistachios, and the «Meena car» miniature handmade on wood, which is the mosaic work of art, different items available such as a lighter, tray, letter opener, backgammon table, frame, tissue box... a lot of artistic and practical gift ideas, saffron, Sufi music, some Persian tea… The Delicious authentic Persian Food: Persian Kebab is a must; you will love the different flavors and perfumes coming from the Basmati Rice and Grilled Koubideh Kebab…different BBQs and daily dishes like Fesenjoon and Baghali polo are one of my favorite mouth watering dishes. Written by Nivine Maktabi Owner of the concept store “Oumnia by Nivine Maktabi” Saifi Village, Said Akl St 01-993339 www.oumniaboutique.com www.maktabimodern.com Opening Hours: Mond-Frid 10am-7pm Sat: 10am-3pm .
Recommended publications
  • Day 1: Flight from Your Home Country to Tehran Capital of IRAN
    Day 1: Flight from your home country to Tehran capital of IRAN We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. Day 2: Tehran After breakfast in hotel, we prepare to start for city sightseeing, visit Niyavaran Palace,Lunch in a local restaurant during the visit .In the afternoon visit Bazaar Tajrish and Imamzadeh Saleh mausoleu. The NiavaranComplex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajarwas built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Im?mz?deh S?leh is one of many Im?mzadeh mosques in Iran.
    [Show full text]
  • Taste of Paradise, 27 April to 04 May 2019, Iran
    1 Taste of Paradise, 27 April to 04 May 2019, Iran th 4 CLAT 2019: Taste Paradise Cultural Landscape Association Workshop & Tour 27 April to 04 May 2019, Iran Until now, 22 Iranian sites have been inscribed on UNESCO’s World Heritage List. Iran’s Persian Garden is one of the sites inscribed on UNESCO’s List in 2011. The property includes nine gardens in as many provinces. They exemplify the diversity of Persian garden designs that evolved and adapted to different climate conditions while retaining principles that have their roots in the times of Cyrus the Great, 6th century BC. Always divided into four sectors, with water playing an important role for both irrigation and ornamentation, the Persian garden was conceived to symbolize Eden and the four Zoroastrian elements of sky, earth, water and plants. These gardens, dating back to different periods since the 6th century BC, also feature buildings, pavilions and walls, as well as sophisticated irrigation systems. They have influenced the art of garden design as far as India and Spain. Persian Garden is a well-known garden style in the world. Besides overcoming the environmental restraints, creators of Persian Gardens have also manifested cultures and beliefs of people living in this land in their work; and that’s the reason orientalists have known Persian Garden a symbol of “Promised Paradise”. Persian Garden is in a great harmony with its natural and cultural surroundings and cannot be identified segregated from Iran’s characteristics and peoples’ culture and belief. Cultural Landscape Association (CLA) is planning to organize a specialized tour and workshop called “Taste Paradise” in an international level for the experts, in order to get a better global recognition for Persian Garden and the elite to know it further.
    [Show full text]
  • Achaemenid Empire/ (Persia) BY: HOZAN LATIF RAUF General Architectural Features
    Achaemenid Empire/ (Persia) BY: HOZAN LATIF RAUF General Architectural features ▪ The architecture of Persians was more columnar and that led to vastly different massive architectural features from that of the Mesopotamian era. ▪ The use of flat timber roofs rather than vaults led to more slender columns and were rather more beautiful. This also led to rooms being squarer in shape than simple long rectangle. ▪ The roofing system was also very different, wherein the wooden brackets were covered in clay and provided more stability. The use of a double mud wall might have provided room for windows just below ceiling in structures like Palace of Persepolis. VOCABULARY WORDS ▪ The COLUMN is divided into three parts: ▪ The BASE ▪ The SHAFT- FLUTED ▪ The CAPITAL- Double Animal most with bulls Ancient Susa/Shush The city of SUSA was the Persian capital in succession to Babylon, where there is a building with a citadel complex. There was a good skill set of artisans and laborers available which made the palace complex more of a piece of art than just a building structure. Cedar wood was got from Lebanon and teak from the mountain of Zagros. The baked bricks were still made in the Babylonian method. Ancient Susa/Shush Ancient Persepolis PERSEPOLIS ▪ 518 BCE ▪ King Darius utilized influences and materials from all over his empire, which included Babylon, Egypt, Mesopotamian and Greece Architectural Plan of Ancient Persepolis The Great/Apadana Staircase ▪ King Xerxes (486-465 BC) built the Grand Staircase and the Gate of All Nations. ▪ The Grand Staircase is located on the northeast side of the city and these stairs were carved from massive blocks of stone.
    [Show full text]
  • 1 Tehran Arrivals at Tehran, Meet and Assist at Airport and Then Transfer To
    Day: 1 Tehran Arrivals at Tehran, meet and assist at airport and then transfer to Hotel, after check in, visit Sa'dabad Palace, Tajrish Bazaar, Lunch at local restaurant around north of Tehran, visit Niavaran Palace. O/N: Tehran. The Sa'dabad Complex is a complex built by the Qajar and Pahlavi monarchs, located in Shemiran, Greater Tehran, Iran. Today, the official residence of the President of Iran is located adjacent to the complex. The complex was first built and inhabited by Qajar monarchs in the 19th century. After an expansion of the compounds, Reza Shah of the Pahlavi Dynasty lived there in the 1920 s, and his son, Mohammad Reza Pahlavi, moved there in the 1970 s. After the 1979 Revolution, the complex became a museum. Tajrish Market: The market on the one hand and Rehabilitation field, from the other competent shrine and the surrounding streets have access. Reliance Big Rehabilitation is one of the oldest accents located in Tehran in this market. Rehabilitation market a small sample of the Tehran bazaar is one of the oldest shopping centers Shamiran is the bridgehead and Rehabilitation connecting the two neighborhoods. The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran.It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House.
    [Show full text]
  • A Writers', Poets' and Photographers' 17-Day Tour of Iran
    1 A Writers’, Poets’ and Photographers’ 17-day Tour of Iran Exploring the magnificent culture and literature of ancient and modern Persia Day 1 Arrive in Tehran Overnight (O/N) in Tehran Day 2 Today we start to explore this amazing buzzing capital city of 15 million in our own bus. National Museum of Iran Qajar dynasty’s Golestan Palace Delicious lunch in the busiest restaurant in Iran at Tehran Grand Bazaar entrance In the evening, we will head to Darband in the north of Tehran for a walk and dinner. O/N Tehran 1 2 Day 3 We take an early flight south to Shiraz, the city of great Persian poets. Bagh-e Eram from the Qajar dynasty O/N Shiraz Day 4 Nasir-ol-Molk mosque Shah Cheragh/or (Saadi of Shiraz, a major Persian poet) Narenjestan Persian garden Shiraz Bazaar Tomb of Hafez, Persia’s finest poet O/N Shiraz Day 5 (early start) Shiraz to Abarkuh (Via Persepolis, Naghsh-e Rostam, and Pasagadae) Persepolis Naqshe Rostam. Tomb of Cyrus the Great at Pasargadae O/N Abarku 2 3 Day 6 Aghazadeh Mansions We can hold the first of our workshops here on Persian culture, poetry or music, writing a travel journal or on photography techniques. O/N Abarkuh Day 7 Drive to Yazd, an adobe desert city Towers of Silence: Zoroastrian final resting place/Aerial burial Guided walk through the old centre of Yazd and the Jame mosque O/N Yazd Day 8 Zoroastrian Fire Temple Water Museum, Qanat of Yazd Dolat Abad Garden with the tallest wind tower O/N Yazd 3 4 Day 9 (early start) Drive to Isfahan via Kharanagh, abandoned oasis (Visit Chak Chak, Zoroastrian Fire Temple
    [Show full text]
  • Composition and Continuity in Sasanian Rock Reliefs
    0320-07_Iran_Antiq_43_12_Thompson 09-01-2008 15:04 Pagina 299 Iranica Antiqua, vol. XLIII, 2008 doi: 10.2143/IA.43.0.2024052 COMPOSITION AND CONTINUITY IN SASANIAN ROCK RELIEFS BY Emma THOMPSON (University of Sydney, Australia) Abstract: The cliffs of Iran are adorned with rock reliefs from every period of its long history. During the years that the Sasanian dynasty ruled Iran, artists added to this collection considerably. These monuments are individual capsules of infor- mation on the general political, religious, historical and artistic milieu of the time. This paper presents a method for furthering our understanding of the Sasanian period through an analysis of the composition of each Sasanian relief. The analy- sis is based on the hypothesis that composition will serve as an indicator of artis- tic continuity and change and encode an artistic signature of sorts indicating the artists’ background and training. The initial results suggest that the reliefs of the early Sasanian period reflect the work of artists from at least two schools of art. Keywords: Sasanian, rock reliefs, composition. The kings of the Sasanian dynasty ruled Iran for over four hundred years. During the first eighty-five years of the dynasty (AD 224-309) there were seven changes of crown, many military gains and losses and thirty rock carvings were commissioned to commemorate these events. Most of these were carved in Fars, the homeland of the dynasty: eight were carved in the company of the Achaemenid tombs at Naqsh-i Rustam; six line the way to Shapur’s city at Bishapur; four were carved in the open air grotto at Naqsh- i Radjab; two were carved near Ardashir’s first city at Firuzabad and the rest were carved as single reliefs at various locations across the province of Fars: Barm-i Dilak, Sar Mashhad, Sarab-i Bahram, Guyum, Rayy, Darab- gird, and Tang-i Qandil.
    [Show full text]
  • The Reliefs of Naqš-E Rostam and a Reflection on a Forgotten Relief, Iran
    HISTORIA I ŚWIAT, nr 6 (2017) ISSN 2299 - 2464 Morteza KHANIPOOR (University of Tehran, Iran) Hosseinali KAVOSH (University of Zabol, Iran) Reza NASERI (University of Zabol, Iran) The reliefs of Naqš-e Rostam and a reflection on a forgotten relief, Iran Keywords: Naqš-e Rostam, Elamite, Sasanian, Relief Introduction Like other cultural materials, reliefs play their own roles in order to investigate ancient times of Iran as they could offer various religious, political, economic, artistic, cultural and trading information. Ancient artist tried to show beliefs of his community by carving religious representations on the rock. Thus, reliefs are known as useful resource to identify ancient religions and cults. As the results of several visits to Naqš-e Rostam by the author, however, a human relief was paid attention as it is never mentioned in Persian archaeological resources. The relief is highly similar to known Elamite reliefs in Fars and Eastern Khuzistan (Izeh). This paper attempts to compare the relief with many Elamite and Sasanian works and, therefore, the previous attributed date is revisited. Fig.1. Map showing archeological sites, including Naqš-e Rostam, on the Marvdasht Plain (after Schmidt, 1939: VIII ) PhD. student in Archaeology; [email protected] Assistant Professor, Faculty of Arts and Architecture; [email protected] Assistant Professor, Department of Archaeology; [email protected] Page | 55 Naqš-e Rostam To the south of Iran and north of Persian Gulf, there was a state known as Pars in ancient times. This state was being occupied by different peoples such as Elamite through time resulted in remaining numerous cultural materials at different areas including Marvdasht plain1 confirming its particular significance.
    [Show full text]
  • Sasanian Bas-Reliefs at Tang-E Chogan Under Invasion of Lichens and Fungi
    81 I RAN Sasanian Bas-reliefs at Tang-e Chogan under Invasion of Lichens and Fungi At several places near the town of Bishapur, which was founded by Sasanian King Shapur I (241–272) and was situated on the road between Persis and Elam, the King also had the sides of the Bishapur River gorge decorated with huge historical reliefs commemorating his triple triumph over Rome. The six reliefs at Tang-e Chogan show scenes such as Shapur enslaving the Roman Emperor; the King and his courtiers; or rows of registers with files of soldiers and horses, in a deliberate imitation of the narra- tive scenes on the Trajan column in Rome. The critical situation of these bas-reliefs is described in an arti- cle by CAIS (The Circle of Ancient Iranian Studies): Lichens and vegetation growing in the cavities and cracks of the Sasanian bas-reliefs at Tang-e Chogan, a part of the ruins of the ancient city of Bishapur in southwestern Iran, are gradually Sasanian bas-reliefs at Tang-e Chogan (photo: Pedram Veisi) destroying these irreplaceable antiquities. The lichens and veg- etation are clearly visible on all six bas-reliefs, which are located 19 kilometres north of Kazerun, reported the Persian service of site historical monuments in Fars Province, has made no efforts the Mehr News Agency. One of the bas-reliefs depicts Shapur I, to save the ancient relics from the lichens and vegetation attacks. the Persian King of Kings who consolidated and expanded the The ancient city of Bishapur is also in peril by several other fourth Iranian dynastic empire founded by his father, Ardashir I.
    [Show full text]
  • Mirrored Interiors of Iran Palaces and Holy Places Lustrzane Wnętrza Irańskich Pałaców I Świętych Miejsc
    1/2019 PUA DOI: 10.4467/00000000PUA.19.006.10009 Olga Shkolna orcid.org/0000-0002-7245-6010 Borys Grinchenko Kyiv University Mirrored interiors of Iran palaces and holy places Lustrzane wnętrza irańskich pałaców i świętych miejsc Abstract Typical mirrored interiors of Iran from the eighteenth to the beginning of nineteenth century are discussed in this article. Aesthetic, plastic, architectural and design peculiarities of such places in the Persian tradition are researched using examples of the Golestan and Saadabad royal complexes in Tehran, religious sights of Qazvin (the holy place Hossein Imamzadeh grave mosque and Friday mosque); the mausoleum of the descendant of Abraham, the prophet Keydar in Ostan-e Zanjan; the Sayed Alaeddin Hussein mosque, the Shah Cheragh mosque (blue or mirrored mosque), and Ali Ibn Hamzeh mausoleum in Shiraz. Peculiarities of the addition of mirrored sculptural elements, precious stones and silver plates to amalgamated glass in such complexes are clarified. Keywords: Iran, mirrored interior, palaces, mosques, holy places, eighteenth to the beginning of nineteenth century Streszczenie W tym artykule omówiono typowe lustrzane wnętrza Iranu od XVIII do początku XIX wieku. Cechy estetyczne, plastyczne, architektoniczne i projektowe takich miejsc w tradycji perskiej są badane na przykładach królewskich kompleksów Golestan i Saadabad w Teheranie, zabytków religijnych w Ka- zwinie (mauzoleum Hossein Imamzadeh wraz z meczetem piątkowym); mauzoleum potomka Abra- hama, proroka Keydara w Ostan-e Zanjan; meczet Sayed Alaeddin Hussein, meczet Shah Cheragh (niebieski lub lustrzany meczet) i mauzoleum Ali Ibn Hamzeha w Shiraz. Artykuł wyjaśnia specyfikację dodawania lustrzanych elementów rzeźbiarskich, kamieni szlachetnych i srebrnych płytek do amal- gamowanego szkła w takich kompleksach.
    [Show full text]
  • Iranian-Tour-Details
    10 days / 9 nights Starting from $1450.00 per person based on double occupancy $550 single supplement Day one Leave United States for your flight to Shiraz Day two: Shiraz Arrive to Shiraz. Our guide is waiting to greet and transfer you to your hotel where you sill stay overnight in Shiraz. Day three: Shiraz The first full tour day begins an educational adventure led by our Group Leader. First we will visit the beautiful Narenjestan Garden, circa 1257 CS, which features a richly decorated pavilion set among graceful trees. Next, we’ll walk to the Vakil Bazaar - one of the finest and most important bazaars of historical Iran, established in the 11th century CE. The next visit is to the Tomb of Hafez, Iran’s greatest lyric poet, followed by the Tomb of Sa’adi whose poems and tales are still known to every Iranian. After that, we will journey to the downtown part of the city to the Arg-E Karim (Karim Khan Citadel). It was named after a king of the 18th century Zand Dynasty, who made this city his capital. You will learn the history of the citadel, King Karim Khan and the dynasty. Finally, we will enjoy the shining domes ov Ali Ebn- e Hamze and Holy Shrine of Shah Cheragh. You will spend the night in your hotel in Shiraz. Day four: Shiraz – Persepolis – Pasargadae – Yazd Once we check out of the hotel, we will take a vehicle to Yazd, one of the most distinctive cities in Iran, renowned for its Persian architecture. Along the way, we will visit Persepolis in the heart of the fabled Persian Empire.
    [Show full text]
  • Day 1: Flight from Your Home Country to Tehran
    Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district.
    [Show full text]
  • Iran, Gem of the Middle East
    a Iran, Gem of the Middle East Itinerary correct as at Mar 06, 2018 but subject to change. ALL flights to be confirmed. www.bluedottravel.com.au IRAN, GEM OF THE MIDDLE EAST Iranian culture is very old and considered one of the richest in the world. Religion, arts, pottery and weaving have been developed to a high degree. Ancient cultures and settlements have existed on the Iranian Plateau since the fourth millennium BCE. Many great empires came and went. In the 13th century, the Mongols invaded and killed most of the inhabitants and destroyed most of the cities. The following centuries were marked by constant wars with neighbouring states. It wasn’t until 1906 that the nation’s first parliament was established, however a coup led by Reza Khan (Shah) in 1921, toppled the government. In 1925 he replaced the ruling Qajar Dynasty founding his own Pahlavi Dynasty. In 1941 the Shah was exiled and replaced with his son Mohammad Reza Shah. The Pahlavi’s are credited with the development of Iran’s modern industry, transport and education system. They did however, with their autocratic rule, manage to alienate many of their countrymen including the religious leaders. Eventually, the Ayatollah Khomeini’s revolution toppled the Pahlavi Dynasty in 1979. Formerly Persia until 1939, the country is now officially known as the Islamic Republic of Iran. It is a mountainous and generally arid country with the interior containing a vast salt wasteland. Much of the terrain is unpassable and as such, is yet to be explored. Its population is diverse and consists of many ethnic and religious backgrounds.
    [Show full text]