Fine Glass and British Ceramics I Montpelier Street, London I 29 September 2020 26314

Fine Glass and British Ceramics Montpelier Street, London I 29 September 2020

Fine Glass and British Ceramics Montpelier Street, London | Tuesday 29 September 2020 at 10.30am

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Early Glass from the Collection of Lady Maria Elisabeth ‘Lili’ Cartwright

This extraordinary collection reflects the taste of a lady who appreciated early Venetian and façon de Venise glass long before the Rothschilds and other celebrated collectors of such early glass. The unpublished pieces forming the collection are exceptional in that they were acquired in the 19th century, some as early as the 1820s, and have passes down through the family.

Lady Maria Elisabeth Augusta Cartwright, née von Sandizell (1805- 1902), was the eldest daughter of Count Thomas von Sandizell, a Bavarian nobleman. She was brought up at the family home of Schloss Sandizell and educated at the Maison Royale, a boarding school for daughters of the nobility. ‘Lili’, as she was known, met the English diplomat Sir Thomas Cartwright (1795-1850), then Secretary to the English Legation in Munich, during the Munich Carnival in 1824. They married in the Bishop’s Chapel at Augsburg later that year and spent their first few years together in Munich, during which time their first son, William Cornwallis Cartwright (1825-1915), was born.

Lili lived much of her early life abroad and it was not until 1828 that she visited the Cartwright ancestral home at Aynhoe Park near Banbury in Oxfordshire for the first time. Her second visit lasted several months over Christmas and the New Year 1834-35, when she began to paint watercolours of the interior and exterior of the house in her spare time. She spent the next ten years leading the life of a diplomat’s wife abroad, firstly in Frankfurt and latterly in Sweden. She was only able to make two short visits to England during this time but visited her own family home at Schloss Sandizell as often as she could and spent much time in and around the Bavarian Court of Portrait of Lady Elisabeth ‘Lili’ Cartwright aged 18, King Maximillian and the Swedish Court of King Oscar. Her third visit by Z Grunbaumin, Munich 1834. to Aynhoe lasted several years over 1845-47, during which time she continued to paint pictures of the house. Many of her watercolours are reproduced by Elizabeth Cartwright-Hignett, Lili at Aynhoe (1989). Mrs Cartwright’s Sitting Room at Aynhoe Park, 25 February 1835

The Salon at Aynhoe Park, December 1834

The Salon at Aynhoe Park, 5 November 1845

Lili had begun to collect glass and porcelain early on during her William Cornwallis did not return to Aynhoe Park until he became time in Munich in the 1820s, and records in her diary many of her the Liberal Member of Parliament for Oxfordshire, a position which expeditions to auctions and dealers. She was given several porcelain he held between 1868 and 1885. He lived in a nearby cottage but groups by the Queen of Bavaria who had them specially made as was only able to move back into the house itself in 1881, when he gifts for her favourites. was left a large inheritance by his cousin. A keen collector of glass himself, William added several pieces to Lili’s glass collection, a In January 1847 her father-in-law, William Ralph Cartwright (1771- number of which were purchased from the prominent Munich dealer 1847), died and her husband inherited Aynhoe Park together with A S Drey. The collection remained in the family following William’s a great legacy of debts. Just three years later, in April 1850, her death in November 1915. Much of it was displayed in the drawing husband also died, no doubt exhausted by the burden of his financial room at Aynhoe in the mid-20th century, in two cabinets which were problems and his diplomatic duties. Aynhoe passed to their eldest prone to smoulder owing to the eccentricities of the electric lighting son William Cornwallis, who let the house for most of the rest of inside. There it remained until the estate was sold in 1960. the 19th century to reduce the arrears and chose to live abroad where life was cheaper. Lili retired to Leamington Spa soon after her Bonhams is honoured to offer rare pieces of glass with this husband’s death, where she remained until her own death in April exceptional provenance from a pioneer of glass collecting, 1902, aged 97. Lady Lili Cartwright.

FINE GLASS AND BRITISH CERAMICS | 5 1

6 | BONHAMS 3

1 2 A RARE CATALAN (BARCELONA) FAÇON DE VENISE FOOTED A LARGE VENETIAN FOOTED BOWL, 16TH CENTURY BOWL, 16TH CENTURY Of flared circular form with a spiral gadrooned base and fluted Of straw tint, the circular bowl with an everted rim, moulded around pedestal foot, the folded rim enclosing a translucent blue trail, faint the centre with twenty slightly spiralling ribs beneath a thin trailed traces of a wide gilt band beneath and a further thin trail in deep blue band in opaque white and a thicker band in translucent blue, the glass, a thicker blue band folded around the edge of the footrim, folded rim enclosing a further translucent blue trail, set on a hollow 26cm diam, 18cm high shaped pedestal foot with a central swelling knop and moulded with twenty vertical ribs, above an opaque white trailed thread, the £2,000 - 3,000 folded footrim enclosing a further trail in opaque white, 24.1cm diam, €2,200 - 3,300 18.3cm high US$2,600 - 3,900

£3,000 - 5,000 Provenance €3,300 - 5,600 Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) US$3,900 - 6,600 Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire Provenance Thence by family descent to the present owner Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Another similar bowl from this collection was sold by Sotheby’s on Park, Oxfordshire 14 July 1975, lot 324. Compare to the example illustrated by Anna- Thence by family descent to the present owner Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), pp.102-3, no.39. See also Hugh Tait, The Golden The straw tint of the present lot is reminiscent of much 16th century Age of Venetian Glass (1979), p.58, fig.63 and Karel Hetteš, Old Spanish glass. Together with the distinctive foot formation and Venetian Glass (1960), pl.11. opaque white trailed decoration, this suggests a Spanish origin, probably Barcelona. It has close similarities to the bowl illustrated 3 and discussed by Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), pp.103-4, no.40, also A SMALL VENETIAN TAZZA, 16TH CENTURY attributed to Catalonia. Another similar bowl is in the Museo de las The shallow circular tray moulded with a honeycomb pattern, the rim Artes Decorativas in Barcelona, illustrated and discussed by Dwight with two parallel trailed bands in deep blue glass with faint traces of P Lanmon, Glass in the Robert Lehman Collection (1993), p.116, granular gilding, a thicker blue band folded around the edge of the fig.39.5, alongside several coloured glass ewers with feet of similar spreading foot, 21.9cm diam, 7.1cm high form. £2,000 - 3,000 The majority of known vessels with this distinctive foot shape are in €2,200 - 3,300 blue glass with opaque white decoration. A small blue glass bowl US$2,600 - 3,900 attributed to Cadalso is in the Museu Episcopal de Vic in Barcelona (accession no. MEV 225), and another is in the Museo del Vetro di Provenance Murano (accession no. Cl.VI n.483) illustrated by Barovier Mentasti Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) et al., Mille Anni di Arte del Vetro a Venezia (1982), p.102, no.111. Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Compare also to the blue glass bowl and ewer in the Museo Poldi Park, Oxfordshire Pezzoli in Milan (accession nos. 1250 and 1269). Thence by family descent to the present owner

A honeycomb-moulded tazza of similar size is in the Frankfurt Museum für Kunsthandwerk, illustrated in the catalogue Glas (1973), p.69, no.130.

4 AN EARLY VENETIAN ENAMELLED ARMORIAL PILGRIM FLASK, CIRCA 1500 Of typical flattened ovoid bottle form with a tall slender neck, applied The form of flasks such as this is probably derived from 13th to the sides with two opposing pairs of looped gilt lugs, decorated century Islamic prototypes. Two armorial flasks in the Museo Civico on both sides with the striped arms of the Nerli family flanked by Mediaeval, Bologna, which appear to commemorate the marriage foliate scrollwork in red, white, blue and ochre, the neck with two of Alessandro Bentivoglio and Ippolita Sforza in 1492, would appear gilt imbricated bands embellished with blue dots between white dot to be among the earliest datable examples, see Astone Gasparetto, borders, the spreading foot with a formal border of ovals in blue, the Il Vetro di Murano (1958), p.83 and fig.21, and Giovanni Mariacher, folded rim with a band of red dashes, 29.7cm high Glass from Antiquity to the Renaissance (1970), p.119, no.54. An example from the Biemann Collection, formerly in the Rothschild £20,000 - 30,000 Collection in Paris, is illustrated by Barovier Mentasti et al., Mille Anni €22,000 - 33,000 Di Arte Del Vetro A Venezia (1982), p.87, no.81. Another bearing US$26,000 - 39,000 these arms from the Mühleib Collection was sold by Bonhams on 2 May 2013, lot 3.

Provenance Pilgrim flasks bearing Italian coats of arms are rare and would appear Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) to be slightly earlier than those recorded with Germanic arms. A Thence by descent to her son, William Cornwallis Cartwright, Aynhoe flask bearing the arms of Albertino della Rovere, who was Bishop of Park, Oxfordshire Pesaro from 1508-13, is in the Corning Museum of Glass (accession Thence by family descent to the present owner no. 59.3.19). Another from the Ernesto Wolf Collection bearing the

arms of a cardinal from the Pucci family, circa 1513-31, is illustrated The Nerli were a prominent Florentine family and this flask may have by Brigitte Klesse and Hans Mayr, European Glass from 1500-1800 been commissioned for any one of several of its members living (1987), no.5. Further comparable flasks with Germanic arms are cited around 1500. The earliest possibility is perhaps Tanai de’Nerli (1427- by Klesse and Meyr (1987) in their discussion of this flask. 1498), a wealthy ambassador who commissioned Filippino Lippi to paint the famous late 15th century renaissance altarpiece of The The enamel decoration on the present flask is restricted to a palette Madonna with St Catherine of Alexandria and St Martin of Tours (Pala of just four colours. Comparable foliate scrollwork decoration in the de’ Nerli) in the church of Santo Spirito, Florence, in which he and his same palette is found on a pilgrim flask in the Metropolitan Museum wife Nanna are shown as kneeling patrons. He had ten sons and six of Art (accession no. 1975.1.1167), illustrated and discussed by daughters, many of whom married into the Medici family. Dwight Lanmon and David Whitehouse, Glass in the Robert Lehman

Collection (1993), pp.21-3, no.4.

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 9 5

5 A MASSIVE VENETIAN DISH OR CHARGER, 16TH CENTURY Circular with a folded rim, moulded with twelve spiralling ribs around Provenance the kick-in centre, 41.3cm diam Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe £1,000 - 1,500 Park, Oxfordshire €1,100 - 1,700 Thence by family descent to the present owner US$1,300 - 2,000 The form of these vessels may derive from Roman examples or from similar vessels produced in metal since the 15th century, although Provenance their purpose is debated. It is likely that many were used in religious Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) contexts, as some late 15th and 16th century documents mention Thence by descent to her son, William Cornwallis Cartwright, Aynhoe glass situlas together with aspersoriums, or specify their use as Park, Oxfordshire containers for holy water. However, a secular use on the table as Thence by family descent to the present owner finger bowls or coolers has been suggested. Three ice glass buckets were bought in 1572 and sent to the Duke of Mantua, Guglielmo 6 Gonzaga, perhaps for use as such, see Rosa Barovier Mentasti and A RARE VENETIAN OR FAÇON DE VENISE ‘ICE GLASS’ PAIL Cristina Tonini, Tools to Study Glass, in Study Days on Venetian Glass OR SITULA (SECCHIELLO), LATE 16TH CENTURY (2014), pp.21-3 for a detailed discussion. Of waisted circular form applied with four gilt lion-mask prunts between two gilded horizontal raised bands, a third band forming Three similar ‘ice glass’ situlas with applied footrings are in the the footrim around a kick-in base, the quatrefoil gilt and folded rim Museo del Vetro di Murano in Venice (accession nos. Cl.VI n.01167, forming two pouring lips and applied with two looped lugs supporting Cl.VI n.01254 and Cl.VI n.01256). See also the example illustrated an overhead ropetwist loop handle, 23.6cm wide including handle by Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas terminals der Veste Coburg (1994), pp.525-6, no.678. Another is in the Musei Civici di Arte e Storia, Brescia (accession no. VT 66). An example £1,500 - 2,500 without a footring is in the J. Paul Getty Museum (accession no. €1,700 - 2,800 84.DK.657), illustrated and discussed by Catherine Hess and US$2,000 - 3,300 Timothy Husband, European Glass in the J. Paul Getty Museum, pp.110-2, no.28, who state that footless examples like the present lot are uncharacteristic of situlas attributed to Venice, and that the grey tint of the metal may be more characteristic of Northern European manufacture.

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 6

7 A VENETIAN ENAMELLED GLASS GOBLET OR RELIQUARY, LATE 16TH CENTURY Cylindrical with a flanged base, cold-painted in black with a continuous Bacchanalian wooded landscape scene incorporating two figures in a horse-drawn chariot surrounded by winged putti, one holding a ewer, the rim with a formal rosette border, set on a collar above a double hollow rib-moulded knop applied with three partially gilt turquoise-blue raspberry prunts, over a short plain section flanked by collars, the wide conical folded foot painted with an acanthus scroll band, 23.8cm high

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire Thence by family descent to the present owner

A number of reliquary goblets of identical form without painted decoration are in the Museo de Vetro di Murano (accession nos. Cl.VI n.01021 to n.01025 inclusive, and n.01036). Another is illustrated and discussed by Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), pp.320-2, no.312. See also the example in the Corning Museum of Glass (accession no. 2005.3.119). It is highly unusual to find decoration of this type on a piece such as this. The Italian style of the painting, which would appear to be contemporary to the glass, would appear to point to Venetian production when taken together with the number of similar examples in the Museo de Vetro di Murano. 7

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 11 8 AN IMPORTANT VENETIAN ENAMELLED AND GILDED TAZZA, FIRST QUARTER 16TH CENTURY The broad shallow tray painted to the centre with a circular medallion This tazza belongs to a distinctive group of vessels all painted with of a stag recumbent on grass beneath a radiant sun, within white medallions in a very similar style and palette dating to the first quarter and red line borders, the rim with a gilt scale band embellished with of the 16th century. A small number of these include deer or stags. blue-and-white dots flanked by red dots, within blue-and-white dot See for example the jug with a stag to one side and a lion to the other borders, on a low folded spreading foot, 24.5cm diam, 5.9cm high in the Victoria and Albert Museum (accession no. 681-1884), illustrated by Barovier Mentasti et al., Mille Anni di Arte del Vetro a Venezia (1982), £10,000 - 15,000 pp.102-4, no.112, the honeycomb-moulded tazza with a standing stag €11,000 - 17,000 from the Salomon De Rothschild collection in the Louvre (accession US$13,000 - 20,000 no. OA 1976), and the large pitcher with a recumbent stag from the M Émile Gavet Collection sold by Galerie Georges Petit in Paris in 1897, lot 585 (present whereabouts unknown). Provenance

Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) For a tazza of identical form with a similar border to the rim, see that Thence by descent to her son, William Cornwallis Cartwright, Aynhoe with a medallion of a recumbent doe to the centre in the Corning Park, Oxfordshire Museum of Glass (accession no. 2002.3.36). Another of very similar Thence by family descent to the present owner form with a swan or pelican is illustrated by Erwin Baumgartner,

Reflets de Venise (2015), pp.57-9, no.11, where the dating of tazzas such as this is also discussed. Compare also to the tazza with a pelican or swan in the Victoria and Albert Museum (accession no. C.2475-1910).

Other tazzas painted with female deer include a rib-moulded example in the British Museum (accession no. S.377) illustrated by Hugh Tait, The Golden Age of Venetian Glass (1979), p.29, no.5, one in the former Royal Scottish Museum, illustrated in the Journal of Glass Studies, vol.5 (1963), p.147, no.29, and a bowl with a standing doe in a quatrefoil cartouche sold by Sotheby’s on 26 May 1981, lot 204. Tazzas of different form with medallions of other animals all painted beneath a sun in a strikingly similar style are cited by Dwight Lanmon and David Whitehouse, Glass in the Robert Lehman Collection (1993), p.33, and by Baumgartner (2015), p.59.

The treatment of the grass, painted in bright green with tiny lines or shapes painted in black, together with the rendition of the sun with distinctive linear dashed rays, is consistent with all of the vessels aforementioned. It is therefore probable that they were decorated in the same workshop in Venice, perhaps even by the same hand. The treatment of the grass can be further compared to the Venetian enamelled goblet sold by Bonhams on 21 May 2014, lot 35. It is perhaps interesting to note that with the exception of the jug with the stag and lion in the Victoria and Albert Museum, all of the recorded vessels differ slightly from the present lot in the addition of water to the foreground.

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 13 9

9 10 A RARE VENETIAN ENAMELLED AND GILDED TAZZA, EARLY A FAÇON DE VENISE ENAMELLED AND GILDED TAZZA, 16TH 16TH CENTURY CENTURY The shallow tray with a folded rim and moulded with a honeycomb The broad shallow tray decorated to the rim with a gilt scale band pattern, painted with a central lozenge in blue and gold incorporating embellished with blue dots within white dot borders, on a low an arrangement of dots, the rim with a gilt band embellished with spreading folded foot, 25.1cm diam, 4.8cm high a repeating series of pink dotted rosettes with red dot centres, between blue and white dotted borders, raised on a low spreading £2,000 - 3,000 folded foot, 18.8cm diam, 6.7cm high €2,200 - 3,300 US$2,600 - 3,900 £3,000 - 5,000 €3,300 - 5,600 Provenance US$3,900 - 6,600 Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Provenance Park, Oxfordshire Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by family descent to the present owner Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire Thence by family descent to the present owner

Tazzas with related moulding are in the British Museum (accession no. S.376) illustrated by Hugh Tait, The Golden Age of Venetian Glass (1979), p.33 no.14, and in the Toledo Museum of Art (accession no. 1932.1) illustrated by Jutta-Annette Page (ed.), Beyond Venice (2004), p.144, fig.2. Another was sold by Bonhams on 14 November 2007, lot 11. See also the two honeycomb-moulded tazzas in the Museum für Angewandte Kunst in Vienna (accession nos. GL 166 and GL 203).

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 11

11 A VERY RARE FAÇON DE VENISE ENGRAVED ARMORIAL TAZZA, 17TH CENTURY Circular with a flat top upturned slightly at the rim, engraved in diamond-point with the cardinal arms of Coscia, a leg within an oval cartouche surmounted by a broad-brimmed hat (galero) suspending ten tassels (fiocchi), flanked by dense scrolling foliage issuing naturalistic flowers including roses and carnations, two butterflies six birds perched amongst them, the spreading foot with a thin trailed collar and folded footrim, 31.5cm diam, 9.6cm high

£4,000 - 6,000 €4,500 - 6,700 US$5,200 - 7,900

The Coscia family was a prominent Neapolitan noble family belonging to the seats of Capuana and Nido. It is unclear which cardinal commissioned this tazza, but engraved armorial pieces such as this are particularly rare. A ewer and basin dating to circa 1690-91, bearing beneath a galero the arms of Raimondo Ferretti (1650-1719), Bishop of Recanati-Loreto and later Archbishop of Ravenna, was sold by Christie’s on 5 July 2018, lot 108.

The style of the engraving on this tazza has a number of parallels with other engraved examples of Venetian and façon de Venise glass from the 17th century. Whilst this engraving is often crude in its execution, the detail and quality of the present lot is particularly fine. Compare for example the engraved tazza in the Metropolitan Museum of Art (accession no. 1975.1.1195), illustrated by Dwight Lanmon and David Whitehouse, Glass in the Robert Lehman Collection (1993), pp.90-1, no.27 alongside other similarly decorated pieces.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 15 12 AN EXCEPTIONAL FAÇON DE VENISE GILDED, ENAMELLED AND ENGRAVED VASE AND COVER, COURT GLASSHOUSE, INNSBRUCK, CIRCA 1570-91 The shouldered ovoid bowl applied with three gilt raspberry prunts, decorated with two central bands of gilt and low-fired enamel foliate scrollwork panels alternating with similar panels in diamond-point, all between formal engraved borders, the rim with a formal foliate border above a gilt and enamel spiral band, set on a collar above a small cushion and a globular knop, the hollow stem moulded with two lion masks flanking scroll motifs all between gadrooned borders, the folded conical foot engraved with a band of false gadroons, the double-domed cover with a knopped finial, applied with three prunts and similarly decorated, 31.5cm high (2)

£20,000 - 30,000 €22,000 - 33,000 US$26,000 - 39,000

Provenance Rev. William Fraine Fortescue Collection, Chesterton, Oxfordshire, sold circa 1889 Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire Thence by family descent to the present owner

An old paper label attached to the foot of this vase records its Ferdinand II, Archduke of Austria, Prince of Tyrol (1529-1595) provenance thus: ‘Bought in Chesterton at sale of Rev- Fortescue late incumbent of that Parish’. William Fraine Fortescue (1810-1889) was the second son of William Fortescue of Writtle Lodge, Essex. He was a fellow of New College, Oxford, from 1828-50 and became vicar of Chesterton in 1849.

In 1570 Archduke Ferdinand II of Tyrol founded a glasshouse in the they had honoured their contracts. The Archduke also employed garden of his home at Schloss Ambras, Innsbruck, having become around 50 painters each with different artistic talents, who were most increasingly dissatisfied with the glass made in Hall and a continued likely German. The cold-painted decoration on these wares was reliance on Venice for luxury tableware for use at his new residence. usually executed in red, green and gold, reflecting Germanic taste. Through negotiations with the Venetian authorities, he secured the temporary loan of craftsmen from Murano and obtained permission The long accepted attribution to the Court Glasshouse at Innsbruck to use various raw materials and tools brought from Venice. Although for this unusual group of glass, with its distinctive grey tint and never commercially viable, a number of Venetian master glassblowers its cold-painted and diamond-point engraved decoration, has were recorded at Innsbruck including Pietro d’Orso (1571), Salvatore been debated and a tentative attribution to Venice suggested Savonetti (1573-75 and 1578) and his father Bastian (1578) and by some scholars, see Anna-Elisabeth Theuerkauff-Liederwald, Andrea Tudin (1575 and 1583), all of whom returned to Murano once Venezianisches Glas der Veste Coburg (1994), p.242. The Archduke continued to purchase Venetian pieces after the opening of his own Glasshouse, see Erwin Baumgartner, Verre de Venise et façon de Venise (1995), p.99. This included “10 vergoldete Deckelpokale” in 1575 which may correspond to covered vases of this type, see Erich Egg, Die Glashütten zu Hall und Innsbruck (1962), p.45. Although probably made as reliquaries, still-life paintings from the early 17th century show vessels of similar shape without decoration containing wine.

For comparable examples with lion mask stems in the Kunsthistorisches Museum, Vienna, see Egg (1962), nos.27, 34 and 35. Another in blue glass from the Ernesto Wolf Collection, now in the Landesmuseum Württemberg, is illustrated by Brigitte Klesse and Hans Mayr, European Glass from 1500-1800 (1987), no.35. Other comparable examples without lion mask stems are illustrated by Egg (1962), nos.30-33, by Rainer Ruckert, Die Glassammlung des Bayersischen Nationalmuseums München, vol.I (1982), no.147, by Rudolf von Strasser and Walter Spiegl, Dekoriertes Glas (1989), p.163, no.6, and by Olga Drahotova, Europäisches Glas (1982), p.37, no.12. See also the example from the Mühleib Collection sold by Bonhams on 2 May 2013, lot 6 and that in the Museo del Vetro di Murano (accession no. Cl.VI n.01124) illustrated by Attilia Dorigato, Il Museo vetrario di Murano (1986), pl.21. An example without decoration from Aynhoe park was sold by Sotheby’s on 14 July 1975, lot 322. Further similarly decorated examples with lion mask stems but of cylindrical form are illustrated by Egg (1962), nos.36 and 41 and another from the Mühleib Collection was sold by Bonhams on 2 May 2013, lot 5.

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 17 13

13 14 A VENETIAN BOWL, 17TH CENTURY TWO SMALL VENETIAN ENGRAVED BOWLS, 17TH AND EARLY The generous cup-shaped bowl moulded with twelve ribs, applied 18TH CENTURY with two trailed scroll handles with pincered ornament, on a circular Of cup shape applied with two trailed scroll handles, one decorated foot, 18.3cm across the handles in diamond-point with a stylised bird perched on foliate branches to one side, a tulip flanked by branches to the other, on a trailed £600 - 800 footring, 12cm wide across the handles, the other moulded with €670 - 890 twelve gadroons to the lower part, decorated to both sides with US$790 - 1,000 heavily stylised floral sprays, on a circular foot, 13.6cm wide across the handles (2) Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) £600 - 800 Thence by descent to her son, William Cornwallis Cartwright, Aynhoe €670 - 890 Park, Oxfordshire US$790 - 1,000 Thence by family descent to the present owner Provenance A bowl of identical form is shown in a still life painting by Christian Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Berentz (German, 1658-1722), formerly in the Liechtenstein Princely Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Collections and sold by Sotheby’s on 7 July 2011, lot 204. Berentz Park, Oxfordshire was painting in Rome from 1680 until his death, suggesting an Italian Thence by family descent to the present owner origin for a bowl of this type. A rib-moulded example of different form with similar handles is illustrated by Anna-Elisabeth Theuerkauff- Three bowls of similar form and with very similar diamond-point Liederwald, Venezianisches Glas der Veste Coburg (1994), p.130, decoration are in the Museo del Vetro di Murano (accession nos. no.85. A similarly moulded bowl with plain handles is in the Cl.VI n.01001, n.01120 and n.01121). For a bowl and cover in the Metropolitan Museum of Art (accession no. 83.7.71). same museum similar to the gadrooned example, see that illustrated by Barovier Mentasti et al., Mille Anni di Arte del Vetro a Venezia (1982), pp.202-3, no.355.

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 15 A VERY RARE VENETIAN OPALESCENT GLASS CANDLESTICK, CIRCA 1700 The tall cylindrical nozzle moulded with twelve ribs and folded at the rim, applied with a trailed vermicular collar, set on a hollow wrythen-moulded inverted baluster stem between similarly moulded hollow cushion knops separated by collars, the high waisted double-ogee domed base moulded with fourteen ribs and with a folded footrim, 23.2cm high

£7,000 - 10,000 €7,800 - 11,000 US$9,200 - 13,000

Two very similar opal glass candlesticks are in the Civici Musei di Arte e Storia in Brescia (accession nos. VT 176 and VT 177) illustrated by Paolo Zecchin, The Inventory of Matteo Priuli in the Year 1700, in Study Days on Venetian Glass (2014), p.49, fig.1. Zecchin states that two Candellieri di girasole (opal candlesticks) are listed in the inventory of Matteo Priuli’s glass at his home in Padua in 1700, demonstrating that candlesticks of this type were being produced in opal glass prior to the 18th century.

A handful of candlesticks of similar form with distinctive wide domed feet, for stability, are known in clear glass. One from the Christopher Crabtree Collection was sold by Bonhams on 16 December 2009, lot 133, and is now in the Corning Museum of Glass (accession no. 2009.3.102). Another is in the Musée Ariana in Geneva (accession no. MF 4079), illustrated by Erwin Baumgartner, Reflets de Venise (2015), pp.190-3, no.88. An example with diamond-point engraved decoration is in the Gemeentemuseum Den Haag (accession no. OGL-1966-0002), illustrated by Jet Pijzel-Dommisse and Titus Eliëns, Glinsterend Glas (2009), p.79, no.103 and another is in the Gewerbemuseum in Nuremberg, illustrated by Erich Egg, Die Glashütten zu Hall und Innsbruck (1962), fig.69. See also that from the Guépin Collection sold by Christie’s on 5 June 1989, lot 29.

Two examples with floral lampwork stems in the Rosenborg Caste glass collection are of related form and are illustrated by Gudmund Boesen, Venetianske Glas på Rosenborg (1960), nos.25 and 89.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 19 17 A VERY RARE VENETIAN OPALESCENT GLASS VASE, CIRCA 1700 Of double ogee form moulded with fourteen vertical ribs, the flared neck with a folded rim and a trailed vermicular collar, applied with two curled ribbed hollow handles with pincered ornament in clear glass, set on a hollow ribbed globular knop between collars, on a twelve- sided spreading folded foot, 23.9cm high

£5,000 - 7,000 €5,600 - 7,800 US$6,600 - 9,200

Vases of this form are very rare and whilst they are recorded in several important collections this would appear to be the only known example in opal glass. A vase of similar form in clear glass with diamond-point decoration is illustrated by Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), p.510-11, no.645, and another in clear glass with damaged handles is in the Museo del Vetro di Murano (accession no. Cl.VI n.01690). The curled handles on both of these vases closely resemble those on the present lot and Theuerkauff-Liederwald notes that their form is unusual.

Two vases of comparable shape applied with flowers are in the Danish Royal collection at Rosenborg Castle in Copenhagen. They include an example in clear glass containing a lampwork flower bouquet and another in latticinio, both illustrated by Gudmund Boesen, Venetianske Glas på Rosenborg (1960), nos.19 and 50. Another latticinio example is in the Kunstgewerbemuseum, Cologne, illustrated by Brigitte Klesse in the catalogue Glas (1963), p.96, no.181 and by Barovier Mentasti et al., Mille Anni di Arte del Vetro a Venezia (1982), p.146, no.215. See also the damaged clear glass example applied with turquoise lion masks in the Museo del Vetro di Murano (accession no. Cl.VI n.02034). The handles of all of these 16 examples differ from those on the present lot.

This vase has very close parallels to small spouted ewers in opal glass, notably the double ogee form, the knop between collars and 16 the use of vermicular trailing around the neck. Only five such ewers A FAÇON DE VENISE ENGRAVED WINE GLASS, 17TH appear to be recorded, including two in the Museo Nazionale di CENTURY San Martino, Naples, illustrated by Barovier Mentasti et al. (1982), The cup-shaped bowl decorated in diamond-point with three different pp.164-5, nos.254a and 254b, one in the Kunstgewerbemuseum, formal flowers flanked by stylised leaf sprays, on a knopped stem Berlin (accession no. K 132), illustrated by Franz Dreier, incorporating a series of four collars above a hollow baluster and Venezianische Gläser (1989), p.85, no.69, one in the Musée Ariana in short plain section between collars, the conical foot further decorated Geneva, illustrated by Erwin Baumgartner, Reflets de Venise (2015), in diamond-point with three stylised flowers, 14.6cm high pp.203-4, no.96 and one at Veste Coburg, illustrated by Anna- Elisabeth Theuerkauff-Liederwald (1994), p.406, no.442. £2,000 - 3,000 €2,200 - 3,300 The form is also closely related to large ewers or jugs in clear glass. US$2,600 - 3,900 Examples are in the Museo del Vetro di Murano (accession nos. Cl.VI n.01294 and n.01425), in the British Museum (accession no. S.505) illustrated by Hugh Tait, The Golden Age of Venetian Glass (1979), Provenance p.57, no.61, in the Rijksmuseum (accession no. NM 8013) illustrated Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) by Pieter Ritsema van Eck, Glass in the Rijksmuseum (1993), p.101, Thence by descent to her son, William Cornwallis Cartwright, Aynhoe no.141, in Toledo Museum of Art (accession no. 1925.130) and at Park, Oxfordshire Rosenborg Castle illustrated by Boesen (1960), no.1. Compare also Thence by family descent to the present owner to the ewer with combed decoration at Rosenborg illustrated by

Boesen (1960), no.88. A winged wine glass with comparable decoration was sold by Bonhams on 12 December 2012, lot 3.

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 17

FINE GLASS AND BRITISH CERAMICS | 21 18 19

18 A plate in opal glass is in the Kunstgewerbemuseum, Berlin A SPANISH EWER OR SPRINKLER, EARLY 18TH CENTURY (accession no. D 2731), illustrated by Franz Dreier, Venezianische Of fluted baluster form with a grooved scroll handle, the slender Gläser (1989), p.88, no.77. Footed tazzas with tops of related form spout with a trailed rim in clear glass, the integrated cover with a are in the Rosenborg Castle glass collection, illustrated by Gudmund pointed finial, raised on a circular footring, 20.2cm high Boesen, Venetianske Glas på Rosenborg (1960), nos.66 and 70. Another is in the British Museum (accession no. S.773) illustrated by Hugh Tait, The Golden Age of Venetian Glass (1979), pp.108-9, £600 - 800 no.175. See also two in the Kunstgewerbemuseum, Berlin (accession €670 - 890 nos. K 141 and K 142), illustrated by Dreier (1989), p.88, nos.75 US$790 - 1,000 and 76. The flat rim on the present lot appears to be a most unusual feature. Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) 20 Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire A LARGE FAÇON DE VENISE TAZZA, 17TH CENTURY Thence by family descent to the present owner Circular with a flat top upturned slightly at the rim, decorated with a trailed pale turquoise-blue glass chain between thin clear milled glass Ewers or canadelles such as this may have had an ecclesiastical trails, the spreading foot with a thin trailed collar and folded footrim, purpose as the fixed cover with the lack of any opening other than 34.8cm diam, 11.7cm high the spout would make them impractical for use at a table. Two ewers of similar form are depicted in a painting of Misa de San £1,800 - 2,500 Pedro Pascual by Jerónimo Jacinto de Espinosa (Spanish, 1600- €2,000 - 2,800 1667), now in the Museo de Bellas Artes de Valencia, and fragments US$2,400 - 3,300 of similar ewers have been recovered from excavations at Poblet Monastery, Catalonia. See Alice Wilson Frothingham, Hispanic Glass Provenance (1941), p.40, fig.28 and pp.42-3 for a detailed discussion. Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe 19 Park, Oxfordshire A VENETIAN OPALESCENT GLASS DISH OR STAND, CIRCA Thence by family descent to the present owner 1700 Of twelve-sided circular form with a flat folded rim, moulded with Tazzas of this type, copied from Venetian prototypes, were popular twelve radiating ribs around the kick-in centre, 21.2cm diam productions in the Netherlands and these have also been attributed to Catalonia. They are illustrated and discussed in detail by Anna- Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste £500 - 700 Coburg (1994), pp.111-6, nos.53-9. Similar tazzas are depicted as €560 - 780 salvers for drinks or sweetmeats in contemporary paintings and the US$660 - 920 varying sizes in which tazzas with this decoration are found may indicate that some were intended to form tiered table centrepieces. Provenance The consistency of the form and chain-link decoration suggests Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) that they may be products of one workshop specialising in these Thence by descent to her son, William Cornwallis Cartwright, Aynhoe pieces, rather than products of several workshops producing glass Park, Oxfordshire in Venetian style. Two similar tazzas are in the Frankfurt Museum Thence by family descent to the present owner für Kunsthandwerk, illustrated in the catalogue Glas (1973), p.68, nos.127 and 128.

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 20

21 22 A FAÇON DE VENISE TAZZA, 17TH CENTURY A SMALL FAÇON DE VENISE TAZZA, 17TH CENTURY Circular with a flat top upturned slightly at the rim, decorated with a Circular with a flat top upturned slightly at the rim, decorated with a trailed pale turquoise-blue glass chain between thin clear glass milled trailed pale turquoise-blue glass chain between thin clear glass milled trails, the spreading foot with a thin trailed collar and folded edge, trails, on a spreading foot with a folded rim, 24.7cm diam, 10.4cm 29.5cm diam, 10.2cm high high

£1,200 - 1,500 £800 - 1,200 €1,300 - 1,700 €890 - 1,300 US$1,600 - 2,000 US$1,000 - 1,600

Provenance Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire Park, Oxfordshire Thence by family descent to the present owner Thence by family descent to the present owner

See the footnote to lot 20 in this sale. See the footnote to lot 20 in this sale.

23 24 A FAÇON DE VENISE WINGED TAZZA, 17TH CENTURY A FAÇON DE VENISE WINGED WINE GLASS, 17TH CENTURY The wide shallow terraced bowl with an undulating rim and moulded The conical bowl set on a hollow tapering stem with a basal merese, with fifteen ribs, set on a slender hollow inverted baluster stem applied with opposing aquamarine trailed wings with pincered between collars, applied with two opposing pale yellow trailed ornament in clear glass, on a wide conical folded foot, 18.1cm high wings with pincered ornament in clear glass, on a wide conical foot, 14.1cm high £1,000 - 1,500 €1,100 - 1,700 £1,500 - 2,500 US$1,300 - 2,000 €1,700 - 2,800 US$2,000 - 3,300 Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Provenance Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Park, Oxfordshire Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Thence by family descent to the present owner Park, Oxfordshire Thence by family descent to the present owner Two very similar glasses are in the Museo del Vetro di Murano (accession nos. Cl.VI n.01163 and n.00511), one of which is Another tazza from this collection with a bowl of very similar form illustrated by Barovier Mentasti et al., Mille Anni di Arte del Vetro was sold by Sotheby’s on 14 July 1975, lot 293. Compare also to a Venezia (1982), p.118, no.148. Another is illustrated by Anna- the example in the British Museum (accession no. S.471) illustrated Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste by Hugh Tait, The Golden Age of Venetian Glass (1979), p.52, no.52 Coburg (1994), p.263, no.244 and an example with engraved and that from the Walter F Smith Collection sold by Sotheby’s on decoration on p.264, no.245. See also the two glasses in the Musée 8 July 1968, lot 908 and illustrated by E Barrington Haynes, Glass des Arts Décoratifs in Paris (accession nos. A62.1.A and A62.1.B) Through the Ages (1959), pl.28c. Another in the Fitzwilliam Museum illustrated by Erwin Baumgartner, Venise et Façon de Venise (2003), (accession no. C.118.1912) is illustrated in the catalogue (1978), p.99, no.44. p.70, no.147.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 25 26

25 26 A FAÇON DE VENISE ROSEWATER SPRINKLER (KUTTFROLF), A FAÇON DE VENISE ROSEWATER SPRINKLER (KUTTROLF), 17TH CENTURY 17TH CENTURY Perhaps for the Islamic market, the globular form with faint spiral Perhaps for the Islamic market, of pale straw tint, the lightly ribbed fluting and a trailed vermicular footring, the wrythen-moulded neck compressed globular form with a tall slender neck formed of three with three pinched tubes extending into a tall slender swelling spiralling tubes opening into a small swelling section, the flared petal- section, the flared undulating rim edged with a translucent turquoise- shaped rim edged with a translucent green thread, set on collar over blue thread, kick-in base, 26.6cm high a tall spreading foot, 25.2cm high

£1,500 - 2,500 £1,800 - 2,500 €1,700 - 2,800 €2,000 - 2,800 US$2,000 - 3,300 US$2,400 - 3,300

A kuttrolf of similar form in the Museo del Vetro di Murano (accession no. Cl.VI n.00498) is illustrated by Barovier Mentasti et al., Mille Anni di Arte del Vetro a Venezia (1982), p.156, no.236. Compare also to the pair of kuttrolfs sold by Christie’s on 28 March 2000, lot 185.

27 28 A FAÇON DE VENISE VASE, 17TH CENTURY A SPANISH (CATALAN) JUG OR FLASK, LATE 17TH OR EARLY Moulded in the form of a scallop shell, the tapering cylindrical neck 18TH CENTURY with a trailed vermicular collar, applied with two trailed and pincered Of pale green tint, the compressed ovoid form decorated with four scroll handles in turquoise-blue glass, set on a ribbed hollow bands of concentric trailed threads in opaque white, the tall slender flattened knop between collars and a folded conical foot, 20.5cm neck with a stepped everted rim and pinched pouring lip, a trailed high vermicular collar also in pale green glass around the centre, applied with two trailed angular scroll handles, 17.7cm high £800 - 1,200 €890 - 1,300 £700 - 1,000 US$1,000 - 1,600 €780 - 1,100 US$920 - 1,300 Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Provenance Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Park, Oxfordshire Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Thence by family descent to the present owner Park, Oxfordshire Thence by family descent to the present owner A pair of very similar shell-shaped vases from the Soulages Collection is in the Victoria and Albert Museum (accession nos. 5511-1859 and 5513-1859). Other examples are in the Wallace Collection (accession no. C540) illustrated by Suzanne Higgott in the catalogue (2011), pp.112-3 and 379, no.29, in the Rijksmuseum (accession no. RBK 1984-49) illustrated by Pieter C Ritsema van Eck, Glass in the Rijksmuseum, Vol.1 (1993), p.106, no.147, and at Veste Coburg (accession nos. HA 397 and HA 402). It is thought that the form of these vessels may be influenced by earlier Roman examples. Compare with the 1st century AD amphoriskos illustrated by Niwa Kunina, Ancient Glass in the Hermitage Collection (1997), pp.126-7, no.92.

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 29

29 THREE FAÇON DE VENISE ALBARELLI OR PHARMACY JARS AND COVERS, 17TH CENTURY Of typical dumbbell form with everted rims, one of grey tint with two trailed scroll handles, the domed cover applied with four prunts, 13.7cm high, and two of pale green tint including one with a domed cover, 14.4cm high, and another larger with an ill-fitting double-ogee shaped cover, 17cm high (6)

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

The shape of these jars originates from ceramic examples. Albarelli of similar form are illustrated and discussed by Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Kunstsammlungen der Veste Coburg (1994), pp.367-79. Another of similar form in the Gemeentemuseum Den Haag (accession no. OGL-1921-0007) is illustrated by Jet Pijzel-Dommisse and Titus Eliëns, Glinsterend Glas (2009), p.96, no.148. Related jars and covers at San Gimignano are discussed by Guido Vannini, Una Farmacia Preindustriale in Valdelsa 30 (1981), pp.113-20. A collection of eight further albarelli from this collection was sold by Sotheby’s on 14 July 1975, lot 275.

30 TWO PHARMACY JARS AND COVERS, 17TH CENTURY Of thistle shape, on hollow compressed globular knops between Provenance collars over conical folded feet, the taller with a double-ogee shaped Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) cover with a folded flange and knopped finial set on a collar, 17.9cm Thence by descent to her son, William Cornwallis Cartwright, Aynhoe high, the shorter with a domed cover with a plain finial on a collar, Park, Oxfordshire 15.5cm high (4) Thence by family descent to the present owner

£800 - 1,200 Jars and covers of very similar form are illustrated and discussed by €890 - 1,300 Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der US$1,000 - 1,600 Veste Coburg (1994), pp.237-9, nos.214-9.

31 A NEAR SET OF SIX FAÇON DE VENISE WINE GLASSES, Provenance PROBABLY FRENCH, LATE 17TH OR EARLY 18TH CENTURY Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Of pale grey tint, with conical bowls set on plain stems and conical Thence by descent to her son, William Cornwallis Cartwright, Aynhoe feet, 15.9-16.2cm high (6) Park, Oxfordshire Thence by family descent to the present owner £600 - 800 €670 - 890 Glasses of this type are known in a number of museums. Two similar US$790 - 1,000 examples are illustrated and discussed by Anna-Elisabeth Theuerkauff- Liederwald, Venezianisches Glas der Veste Coburg (1994), p.265, nos.247 and 248, who suggests that the large group of 30 glasses of varying size in the Musée des Arts Décoratifs in Paris (accession no. A62.8), acquired in France in 1879, are probably of French origin.

32 FOUR FAÇON DE VENISE WINE GLASSES, PROBABLY FRENCH, LATE 17TH OR EARLY 18TH CENTURY Of various tints, with conical bowls set on plain stems and conical feet, one slightly flared at the rim, 14.8-18.2cm high (4)

£400 - 600 €450 - 670 US$520 - 790

Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) 32 Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire Thence by family descent to the present owner

See the footnote to lot 31 in this sale.

33 TWO FAÇON DE VENISE WINE GLASSES, 17TH CENTURY One with a slender conical bowl set on a hollow tapering stem with a basal merese, applied with opposing trailed wings in very pale translucent turquoise glass with pincered ornament in clear glass, on a conical folded foot, 13.5cm high, the other of pale straw tint, the flared bell bowl set on a hollow inverted baluster stem between collars, over a conical folded foot, 15cm high (2)

£500 - 800 €560 - 890 US$660 - 1,000

Provenance Lady ‘Lili’ Maria Elisabeth Augusta Cartwright (née von Sandizell) Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, Oxfordshire 33 Thence by family descent to the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Other Properties 34 35

34 36 A FAÇON DE VENISE WINE GLASS, LATE 17TH CENTURY A VERY RARE VENETIAN OR FAÇON DE VENISE GOBLET, Netherlands or possibly English, the conical bowl with a solid base, LATE 16TH OR EARLY 17TH CENTURY set on a hollow quatrefoil knop resting on a collar or merese above a Decorated in vetro a fili and vetro a retorti, the slender tapering short plain section, over a wide conical folded foot, 13.9cm high waisted bowl with a slightly everted rim and five graduating constrictions to the lower part, set on a compressed hollow ball knop £1,000 - 1,500 between clear glass mereses, with a replacement silver spreading €1,100 - 1,700 conical foot, 22.7cm high, indistinct name (perhaps ‘Andreas Rodon’) US$1,300 - 2,000 inscribed in diamond-point to the bowl

A similar glass from the Smith Collection and Harvey’s Wine Museum £5,000 - 7,000 is illustrated by L.M. Bickerton, Eighteenth Century English Drinking €5,600 - 7,800 Glasses (1986), p.57, no.27. A diamond-point engraved example US$6,600 - 9,200 was exhibited by John P Smith in Mallett’s Masterpieces from Holland Exhibition (1990), no.8, together with an image of Woman Drinking This goblet belongs to a distinctive group of latticinio glasses all with with Soldiers by Pieter de Hooch painted in 1658 showing a glass of similar characteristics but with many different variations in shape and similar shape. A larger example from the Peter Lole Collection was decoration. The form, sometimes known as ‘Verres Coquilles’, can sold by Bonhams on 5 June 2019, lot 8. be dated to the late 16th century through comparison with several enamelled examples bearing dates discussed by Anna-Elisabeth 35 Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), p.227. A virtually identical goblet of similar size but with a A FAÇON DE VENISE WINE GLASS, SECOND HALF 17TH cover is illustrated and discussed by Theuerkauff-Liederwald (1994), CENTURY pp.226-9, no.198, who states that this is the only latticinio goblet The paper-thin U-shaped bowl of generous size, on a hollow inverted of this form in which the upper half is left undecorated. The present baluster stem between collars, over an equally thin conical foot, goblet was undoubtedly made in the same workshop. She notes that 15cm high manufacture outside of Venice should be considered based upon the grey tint of the metal and slight irregularities in manufacture. Compare £400 - 600 also to the similar example from the Biemann Collection illustrated by €450 - 670 Brigitte Klesse and Axel von Saldern, 500 Jahre Glaskunst (1978), US$520 - 790 pp.114-5, no.57. A smaller latticinio goblet of similar form was sold by Bonhams on 20 May 2015, lot 14.

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 36

FINE GLASS AND BRITISH CERAMICS | 31 37 38 39

37 38 39 A DUTCH ENGRAVED ARMORIAL A DUTCH ENGRAVED GOBLET, AN UNUSUAL DUTCH ENGRAVED GOBLET, SECOND QUARTER 18TH MID-18TH CENTURY GOBLET, CIRCA 1740-50 CENTURY The bell bowl with a solid beaded base, The glass probably Saxon, the bell bowl with The tall round funnel bowl with a faceted decorated with a crowned cartouche a rooster perched upon a barrel, a bale and base, decorated with a continuous band containing a pair of clasped hands beneath crate to either side, flanked by palm fronds of the crowned arms of each of the Seven sun rays and stylised clouds, flanked by floral and baskets of flowers, the rim inscribed United Provinces, each titled below the rim, branches, the reverse inscribed ‘LIEFDE ‘DE GOEDE NEGOTIE’ (Good Trade), on a set on a faceted hollow inverted baluster EN VREEDE BINDT/ DE TROUW’ (Love hollow multi-knopped stem and conical foot, stem between collars, over a conical foot, and Peace Bind Fidelity), the teared stem 19.3cm high 22.4cm high with two graduated cushion knops above an inverted baluster section, over a conical £300 - 500 £500 - 600 spreading foot, 23.6cm high €330 - 560 €560 - 670 US$390 - 660 US$660 - 790 £300 - 500 €330 - 560 It is possible that the engraving represents US$390 - 660 the Gallic Rooster, symbolising trade with France.

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 41

40 41 A DUTCH ENGRAVED ROYAL ARMORIAL GOBLET, CIRCA A SAXON SCHWARZLOT ENAMELLED GOBLET, MID-18TH 1735-40 CENTURY The generous round funnel bowl slightly flared at the rim, the solid The funnel bowl with a solid beaded base cut with basal facets, beaded base cut with facets, decorated with the crowned arms painted in black with a continuous stag hunting scene, the beast accollé of Prince William IV of Orange-Nassau and Princess Anne pursued by two men on horseback wielding swords in a tree-lined issuing from a tree stump, inscribed with the motto of the Garter landscape, two large hounds and a bird in flight to the reverse, all ‘HONI SOIT QUI MAL Y PENSE’, flanked by martial trophies, all above a scrolling foliate band, the hollow knopped baluster stem cut within a scrolling banner bearing the arms and names of the Seven with facets, over a domed foot with a scrollwork border, 23.7cm high United Provinces, set on faceted stem with a triple-annulated knop over a cushion knop and hollow inverted baluster section, the domed £1,200 - 1,500 foot cut with further facets, 27.8cm high €1,300 - 1,700 US$1,600 - 2,000 £1,200 - 1,800 €1,300 - 2,000 US$1,600 - 2,400

Prince William IV of Orange (1711-1751) was Stadtholder of Friesland and later also of Groningen and of Gelderland. He married Anne, Princess Royal, eldest daughter of King George II of Great Britain and Caroline of Ansbach, at St James’ Palace on 25 March 1734. A very similar goblet engraved with the portraits of William and Anne from the Mühleib Collection was sold by Bonhams on 2 May 2013, lot 54.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 33 42 AN ENGRAVED HEAVY BALUSTER ‘LIBERTY’ GOBLET, CIRCA 1710-20 The round funnel bowl solid at the base, finely decorated with the White Horse of Hanover rearing up on a sward, inscribed ‘AUREA LIBERTAS’ in diamond-point below, the stem with a teared angular knop over a teared ball knop and folded conical foot, 17.6cm high, the footrim with inventory number ‘INV.9646’ in black

£2,500 - 3,500 €2,800 - 3,900 US$3,300 - 4,600

This glass belongs to a small but distinct group of English heavy baluster glasses of very similar size and form with wheel- engraved decoration and diamond-point inscriptions in Latin. A comparable goblet depicting David and Goliath with the inscription ‘AMICITAE’, possibly by the same hand, was sold by Bonhams on 20 May 2015, lot 31 and is illustrated by Dwight Lanmon, The Golden Age of English Glass (2011), pp.140-1, no.41. Lanmon states that the quality of the engraving suggests the work of someone trained on the Continent, and whilst most Dutch-engraved glasses bear wheel-engraved inscriptions, inscriptions in diamond-point are known and are not a uniquely English feature.

43 A BALUSTER WINE GLASS AND A LIGHT BALUSTER GLASS, CIRCA 1715 AND 1745 One with a conical bowl with a solid teared base, set on a six-sided moulded stem with diamonds at the shoulder, over a folded conical foot, 17cm high, the other with a bell bowl on a tall slender multi-knopped stem with an angular knop above a true baluster between triple and double annulated knops, over a conical foot, 17.4cm high (2)

£500 - 800 €560 - 890 US$660 - 1,000

Provenance With Brian Watson, Marsham, 28 April 2000 (moulded-stem glass) With William MacAdam, Edinburgh, 12 42 November 1994 (light baluster glass) Basil Jefferies Collection

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 43 44

44 AN ENGRAVED LIGHT BALUSTER WINE GLASS, CIRCA 1750 The bell bowl with a formal border of scrolled diaper panels alternating with floral sprays below the rim, set on a beaded cushion knop above a triple-annulated knop and teared inverted baluster section terminating with a basal knop, over a conical foot, 17.5cm high

£400 - 600 €450 - 670 US$520 - 790

45 THREE BALUSTER WINE GLASSES, CIRCA 1720-30 One with a bell bowl with a solid base containing a small tear, the stem with a teared drop knop above a basal knop, over a conical folded foot, 14.9cm high, one with a bucket bowl on a cushion knop, the stem with an angular knop containing an tear continuing through a central knop and into a basal baluster knop, on a conical folded foot, 13.6cm high, and another with a bell bowl, the solid base containing an elongated tear extending into the inverted baluster 45 stem, over a conical foot, 14.8cm high (3)

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

46 A COMPOSITE-STEM WINE GLASS AND TWO LIGHT BALUSTER GLASSES, CIRCA 1750-60 The composite-stem glass with a lipped trumpet bowl solid at the base, set on a cushion knop over a multi-spiral airtwist baluster stem, on a conical foot, 17.6cm high, together with a light baluster wine glass, the bell bowl engraved to the rim with three diaper panels alternating with floral sprays, the slender stem with angular and cushion knops above a beaded inverted baluster and basal knop, on a conical foot, 18.4cm high, and a light baluster goblet, the bell bowl on a stem with a central knop between opposing balusters, over a domed foot, 18.8cm high (3)

£500 - 800 €560 - 890 US$660 - 1,000 46

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 35 47 AN ENGRAVED ‘FRIENDLY HUNT’ FIRING GLASS OF JACOBITE INTEREST, CIRCA 1750 The drawn trumpet bowl inscribed ‘THE FRIENDLY HUNT’ flanking a floral sprig, on a short plain stem and heavy conical foot, 9cm high

£1,200 - 1,800 €1,300 - 2,000 US$1,600 - 2,400

The Friendly Hunt was a Worcestershire meet probably connected with a Jacobite society in Worcester known as The Friendly Association. Founded in 1747, the Association met annually in rotation in the neighbouring towns of Droitwich, Bromsgrove, Kidderminster and Stourbridge. A similar firing glass from The Ron and Mary Thomas Collection was sold by Bonhams on 4 June 2008 and is illustrated by Geoffrey Seddon, The Jacobites and Their Drinking Glasses (1995), p.120, pl.86 and by Arthur Churchill, History in Glass (1937), pl.20, no.92. Together with the present lot only a 47 handful of other examples exist including one in the Victoria and Albert Museum (accession no. C.257-1925) and one in the Harding Collection, Christ Church College, Oxford. For further details see Peter Lole, A Digest of the Jacobite Clubs, Royal Stuart Society Paper LV (1999).

48 A WILLIAMITE ENGRAVED WINE GLASS, CIRCA 1740 The drawn trumpet bowl with a continuous band of fruiting vine beneath the inscription ‘The Glorious Memory of King William’, on a tall plain stem and conical foot, 17.6cm high

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance The Ron and Mary Thomas Collection, Bonhams sale, 4 June 2008, lot 79

49 THREE ENGRAVED WINE GLASSES, SECOND HALF 19TH CENTURY Decorated in 18th century style, comprising a Williamite glass by Franz Tieze, the conical bowl with an equestrian portrait of the King inscribed ‘THE GLORIOUS MEMORY OF KING WILLIAM III’, the reverse with ‘BOYNE 1ST JULY 1690’ over ‘HLStG’, on a plain 48 swelling stem between collars and a conical folded foot, 15.9cm high, a glass of Jacobite interest, the round funnel bowl with a portrait of Prince Charles Edward Stuart within a laurel wreath beneath the inscription ‘AUDENTIOR IBO’, flanked by heraldic rose sprays, with a thistle and star to the reverse, on a stem with four beaded knops, 15.5cm high, and a pro-Hanoverian glass, the round funnel bowl with the Horse of Hanover below a banderole inscribed ‘LIBERTY’, the reverse with a thorny rose spray, the plain stem with shoulder and central knops, 16.9cm high

£500 - 700 €560 - 780 US$660 - 920

It is likely that the initials ‘HLStG’ on the Williamite glass are those of Henry Lucas St George (1781-1872), clergyman for Dromore in West Tyrone, Ireland. Reverend St George was a Grand Chaplain in the Orange Order, a Protestant fraternal order in Northern Ireland, the name of which is a tribute to the Protestant King William III and his defeat over the Catholic King James II in the Williamite–Jacobite War (1688–1691). Tieze is known to have supplied Orange Order lodges with engraved glasses of this type.

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 50 51 52

50 51 52 AN UNUSUAL JACOBITE ENGRAVED A JACOBITE ENGRAVED AIRTWIST A JACOBITE ENGRAVED AIRTWIST WINE GLASS, CIRCA 1745-50 WINE GLASS, CIRCA 1750 WINE GLASS, CIRCA 1750 The slender waisted bell bowl with a solid The round funnel bowl decorated with a The waisted bell bowl solid at the base, with base, decorated with a ‘hundred-petalled’ six-petalled rose on a thorny stem with two a formal seven-petalled rose and one closed rose on a thorny stem with a curious empty buds, one partially open, the reverse with a bud on a thorny stem, a small moth to the bud, on a plain stem and conical foot, thistle, an oak leaf and a star, set on a multi- reverse, on a shoulder-knopped multi-spiral 17.6cm high spiral stem and conical foot, 16cm high stem and conical foot, 18.8cm high

£500 - 800 £500 - 700 £600 - 900 €560 - 890 €560 - 780 €670 - 1,000 US$660 - 1,000 US$660 - 920 US$790 - 1,200

A similarly glass from the Michael Provenance It is relatively unusual to find a rose with Buckingham Collection was sold by With William MacAdam, Edinburgh, 30 May seven petals. According to Geoffrey B Bonhams on 14 November 2018, lot 96. 1993 Seddon, The Jacobites and Their Drinking For a discussion of ‘empty bud’ glasses Basil Jefferies Collection Glasses (1995), the engraving may be see Arthur Churchill, Glass Notes, no.11 attributed to Engraver A in the author’s (December 1951), pp.18-21 and fig.26 for a According to Geoffrey B Seddon, The nomenclature. similar glass. Jacobites and Their Drinking Glasses (1995), the engraving on this glass might be attributed to Engraver B or C in the author’s nomenclature.

54 TWO ENGRAVED WINE GLASSES OF JACOBITE INTEREST, MID-18TH CENTURY With a six-petalled rose on a leafy stem, one with a round funnel bowl with a moth to the reverse, set on a double-series opaque twist stem containing two pairs of opaque white spiral tapes encircled by a pair of gauze corkscrews, 16.4cm high, the other with a drawn trumpet bowl on a plain teared stem, 18.4cm high (2)

£500 - 600 €560 - 670 US$660 - 790

55 THREE JACOBITE ENGRAVED WINE GLASSES, CIRCA 1750-60 With round funnel bowls, two with a six-petalled rose on a thorny leafy stem with one closed bud, one on a multi-spiral airtwist stem with a central swelling knop, 15.9cm high, the other on an opaque twist stem enclosing a multi-ply corkscrew, 15.1cm high, and an unusual double-sided glass with a five-petalled rose on a stem 55 flanked by two closed buds and two leaves to both sides, on a plain stem, 15.2cm high (3)

£600 - 900 53 €670 - 1,000 A JACOBITE ENGRAVED WINE GLASS, CIRCA 1750 US$790 - 1,200 The slender bell bowl with an eight-petalled heraldic rose and one closed bud, on a plain stem and conical foot, 16.8cm high According to Geoffrey Seddon, The Jacobites and Their Drinking Glasses (1995), the engraving on the airtwist and opaque twist £400 - 600 glasses may be attributed to Engravers B and I in the author’s €450 - 670 nomenclature respectively. Glasses with five-petalled roses are highly US$520 - 790 unusual, with only four examples recorded by Seddon.

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 56 57

56 TWO ENGRAVED OPAQUE TWIST WINE GLASSES OF JACOBITE INTEREST, CIRCA 1760-65 With bell bowls, one with a five-petalled rose on a stem with a closed bud, set on a shoulder-knopped double-series stem enclosing a pair of opaque white spiral bands around a central corkscrew, 17.1cm high, the other with a six-petalled rose on a stem with two buds, one open and one closed, a small moth to the reverse, the double-series stem with a pair of opaque white spiral threads around a gauze column, 17cm high (2)

£500 - 700 €560 - 780 US$660 - 920

57 A JACOBITE ENGRAVED OPAQUE TWIST WINE GLASS, CIRCA 1760 The bell bowl with a six-petalled rose on a thorny leafy stem with one closed bud and one open bud, a moth to the reverse, set on a double- series stem containing a central gauze corkscrew encircled by a pair of opaque white spiral tapes, over a conical foot, 17.3cm high

£600 - 900 €670 - 1,000 US$790 - 1,200

According to Geoffrey B Seddon, The Jacobites and Their Drinking Glasses (1995), the engraving may be attributed to Engraver F in the author’s nomenclature.

58 58 AN ENGRAVED OPAQUE TWIST RATAFIA FLUTE, CIRCA 1765 The tall slender round funnel bowl moulded with basal flutes, the rim decorated with a stylised floral border, set on a double-series stem incorporating two pairs of opaque white spiral threads encircling a central gauze core, on a conical foot, 17.8cm high Provenance With William MacAdam, Edinburgh, 9 April 1999 £300 - 500 Basil Jefferies Collection €330 - 560 US$390 - 660

59 A RARE SET OF SIX JACOBITE ENGRAVED AIRTWIST WINE GLASSES, CIRCA 1750 The bell bowls with a formal six-petalled rose and one closed bud on a thorny leafy stem, the reverse with a moth, the multi-spiral stems with shoulder and central knops, on plain conical feet, 18cm high (6)

£3,000 - 5,000 €3,300 - 5,600 US$3,900 - 6,600

Sets of Jacobite engraved wine glasses such as this are rare and represent remarkable survivals. Compare for example to the set of eleven similar Jacobite engraved wine glasses sold by Bonhams on 12 November 2014, lot 68. According to Geoffrey B Seddon, The Jacobites and Their Drinking Glasses (1995), the engraved decoration on this set may be attributed to Engraver B.

60 A RARE JACOBITE ENGRAVED AIRTWIST WINE GLASS, CIRCA 1750 Probably for the ‘Oak Society’, the drawn trumpet bowl with a six- petalled rose on a thorny stem with two buds, one open and one closed, the reverse inscribed ‘Fiat’ below the rim, on a multi-spiral stem, the conical foot inscribed ‘Redi’ between a spray of two oak leaves, 15.3cm high

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

The Oak Society was a Jacobite club whose purpose is thought to have been to raise money for Charles Edward Stuart’s attempt to stimulate another rising following the defeat at Culloden, beginning with his secret visit to London in September 1750 (the so-called Elibank plot). They met at the Crown & Anchor tavern on the corner of Arundel Street and the Strand. A similar glass from the Henry Fox Collection was sold by Bonhams on 8 December 2004, lot 73 and again on 6 June 2007, lot 25. Another from the Seton Veitch Collection was sold by Bonhams on 3 June 2009, lot 191 and is illustrated by Delomosne and Son in their 2006 catalogue, pl.11. According to Geoffrey Seddon, The Jacobites and their Drinking Glasses (1995), the decoration may be attributed to Engraver B. 60 Seddon illustrates a similar glass without ‘Fiat’ at p.114, col. pl.26.

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 61 62

61 TWO ENGRAVED OPAQUE TWIST CORDIAL GLASSES, CIRCA 1765 The round funnel bowls with solid bases, decorated with a floral spray and a bird in flight to the reverse, on double-series stems, one with a solid multi-ply corkscrew within a pair of six-ply spiral bands, 16.6cm high, the other with a multi-ply corkscrew encircled by a pair of opaque white spiral tapes, 17.5cm high, over conical feet (2)

£700 - 900 €780 - 1,000 US$920 - 1,200

62 AN ENGRAVED AIRTWIST CORDIAL GLASS, CIRCA 1750 The short drawn trumpet bowl with a small bird perched on a floral spray, the stem enclosing a pair of mercurial corkscrew threads, over a conical foot, 17cm high

£500 - 700 €560 - 780 US$660 - 920

63 A RARE ENGRAVED OPAQUE TWIST CORDIAL GLASS AND A RATAFIA FLUTE, CIRCA 1760-65 Moulded with fine basal flutes and set on double-series stems, the cordial with a round funnel bowl with a solid base, two stylised foliate sprays beneath the rim, the stem with a pair of opaque white spiral tapes encircled by two eight-ply spiral bands, on an unusual conical 63 folded foot, 14cm high, the ratafia with a tall conical bowl, a continuous floral band below the rim, the stem with a pair of spiral tapes encircled by a twelve-ply spiral band, on a conical foot, 17.1cm high (2) It is rare to find a folded foot on an opaque twist cordial glass. Two similar ratafia glasses from the Julia and Ann Kaplan Collection were £700 - 1,000 sold by Bonhams on 15 November 2017, lot 68 and are illustrated by €780 - 1,100 Martine Newby, Eighteenth Century English Glass from the Collection US$920 - 1,300 of Julius and Ann Kaplan (1998), figs.49 and 51.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 41 64 FIVE AIRTWIST WINE GLASSES AND A FLUTE, CIRCA 1750 With multi-spiral stems, comprising a wine glass with a round funnel bowl on a stem with shoulder and central knops, 16.4cm high, a wine or ale flute with a tall conical bowl, 19.9cm high, and three wine glasses with drawn trumpet bowls, 16.1-16.8cm high (5)

£500 - 600 €560 - 670 US$660 - 790

65 FIVE AIRTWIST WINE GLASSES, CIRCA 1750 One with a waisted bucket bowl on a stem containing a single multi- ply air corkscrew, 15.7cm high, and four multi-spiral glasses, one with a bell bowl engraved with anthemions and floral sprays on a stem with a central vermiform collar, 16.8cm high, one with a round funnel bowl on a stem with shoulder and central knops, 15.3cm high, one with a pan topped bowl, 15.3cm high, and one with a waisted bucket bowl, 16.5cm high (5)

64 £500 - 700 €560 - 780 US$660 - 920

66 FIVE OPAQUE TWIST WINE GLASSES, CIRCA 1760-65 Comprising a ‘Lynn’ glass with a bowl moulded with a series of horizontal bands, the stem containing an eleven-ply spiral band around a pair of spiral tapes, 14.2cm high, a pan-topped glass on a stem containing four entwined gauze corkscrews, 15.6cm high, a glass with an ogee bowl engraved with a continuous stag hunting scene, the stem containing two five-ply bands around a pair of spiral ribbons, 14.9cm high, one with a round funnel bowl on a multi-spiral stem with a central swelling knop, 15cm high, and another with an ovoid bowl on a stem with a pair of solid multi-ply bands around a central multi-ply corkscrew, 13.7cm high (5)

£600 - 900 €670 - 1,000 US$790 - 1,200

67 AN ALE GLASS, A WINE OR TOASTING GLASS AND TWO WINE FLUTES WITH TWIST STEMS, CIRCA 1750-65 65 The ale with an elongated ogee bowl, engraved with hops and crossed ears of barley, on an opaque twist stem with a pair of ribbon tapes around a central opaque white corkscrew, 19cm high, the toasting glass of typical slender drawn trumpet shape, the opaque twist stem containing a gauze corkscrew, 17.8cm high, the two flutes with tall waisted bell bowls, one on an opaque twist stem with a central corkscrew encircled by a pair of spiral threads, 19.2cm high, the other on an airtwist stem containing a pair of entwined mercurial corkscrews, 19.1cm high (4)

£500 - 800 €560 - 890 US$660 - 1,000

Provenance Jeffrey Rose Collection, Sotheby’s sale, 6 March 1978, lot 71 (toasting glass)

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 67 68

68 THREE MOULDED WINE GLASSES WITH TWIST STEMS, CIRCA 1750-60 Comprising two multi-spiral airtwist glasses with slightly flared round funnel bowls, one with honeycomb moulding and basal flutes, engraved with a band of fruiting vine to the rim, 17.2cm high, the other with honeycomb moulding to the base of the bowl on a shoulder-knopped stem, 16.6cm high, and another with a honeycomb-moulded round funnel bowl on an incised twist stem, 16.1cm high (3)

£500 - 800 €560 - 890 US$660 - 1,000

69 THREE GLASSES WITH TWIST STEMS, MID-18TH CENTURY Comprising an airtwist wine glass with a pan-topped bowl lightly moulded with a honeycomb pattern around the lower part, the stem with a pair of entwined multi-spiral gauze cables, 15.8cm high, a mixed twist wine glass with an ogee bowl, the stem containing intricate air and opaque twist corkscrews, 14.6cm high, and an 69 airtwist cordial glass with a round funnel bowl lightly moulded with basal flutes, the double-series stem containing a pair of mercurial corkscrews encircled by two six-ply spiral bands, 16.2cm high (3)

£700 - 900 €780 - 1,000 US$920 - 1,200

70 THREE MOULDED OPAQUE TWIST WINE GLASSES, CIRCA 1760-65 One with a lipped ogee bowl with honeycomb moulding to the lower part, on a double-series stem with a six-ply spiral band around a central opaque white corkscrew, 14.7cm high, and two moulded with fine basal flutes, one with an ogee bowl on a single-series stem enclosing a multi-ply corkscrew, 13.7cm high, the other with an ovoid bowl on a double-series stem with a central gauze column encircled by two pair of opaque white spiral tapes, 13.1cm high (3)

£500 - 800 €560 - 890 US$660 - 1,000

71 72 A BEILBY ENAMELLED OPAQUE TWIST WINE GLASS, CIRCA A LARGE BEILBY ENAMELLED OPAQUE TWIST GOBLET, 1765 CIRCA 1765-70 The ogee bowl painted with fruiting vine in opaque white, set on a The curiously large bell bowl painted in opaque white with a border double-series stem containing a multi-ply corkscrew encircled by a of flowerheads linked by scrolling leaves, the flowers including pair of opaque white spiral tapes, over a conical foot, 14.4cm high honeysuckle, carnation and a group of three auriculas, traces of gilding to the rim, on a double-series stem with a multi-ply corkscrew £800 - 1,200 encircled by a pair of opaque white spiral tapes, over a conical foot, €890 - 1,300 19.8cm high US$1,000 - 1,600 £800 - 1,200 €890 - 1,300 US$1,000 - 1,600

A similar border occurs on a wine glass in the Corning Museum of Glass, illustrated by James Rush, A Beilby Odyssey (1987), p.71, pl.33c.

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 73 AN IMPORTANT WINE GLASS COMMEMORATING SIR WILLIAM HOWE AND THE CAPTURE OF NEW YORK, CIRCA 1776 The ogee bowl engraved with the crowned cipher ‘GR’ above ‘God Save the King’ to one side, the other inscribed ‘SUCCESS TO SIR WILLIAM HOWE/ SAVIOUR OF NEW YORK’ beneath the rim, the base of the bowl cut with a band of circlets between petal facets, the faceted stem with a central swelling knop, over a conical foot, 14.7cm high

£6,000 - 8,000 €6,700 - 8,900 US$7,900 - 10,000

Provenance Private collection, London, formed 1960s-80s

Recently discovered in a provincial auction in Berkshire, this unrecorded glass is an important commemorative piece. General Sir William Howe (1729-1814) was a distinguished veteran of the French and Indian War who, in 1775, was appointed Commander in Chief of His Majesty’s forces in America during the Revolutionary War. Charged with combating rebellion and maintaining peace between Britain and its colonies, Howe’s first major battles against his American counterpart, General George Washington, came during the Patriot siege of Boston and included the Battle of Bunker Hill. They proved to be disappointing failures that resulted in the British retreat from Boston in March 1776.

That Summer Howe sailed for New York, chosen as the new base of operations owing to its strategic location. In August 1776 Howe and the British Army were victorious over Washington and the Continental Army at the Battle of Long Island, for which he was made a Knight of the Order of the Bath and which the present glass would appear to commemorate. That September he lead another British invasion of New York City in the Battle of Harlem Heights, the result of which restored the confidence of the Continental Army in what was Washington’s first success of the War.

Howe again defeated Washington at the Battles of Brandywine in September 1777 and Germantown in October 1777, but went on to launch an attack against Philadelphia instead of coming to the aid of British General John Burgoyne at the Battles of Saratoga as planned. Without the support of Howe and his men, the British army at Saratoga was overwhelmed and forced to surrender to American General Horatio Gates that October. This American victory was one of the turning points of the Revolutionary War, which ultimately led to the Declaration of Independence and the loss of thirteen colonies.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 45 74 TWO GILES GILDED WINE GLASSES, CIRCA 1765-70 One with an ogee bowl with mixed floral sprays and smaller sprigs beneath a gilt rim, on a double-series opaque twist stem with a multi-ply corkscrew encircled by a fifteen-ply spiral band, 15.2cm high, the other with a round funnel bowl with flowers and insects beneath a gilt rim, on a diamond faceted stem extending into the base of the bowl, 15.2cm high (2)

£600 - 800 €670 - 890 US$790 - 1,000

Provenance Chris Crabtree Collection, Bonhams sale, 19 74 May 2010, lot 84 (facet stem glass) Bonhams sale, 6 June 2007, lot 13 (opaque twist glass) Henry Fox Collection, Bonhams sale, 2 June 2004, lot 84 (opaque twist glass)

75 AN ENGRAVED OPAQUE TWIST GOBLET AND TWO WINE GLASSES, CIRCA 1765 The goblet with a generous ogee bowl decorated with a floral spray and a bird in flight beneath a formal border, the stem containing two solid multi-ply corkscrews around a pair of spiral tapes, over a conical foot, 17.7cm high, together with a heavy wine glass, the bell bowl with a solid beaded base, the stem with a multi-ply corkscrew encircled by a pair of spiral threads, on a conical foot, 16.9cm high, and another with a bell bowl, the shoulder-knopped stem enclosing an opaque white gauze corkscrew, on a conical foot, 15cm high (3)

£500 - 600 €560 - 670 75 US$660 - 790

76 THREE OPAQUE TWIST WINE GLASSES AND AN ALE GLASS, CIRCA 1765 One with a bell bowl engraved with fruiting vine, on a single-series stem containing a multi-ply corkscrew, 17.1cm high, one with a bell bowl on a shoulder-knopped double-series stem with a central gauze core encircled by a pair of seven-ply spiral bands, 16.9cm high, and one with an ogee bowl on a double-series stem with a central gauze core encircled by a pair of eight-ply spiral bands, 14.3cm high, the ale with an elongated ogee bowl engraved with hops and crossed ears of barley, on a double- series stem with a multi-ply corkscrew encircled by a pair of nine-ply spiral bands, 20.2cm high (4)

£500 - 700 €560 - 780 US$660 - 920

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 77 A FINE DUTCH STIPPLE-ENGRAVED WINE GLASS BY ‘ALIUS’, CIRCA 1780 The generous round funnel bowl delicately engraved with a gentleman and a lady, he seated with his head tilted back, his arms around her waist, she standing beside him holding a wreath in her left hand, pointing at a small dog jumping up at his lap with her right, an urn on a tall plinth behind them, flanked by gnarled trees, the stem cut with hexagonal facets extending into the base of the bowl, over a conical foot, 19.3cm high

£7,000 - 9,000 €7,800 - 10,000 US$9,200 - 12,000

Although he never signed any of his engravings, ‘Alius’ is one of the most important Dutch master engravers of the 18th century specialising in the stipple technique. His work is rated equal to that of his contemporary, David Wolff, and there are close similarities between the designs they chose. The present lot appears to be unrecorded by Frans Smit in his 1993 catalogue of Dutch Stipple-Engraved Glass. However, designs alluding to friendship or love were a favourite subject of ‘Alius’. The markedly jagged branches and the way in which stippled hatching has been employed in the background are characteristic of this engraver, as is the use of a glass of this precise size and form - those with four tiers of hexagonal facets to the stem, between 19cm and 20cm in height and with a bowl diameter of almost exactly 8cm such as this, were all engraved by ‘Alius’ rather than Wolff, see Smit, p.20. Smit records a glass engraved with a comparable scene by ‘Alius’ at p.152, Eb.49, and another without a dog at Eb.53.

78 * 79 A COLOUR TWIST WINE GLASS, CIRCA 1765 A COLOUR TWIST WINE GLASS, CIRCA 1765 The round funnel bowl moulded with fine flutes around the lower part, The round funnel bowl on a stem with a white spiral ribbon edged the stem with a central pair of translucent blue spiral tapes encircled on both sides in blue, alternating with an opaque white spiral gauze, by a fifteen-ply opaque white spiral band, over a conical foot, 14.1cm over a conical foot, 14.5cm high high £700 - 900 £600 - 800 €780 - 1,000 €670 - 890 US$920 - 1,200 US$790 - 1,000 80 Provenance A SEALED WINE BOTTLE, DATED 1799, AND A RICKETTS With Delomosne and Son, 1995 SEALED BOTTLE Both of dark olive tint, one of squat cylinder form with a medium/ wide body and kick-up base, the seal inscribed ‘Wm Eddy Cornelly 1799’, 23.3cm high, the Ricketts bottle of moulded cylinder form, the seal inscribed ‘Wm Martyn Ruan’, the shoulder inscribed ‘PATENT’ and the base ‘H RICKETTS & Co GLASS WORKS BRISTOL’, 26.9cm high (2)

£700 - 900 €780 - 1,000 US$920 - 1,200

See David Burton, Antique Sealed Bottles (2015), p.816 for the dated bottle and p.1197 for the Ricketts bottle. Both bottles were exhibited at The County Museum, Truro, in 1976. The dated bottle is the only recorded example known bearing this seal and Burton notes that a William Eddy was baptised at Cornelly in Cornwall on 24 November 1768. The seal on the Ricketts bottle probably refers to Ruan Lanihorne in Cornwall and only one other example bearing this seal has been recorded, now in Bristol Museum & Art Gallery.

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 81

81 SIX PIECES OF GILT GLASS FROM THE ‘HERTFORD SERVICE’, CIRCA 1840-50 Possibly Baccarat, faceted and decorated in tooled gilding with alternating baskets of fruit and of flowers flanked by acanthus scrolls, comprising three water bottles, two claret glasses, and a wine glass cooler with the crowned coat of arms of Conway quartering Seymour, inscribed with the motto of the Garter ‘HONI SOIT QUI MAL Y PENSE’, the claret glasses 14.6cm high (6)

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

Provenance Probably Richard Seymour-Conway, 4th Marquess of Hertford, Hertford House

These pieces are probably recorded in the inventory for Gallery 3 of Hertford House in 1890 as “an embossed gilt service with coronet and crest”, which then consisted of “5 decanters, 33 Water bottles, 34 Sherry glasses, 36 Clarets, 8 Liquers, 36 Wine coolers, 35 Tumblers”. The arms are probably those of Captain Richard Seymour-Conway, 4th Marquess of Hertford KG (1800-1870). Lord Hertford lived mostly in Paris and from 1848 in the Château de Bagatelle in the Bois de Boulogne. His English residences included Hertford House in London, now home to the Wallace Collection, and Ragley Hall in Warwickshire. He was an important art collector and one of the founders of the Wallace Collection, bequeathed to the nation by the widow of his illegitimate son, Sir Richard Wallace, 82 1st Baronet. Three wine glass coolers from this service were sold by Bonhams on 15 December 2010, lot 181.

82 A BACCARAT ENAMELLED GOLD FOIL BOTTLE AND The subject is inspired by an engraving of Amor Volubile by Pierre- STOPPER, CIRCA 1830-40 Charles Coqueret, after Raphael’s series of the Six Amours. A Cylindrical, cut with fine pillar flutes, an oval panel to one side inset tumbler with the same subject is illustrated by Paul H Dunlop, The with cupid on a shell chariot pulled by butterflies enamelled in colours Jokelson Collection of Antique Cameo Encrustation (1991), p.36, on gold foil, the shoulder and base cut with spiral fluting, with a star- no.64 and by Fernando Montes de Oca, L’Age D’Or du Verre en cut stopper, 12.5cm high (stopper stuck) France (2001), p.385, no.532. Montes de Oca suggests the enamel incrustation may have been produced by the accomplished by £300 - 500 jeweller and goldsmith Jean-Alexandre Paris (1781-1850), who €330 - 560 invented the method of including his enamels in glass. A flask with US$390 - 660 this subject on silver foil is illustrated by Montes de Oca at p.385, no.533.

83 A BOHEMIAN OVERLAY PEDESTAL BOWL, CIRCA 1860 In green glass overlaid in opaque white, the bowl with a scalloped rim and a flared foot, the sides with eight arched panels alternately painted with sprays of flowers or cut with quatrefoil motifs with gilt ornament, the integrated tall pedestal base of capstan form, reserved with two large oval panels, one painted with flowers and the other cut with a stylised floral motif, profusely decorated with gilt scrolling foliage and with a formal petal band to the foot, 33.5cm high

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

84 TWO MOSER ENAMELLED AND GILDED VASES, CIRCA 1885 One of bulbous form with a tall slender neck, gilt overall with raised scrollwork, applied with clusters of flowers in high relief, 30.2cm high, the other of ruby tint with gilt metal mounts, the tapering cylindrical form richly decorated with a geometric lattice arrangement of leaves alternating with Fleur-de-Lys, the feet modelled as winged grotesques, 29cm high (2)

£400 - 600 €450 - 670 US$520 - 790

A very similar vase to that applied with clusters of flowers in the Klabin Collection is illustrated by Gary D Baldwyn, Moser Glass 84 (2006), p.9, pl.9.

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 85

85 85 (Signature of William Fritische) A LARGE THOMAS WEBB AND SONS ENGRAVED ‘ROCK CRYSTAL’ BOWL BY WILLIAM FRITSCHE, EARLY 20TH CENTURY Of shallow circular form with a scalloped rim, cut with eight arched panels, two finely decorated with parrots perched on circular wreaths of roses suspended by ribbon, and two with cornucopia respectively filled with flowers and fruit, the latter signed ‘W Fritsche’, alternating with hobnail cut panels, the elaborate star-cut base within a border of circlets, 30.5cm diam

£600 - 800 €670 - 890 US$790 - 1,000

86 AR AN ENGRAVED BOWL BY PETER DREISER, DATED 1989 Of shallow circular form, naturalistically decorated to the exterior with a continuous band of flowering fuchsias, the interior with four small insects in flight and sparse shading corresponding to the edges of the leaves beneath, 29.8cm diam, signed ‘P. Dreiser 89’ inside the footrim

£500 - 700 €560 - 780 US$660 - 920

Of German origin, Peter Dreiser (1936-2006) was one of Britain’s foremost late 20th century engravers. For an appreciation of his work, see Charles Hajdamach, 20th Century British Glass (2009), p.249-53. 86

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 51 87 AR CARREG CENNEN: A STIPPLE ENGRAVED GOBLET BY SIMON WHISTLER, EXECUTED IN 1989 The shape designed by Laurence Whistler, the generous bucket bowl engraved with a view of Carreg Cennen Castle towering above the valley floor with a stream beneath, sunlit hills beneath a cloudy sky in the distance, a bird in flight above, on a teared knop, trumpet stem and folded foot, titled and monogrammed ‘SW’ to the foot, 27cm high, sold together with the book illustrating the goblet and signed by the artist, edition 117/200 (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Hassan Shaida Collection

Illustrated by Simon Whistler, On a Glass Lightly (2004), p.77, where the artist describes the piece thus... ‘The difficulty here was to convey the enormous height of the castle above the valley floor with its stream. Early sunlight pours down the hill opposite’. The goblet is one of a series of seven depicting Welsh landscapes inspired by J M W Turner’s sketching trips to Wales, resulting from a tour of Wales in 1988 in which Whistler retraced a route taken by Turner in 1798.

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 88 A VERY RARE PAIR OF MILLEFIORI KNIFE HANDLES BY BERNARD PERROT GLASSHOUSE, ORLÉANS, SECOND HALF 17TH CENTURY With an assortment of composite canes including several of the Maltese Cross, on a ground of scrambled lengths of colourful filigree and ribbon, mounted with later steel blades, the handles 7.7cm long, the blades marked for John Dobby, Wych Street, Strand (2)

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

A millefiori shaft with several identical canes of the Maltese Cross is in the Metropolitan Museum of Art (accession no. 83.7.43), attributed to Bernard Perrot (1640-1709), a glassmaker of Italian origin who was active in Orléans from 1662, see Erwin Baumgartner, ‘Gobelets à millefiori à croix de Malte’, in the catalogue Bernard Perrot 1640- 1709 (2010), pp.67-77. The same shaft is illustrated by Paul Hollister, The Encyclopedia of Glass Paperweights (1969), p.20, fig.5, where it was previously attributed to 19th century Venice. Baumgartner states that a distinctive group of millefiori goblets incorporating similar canes have links to the Knights Hospitaller or the Order of St John, and are likely to have been produced by Perrot between 1668 and 1671. The present pair of handles was remounted by John Dobby, who was in business in London between 1832 and 1863. 88 (actual size)

89 A RARE CASED SILESIAN CLOSE-PACKED MILLEFIORI DEMI- PARURE FROM THE WORKSHOP OF DR W E FUSS, CIRCA 1841-42 Comprising a brooch and pair of pendent earrings, set with oval and drop-shaped plaques containing a profusion of colourful composite canes, within deep blue glass borders with gold mounts, brooch 4.4cm wide, earrings 6.5cm long (3)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Sotheby’s sale, 19 November 1962, lot 85a Sotheby’s sale, 2 July 1979, lot 182

Illustrated and discussed by Peter von Brackel, Classic Paperweights from Silesia/Bohemia (2010), p.41, fig.51. Dr Wilhelm Eduard Fuss was a chemist who joined the Matterne Brothers in their glassworks in Hoffnungsthal in 1830. Here he was assisted by Franz Pohl in conducting experiments to rediscover the millefiori technique. These experiments were successful in 1833, when he succeeded in producing the first millefiori canes. He left the Matterne Brothers in 1840 and set up his own workshop in his chemical factory in Magdeburg-Schoenebeck in 1841, where he mainly produced jewellery amongst other millefiori decorated pieces including small plaques and handles. His workshop closed in 1842 as it was not economically viable and he gave up glassmaking. However, his early experiments enabled Karl Pohl to develop millefiori glass at his glassworks in Karlsthal, and ultimately provided the foundations for the production of millefiori paperweights in the mid-19th century.

89 (actual size)

91 A SILESIAN MILLEFIORI PERFUME BOTTLE AND STOPPER 90 AND TWO VENETIAN SCENT BOTTLES AND STOPPERS, MID- 19TH CENTURY The perfume bottle attributed to the Karlsthal glassworks, of tapering form with a pointed stopper, inset with brightly coloured lengths of latticinio tubing and various composite canes, 13.5cm high, the 90 scent bottles possibly by Bigaglia or Franchini, of flattened ovoid A SPACED MILLEFIORI SCENT BOTTLE FROM THE form, the marbled glass combining bright colours with aventurine, the WORKSHOP OF FRIEDRICH EGERMANN, HAIDA, CIRCA 1845 embossed metal mounts with suspension chains, 7cm long excluding In clear glass, the slightly tapered cylindrical form with a variety of chains (stopper stuck) (3) complex canes in red, green, blue and opaque white, with embossed white metal mounts, 10.7cm high £500 - 700 €560 - 780 £500 - 700 US$660 - 920 €560 - 780 US$660 - 920 Provenance Sotheby’s sale, 2 July 1979, lot 177 (part) (perfume bottle) Provenance Sotheby’s sale, 2 July 1979, lot 177 (part) The canes in this bottle are unmistakably those of the Karlsthal glassworks circa 1841-42 or a little later. Some of these canes bear a A similarly decorated decanter and a sugar bowl and cover from strong similarity to technical drawings of millefiori rods made by Franz the workshop of Friedrich Egermann, both of which contain Pohl around 1837, see Peter von Brackel, Classic paperweights from several canes identical to those on the present lot, are illustrated Silesia/Bohemia (2010), p.43. Compare also to the canes used in the and discussed by Peter von Brackel, Classic Paperweights from two small vases, a bottle and a cream jug illustrated and discussed Silesia/Bohemia (2010), pp.206-9, figs.416-9. Compare also to the by von Brackel (2010), pp.48-9, figs.62-4. paperweight from the Egermann workshop on pp.212-3, figs.429-33. 92 A FRANCHINI MILLEFIORI CANE HANDLE, DATED 1845 Of faceted hexagonal form set with an assortment of brightly coloured composite canes and murrine on a scrambled ground, including a distinctive murrina of a crescent-shaped ‘man in the moon’ within a border of stars, a pink rose on a leafy stem, a pink ‘Clichy’ style rose, the date cane ‘1845’ and the signature cane ‘F’, mounted with a yellow metal collar, 4.9cm high

£600 - 800 €670 - 890 US$790 - 1,000

Provenance Sotheby’s sale, 2 July 1979, lot 183a

The ‘man in the moon’ murrina is an example of a cane produced by Giacomo Franchini. The pink rose murrina, usually attributed to his father Giovanni, is thought to have been the inspiration for the 92 (actual size) Clichy model, see Paul Dunlop, The Dictionary of Glass Paperweights (2009), pp.144-6.

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 93 A SMALL FRANCHINI MILLEFIORI PLAQUE, DATED 1846 Rectangular with bevelled edges, the central silhouette cane of a gondola surrounded by six assorted canes on a scrambled ground, the underside with the date cane ‘1846’ above the signature cane ‘FC’, 4.7cm wide

£700 - 900 €780 - 1,000 US$920 - 1,200 93 (reverse) Provenance Sotheby’s sale, 2 July 1979, lot 181

Illustrated in the Bulletin of the Paperweight Collectors’ Association (June 1956), and by Evelyn Campbell Cloak, Glass Paperweights (1969), pl.38, no.399. A very similar plaque with an ‘FC’ cane is illustrated by Gerd Mattes in Pressglas-Korrespondenz 2018-1 (December 2018), figs.63-09 and 63-10. Compare to the plaque mounted as a paperweight in the Bergstrom-Mahler Museum of Glass with a ‘GBF’ cane (accession no. PW 1958.381.379) illustrated by Campbell Cloak (1966), pp.110-2, pl.38, no.399 and by Geraldine Casper, Glass Paperweights of the Bergstrom-Mahler Museum (1989), p.26, no.379. 93 (actual size) 94 A VERY RARE PIETRO BIGAGLIA SCRAMBLED MILLEFIORI PAPERWEIGHT, DATED 1845 Of tapered square form with chamfered edges, containing a variety of composite and silhouette canes including the date cane ‘1845’, amidst short lengths of twisted ribbons and latticinio, 5.5cm square, 5.4cm high

£500 - 700 €560 - 780 US$660 - 920

The first millefiori paperweights are thought to have been produced around 1843 and Pietro Bigaglia was among the first Venetian craftsmen to make them. The earliest dated examples are from 1845, the year in which Bigaglia exhibited paperweights for the first time at the Exhibition of Austrian Industry in Vienna. These rare weights are of the scrambled millefiori type and usually of traditional spherical form, a type known as the ‘Venetian ball’, see for example that from the Baroness de Bellet Collection sold by Bonhams on 19 May 2010, 94 lot 63. Cylindrical and square weights are amongst the rarest and earliest examples, with dated specimens being particularly scarce, see Paul Hollister, Encyclopedia of Glass Paperweights (1969), pp.18-9 for a discussion.

A comparable square weight dated 1845 in several places is illustrated alongside a dated cylindrical weight by Herbert W L Way, Mrs Applewhaite-Abbott’s Collection of Coloured Glass, in The Connoisseur (December 1922), p.217, fig.4. Compare to the domed paperweight signed ‘POB’ and dated 1845 in the Corning Museum of Glass (accession no. 78.3.143) and the example dated 1846 (accession no. 83.3.64), both of which contain a number of identical murrine including silhouettes of a duck and a horse.

95 SIX BACCARAT PANSY PAPERWEIGHTS, CIRCA 1850 Set in clear glass, the flowers with dark purple and ochre-yellow petals and stardust centres, on leafy stems with small buds, with star-cut bases, comprising a miniature weight, 5.1cm diam, 3.6cm high, a magnum weight, 8.3cm diam, 6.3cm high, two faceted weights cut with top windows and six side printies, 7.6cm diam, 4.7cm high and 6.8cm diam, 4.6cm high, and two further weights, 7.4cm diam, 5.3cm high and 7.3cm diam, 5.2cm high (6)

£500 - 700 €560 - 780 95 US$660 - 920

96 97 AN EXCEPTIONAL BACCARAT GARLANDED CARPET A RARE EUROPEAN CONCENTRIC MILLEFIORI BASKET GROUND PAPERWEIGHT, CIRCA 1850 PAPERWEIGHT, MAKER UNKNOWN, CIRCA 1850 The field of turquoise honeycomb canes set with alternate The central white rose cane within four rows of various canes in pink, clusters of blue and red composite canes, each outlined by a green, white, red and blue, including a row of white rose canes with ring of predominantly white canes and centred with a concentric distinctive blue centres, surrounded by a basket of alternating white arrangement of three rows of similar red, white and blue canes, and blue tubular staves, 6.7cm diam, 4.7cm high 8.1cm diam, 5.7cm high £500 - 700 £5,000 - 7,000 €560 - 780 €5,600 - 7,800 US$660 - 920 US$6,600 - 9,200 A very similar basket weight with identical rose canes attributed to A very similar weight from the Late Countess Poulett Collection was an unidentified European maker is illustrated by Paul Dunlop, the sold by Bonhams on 14 November 2018, lot 203, and is illustrated Dictionary of Glass paperweights (2009), p.319, fig.587. by Lawrence Selman and Linda Pope-Selman, Paperweights for Collectors (1975), p.66, fig.150. 98 FOUR FRENCH PAPERWEIGHTS, CIRCA 1850 Comprising a Baccarat faceted double clematis weight, the central dark red flower with ten striped petals around a stardust centre, on a leafy stem with a closed bud, star-cut base, 8.1cm diam, 5.4cm high, a St Louis faceted flat bouquet weight, the central posy or nosegay set with four canes as flowers, 5.6cm diam, 3.8cm high, a faceted Clichy patterned millefiori weight with two rows of white and purple pastry-mould canes around a central pink and green Clichy rose, within an outer row of green canes incorporating six oversized pink pastry-mould canes, 6.7cm diam, 4.8cm high, and a miniature concentric millefiori weight, the central floret of composite canes within two rows of red pastry-mould and white stardust canes, 4.5cm diam, 3.3cm high (4)

£500 - 700 €560 - 780 US$660 - 920

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. British Pottery & Porcelain 99

99 TWO MEDIEVAL ARMORIAL ENCAUSTIC FLOOR TILES, Provenance 14TH CENTURY Woodspring Priory, Somerset, September 1885 excavations Inlaid in cream clay with a lion rampant within a shield surmounted Private Collection, purchased April 1933 by a fleur-de-lys, the design set diagonally, 13cm sqaure and 13.5cm square (2) Woodspring Priory was a former Augustinian priory just outside Weston-super-Mare, Somerset, thought to have once held a reliquary £1,000 - 1,500 housing a wooden cup containing the blood of St Thomas Beckett. €1,100 - 1,700 An excavation September 1885 is recorded by R W Paull in the US$1,300 - 2,000 Proceedings of the Somerset Archaeological and Natural History Society (1885) in which he describes the discovery of ‘...a quantity of 14th century pavement, and among the armorial tiles were the arms of England, France, the Isle of Man (with roses between each leg), lion rampant, a portion of the arms of Clare, and fragments.’ A tile from Woodspring Priory with identical decoration to those in this lot is in Weston Museum, Weston-super-Mare.

100 A MEDIEVAL ARMORIAL ENCAUSTIC FLOOR TILE, 14TH CENTURY Inlaid in cream clay with the coat of arms for the King of Mann, comprising a triskelion of three legs alternating with roses, within a shield surmounted and flanked by formal motifs, the design set diagonally, 13.1cm square

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

Provenance Woodspring Priory, Somerset, September 1885 excavations Private Collection, purchased April 1933

On 9 August 1333 Edward III renounced all English claims over the Isle of Man and recognised it as an independent kingdom under its then King, William Montacute, 1st Earl of Salisbury. William le Scrope, Earl of Wiltshire, was the last King of Mann in this line until his death 100 in 1399. A fragment of a tile from Woodspring Priory with identical decoration is in Weston Museum, Weston-super-Mare. See the footnote to lot 99 in this sale.

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 101 A MEDIEVAL ARMORIAL ENCAUSTIC FLOOR TILE, 14TH CENTURY Inlaid in cream clay with the coat of arms of England, comprising three lions passant guardant, in reverse, within a shield surmounted and flanked by fleurs-de-lis, the design set diagonally, 13.5cm square

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

Provenance Woodspring Priory, Somerset, September 1885 excavations Private Collection, purchased April 1933

The lions in this armorial should be facing to dexter, but the block- cutter forgot to allow for their reversal when the clay was impressed. A tile fragment from Woodspring Priory with identical decoration is in Weston Museum, Weston-super-Mare. It is interesting to note that a similar tile bearing the arms of England with the same mistake from 101 Somerset is in the Victoria and Albert Museum (accession no. 1136- 1892), originally from the Mayor’s Chapel, St Mark’s Church, Bristol. Another from Wenlock Priory in Shropshire is in the British Museum (accession no. 1887,0307.11243).

102 THREE MEDIEVAL ENCAUSTIC FLOOR TILES, 14TH CENTURY Inlaid in cream clay, including an armorial tile with the coat of arms of the King of Mann, comprising a triskelion of three legs alternating with quatrefoils within a shield, 13.4cm square, together with two Wessex School tiles, one with a roundel containing two birds addorsed on a tree surmounted by a fleur-de-lis, 13.3cm square, the other with a lion passant facing to sinister within a roundel, 13.1cm x 12.8cm (3)

£500 - 800 €560 - 890 US$660 - 1,000

Provenance Woodspring Priory, Somerset, September 1885 excavations Private Collection, purchased April 1933 102 See the footnote to lot 99 in this sale. For the tile bearing the arms of the Isle of Man see the footnote to lot 100.

103 THREE LIVERPOOL DELFTWARE WOODBLOCK TILES, CIRCA 1756-57 Printed in manganese by John Sadler with two Men o’ War engaged in battle, the ships in full sail surrounded by plumes of smoke, within octagonal panels edged with formal scrolls and florets to the corners, 12.7-13cm wide (3)

£600 - 800 €670 - 890 US$790 - 1,000

These woodblock-printed tiles are from a recently discovered set of six, the design previously unrecorded. The other three from the set were sold by Woolley and Wallis on 17 June 2020, lot 101. Tiles printed by Sadler with identical borders, derived from Dutch tiles via Liverpool painted tiles, are illustrated by Anthony Ray, English Delftware Tiles (1973), p.239, nos.606-9, and p.241, nos.618-9. Related Men o’ War subjects occur on Worcester porcelain of similar date.

103

104 A PAIR OF LONDON DELFTWARE PLATES, DATED 1724 Probably Vauxhall, of plain profile without footrims, painted in red and blue with three stylised flowers divided by long foliage and flanked by slender leaves, surmounted by the initials ‘I B A’, the date ‘1724’ below, within blue concentric lines and a distinctive formal border, 21.3cm diam (2)

£600 - 900 €670 - 1,000 US$790 - 1,200

A very similar plate is illustrated by Lipski and Archer, Dated English Delftware (1984), p.82, fig.328 and another by Ross E Taggart, Catalogue of the Burnap Collection (1967), p.56, fig.153. 104

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 105 A VERY RARE DELFTWARE CHARGER, DATED 1703 Probably London, with an everted rim and turned foot, painted in blue and yellow outlined in black with a windmill, the stone tower inscribed with the date ‘1703’, before three cottages with distinctive fenestrated gable ends, smaller buildings and tall green sponged trees in the distance, similarly sponged bushes in the foreground, a blue line inside the ‘blue dash’ border around the rim, the back with a lead-tin glaze wash, 35cm diam

£4,000 - 6,000 €4,500 - 6,700 US$5,200 - 7,900

A very similar charger decorated with a virtually identical scene dated 1704, no doubt from the same workshop, is in the Colonial Williamsburg Collection (accession no. 1937-200) and is illustrated by Lipski and Archer, Dated English Delftware (1984), p.36, no.88. Lipski and Archer note that this charger bears a number of similarities to two groups of English chargers - those painted with full-length portraits of William III similarly outlined in manganese with similar sponged tress in bright green, and ‘blue dash’ chargers painted with portraits of Queen Anne seated with her generals. It is interesting to note that, in common with the William III chargers, both the present 107 charger and that in the Colonial Williamsburg Collection have tin- glaze washes to the back.

A ‘blue dash’ dish attributed to London painted in a very similar palette and style with a figure on horseback is illustrated by Leslie B 107 Grigsby, The Longridge Collection of English Slipware and Delftware (2000), Vol.2, p.64, no.D31 where it is suggested that this distinctive A NOTTINGHAM SALTGLAZE STONEWARE SMALL MUG OR group may have been produced by a single individualistic workshop in CAPUCHINE, CIRCA 1700 England for a short period during the first decade of the 18th century. Possibly by James Morley, the cylindrical form with a slightly tapered rim and plain strap handle, decorated with two finely turned bands of neat horizontal grooves, with a brown glaze, 6.8cm high, three pad 106 marks to the glazed base TWO LONDON STONEWARE MODELS OF THE PUG DOG ‘TRUMP’, DATED 1815 AND 1816 £600 - 800 by William Murray after the lost terracotta by Roubiliac, Hogarth’s €670 - 890 famous dog modelled recumbent upon an octagonal base, moulded US$790 - 1,000 and finished by hand with undercutting and incised decoration, 11.9 and 12cm wide, one signed ‘W Murray London Nov 9th 1815’, the other impressed ‘WILLIAM MURRAY 1816 LONDON’ (2) A similar small mug with a lustrous mottled brown glaze was excavated from the Carter Gate Pottery site in Nottingham and is illustrated in Nottingham Salt-Glazed Stoneware 1690-1800, £300 - 500 Nottingham City Museums and Galleries (2010), p.34, no.20. €330 - 560 Compare also to no.19. A related Nottingham jug dated 1708 is US$390 - 660 illustrated on p.33, no.17 which has three pad marks to the flat base. Mugs of similar form with finely turned bands have been excavated Louis-François Roubiliac (1705-1762) modelled the original terracotta at Fulham and it is known that John Dwight made similar examples. on which these models are based. Plaster moulds from Roubiliac’s James Morley was sued by Dwight in 1693 for infringing his patent, studio were purchased by Richard Parker who sold a cast of a see Gordon Elliot, John and David Elers and their Contemporaries pug dog to Wedgwood in 1774. The present lot closely follows a (1998), no.7B. As well as mugs, Morley also made small capuchines small version made in Chelsea porcelain, see John Mallet’s paper, to cater for the increasing fashion for coffee drinking in England Hogarth’s Pug in Porcelain, V&A Bulletin (1971), figs.9 and 10. See during the 17th century, as described in his advert of circa 1700, see also Lars Tharp, Hogarth’s China (1997), although William Murray’s Gordon Elliot (1998), nos.10 and 11B. version of Trump is not apparently recorded.

106

108 A STAFFORDSHIRE SOLID AGATE TEAPOT AND COVER, CIRCA 1750-60 Of compressed globular form, raised on three paw feet with lion mask terminals, the cover with a lion finial, the fine agate body marbled in tones of cream, blue and brown, with a lead glaze, 10.5cm high (2)

£1,500 - 2,000 €1,700 - 2,200 US$2,000 - 2,600

A teapot of identical shape from the Harriet Carlton Goldweitz Collection was sold by Sotheby’s on 20 January 2006, lot 82 and is illustrated by Henry Sandon, Coffee Pots and Teapots (1973), p.42. Compare also to the example from the Leo Kaplan Collection sold by Bonhams on 11 July 2018, lot 43. 108 109 A RARE STAFFORDSHIRE GLAZED REDWARE TEAPOT, COVER AND STAND, CIRCA 1740-50 Of compressed globular form, decorated with a broad cream-coloured band to the centre sgraffito-decorated with a wavy motif, the rim, tip of the spout and top of the handle edged in cream slip, the low domed cover similarly decorated and with a small acorn finial, the circular stand with three distinctive shaped feet and a cream slip line around the rim, with a lead glaze, 12.1cm high including stand (3)

£800 - 1,000 €890 - 1,100 US$1,000 - 1,300

A redware teapot of comparable form was sold by Bonhams on 2 May 2018, lot 209. For a group of similar teapots, see Rosalie Wise Sharp, China to Light Up a House, Vol.2 (2016), p.23. 109

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 110 A RARE STAFFORDSHIRE SALTGLAZE MODEL OF A HARE, CIRCA 1750-60 In brown and cream ‘solid agate’, modelled crouching with its ears behind its head, its fur modelled by hand, its eyes picked out in brown slip, raised on a rocky mound base applied with two large stylised florets, 7.4cm long

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

A very similarly modelled white saltglaze model of a hare from the Rous Lench Collection was sold by Sotheby’s on 1 July 1986, lot 126. A comparable solid agate model of a rabbit was sold at lot 128 in the same sale. Compare also to the white version sold by Sotheby’s on 5 June 1962, lot 40 and the example in the Metropolitan Museum of Art (accession no. 34.165.23). It is 111 interesting to note that a hare seemingly from the same mould appears in contemporary Liverpool porcelain as the finial on the cover of a Richard Chaffers tureen in the Victoria and Albert Museum (accession no. C.327&A-1940), illustrated by Maurice Hillis, Liverpool Porcelain (2011), p.210, fig.5.169.

111 A SLIPWARE DISH, 18TH CENTURY Midlands or Northern England, of circular form with a notched rim, with trailed decoration in cream over a dark brown slip coat, 26.7cm diam

£600 - 800 €670 - 890 US$790 - 1,000

112 A SLIPWARE DISH, 18TH CENTURY Of rounded rectangular form with a piecrust rim, the buff body decorated with a cream- coloured ground finely trailed and combed in brown slip, 41.4cm wide

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

112

113 114 A NORTH DEVON SLIPWARE HARVEST JUG, DATED 1850 A VERY RARE POLITICAL COMMEMORATIVE CREAMWARE Probably Bideford, of generous globular form with a pinched BEAKER, CIRCA 1765 cylindrical neck, the loop handle with a curled lower terminal, sgraffito Staffordshire or Yorkshire, of plain flared cylindrical form with decorated to the front with a stylised woolsack inscribed ‘Mr Everton/ rouletted borders around the rim and foot, painted on the front in Come fill me full/ with Liqour Sweet/ for that is good/ when Friends red and black with a half-length profile portrait of John Wilkes, a do meet/ But pray take care/ don’t let me fall/ Lest you Lost your/ banner inscribed ‘Wilkes & Liberty’ in black beneath issuing stylised Liqour Jug and all/ aug 8th 1850’, flanked on the right by a large bird foliate scrollwork, the reverse inscribed ‘No. 45’ within an open scroll perched on a flowering branch and on the left by a bird in flight above cartouche, a simple black border inside the rim, 7.9cm high a flowering tree, 24.5cm high £600 - 900 £1,000 - 1,500 €670 - 1,000 €1,100 - 1,700 US$790 - 1,200 US$1,300 - 2,000 John Wilkes (1727-1797) was a controversial MP and journalist A harvest jug dated 1835 inscribed with the same verse and who played a critical role in the development of radical politics. decorated with stylistically very similar birds and a similar zigzag The number ‘45’ refers to issue 45 of the ‘North Briton’, a satirical border to the neck is illustrated by David Barker and Steve pamphlet published by Wilkes, in which he mocked the King’s Crompton, Slipware in the Collection of the Potteries Museum speech at the opening of Parliament in April 1763. He was and Art Gallery (2007), pp.62-3, where it is attributed to Bideford. subsequently tried and convicted for seditious libel but freed under Another, also dated 1835, was sold by Christie’s on 19 June 2012, Parliamentary Privilege. His supporters used the phrase ‘Wilkes, lot 557. See also the example in the Metropolitan Museum of Art Liberty and Number 45’ to show their support for him. He gained (accession no. 13.27.2). something of a following in America, which was preparing for independence from Britain in the 1770s. Decoration in red and black in this style is traditionally attributed to the Robinson and Rhodes workshop in Leeds, but similar work was also done at Staffordshire.

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 114

115 * THREE STAFFORDSHIRE OR YORKSHIRE COW CREAMERS AND A COVER, CIRCA 1810-20 Comprising one with black and ochre sponged markings on a green- washed rectangular base, 12.8cm high, and two attended by a milkmaid, one with brown and ochre sponged markings on a shaped green glazed base, 13.8cm high, the other with black and ochre sponged markings with a matching cover, on a rectangular glazed base, 12.3cm high (4)

£500 - 800 €560 - 890 US$660 - 1,000

Provenance Captain C B Kidd Collection, Sotheby’s sale, 24-25 October 1966 115 and 1 January 1967

116 A SPODE ‘INDIAN SPORTING’ PART SERVICE, CIRCA 1810-20 Printed in blue, comprising a large platter with ‘Driving a Bear Out of Sugar Canes’, a vegetable dish and cover and a small platter with ‘Hunting a Buffalo’, a sauce tureen with ‘The Dead Hog’, seven dinner plates with ‘Death of the Bear’, four side plates with ‘Common Wolf Trap’, and two soup bowls with ‘Chase After a Wolf’, the large platter 42cm wide, impressed and printed marks in blue, some with printed titles (18)

£700 - 1,000 €780 - 1,100 US$920 - 1,300

The source of the scenes is Oriental Field Sports by Captain Thomas Williamson with drawings by Samuel Howitt, published in monthly issues by Edward Orme of Bond Street, London. Publishing commenced in June 1805 followed by the same forty scenes in smaller book form in 1807. Both sizes were reprinted in 1807. For further discussion see David Drakard and Paul Holdway, Spode Transfer Printed Ware (2002), p.235. 116

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 65 117 A WOOD FAMILY TOBY JUG OF ‘MOULD 51’ TYPE, CIRCA 1785-90 Of traditional form and crisply modelled, seated and holding a foaming jug in his left hand and a foaming glass in his raised right hand, a pipe leaning at his side, decorated in translucent glazes with a bright green waistcoat, olive green jacket and pale yellow breeches, 25.3cm high, impressed 51

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

Provenance British Private Collection

Another ‘Mould 51’ jug was sold by Bonhams on 12 November 2014, lot 64.

118 AN ENAMELLED CREAMWARE TOBY JUG AND COVER, CIRCA 1790 Attributed to Neale & Co, of traditional form, seated and holding a large foaming 117 mug in one hand and a pipe in the other, wearing a green coat, yellow breeches and a red waistcoat, the base marbled in bright colours, 24.5cm high (2)

£300 - 500 €330 - 560 US$390 - 660

Provenance British Private Collection

A marked Neale & Co Toby is illustrated by Diana Edwards, Neale Pottery and Porcelain (1987), p.171 and another was sold by Bonhams on 3 November 2016, lot 185.

119 A MEXBOROUGH WESLEYAN CHAPEL MONEY BOX, DATED 1842 118 The chapel inscribed ‘Ann Hamshaw 1842’ in black, flanked by two cherubs picked out in colours, the front, back and side elevations of the house all with modelled brickwork, the tiled roof in blue with yellow flashing, the base with a formal puce and green border, raised on puce bun feet, 16.9cm high

£500 - 800 €560 - 890 US$660 - 1,000

The local Wesleyan Chapel in Mexborough, which is still standing, has its doors at the front and it is thought this was used as the model for these Yorkshire money boxes. A similar money box dated 1847 from the Sampson and Horne Collection was sold by Bonhams on 28 April 2010, lot 673.

119

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 120 A WEDGWOOD BLACK BASALT BUST OF MERCURY, DATED 1878 Modelled quarter length gazing to sinister, wearing a winged helmet and supported on a circular socle, 47cm high, the bust impressed WEDGWOOD and MERCURY, the socle also impressed and with date letters for 1878

£500 - 800 €560 - 890 US$660 - 1,000

A similar bust from the Liane Richards Collection was sold by Bonhams on 13 April 2016, lot 71, having served as the emblem for her shop Mercury Antiques.

121 A PAIR OF BLACK BASALT COMMEMORATIVE COFFEE POTS AND COVERS OF WELLINGTON INTEREST, CIRCA 1815 120 Of shouldered neoclassical form with scroll handles, both moulded in relief to one side with a portrait bust, one titled ‘WELLINGTON’ and the other ‘BLUCHER’, the reverse with clasped hands holding the caduceus flanked by cornucopias of fruit, above a banner titled ‘LA BELLE ALIANCE [sic]’, alternating with small trophies suspended from ribbons, the bases and high domed covers with formal stiff-leaf borders, 24.8cm high (4)

£500 - 800 €560 - 890 US$660 - 1,000

La Belle Alliance is an inn situated a few miles south of Brussels, close to where Field Marshal Prince Blücher and the Duke of Wellington met after the Battle of 121 Waterloo to signify the end of the Napoleonic Wars. Blücher suggested that the battle be remembered as ‘La Belle Alliance’ to commemorate the European members of the Seventh Coalition but Wellington suggested it instead be named Waterloo after the village just north of the battlefield.

122 A PAIR OF WEDGWOOD BLUE JASPER VASES AND COVERS, 19TH CENTURY Of ovoid form with tall handles, the flat covers with vase-shaped finials, applied in white relief with classical medallions of winged female figures emblematic of the Four Seasons within stiff-leaf swags, formal borders to the feet and shoulders, 29cm high, impressed WEDGWOOD (4)

£500 - 800 €560 - 890 US$660 - 1,000

122

124 A WEDGWOOD BLUE JASPER ‘PEGASUS’ VASE AND COVER, FIRST HALF 19TH CENTURY The ovoid body with two handles modelled as two serpents issuing from Gorgon masks, the finial of the slightly domed cover modelled as Pegasus on a cloud, applied in white relief with the ‘Apotheosis of Virgil’ after John Flaxman, the reverse with a temple and palm tree, classical borders applied around the foot and shoulder, 46cm high, impressed WEDGWOOD (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

This vase is based on the original modelled after Flaxman’s bas- relief of 1785 and was produced as a companion to a the ‘Pegasus’ vase depicting the ‘Apotheosis of Homer’ completed in 1786. The 123 ‘Apotheosis of Virgil’ vase is listed in Wedgwood’s catalogue of 1787 and was probably in production by 1790. For a discussion of the iconography and history of the two vases see Aileen Dawson, Masterpieces of Wedgwood in the British Museum (1984), pp.102- 11.

123 125 A WEDGWOOD ANTI-SLAVERY MEDALLION, CIRCA 1790 A WEDGWOOD BLUE JASPER ‘PEGASUS’ VASE AND COVER, Of upright oval form and in white jasper, ornamented in black with DATED 1871 a figure kneeling in supplication, his ankles and wrists manacled, Of ovoid form with two handles modelled as two conjoined serpents inscribed ‘AM I NOT A MAN AND A BROTHER?’, in a gold mount, issuing from Gorgon masks, the finial of the domed cover modelled 3cm high excluding mount, unmarked as Pegasus on a cloud, applied in white relief with the ‘Apotheosis of Virgil’ after John Flaxman, the reverse with a temple and palm tree, £1,000 - 1,500 classical borders applied around the foot and shoulder, 48cm high, €1,100 - 1,700 impressed WEDGWOOD and date code STZ (2) US$1,300 - 2,000 £500 - 1,000 This medallion is one of Josiah Wedgwood’s most celebrated €560 - 1,100 productions and the modelling is traditionally attributed to William US$660 - 1,300 Hackwood. Similar examples were sold by Bonhams on 15 November 2017, lot 148 and on 2 November 2015, lot 81. See the footnote to lot 124 in this sale.

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 126

126 * 128 * A RARE SOUTH STAFFORDSHIRE ENAMEL BONBONNIÈRE, A FRENCH ENAMEL CENTREPIECE, LATE 19TH CENTURY CIRCA 1770 In South Staffordshire style, of shaped oval form raised on a tall Modelled as the head of a monkey, its mouth open to reveal stem and domed foot, painted to the centre with two seated lady clenched teeth, its face and fur carefully painted in tones of brown, musicians and a gentleman in a formal lakeside garden, the border apricot and pink, with a hinged green hardstone cover, 7cm long alternating with floral and diaper panels, smaller landscape vignettes with figures also alternating with floral and diaper panels to the £500 - 700 exterior, the stem and foot similarly decorated with sprays of flowers, €560 - 780 all within raised gold scrolled borders, the deep blue ground with US$660 - 920 scattered sprigs in gold and stylised motifs in white, 27cm wide, 15.8cm high 127 * £500 - 700 A FRENCH ENAMEL ETUI, LATE 19TH CENTURY €560 - 780 In South Staffordshire style, of tapering form with tooled metal US$660 - 920 mounts, the complete contents including scissors, nail file, needle case, bodkin, button hook, and toothpick, painted with sprays of flowers reserved on a turquoise ground with raised white scrollwork, 9.7cm high

£400 - 500 €450 - 560 US$520 - 660

127 128

129 * A ST JAMES’S (CHARLES GOUYN) SEAL, CIRCA 1755 Provenance Modelled as Harlequin wearing a black mask and brightly coloured With Stafford’s, London (old paper label to base) suit, standing in a theatrical pose, his right arm raised to his hat, a slapstick under his left, the base inscribed ‘TOUJOURS GAY’ in red, An uncoloured example is illustrated by Paul Crane, Nature, Porcelain with a gold suspension loop, the gold mount containing a carnelian and the Age of Enlightenment, in Art Antiques London (2015), where intaglio of a female portrait bust, 3cm high including loop the similarity between the recumbent goats on the base of the jug and base of the silver Ashburnham centrepiece made by Nicholas Sprimont is noted. Another possible source for the design has been £500 - 700 suggested by Zorka Hodgson, Sources of inspiration for the Goat €560 - 780 and Bee jug and other Chelsea creations, ECC Trans, Vol.14, Pt.1 US$660 - 920 (1990), p.40, figs.21 and 22 where a woodblock print by Domenico Campagnola (1500-1564) is suggested. Coloured ‘Goat and Bee’ A similar seal from the Lady Charlotte Schreiber Collection is in the jugs are much rarer than white versions. For other examples see Victoria and Albert Museum (accession no. 414:318-1885). See G E Margaret Legge, Flowers and Fables (1984), p.25, fig.3, John C Bryant, The Chelsea Porcelain Toys (1925), p.54, pl.6(4) for a Chelsea Austin, Chelsea Porcelain at Williamsburg (1977), p.24, fig.6, and scent bottle upon which this seal is based. A Harlequin seal with the the F S Mackenna Collection of English Porcelain, Pt.1 (1972), p.60, same motto but standing in a slightly different pose is illustrated by fig.19. A coloured example was sold by Bonhams on 21 May 2014, Bryant at pl.62(20). lot 49 and another on 5 June 2019, lot 130.

130 131 * A GOOD CHELSEA ‘GOAT AND BEE’ JUG, CIRCA 1745-47 A RARE CHELSEA SAUCER, CIRCA 1750-52 Of pear shape supported by two goats recumbent nose to tail, The fluted form painted in the famille rose palette with a branch the handle modelled as an oak branch with leaves applied at both issuing prunus and peony flowers, a colourful butterfly in flight above, terminals, applied in high relief beneath the lip with a finely modelled 12cm diam, inventory numbers in red and naturalistically coloured bee, set on a delicately coloured flowering branch in lower relief, brown line rim, 11.2cm high, incised triangle mark £700 - 900 €780 - 1,000 US$920 - 1,200 £3,000 - 5,000 €3,300 - 5,600 Exhibited at the Parasols and Pagodas exhibition, Geelong Art US$3,900 - 6,600 Gallery, Australia, 1997.

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 131 132

132 * A RARE CHELSEA TEABOWL, CIRCA 1750-52 Of fluted form, delicately painted in the famille rose palette with trailing oriental flowering plants and grasses, the reverse with a flowering branch, the interior with a single flower, 4.9cm high, inventory numbers in red

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Nicholas Sprimont chose not to compete with contemporary Chinese famille rose porcelain, preferring to leave this cheaper end of the market to his rivals at Bow. Chinese decoration on Chelsea is therefore surprisingly rare and mostly copied Yongzheng ‘private trade’ wares from the 1730s. When it does occur, it is of the highest quality. Two raised anchor beakers with very similar decoration are illustrated by F Severne Mackenna, Chelsea Porcelain: The Triangle and Raised Anchor Wares (1948), pl.18, no.41.

133 * A VERY RARE CHELSEA ACANTHUS OR ‘STRAWBERRY LEAF’ MILK JUG, CIRCA 1745-49 Of rare large size, the baluster form crisply moulded with overlapping acanthus leaves, their irregular edges forming the rim and the spout, the handle evoking bamboo, raised on six short stalk feet, 13.2cm high, incised triangle mark

£3,000 - 5,000 €3,300 - 5,600 US$3,900 - 6,600

A selection of acanthus-moulded pieces is illustrated by John C Austin, Chelsea Porcelain at Williamsburg (1977), pp.40-7, nos.21- 133 6, including jugs in two sizes. The present jug is the larger and rarer size, with the smaller examples measuring around 9cm in height. A very similar jug bearing a crown and trident mark, but of small size, was sold by Bonhams on 10 June 2003, lot 140. Another jug of small size was in the Rous Lench Collection, sold by Christie’s on 30 May 1990, lot 314.

134

134 A VERY RARE CHELSEA SUCRIER AND COVER, CIRCA 1750-52 The body delicately modelled to follow the outline of a peach, a stalk handle running down one side, another stalk running across the cover applied with a single leaf to serve as a finial, painted in kakiemon style on one side with the ‘Rat and Vine’ pattern, the reverse with a ‘Flying Fox’, the interior with scattered sprigs, 10.4cm high (2)

£3,500 - 4,500 €3,900 - 5,000 US$4,600 - 5,900

The decoration combines two popular Kakiemon motifs in a way rarely found on Japanese porcelains, suggesting that the inspiration may have been Meissen or Chantilly. The shape is very rare with no other similar form being recorded in the literature, but a matching cream jug is illustrated by William King, Chelsea Porcelain (1922), pl.20, fig.1.

135 * A LIMEHOUSE PICKLE DISH, CIRCA 1746-48 Moulded in the shape of a pointed leaf, painted in blue with a vase of foliage before a scroll, a flock of birds behind, surrounded by Chinese feather and ribbon motifs, 7.2cm long

£1,500 - 2,000 €1,700 - 2,200 US$2,000 - 2,600

A similar example from the Susi and Ian Sutherland Collection was 135 (actual size) sold by Bonhams on 3 October 2007, lot 111 and another from the Barbara Leake Collection on 12 March 2008, lot 96. See also the example sold by Bonhams on 7 June 2006, lot 134. Two others were in the Watney Collection sold by Phillips on 1 November 2000, lots 895 and 896.

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 136 * A GOOD CHELSEA DEEP SAUCER, CIRCA 1750-52 Of lobed form, painted in Vincennes style to the centre with three flower sprigs including a thorny rose, surrounded by scattered beetles, all with shadows, brown line rim, 11.3cm diam, raised anchor mark

£500 - 700 €560 - 780 US$660 - 920

137 * A PAIR OF CHELSEA VASES, CIRCA 1765 Of ovoid form with pierced necks and scrolled feet, painted on both sides with ‘fancy’ birds standing proudly in the centre resplendent in bright colours, flanked by smaller birds perched on fruiting branches, sprays of white jasmine flowers applied to the sides, the necks and feet picked out in gold, 19.6cm and 20cm high, gold anchor marks (2) 136 £600 - 800 €670 - 890 US$790 - 1,000

In the 1770 catalogue of Sprimont’s last sale were listed ‘...two beautiful heart-shap’d vases, ornamented with jessamine flowers, and finely enamelled in birds.’ A pair of vases of the same shape but differently decorated was sold by Bonhams on 12 November 2014, lot 87.

138 * A CHELSEA DISH, CIRCA 1756-58 Of leaf shape with a naturalistically modelled green stalk handle, moulded veins picked out in puce and a green shaded rim, the centre painted with a scattered sprig and spray of flowers, 20.5cm wide, red anchor mark

£400 - 600 €450 - 670 US$520 - 790

139 * A CHELSEA TEABOWL AND SAUCER, FINGER BOWL AND SOUP PLATE, CIRCA 1752-56 Painted in Meissen style with scattered sprigs and sprays of flowers within brown line rims, comprising a teabowl and saucer of octagonal shape, the saucer with an insect in flight amongst the blooms, saucer 137 11.3cm wide, a plate of ‘Warren Hastings’ shape with a moulded border and shaped rim, 23.8cm diam, and a finger bowl of plain bellied form, 7.5cm high, red anchor marks (4)

£600 - 800 €670 - 890 US$790 - 1,000

139 138

140 141 * A PAIR OF CHELSEA FIGURES OF A CHELSEA CANDLESTICK, CIRCA ‘IMPERIAL SHEPHERDS’, CIRCA 1765 1765-69 Wearing brightly coloured costume picked out On a high scrolled base picked out in in gold, he with his right hand outstretched, gold and applied with leaves and flowers, his loyal dog seated at his feet, she carrying modelled as a dog wearing a red collar, a basket of flowers in the folds of her apron, its head turned to one side, its coat with a sheep standing at her side, both standing markings picked out in shades of brown, before flowering bocage, raised on scrolled standing over two dead game birds, highly bases applied with flowers and heightened in coloured and set before elaborate bocage gilding, gold anchor marks (2) surmounted by a candle nozzle, 28.2cm high, gold anchor mark £3,000 - 4,000 €3,300 - 4,500 £500 - 800 US$3,900 - 5,200 €560 - 890 US$660 - 1,000 The name given to these splendid models does indeed reflect their grandeur. They were made in two sizes and a pair is illustrated by Peter Bradshaw, 18th Century English Porcelain Figures (1981), p.121, pl.49. See also the Cheyne Book of Chelsea, pl.17, no.247. A larger pair from the Barbara Leake Collection was sold by Bonhams on 12 March 2008, lot 10 and again on 5 June 2019, lot 148 and is illustrated by John Sandon, British Porcelain (2009), front cover. 141

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 142 143 144

142 * 143 144 A CHELSEA FIGURE EMBLEMATIC OF A CHELSEA FIGURE EMBLEMATIC OF A CHELSEA FIGURE OF FLORA, AUTUMN, CIRCA 1760-65 AIR, CIRCA 1760 CIRCA 1765 From a set of the Classical Seasons, From a set of the Four Elements, modelled Modelled standing wearing a yellow modelled as a Bacchic man leaning on a tree as a woman wearing a purple ermine-lined headdress, purple and yellow cloak, and stump, bedecked in fruiting vine, his head dress with a turquoise-green skirt, her left floral robes, her right hand raised to her nose, tilted back towards two bunches of grapes arm raised above her head holding the edge her left hand resting on covered urn on a raised in his left hand, a faun seated on a of her red ermine-lined shawl blowing in plinth beside her, the plinth and angular base barrel beside him drinking from a goblet, the the wind, an eagle standing at her feet, on painted to simulate marble and applied with scrolled base picked out in gold, 26.8cm a shaped mound base, 21.5cm high, gold flowering vine, 24.5cm high, gold anchor mark high, gold anchor mark anchor mark £500 - 800 £500 - 800 £600 - 800 €560 - 890 €560 - 890 €670 - 890 US$660 - 1,000 US$660 - 1,000 US$790 - 1,000 This is after the original Meissen figure of For a Derby version of this set see Peter For a complete set of the Four Elements by Smell from the Five Senses modelled by Bradshaw, Derby Porcelain Figures (1990), Chelsea see Peter Bradshaw, 18th Century J F Eberlein in 1748. A similar figure was pp.74-5, fig.63. English Porcelain Figures (1981), p.119, pl.46 exhibited by Albert Amor in 2018 and and see col. pl.E for Bow versions of Earth is illustrated in the catalogue, Chelsea and Water. A similar figure of Air was sold by Porcelain, no.5. A Bow version is illustrated Bonhams on 9 September 2009, lot 47. by Peter Bradshaw, Bow Porcelain Figures (1992), p.119, pl.81 and discussed at p.103.

145 * 146 A CHELSEA FIGURE OF A SHEPHERD, CIRCA 1765 A PAIR OF BOW SWEETMEAT FIGURES, CIRCA 1768-70 Modelled as a gentleman standing beside a flowering tree stump, Modelled as a Turk and Levantine Lady seated on tree stumps, holding wearing a tricorn hat, pink coat and scale patterned breeches, scallop shells painted with flowers supported on branches encrusted holding a basket of flowers in his hands, the scrolled based picked with shells, she wearing a sprigged dress, puce coat and distinctive out in gold, 19.1cm high, gold anchor mark blue headdress, he with a puce coat and floral trousers, his turban with a blue feather plume, the scrolled bases with pierced scroll feet picked £400 - 500 out in colours and gilding, 21.3cm and 22.3cm high (2) €450 - 560 US$520 - 660 £800 - 1,200 €890 - 1,300 US$1,000 - 1,600

Two similar examples are illustrated by Peter Bradshaw, Bow Porcelain Figures (1992), p.135, pls.119 and 120. For a pair of Chelsea models that may have been the source for the Bow versions, see F Severne Mackenna, Chelsea Porcelain: The Red Anchor Wares (1951), pl.50, no.99. A very similar pair of sweetmeat figures on high scroll bases from the Doris Duke Collection was sold by Christie’s in New York, 3-5 June 2004, lot 368.

147 A VERY RARE BOW CREAM JUG, CIRCA 1753 Of squat bellied form with a sparrow beak spout and loop handle to one side, painted in the famille rose palette with a peony and trailing chrysanthemum, a green diaper and half-flower border below the rim, 5.4cm high

£1,200 - 1,800 €1,300 - 2,000 US$1,600 - 2,400

No other similarly shaped cream jug appears to be recorded in the literature. For two sauceboats with very similar decoration and diaper 147 borders see Anton Gabszewicz, Made at New Canton (2000), p.55, nos.40 and 41.

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 148 A VERY RARE BOW TRIPLE SHELL PICKLE STAND, CIRCA 1750 Modelled as three deep scallop shells resting on a pierced rocky base applied with smaller shells, coral and seaweed, a large whelk forming the central handle, the interiors painted in bright blue with a willow tree and rockwork, with a formal border to the rims, 16cm wide

£1,200 - 1,500 €1,300 - 1,700 US$1,600 - 2,000

Salts formed from one shell of comparable from and with similar decoration from the collections of Billie Pain and the Susi and Ian Sutherland were sold by Bonhams on 26 November 2003, lot 60 and 148 3 October 2007, lot 15. However, this appears to be the only early known example of a triple shell pickle stand with this decoration.

149 A RARE BOW CHAMBER CANDLESTICK, CIRCA 1765 The fluted flower-shaped nozzle raised from the centre of a saucer- like dish moulded with rococo ornament, the twig handle issuing finely modelled florets and leaves, painted in blue trailing floral sprays and sprigs, 13.2cm diam

£600 - 800 €670 - 890 US$790 - 1,000

Provenance Eric Manson Collection, Simon Spero exhibition, 2012, no.26

Candlesticks were regarded as luxury items and surviving examples are rare, presumably because they were easily broken. Examples of closely related shape were also made at Worcester and Derby. For another chamberstick of very similar form but with slightly different decoration see the example from the Pinewood Collection sold by 149 Phillips on 31 October 2001, lot 12.

150 * A RARE BOW DECAGONAL TEACUP AND SAUCER, CIRCA 1756-58 Painted in Kakiemon style with the ‘Lady in a Pavilion’ pattern, the elegant lady seated in a formal garden with birds in flight, beneath stylised tassels and drapery, brown line rims, saucer 13.8cm wide, inventory numbers in red (2)

£500 - 700 €560 - 780 US$660 - 920

This pattern originated in 17th century Japanese porcelain wares and was copied by Chantilly, Meissen and other European factories. In England it was copied at Chelsea and, at a slightly later date, at Bow. A similar Bow saucer is illustrated by JVG Mallet, A Chelsea Talk, ECC Trans., Vol.6, Pt.1 (1965), pl.26(b). A ‘Japan Octagon cup and saucer lady pattern’ was loaned to Bow by Lady Cavendish in 1756, presumably for the purpose of copying. A similar teabowl and saucer is in the National Gallery of Victoria, illustrated in A Treasury of Bow, Ceramics and Glass Circle of Australia (2000), p.38, no.69. See also the Porcelain for Palaces exhibition catalogue (1990), p.279, no.327. 150

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 77 151 * A VERY RARE BOW MODEL OF A RED SQUIRREL, CIRCA 1760-65 Naturalistically modelled, the near life-sized animal seated on its exhibition, no.16. This in turn seems to be based on a white Chelsea haunches gnawing at a nut clasped in its front paws, an impressive model produced during the Triangle Period. An example from circa tail arched along its back, its fur simulated with fine brushstrokes of 1746 is in the British Museum (accession no. 1887,0307,II.7), enamel in tones of brown and red, the scrolled base applied with illustrated by Elizabeth Adams, Chelsea Porcelain (2001), p.35, flowers and leaves, raised on four scroll feet picked out in puce and fig.3.20, who suggests that it probably derives from a Meissen pale green, 21.3cm high original. Another was sold by Sotheby’s on 9 April 1999, lot 289.

£7,000 - 10,000 The modelling of the present lot is somewhat fuller than the Chelsea €7,800 - 11,000 examples, with more detail rendered in the paws and tail together US$9,200 - 13,000 with the addition of a scroll base. A model more closely resembling the Bow version, with a similarly bushy tail and upright ears, was produced in creamware, see the example in the British Museum A very similar pair of Bow squirrels is illustrated by Frank Stoner, (accession. no. 1887,0307,H.42). Miniature versions of this model Chelsea, Bow and Derby Porcelain Figures (1955), pl.110, in which were also produced at Bow, see for example that from the Billie Pain the only discernible difference is the lack of applied flowers to the Collection sold by Bonhams on 26 November 2003, lot 38. bases. An earlier version of this model was also made at Bow, circa 1752-54, see the example exhibited by Simon Spero, 2012

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 152 154

152 154 * TWO BOW FIGURES, CIRCA 1770-75 A BOW FIGURE OF A BAGPIPER, CIRCA 1770-75 One modelled as Minerva wearing a plumed helmet, cuirass and Seated on a stump flanked by flowering bocage, wearing a puce hat, patterned skirts, a puce ground drape painted with floral panels with blue coat and floral trousers with high gaiters, playing the bagpipes, a striped lining around her waist and shoulders, her left hand resting on a high scrolled base picked out in puce, turquoise and gold, 22cm on a shield mounted with a mask, an owl at her feet, on a high scroll high, A mark in underglaze blue, anchor and dagger mark in red base applied with flowers, 33cm high, anchor and dagger mark in red, the other modelled as a lady wearing a blue hat, green bodice £600 - 800 and floral skirt, holding a sheaf of wheat and flowers in her apron, a €670 - 890 large urn beside her, the high scroll base applied with flowers and US$790 - 1,000 picked out in turquoise and gold, 28.8cm high, A mark in underglaze blue, anchor and dagger mark in red (2)

£700 - 1,000 €780 - 1,100 US$920 - 1,300

153 A LARGE BOW FIGURE OF FLORA, CIRCA 1760 The goddess standing beside a flowering stump, wearing a floral robe held up with her right hand to reveal her bare feet, a pink and yellow cloak hanging from her left shoulder, holding a wreath of flowers in her left hand, raised on a square base painted to simulate marble, 44cm high

£600 - 800 €670 - 890 US$790 - 1,000

This figure is based on the Roman marble original in the Farnese Palace. A similar figure is illustrated by Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain (1982), p.138, no.226. A version left in the white is in the Colonial Williamsburg Collection (accession no. 1960-348).

153

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 79 155 A RARE VAUXHALL GROUP OF HERCULES AND THE NEMEAN LION, CIRCA 1756-58 Hercules with his right foot resting on the back of the animal, its tail curled around his knee, his hands forcing open the mouth of the beast, his costume picked out in puce and pale yellow and painted with floral sprigs, on a shaped scrolled base, 14.9cm high

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,300

The origin of this group appears to be a bronze by Giambologna, without the usual intermediate Meissen source. The figure has been variously identified as Samson, David, and Hercules. A very similar group from the Barbara Leake Collection was sold by Bonhams on 12 March 2008, lot 78. Two further examples are in the Victoria and Albert Museum (accession nos. C.1334- 1924 and C.1335-1924). See also those in the British Museum (accession no. 1887,0307,IV.6) and the Museum of Fine Arts, Boston (accession no. 1988.927). An example with a separate rectangular plinth from the E A Rees Collection is illustrated by Bernard Watney, Longton Hall Porcelain 155 (1957), pl.59A. Another with a plinth from The Rous Lench Collection was sold by Sotheby’s on 1 July 1986, lot 300.

156 A RARE VAUXHALL VASE AND COVER, CIRCA 1755-57 Of inverted baluster form with a deeply turned foot, painted in blue with sprays and sprigs of European flowers, with two insects in flight and a ladybird, the domed cover similarly decorated with flowers, one insect in flight and a ladybird, 20.8cm high (2)

£1,500 - 2,000 €1,700 - 2,200 US$2,000 - 2,600

Underglaze blue decoration in Meissen style is extremely rare in early English porcelain. A Vauxhall vase of slightly more slender form with closely related decoration is illustrated in Ceramics of Vauxhall (ECC 2007), p.62, no.73 and by Bernard Watney, The Vauxhall China Works 1751-1764, ECC Trans., Vol.13, Pt.3 (1989), pl.209(b). See also the example from the Garrick Bond Collection sold by Bonhams on 17 May 2017, lot 199.

156

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 157 A RARE LONGTON HALL TEAPOT AND COVER, CIRCA 1756-58 Of barrel shape with a distinctive scroll handle with spur thumbrest, the lower section of the curved spout moulded with scrolls, the cover with an acorn finial, painted in blue with the ‘Ruined Castle’ pattern of a Chinese landscape with an oriental fisherman in a sampan, an oriental hut and two crenulated towers in the distance, the cover with a smaller landscape vignette, 10.2cm high (2)

£600 - 800 €670 - 890 US$790 - 1,000 157

For the so-called ‘Ruined Castle’ pattern, see Bernard Watney, Excavations at the Longton Hall Porcelain Manufactory, Post Mediaeval Archaeology, Vol.27 (1993), pl.3 where a teabowl and saucer of the pattern is illustrated alongside glazed fragments found on the factory site.

158 * A LONGTON HALL SAUCEBOAT, CIRCA 1755 With a scrolling rim and handle, the exterior moulded all over with scrollwork, painted with scattered sprigs and sprays of flowers in ‘Trembly Rose’ style, a further floral spray to the interior, with a brown line rim, 16.6cm long

£500 - 700 €560 - 780 US$660 - 920 158 This distinctive form of Longton Hall sauceboat is normally embossed with a diaper pattern. The plain panels seen here are unusual.

159 A LARGE BRISTOL PORCELAIN MASK JUG, CIRCA 1775 Of baluster form with a grooved strap handle, the spout crisply moulded as the face of a bearded man, brightly painted floral festoons covering the body and delicately looped over a gilt band on the shoulder of the jug, surrounded by scattered floral sprays and sprigs, 23.5cm high, faint blue cross mark and numeral 6

£500 - 700 €560 - 780 US$660 - 920

Provenance Dr and Mrs Eric H Baret Collection

The Barets were collectors of mainly French 18th century porcelain, with many pieces gifted to the Birmingham Museum of Art, Alabama, in 2005. 159

160 161 162 A PLYMOUTH WHITE FIGURE A PLYMOUTH FIGURE EMBLEMATIC OF A PLYMOUTH WHITE FIGURE EMBLEMATIC OF AMERICA, CIRCA EUROPE, CIRCA 1768-70 EMBLEMATIC OF ASIA, CIRCA 1768-70 1768-70 From a set of the Four Continents, modelled From a set of the Four Continents, modelled From a set of the Four Continents, modelled as a classical lady standing wearing a floral as a classical lady standing beside a tree as a classical lady wearing a feather robe and green sash, a laurel chaplet and trunk, holding a covered urn in her hands, headdress and drapery over a feather girdle, coronet in her hair, holding a painter’s palette a Sultan’s turban at her feet and a camel her right hand reaching for a quiver of arrows in her left hand and a book in her right, seated behind her, on a scroll base, 32cm over her shoulder, her left hand resting on armour, a cannon and a horse at her feet, high tree stump hung with skins, a prairie dog raised on an irregular scrolled base, 32.4cm at her feet, raised on a rocky scroll base, high £800 - 1,200 33.9cm high €890 - 1,300 £500 - 800 US$1,000 - 1,600 £800 - 1,200 €560 - 890 €890 - 1,300 US$660 - 1,000 Three varying examples of this model US$1,000 - 1,600 from the Stephen Simpson Collection are Four varying examples of this model illustrated together by F Severne Mackenna, The set of the Four Continents, first from the Stephen Simpson Collection are Cookworthy’s Plymouth and Bristol Porcelain produced at Vauxhall, is thought to have illustrated together by F Severne Mackenna, (1946), pl.52, fig.92. A coloured version was been brought to Plymouth by the former Cookworthy’s Plymouth and Bristol Porcelain sold by Bonhams on 1 May 2013, lot 105, Vauxhall mould-maker named Hammersley. (1946), pl.52, fig.91. A Bristol version of this alongside a Bristol version of the same figure This figure is inspired by the Roman statue of figure was sold by Phillips on 12 September at lot 104. See the footnote to lot 160 in this The Diana of Versailles or Artemis, Goddess 2001, lot 190. See the footnote to lot 160 in sale. of the Hunt, now in the Louvre, which is this sale. based on a lost Greek bronze. Two coloured versions of this figure are in the Victoria and Albert Museum (accession nos. C.556-1920 and 414:684-1885).

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 163 164 165

163 164 165 A RARE PLYMOUTH WHITE MODEL OF A BRISTOL FIGURE EMBLEMATIC OF A CHAMPION’S BRISTOL WHITE FIGURE A PHEASANT, CIRCA 1768-70 WATER, CIRCA 1775 EMBLEMATIC OF AUTUMN, CIRCA 1773 The crested bird with a long tail, its head From a set of the Elements, the female figure From a set of the Classical Seasons, turned slightly to its right, perched on a wearing classical drapery painted with floral modelled as a young woman wearing a tree stump applied with leaves and flowers, sprigs, with a wreath in her hair, holding a chiton, her hair carefully dressed, a reaping 20.5cm high net filled with fish in her right hand, her left hook in her right hand, a pierced basket resting on an urn gushing water, three further overflowing with grapes at her feet, on a £1,200 - 1,800 fish at her feet, raised on a shell-moulded circular mound base, 24.7cm high €1,300 - 2,000 mound base, 25.4cm high, impressed mark US$1,600 - 2,400 ‘To’ £500 - 800 €560 - 890 A very similar pair of white pheasants is in the £1,000 - 1,500 US$660 - 1,000 British Museum (accession nos. 1945,1003.1 €1,100 - 1,700 and 1945,1003.2), exhibited in the Bristol US$1,300 - 2,000 The Classical Seasons were commissioned Porcelain Bicentenary Exhibition 1770-1970, by Richard Champion in 1772 from a no.16. Another is in the Colonial Williamsburg A similar figure is illustrated by F Severne modeller at the Derby factory, probably Pierre Collection (accession no. 1955-234,1). See Mackenna, Champion’s Bristol Porcelain Stephan. A pair of white figures of Summer also that illustrated by F Severne Mackenna, (1947), fig.103. The impressed mark ‘To’ and Autumn from this set from the Peter Cookworthy’s Plymouth and Bristol Porcelain is the personal mark of John Toulouse Bradshaw Collection was sold by Bonhams (1946), pl.1 and that from the A S R Hughes and suggests a link with Bow, Worcester, on 24 January 2007, lot 60 and is illustrated Collection sold by Bonhams on 8 September Caughley and Chamberlain figures. A figure by Peter Bradshaw, 18th Century English 2010, lot 113. For a coloured pair see Anne emblematic of Air from this series from Porcelain Figures (1981), p.250, pl.150. A McNair, The Lady Ludlow Collection of the Liane Richards Collection was sold by coloured full set from the Trapnell Collection English Porcelain (2007), p.186, no.169. Bonhams on 13 April 2016, lot 195. is illustrated in the Albert Amor exhibition catalogue (1912), pl.15, nos.166-9. Another is illustrated by F Severne Mackenna, Champion’s Bristol Porcelain (1947), pl.98.

166 * A RARE WORCESTER TOY OR MINIATURE COFFEE POT AND COVER, CIRCA 1765 Of distinctive conical shape with a thin loop handle and slightly domed cover with a pointed finial, painted in blue with the ‘Prunus Root’ pattern (I.D.27), the trailing branches carefully positioned to extend from the rim onto the cover, 8cm high, crescent mark (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Worcester’s miniature teawares in ‘Prunus Root’ pattern were aimed at the Dutch market where ‘toys’ enjoyed enormous popularity. The shapes were intended to appeal to Dutch customers and many of Worcester’s shapes were only made in miniature rather than full sized versions. A very similar example was sold by Bonhams on 2 November 2011, lot 83. The miniature conical coffee pot was also made with a flat cover as opposed to the domed version seen here, an example of which was in the Zorensky Collection, illustrated by Spero and Sandon, Worcester Porcelain (1996), p.446, no.602.

166 (actual size)

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 168

167 * 168 A VERY RARE WORCESTER BOWL, CIRCA 1755-56 A VERY RARE WORCESTER VASE, CIRCA 1757-58 Of small size, painted in blue with a stylised European landscape Of generous baluster form with a waisted neck and simple turned featuring a windmill raised on a platform, a stream alongside, flanked line around the rim and the foot, pencilled in black with the ‘Mobbing by a simple thatched cottage and a tree with ‘sponged’ foliage, Birds’ pattern, four birds perched on the slender branches of a tree the reverse with a figure in a punt-like boat before distant mountain and dilapidated stump, three birds in flight to the reverse and another peaks, 12.5cm diam, two lines incised inside the footrim smaller to the rim, 15.6cm high

£1,500 - 2,000 £1,000 - 1,500 €1,700 - 2,200 €1,100 - 1,700 US$2,000 - 2,600 US$1,300 - 2,000

This decoration is extremely rare on Worcester. One other small Provenance Worcester bowl with related decoration featuring a windmill as the Private Collection, Dorset primary subject was in the Beechwood Collection exhibited by Simon Spero, 2016 exhibition, no.37. The treatment of the underglaze Many variations of the ‘Mobbing Birds’ pattern occur on Worcester painting is similar to the celebrated ‘Burrell Bowl’ sold by Bonhams vases and jugs in both polychrome and underglaze blue but pencilled as part of the Zorka Hodgson Collection on 10 September 2008, lot examples are extremely rare. A very similar vase from the Miles 60, which is the only other piece of Worcester blue and white from Collection was exhibited by Simon Spero, 2015 exhibition, no.58, this period recorded with a European landscape. All three bowls who states that only two such pieces with pencilled ‘Mobbing Birds’ feature sketchily painted decoration reminiscent of delftware, with decoration are recorded. The shape and design of this vase ultimately excessive use of shading and trees with distinctive foliage. The originated at Meissen although Worcester almost certainly copied it appearance is similar to some blue and white porcelain of similar date from Chelsea. The pattern has often been attributed to the hand of I produced at Vauxhall and some Liverpool factories and it is possible Rogers but it is clear that many different painters were responsible. The that such pieces were painted by itinerant delftware painters. design is based on prints after drawings by C Fenn, some engraved by Robert Hancock, which were published in The Ladies’ Amusement and elsewhere. A baluster vase with similar decoration in polychrome from the Zorensky Collection was sold by Bonhams on 23 February 2005, lot 28 and is illustrated by Spero and Sandon, Worcester Porcelain (1996), p.113, no.76. Another two from the Sir Jeremy Lever Collection were sold by Bonhams on 7 March 2007 and 23 January 2008, lots 41 and 28 respectively. Compare also to the example from the Crane Collection sold by Bonhams on 31 March 2010, lot 167.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 85 169 * AN EARLY WORCESTER SAUCEBOAT, CIRCA 1753 Of low-footed form, the scrolled handle with a leaf-moulded thumbrest, crisply moulded with two scrollwork cartouches enclosing similar scenes of a Chinese figure holding a fan, the underside of the lip painted with a small sprig, leafy flower sprays to the interior and inner rim, a Precious Object flanked by two insects to the pouring lip, 16.1cm long, workman’s mark in red

169 £600 - 800 €670 - 890 US$790 - 1,000

This shape was derived from Lund’s Bristol, see Nicholas Panes, British Porcelain Sauceboats of the 18th Century (2009), p.121, fig.186. A very similar low footed sauceboat enamelled with identical scenes of Chinese figures is illustrated by H Rissik Marshall, Coloured Worcester porcelain (1977), p.115, pl.1, no.1. Compare also to the example sold by Bonhams on 17 May 2017, lot 312.

170 TWO WORCESTER HEXAGONAL CREAMBOATS, CIRCA 1762-65 Of spreading shape with undulating rims and a geranium leaf moulded below the lips, the double C-scroll handles with curled 170 thumbrests, reserved with moulded rococo panels, one left in the white, 10.6cm long, the other painted all over with sprays and sprigs of coloured flowers and leaves, 10.5cm long (2)

£700 - 900 €780 - 1,000 US$920 - 1,200

A hexagonal creamboat similarly decorated with flowers from the Billie Pain Collection was sold by Bonhams on 26 November 2003, lot 144.

171 TWO WORCESTER CREAMBOATS, CIRCA 1768-72 Of traditional dolphin ewer form, rococo shell-moulded with pedestal feet and lamprey handles, a pair of entwined moulded dolphins below the spouts, one left in the white, 8.1cm high, the other painted 171 in blue with floral sprigs and an insect, a ‘crowsfoot’ border inside the rim and a line around the footrim, 8cm high, ‘W’ mark in blue (2)

£700 - 900 €780 - 1,000 US$920 - 1,200

172 A WORCESTER FIG LEAF DISH, CIRCA 1756-58 Moulded as a single large leaf with delicate veining, finely painted with three colourful sprays of flowers and floral sprigs to the rim, with further scattered sprigs to the centre, 18.6cm long

£400 - 500 €450 - 560 US$520 - 660

According to Worcester’s London price list, circa 1755-56, fig leaves were made in two sizes. This larger version occurs in blue and white in Chinese style or in Meissen taste when enamelled and all examples are usually finely executed. The crisp veining suggests that the mould was produced by taking a cast from an actual leaf. A similar dish from the Zorensky Collection was sold by Bonhams on 22 February 2006, lot 29 and is illustrated by Spero and Sandon, Worcester Porcelain (1996), p.118, no.85. 172

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 173 (part) 173 (part)

173 * A WORCESTER SHELL PICKLE STAND AND A CHESTNUT BASKET, COVER AND STAND, CIRCA 1765-70 The pickle stand modelled as three deep shell dishes set on a triangular pierced rockwork base applied with small shells and coral, a large whelk handle to the centre, painted in blue with the ‘Sweetmeat Stand Rose’ pattern (I.E.31), 19.9cm wide, the chestnut basket of quatrelobed oval form applied with florets picked out in blue, the cover delicately pierced, the twig handles with flowers and leaves at the terminals, printed in blue with the ‘Pine Cone Group’ pattern (II.C.11), stand 27cm wide, crescent marks (4)

£600 - 800 €670 - 890 US$790 - 1,000

174 * A VERY RARE WORCESTER TUREEN AND COVER, CIRCA 1770 Of shallow circular form with a finely modelled cow as the finial, lying with one leg extended and its head turned to one side, with details picked out in blue, printed in blue with flowers from the ‘Rose- 174 Centred Spray Group’ (II.C.10) and the ‘Pine Cone Group’ (II.C.11), 21.2cm diam (2)

£500 - 700 €560 - 780 US$660 - 920

The cow is similar to a model made at Plymouth or Bristol and this provides an important link to John Toulouse, who is likely to have provided the model for this remarkable finial. An example in the Museum of Royal Worcester is illustrated by John Sandon, The Dictionary of Worcester Porcelain (1999), p.119. An example from the Zorensky Collection was sold by Bonhams on 22 February 2006, lot 352 and is illustrated by Spero and Sandon, Worcester Porcelain (1996), p.486, no.666.

175 * A WORCESTER BOUGH POT, CIRCA 1768-70 Of exuberant rococo-moulded form with a high scrolled back pierced for suspension and bold scroll-moulded rim, the fixed cover pierced with one large and twenty-eight smaller holes, printed in blue with floral sprays from the ‘Pine Cone Group’ pattern (II.C.11), 22.3cm wide, crescent mark

£600 - 800 €670 - 890 175 US$790 - 1,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 87 176 A WORCESTER GUGLET AND BASIN, CIRCA 1770-72 Printed in blue with the ‘Pine Cone Group’ pattern (II.C.11) of a large floral spray surrounded by scattered flower sprigs and butterflies, the basin of diamond shape with four moulded shells at the rim picked out in blue, the guglet of bottle shape with two bands of cell border at the rim, guglet 26.3cm high, basin 32.8cm wide, crescent mark to guglet (2)

£600 - 800 €670 - 890 US$790 - 1,000

Provenance Zorensky Collection, Bonhams sale, 16 March 2004, lot 374

177 * A VERY RARE WORCESTER CENTREPIECE, CIRCA 1775 Of quatrelobed oval footed form, an elaborate pierced design below the scroll-moulded rim, a simpler one above the foot, printed in blue with the ‘Gillyflower’ pattern (II.C.22), 29.2cm wide, crescent mark

176 £500 - 700 €560 - 780 US$660 - 920

The pierced borders are reminiscent of contemporary creamwares, the fine quality of which would have made them worthy competitors in the market for Worcester’s products. An identical dish from the Zorensky Collection was sold by Bonhams on 23 February 2005, lot 366 and is illustrated by Spero and Sandon, Worcester Porcelain (1996), no.649.

178 A RARE WORCESTER DESSERT BASKET, CIRCA 1770 Of oval form with pierced latticework sides applied with florets at the intersections, the unusual twig handles applied with leaves and cherries at the terminals, a painted formal border below the interior rim and the ‘Pine Cone Group’ pattern (II.C.11) printed to the centre, 22.5cm wide, crescent mark

£500 - 800 €560 - 890 US$660 - 1,000

Provenance Phillips sale, 11 June 1986, lot 284 Zorensky Collection, Bonhams sale, 23 February 2005, lot 365

Illustrated by Spero and Sandon, Worcester Porcelain (1996), p.480, 177 no.655 and by John Sandon, Dictionary of Worcester Porcelain (1999), p.55. The twig handles, bowed in the middle, are very rare and the cherry terminals are not recorded on any other example.

178

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 179 180

179 180 A PAIR OF WORCESTER CORNUCOPIAS, CIRCA 1756-58 A VERY UNUSUAL CORNUCOPIA ATTRIBUTED TO Of spiral horn shape with foliate scroll-moulded rims, crisply moulded CAUGHLEY, CIRCA 1775-76 in low relief with a rural landscape comprising a shepherd resting Of spiral horn shape with a foliate scroll-moulded rim, crisply beneath a tree beside an ecclesiastical building, cattle grazing in the moulded in low relief with a rural landscape of a shepherd beneath a foreground, the rims painted with a formal diaper, floral and foliate tree beside an ecclesiastical building, cattle grazing in the foreground, scroll border, three floral sprays at the base, 21.5cm high, workmen’s the rim edged in blue, a simple floral spray in underglaze blue to the marks (2) base, 21.5cm high,

£800 - 1,200 £800 - 1,200 €890 - 1,300 €890 - 1,300 US$1,000 - 1,600 US$1,000 - 1,600

A very similar pair of cornucopias was sold by Bonhams on 5 March The moulded decoration is based on a saltglaze prototype popular 2003, lot 87. Another from the Zorensky Collection was sold by at Worcester twenty years earlier, see lot 179 in this sale. However, Bonhams on 16 March 2004, lot 307 (part) and is illustrated by the distinctive style of the underglaze blue flower spray places this Spero and Sandon, Worcester Porcelain (1996), p.409, fig.538 (left). example in the mid-1770s and is related to a series of dated tankards A pair from the Ewers-Tyne Collection is illustrated by John Sandon, that have been attributed both to Caughley and to Worcester. Worcester Porcelain at Cheekwood (2008), pp.18-9, no.3. Early Caughley shapes closely followed Worcester forms and it is presumed Thomas Turner made use of some Worcester moulds, but it has been noted that early Caughley versions are frequently superior and more sharply moulded than their Worcester counterparts. The use of a single thin line as a border and the absence of any blue painting to highlight the modelling reminds us of early Caughley chrysanthemum-moulded pieces, in which the moulded detail is far superior to Worcester examples popular a decade or more before. No similar cornucopia from the 1770s appears to be recorded.

181 A RARE WORCESTER INKWELL, CIRCA 1770 Of round capstan shape with a central raised neck and sloping shoulders pierced with four quill holes, printed in blue with a spray formed from a dahlia and a rose, smaller flowers and a moth to the reverse and four sprigs to the shoulder, 7.5cm high, crescent mark

£500 - 700 €560 - 780 US$660 - 920

Provenance Zorensky Collection, Bonhams sale, 22 February 2006, lot 353 With Roderick Jellicoe, London

Illustrated by Spero and Sandon, Worcester Porcelain (1996), p.481, no.657. This inkwell was thrown and turned to imitate the popular shape of brass or pewter inkwells of the period. Worcester examples are great rarities.

181 182 * A RARE CAUGHLEY EYEBATH, CIRCA 1785-90 Of boat shape on a tall baluster stem moulded with scrolls, the oval foot finely reeded, printed in blue with the ‘Fisherman’ or ‘Pleasure Boat’ pattern with the associated border just below the rim, small portions of the print used on the foot, 5.5cm high

£1,200 - 1,500 €1,300 - 1,700 US$1,600 - 2,000

Provenance With Roderick Jellicoe, London

A similar example is illustrated alongside a matching waster from the factory site by Geoffrey Godden, Caughley and Worcester Porcelains (1969), pl.122. The Caughley/Chamberlain archives record eyebaths in ‘Pleasure Boat’ pattern sold for 6d each. An example of identical shape from the Billie Pain Collection was sold by Bonhams on 26 November 2003, lot 327.

182

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 183 * A WORCESTER PART TEA AND COFFEE SERVICE, CIRCA 1770-75 Printed in black with versions of ‘The Milkmaids’ pattern, comprising a coffee pot and cover with ‘Rural Lovers’ to the reverse, a teapot, cover and stand with ‘Farmyard Scene’ to the reverse and pastoral lovers to the cover, a tea canister and cover with ‘The Laden Donkey’ to the reverse, a sugar bowl and cover with ‘The Haymakers’ and ‘The Tease’ to the reverse and pastoral lovers on the cover, a slop bowl with ‘The Haymakers’ and ‘The Bagpiper’ to the reverse and swans to the interior, four coffee cups and five teabowls with ‘Herdsman and Cattle’ to the reverse, the teabowls with swans to the interiors, and eleven saucers, all within black-line rims and with flower finials to the covers, coffee pot 23.8cm high (32)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

The version of ‘The Milkmaids’ seen on the teapot is rare in that it shows a third milkmaid milking a cow and no hayrick. It is possible 184 that this version was engraved by James Ross, see Joseph M Handley, 18th Century English Transfer-Printed Porcelain and Enamels (1991), pp.102-3, no.2.47 where a similar teapot is illustrated. For a bowl and a tea canister with identical prints to those in the present service, see also pp.90-2, nos.2.37 and 2.38.

184 * A WORCESTER SAUCE TUREEN, COVER AND LADLE, CIRCA 1770 Of shaped oval form with fine shell-moulded handles, the cover with an artichoke finial picked out in gold, painted with colourful garlands of flowers within shaped panels edged with gilt scrollwork, reserved on a ‘wet’ blue ground, the ladle and cover with gilt dentil rims, 17cm wide, square mark (3)

£500 - 800 €560 - 890 US$660 - 1,000

A similar pair of covered tureens was sold by Bonhams on 2 December 2009, lot 101. 185 185 A RARE WORCESTER FINGER BOWL AND STAND, CIRCA 1770 Of plain U-shape, richly decorated with swags of colourful flowers within gilt-edged panels, reserved on a blue scale ground, gilded rims, stand 16.5cm diam, square marks (2)

£600 - 800 €670 - 890 US$790 - 1,000

Provenance R David Butti Collection

An almost identical finger bowl was sold by Bonhams on 18 May 2011, lot 325.

186 A WORCESTER VASE, CIRCA 1770 Of baluster form, the blue scale ground reserved with two large gilt- edged panels containing printed and coloured landscapes with figures before classical ruins alternating with two smaller landscape panels, four small panels painted with puce floral sprigs to the shoulder, the neck with a formal gilded border, 20.3cm high, square mark

£600 - 800 €670 - 890 US$790 - 1,000 186

187 * A VERY RARE PAIR OF WORCESTER BOUGH POTS, Fully modelled in the round and decorated to the reverse, this pair CIRCA 1768 appears not to have been designed for placing against a wall, Of exuberant rococo-moulded form, the high backs pierced for although there are suspension holes to the back. A similar example suspension, the fixed covers with one large and eighteen smaller decorated in this way from the Zorensky Collection was sold by apertures, the boldly scroll-moulded rims picked out in gold, painted Bonhams on 22 February 2005, lot 177, and another on 17 May in bright enamels with three panels of ‘fancy’ birds edged with gilt 2017, lot 322. scrollwork, the reverse with two similar birds in flight below a single puce floral sprig, reserved on a scale blue ground, 21.7cm and 22cm 188 * wide, square marks (2) A WORCESTER ARMORIAL PLATE, CIRCA 1767-70 Decorated in the workshop of James Giles, the centre with the arms £4,000 - 6,000 of Gavin impaling Hearsey, the shield within a distinctive cartouche €4,500 - 6,700 edged with pink scales and with red and black leaf mantling, US$5,200 - 7,900 surmounted by the crest of a galleon, surrounded by scattered floral sprigs and sprays in dark purple, the shaped rim edged in gold, 22.5cm diam

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

The arms are of David Gavin, a wealthy tailor, and those of his first wife Christina Hearsey who died in 1767. Gavin remarried in 1770 and so this set presumably pre-dates his second marriage, and probably also Christina’s death. See Stephen Hanscombe, James Giles China and Glass Painter (2005), no.78, where another plate from the set is illustrated. A similar plate from this service from the Zorensky Collection was sold by Bonhams on 16 March 2004, lot 239 and is illustrated by Spero and Sandon, Worcester Porcelain (1996), p.346, no.438. Smaller plates with lobed borders from this service are illustrated by Gerald Coke, In Search of James Giles (1983), pl.28(a) and H Rissik Marshall, Coloured Worcester Porcelain of the First Period (1954), pl.36, no.781.

188

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 189 A FINE PHILIP CHRISTIAN PRESENTATION ‘DUTCH’ JUG, CIRCA 1765-70 Of ovoid form, the cylindrical neck with a mask spout and scrolled handle, finely painted in blue to the front with the scrolling foliate mirror monogram ‘JMC’, flanked on both sides by elaborate floral sprays incorporating chrysanthemums and dahlias, the neck with stylised flowers and scrolling foliage to both sides, 24.4cm high

£600 - 800 €670 - 890 US$790 - 1,000

Provenance Pinewood Collection, Phillips sale, 31 October 2001, lot 106

Illustrated by Maurice Hillis, Liverpool Porcelain (2011), p.232, fig.6.21. Philip Christian copied Worcester’s ‘Dutch’ jug form but without the cabbage leaf moulding. The monogram resembles that found on ornamental metalwork and is unusual on English porcelain. 189 190 THREE LIVERPOOL (JAMES PENNINGTON) ASPARAGUS SERVERS, CIRCA 1767-73 Of traditional fan shape, the pierced sides with scroll-moulded rims picked out in blue, comprising a pair painted in blue with a large spray of flowers, 8.5cm long, and another printed in blue with a floral spray flanked by smaller sprigs, 8.1cm long (3)

£500 - 700 €560 - 780 US$660 - 920

One of the pair was exhibited at the NCS Made in Liverpool exhibition, 1993 catalogue, no.117 and is illustrated by Maurice Hillis, Liverpool Porcelain 1756-1804 (2011), pp.130-1, fig.4.113. Hillis states that asparagus servers are very rare in Liverpool and were presumably all made by James Pennington. The few surviving examples have pierced sides resembling creamware.

191 AN INTERESTING PAIR OF ENGLISH PORCELAIN ASPARAGUS SERVERS, MAKER UNKNOWN, CIRCA 1780-85 Of distinctive ‘sleigh’ form, delicately painted in blue in French style with a loose bouquet of flowers and scattered sprigs, within blue dentil rims, 8.7cm and 9.1cm long (2) 190 £400 - 600 €450 - 670 US$520 - 790

This curious pair has in the past been attributed to Caughley, but while the style of painting certainly points to a Shropshire origin, the paste and glaze, combined with such an individual shape, would suggest mainstream Caughley is not the answer. A Liverpool origin also seems most unlikely.

191

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 93 192 A RARE LIVERPOOL (JOHN PENNINGTON) MASK JUG, CIRCA 1780 Of ovoid form with a turned spreading foot and mask spout, the double scroll handle with acanthus moulding and a distinctive ‘comma’ terminal, printed in blue with a rural farming scene of two horses ploughing a field, titled ‘YE GENEROUS BRITONS, VENERATE the PLOUGH’ beneath, the rim with a ‘Chrysanthemum and Precious Object’ border, 14.5cm high

£800 - 1,000 €890 - 1,100 US$1,000 - 1,300

Provenance J Howell Collection

Illustrated by Bernard Watney, Liverpool Porcelain (1997), p.84, fig.328. Exhibited in the Liverpool Exhibition, Phillips 1997. A 192 punchbowl decorated with the same print is illustrated by Watney (1997) at p.84, fig.329.

193 A VERY RARE LOWESTOFT SPITTOON, CIRCA 1775-80 The globular body with an everted rim, printed in blue with a full flower spray and numerous scattered sprigs, within blue tramline borders, an elaborate printed border inside the interior rim, 11.2cm high

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

Provenance Seago Collection Crisp Collection, Sotheby’s sale, 14 February 1935, lot 89 Paul Collection, Bonhams sale, 18 May 2011, lot 407

Exhibited in the Lowestoft China Bicentenary Exhibition 1957, no.79 in the catalogue. A later example, more closely following the Worcester form, is illustrated by Sheenah Smith, Lowestoft Porcelain in Norwich Castle Museum, Vol.1 (1975), no.421.

193 194 TWO LOWESTOFT TEA CANISTERS, CIRCA 1775 Of rectangular section with arched tops, decorated in Worcester style, one painted in blue with the ‘Mansfield’ pattern, 9.9cm high, crescent mark, the other printed in blue with the ‘Fence’ pattern, 10.5cm high, crescent mark (2)

£400 - 500 €450 - 560 US$520 - 660

Provenance Rev R C Wheeler Collection (printed canister) Cecil Taylor Collection, Bonhams sale, 23 April 2008, lot 220

194

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 195 AN IMPORTANT LOWESTOFT BASIN OR DISH, CIRCA 1765 Of deep circular form, painted in blue with a Chinese landscape, Provenance three islands projecting into the cavetto, one with a large building Geoffrey Godden Collection, Bonhams sale, 30 June 2010, lot 131 and a pine tree, the others with trees, surrounded by a diaper and flower border, another diaper border inside the rim containing panels Illustrated by Geoffrey Godden, Eighteenth-Century English Porcelain: of half-flowerheads, three floral sprays to the exterior, 28.5cm diam, A Selection from the Godden Reference Collection (1985), p.201, indistinct painter’s numeral inside footrim pl.163 and discussed at p.200. Godden suggests that the restraint of the decoration may indicate that it was copied directly from a £1,500 - 2,000 Chinese original. The size and form of this basin does not appear to €1,700 - 2,200 have been otherwise recorded. US$2,000 - 2,600

199

196 A DERBY STAND AND A ‘SPECTACLE’ PLATE, CIRCA 1758-62 The stand of shaped oval form, painted in ‘Moth Painter’ style with an apple and brightly coloured insects, within a wide pale yellow border and a brown line rim, 24cm wide, the ‘spectacle’ plate with a pierced border and brightly painted leaf-moulded centre, 18cm diam (2)

£500 - 700 €560 - 780 US$660 - 920

Provenance R David Butti Collection

An almost identical pierced stand is illustrated by H G Bradley (ed.), Ceramics of Derbyshire (1978), p.75, no.96. 197 197 A DERBY ‘SILVER-SHAPED’ DISH, CIRCA 1760 Of oval shell-moulded shape after a Chelsea prototype, painted in ‘Moth Painter’ style with two apples, one sliced, and a variety of fantastic coloured insects, the rim shaded in turquoise, the handles picked out in gold, 27.6cm wide

£350 - 500 €390 - 560 US$460 - 660

198 A DERBY CIDER JUG, CIRCA 1765 Of ovoid form with a scrolled handle, painted on both sides with exotic birds playfully perched on branches and amongst foliage, brown line rim, 22.5cm high

£300 - 500 €330 - 560 US$390 - 660

Provenance R David Butti Collection

A similar example from the Schreiber Collection is in the Victoria and 198 Albert Museum (accession no. 414.366-1885).

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 199 * TWO DERBY FIGURES OF THE RANELAGH DANCERS, CIRCA 1765-70 Standing in dancing poses, he wearing a tricorn hat and brightly coloured doublet with turquoise and red hose, a purple cloak around his shoulders, holding a letter in his hand, she with a pink bodice, ermine cloak and floral skirts painted in ‘cotton stem’ style, also holding a letter, before flowering tree stumps, on scroll-moulded bases picked out in turquoise and gold, 20.4cm and 21.5cm high (2)

£500 - 700 €560 - 780 US$660 - 920

200 THREE DERBY FIGURES, CIRCA 1765-80 200 Each in brightly coloured classical dress, comprising a figure of Minerva on a pierced scroll base, her shield and an owl on a pile of books by her side, 26.7cm high, a figure of Britannia on a scrolled base, a globe, martial trophies and a lion at her feet, 28cm high, and a figure of Diana the Huntress on a rocky base applied with flowers, her right arm raised to draw an arrow from her quiver, a hunting dog at her feet, 24cm high, patch marks (3)

£500 - 800 €560 - 890 US$660 - 1,000

201 A DERBY SWEETMEAT FIGURE AND A PAIR OF DERBY FIGURES, CIRCA 1756-65 The sweetmeat figure of ‘Pale Family’ type, modelled as a shepherd seated cross-legged, his dog and two sheep at his side, a basket on his lap painted with a hen and a cockerel, 21.5cm high, the pair of a shepherd and shepherdess well coloured with matching floral fabrics, 25.5cm high, patch marks (3) 201 £500 - 700 €560 - 780 US$660 - 920

Provenance R David Butti Collection

202 A PAIR OF DERBY ‘BIRDS IN BRANCHES’ CANDLESTICKS AND A BOW MODEL OF A BUNTING, CIRCA 1765-70 The candlesticks both modelled with two birds, the larger painted in purple and brown, the smaller in yellow, perched within flowering bocage, on rococo scroll bases picked out in turquoise and gold, 25.5cm high, the bunting modelled perched on a stump applied with leaves and flowers, its yellow plumage picked out in manganese, the base with four scroll feel heightened in puce and blue, 13.3cm high (3)

£400 - 600 202 €450 - 670 US$520 - 790

203 A PAIR OF DERBY GROUPS OF SHEEP AND TWO MODELS OF DEER, CIRCA 1765-70 Before flowering bocage on irregular mound bases applied with flowers, the pair of sheep comprising one of a lamb suckling a ewe, the other a recumbent lamb before a ram, their coats picked out in pale brown, 15.5cm and 16.5cm high, patch marks, together with two models of recumbent deer, their coats picked out with brown markings, including a stag 18.6cm high, patch marks, and a doe 11.5cm high, incised and painted numerals (4)

£600 - 800 €670 - 890 US$790 - 1,000 203

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 97 204 A DERBY BOTANICAL DESSERT SERVICE, CIRCA 1795 Finely painted with named botanical specimens, many taken from Curtis’s Botanical Magazine, with formal gilt foliate borders and gilt-line rims, comprising a sauce tureen, cover and stand, a lozenge- shaped footed centrepiece, three shell- shaped dishes, three lozenge-shaped dishes, a heart-shaped dish and twelve plates, centrepiece 30.8cm wide, crown, crossed batons and D marks and pattern number 115 in blue, Latin and English titles in blue script (23)

£2,000 - 3,000 €2,200 - 3,300 US$2,600 - 3,900

Most of the specimens appearing on the service are taken from William Curtis’s Botanical Magazine, published in volumes from 1787.

Additional information concerning the source prints used on this service appears on the Bonhams website.

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 205

205 A PAIR OF DERBY BOTANICAL PLATES BY WILLIAM ‘QUAKER’ PEGG, CIRCA 1813-15 One painted with ‘Superb Amaryllis’, the other with ‘Azure Convolvulus’, within gilded classical borders, 22.2cm diam, crown, crossed batons and D marks in red, titles in red script (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

A similar pair was sold by Bonhams on 14 November 2018, lot 413 and another is illustrated by John Twitchett, Derby Porcelain (2002), p.92, col. pl.51

206 A DERBY VASE, CIRCA 1785 Of ovoid form with high scroll handles and a square pedestal base, one side painted with ‘Una and the Lion’ after Angelica Kauffmann within a gilt-edged panel, the other with a rural landscape with figures crossing a bridge in a horse-drawn cart, the handles, fluted neck and base picked out in deep blue and gold, 24.8cm high, patch marks, crown, crossed batons and D mark in gold and incised N100

£500 - 700 €560 - 780 US$660 - 920

Figure and landscape painting in this style has traditionally been ascribed to Richard Askew and Zachariah Boreman respectively. 206

207 A CHELSEA-DERBY ‘ENCAMPMENT SCENE’ SUCRIER AND COVER, CIRCA 1783 Of plain circular form with a pointed finial, painted in puce monochrome with a continuous landscape, including three soldiers on horseback within a small military encampment, a cottage and a broad stretch of water to the reverse, the rims and finial picked out in gold, 11.5cm high, gold anchor mark (2)

£600 - 800 €670 - 890 US$790 - 1,000

Provenance R David Butti Collection

A closely related teapot and cover by the same hand and very probably from the same service is in the Victoria and Albert Museum (accession no. C.204:1,2-1985). The painting is likely to be by Zachariah Boreman at Chelsea just prior to his departure for Derby in late 1783 or early 1784. This is consistent with the use of a gold anchor mark. The teapot is a Continental form not otherwise 207 recorded at Derby, suggesting that it is likely to have been a special order, perhaps intended to match or replace part of a Continental set, which may explain the European style of the decoration.

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 209

208 209 A RARE CAUGHLEY PUNCHBOWL BY FIDELLE DUVIVIER, A RARE NEW HALL COFFEE CUP AND SAUCER BY FIDELLE CIRCA 1792 DUVIVIER, CIRCA 1785-90 Finely painted in delicate colours with two figures in a rural riverside The cup with a ‘clip’ handle, painted with rural landscape vignettes landscape, a sailing boat in the distance, framed by characteristic in sepia monochrome, both with a group of three figures in trees with trailing roots and foliage below, the reverse with three conversation, the cup with a smoking kiln and buildings in the smaller landscape vignettes, another to the interior, a border of distance, the saucer with a windmill in the distance, all amongst brown and gold foliate festoons undulating around a gilt line inside distinctive trees with characteristic rocks, trailing roots and foliage the rim, gilt lines around the rim and low foot, 21cm diam below, the borders with a gilt leafy vine undulating around a gold line, gilt line rims, saucer 13.1cm diam £2,000 - 3,000 €2,200 - 3,300 £2,000 - 3,000 US$2,600 - 3,900 €2,200 - 3,300 US$2,600 - 3,900 Exhibited at the Caughley Polychrome Exhibition, Ironbridge 2005, see the catalogue, Caughley in Colour, no.44. The attribution is A very similar saucer painted with an identical scene incorporating a based on similarities in style to a Caughley saucer by Fidelle Duvivier windmill within identical gilt borders is illustrated by David Holgate, in the same exhibition, no.290, suggesting that both pieces were Fidelle Duvivier Paints New Hall, ECC Trans., Vol.11, Pt.1 (1981), painted during his brief period at the Chamberlain factory in October pl.12d. Holgate notes that Duvivier’s sepia monochrome pieces 1792 when the firm was painting Caughley blanks. The wage records all share a number of frequently recurring features, including for that month include the entry ‘M DEVIEA’, presumably phonetic houses with this distinctive gable, often with triple fenestration and spelling for Monsieur Duvivier. sometimes also a chimney stack in the centre of the roof as seen on the cup. Kilns are also a common feature and windmills are always shown in the Continental style with capped stone towers as seen on the saucer.

210 A SPODE PART DESSERT SERVICE, CIRCA 1822-25 With shaped gadrooned and scroll-moulded rims within gilt lines, the borders with an oeil de perdrix design in puce and gold on a soft primrose-yellow ground, the centres painted with colourful bouquets of flowers within gilt dentil reserves, comprising two ice pails, covers and liners with gilt scroll handles, two sauce tureens, covers and stands with gilt butterfly handles and finials, two rectangular dishes with gilt twig handles, two oval dishes, a square dish, and six square plates, ice pails 30cm high, printed Spode Felspar Porcelain marks in puce, some with pattern no.3414 (23)

210 (part) £1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Christie’s sale, 5 June 1978, lot 5 (part)

A cream bowl and cover with the same border is illustrated by Leonard Whiter, Spode (1970), fig.198. A similar service in this pattern was sold by Phillips on 6 June 2001, lot 479.

211 A CHAMBERLAIN VASE AND COVER, CIRCA 1810 Of classical urn form with two gilt dolphin handles, lion mask medallions in brown at the terminals, finely painted with a titled view of the ‘Grotto of the Cumaen Sibyll’, two distant figures walking towards the cave, reserved on a gilded vermiculé ground, the solid gilt domed cover with an acorn finial, 35cm high, script mark and title in red (2)

£600 - 800 €670 - 890 US$790 - 1,000

Provenance Christie’s sale, 7 June 2017, lot 375 (part)

211

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 212 A FINE PAIR OF BARR, FLIGHT AND BARR DISHES, CIRCA 1804-07 Circular, painted with octagonal panels containing an arrangement The distinctive technique used to paint the seaweed in the of three colourful shells surrounded by seaweed on a shaded grey background of these shell compositions, in which the filaments are ground, perhaps by John Barker, surrounded by broad gilt borders, painted with brushstrokes ending in thicker daubs of colour, has the black marbled grounds reserved within gilt-line rims, 19.8cm been attributed to John Barker. Compare to the seaweed in the diam, incised B marks, one with full script mark for Barr, Flight & Barr background of the shell-painted panel on a large vase attributed to including the Coventry St Address (2) John Barker in the Ewers-Tyne Collection of Worcester Porcelain at Cheekwood illustrated and discussed by John Sandon (2008), £8,000 - 10,000 pp.119-21, no.74. In his memoirs, Solomon Cole told William €8,900 - 11,000 Chaffers that John Barker excelled in painting shells. US$10,000 - 13,000

213 A CHAMBERLAIN FIGURAL INKSTAND, CIRCA 1820-25 Modelled as a seated biscuit figure of Cupid writing into a gilded book, two more books at his feet, flower-painted vases to either side, the rectangular base with claret sides picked out with delicately tooled gilding, supported by four claw feet, 16cm high, incised script mark referring to New Bond Street address

£500 - 800 €560 - 890 US$660 - 1,000

A very similar inkstand was sold by Bonhams on 8 March 2006, lot 91. Another without claw feet is illustrated by Geoffrey Godden, Chamberlain-Worcester Porcelain (1992), p.251, fig.308.

214 A PAIR OF FLIGHT AND BARR PLATES, CIRCA 1800 Painted in sepia monochrome by John Pennington with views of 214 ‘Rochester’ and ‘LUSS, Dunbartonshire, the seat of Sir James Colquhoun, Bart’, the spirally shanked borders painted with brown leaves and gilded with strawberries, 22.6cm diam, inscribed in brown in Pennington’s distinctive hand ‘Flight and Barr, Worc, Manufacturers to their MAJESTIES’ (2)

£500 - 700 €560 - 780 US$660 - 920

215 A NANTGARW PLATE AND A COALPORT PLATE, CIRCA 1815-20 The Nantgarw plate painted in London with a full floral spray, the C-scroll border with sprigs of flowers and fruit, 22cm diam, impressed NANT-GARW CW, the Coalport plate painted in Swansea style with the Lysaght pattern of a basket of flowers on a stone pedestal within a rich blue and gilt border, 24.4cm diam, impressed number 2 (2)

£500 - 700 €560 - 780 US$660 - 920 215 Provenance Sidney Heath Collection (Coalport plate)

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 216 A SWANSEA CABINET CUP, CIRCA 1815-17 Of cylindrical form raised on three paw feet, locally painted, probably by Henry Morris, with a spray of flowers resting on a stone ledge, the Empire handle with a mask terminal flanked by distinctive gilded scrollwork, an elaborate border in green enamel and gold below the interior rim, 12.3cm high

£400 - 600 €450 - 670 US$520 - 790

See A E (Jimmy) Jones and Sir Leslie Joseph, Swansea Porcelain Shapes and Decoration (1988), p.139(1) for the shape.

217 217 A NANTGARW DESSERT DISH, CIRCA 1818-20 Of oval shape, the shaped rim with twelve unequal lobes, painted in London with the ‘Tumbling Baskets’ pattern, the baskets in the border alternating with small floral sprigs and surrounded by gilt scrollwork, a full flower spray and tiny sprig in the centre, 30.2cm wide, impressed NANT-GARW CW

£500 - 700 €560 - 780 US$660 - 920

218 A PAIR OF SWANSEA PLATES, CIRCA 1815-17 The borders with crisp C-scroll moulding, painted in the style of William Pollard with central rose sprigs, one yellow and one pink, within green and gold bands, the borders with sprigs of flowers and wild strawberries, 21cm diam, marks in red (2)

£500 - 700 218 €560 - 780 US$660 - 920

219 A GOOD PAIR OF SWANSEA DEEP PLATES AND A BREAKFAST CUP AND SAUCER, CIRCA 1815-17 Locally painted in the style of William Pollard, the plates with a group of pink and white roses, the crisp C-scroll borders with sprigs of flowers and strawberries including heather, speedwell, bluebell, primrose and daffodil, elaborate gilded borders around the cavetti picked out in green, 21cm diam, marks in red, the cup and saucer similarly painted with sprays of flowers within elaborate gilded borders, saucer 14.8cm diam (4)

£500 - 700 €560 - 780 US$660 - 920

Provenance 219 Sir Leslie Joseph Collection (cup and saucer)

220 A GROUP OF SWANSEA DESSERT WARES AND A NANTGARW PLATE, CIRCA 1815-20 Locally painted with garden flowers including tulip, crocus, daffodil, convolvulus and rose, within gilt line borders, comprising two shaped rectangular dishes with gilded twig handles, a square dish moulded with eight small and eight large lobes, and two plates, the dishes 28.5cm wide, the square dish and one plate with impressed SWANSEA and trident marks, the Nantgarw plate painted in London, probably in the Sims workshop, with scattered flower sprays and small sprigs within a gilt dentil rim, 21.5cm diam, impressed NANT- GARW CW (6)

£600 - 800 €670 - 890 220 US$790 - 1,000

221 A PAIR OF IMPORTANT NANTGARW PLATES, CIRCA 1818-20 With shaped and ungilded rims, locally painted by Thomas Pardoe These plates are of the finest quality Nantgarw porcelain and are with elaborate sprays of garden flowers including pink roses and painted with the very best of Thomas Pardoe’s floral decoration. auricula surrounded by scattered sprigs, one with a blue moth in The Melin Griffith tinplate works at Whitchurch near Cardiff was run flight, 21.7cm diam, one with paper label indicating provenance from and later owned by Richard Blakemore. Blakemore is included in the Melin Griffith service (2) the list of suggested business associates of William Weston Young, providers of the £1,100 used to restart the Nantgarw factory in £2,000 - 3,000 1817, see E Morton Nance, The Pottery and Porcelain of Swansea €2,200 - 3,300 and Nantgarw (1942), p.363 and W D John, Nantgarw Porcelain US$2,600 - 3,900 (1948), p.25. A number of businessmen associated with the factory are known to have received a service of locally decorated Nantgarw. These include Edward Edmunds, landlord of the factory site and recipient of no less than three tea and coffee services, one of which was sold at Bonhams on 2 November 2011, lot 242 and Wyndham Lewis MP, one of the ten county gentlemen who provided further funds in 1818-19. His dessert service was also painted by Pardoe and a plate from the service was sold by Bonhams on 2 November 2015, lot 208.

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 222

222 A PAIR OF FINE NANTGARW PLATTERS, CIRCA 1818-20 With shaped and ungilded rims, locally painted by Thomas Pardoe with full flowers sprays including pink roses, variegated tulip and cyclamen, surrounded by smaller sprays and sprigs, one with a blue moth in flight, 36.4cm wide, impressed NANT-GARW CW (2)

£3,000 - 5,000 €3,300 - 5,600 US$3,900 - 6,600

Comparison with the pair of plates from the Melin Griffith service, lot 221 in this sale, shows that the painting style is closely related.

223 A FINE NANTGARW SOUP BOWL, CIRCA 1818-20 With a shaped and ungilded rim, locally painted by Thomas Pardoe with a full flower spray including pink rose and cyclamen, surrounded by scattered smaller sprays and sprigs, a yellow moth in flight beside them, 25.5cm diam, impressed NANT-GARW CW

£1,200 - 1,500 €1,300 - 1,700 US$1,600 - 2,000

Comparison with the pair of plates from the Melin Griffith service, lot 221 in this sale, shows that the painting style is closely related. 223

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 107 224 A FINE NANTGARW CABINET PLATE, CIRCA 1818-20 London-decorated in the Sims workshop, the centre finely painted This is one of a small number of high quality Nantgarw cabinet plates with ‘Pliny’s Doves’, the four birds perched on the rim of a shallow all painted with the same subject. The inspiration is likely to have been bowl filled with water, one looking down to view its reflection, a Berlin porcelain where the ‘Pliny’s Doves’ design was much used, floral band within the cavetto, the moulded C-scroll border painted taken from the 2nd century mosaic in the Capitoline Museum, Rome. with pink roses on a ground of fine gilt dots, 25cm diam, impressed Cabinet pieces decorated in French and German style were in high NANT-GARW CW demand in the 1820s, often decorated by Sims and retailed through Mortlocks in Oxford Street. Although normally credited with only figural £5,000 - 6,000 painting at Sims, it is likely that the ‘Pliny’s Doves’ plates are also the €5,600 - 6,700 work of the artist called Plant. For another similar example see W D US$6,600 - 7,900 John, Nantgarw Porcelain Album (1975), illustration 30.

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 225

225 * A SWANSEA INKSTAND, TWO INKWELLS AND COVERS, CIRCA 1815-17 The stand with a central handle modelled as two entwined dolphins picked out with gilt scale decoration, a gilt border around the base, the inkwells locally painted with flower sprays and scattered insects, one cover with a variety of insects, within gilt dentil rims, 9.8cm wide (5)

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

A similar example is illustrated by A E (Jimmy) Jones and Sir Leslie Joseph, Swansea Porcelain Shapes and Decoration (1988), p.155, fig.1. Compare also to the example sold by Bonhams on 20 November 2019, lot 372.

226 A SWANSEA PLATE OF BURDETT-COUTTS SERVICE TYPE, CIRCA 1815-17 Painted by James Turner at the Sims workshop in London, the centre with a wicker basket of flowers, small flowering plants growing in the 226 foreground, the border around the cavetto gilded with scrolls and fine dots, two brightly coloured insects in flight inside the gilded dentil rim, 23cm diam

£500 - 700 €560 - 780 US$660 - 920

A large plate of the same pattern was sold by Bonhams on 5 June 2019, lot 252.

227 A SWANSEA PLATE, CIRCA 1815-17 Painted by James Turner at the Sims workshop in London, the centre with a gilt wicker basket of flowers, small flowering plants growing in the foreground, within a gilt band, the border gilded with scrolls, diaper and fine dots issuing foliate sprays, with a gilt dentil rim, 21.6cm diam

£600 - 800 €670 - 890 US$790 - 1,000

Note the similarities of the decoration with that of the Burdett-Coutts service, see lot 226 in this sale. 227

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 109 228 A COALPORT ‘TWELVE APOSTLES’ ELECTION JUG, DATED 1841 Of oenochoe shape, glazed all over in deep blue and richly decorated in gold, the ‘loggerheads’ or Shrewsbury coat of arms below the spout, a list of the twelve Conservative victors in the 1841 General Election to one side, including Benjamin Disraeli, the reverse with an inscription referring to the election, the Mayor and Chairman of Sessions also noted, ‘All Friends round the Wrekin’ below the lip, 29.2cm high

£800 - 1,200 €890 - 1,300 US$1,000 - 1,600

The 1841 Coalport election jug was issued in two versions, both 228 illustrated by Michael Messenger, Coalport (1995), p.197, pl.151. Benjamin Disraeli did not turn up for the election victory celebrations and his success as a Shrewsbury MP is perhaps indicated by the fact that he was not selected to fight the 1847 election. A similar jug was sold by Bonhams on 3 November 2016, lot 351.

229 A MINTON SÈVRES-STYLE EWER BY ANTONIN BOULLEMIER, DATED 1898 Of traditional ‘Kedleston’ shape, the serpentine handle with a gilded satyr mask terminal, reserved to one side with an oval panel finely painted with a girl seated on a tasselled cushion holding an apple, signed ‘A Boullemier’, reserved on a turquoise bleu celeste ground decorated with raised gold blossom all over, 28.4cm high, gold globe mark, incised and impressed marks including date code for 1898

£500 - 700 €560 - 780 US$660 - 920

A garniture which included an identical ewer decorated with this subject by Antonin’s son, Lucien Boullemier, was sold by Bonhams, Masterpieces of Minton, on 5 October 2004, lot 114.

230 A PAIR OF COPELAND VASES BY CHARLES FERDINAND HÜRTEN, CIRCA 1870 Of pear shape, painted with violets growing behind a gilded low 229 trelliswork fence, the rims with a zig-zag design in raised and tooled gold and a formal gilt foliate band inside, 14.6cm high, printed marks (2)

£400 - 600 €450 - 670 US$520 - 790

Hürten appears to have had a fondness for setting his distinctive floral compositions behind trelliswork. A pair of vases with very similar floral decoration was sold by Bonhams on 17 May 2017, lot 415.

230

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 231 231

231 A FULL SET OF ELEVEN WILKINSON TOBY JUGS OF ALLIED COMMANDERS OF THE FIRST WORLD WAR, CIRCA 1915-19 Issued in Limited Editions between 1915 and 1919, designed by Sir F Carruthers Gould, comprising Lord Kitchener, holding a jug inscribed ‘Bitter for the KAISER’, Admiral Beatty, holding a shell inscribed ‘Dread Nought’, Field Marshall Haig, seated upon a tank, titled ‘PUSH AND GO’ to the base, Admiral Jellicoe, holding a jug inscribed ‘HELL FIRE JACK’, Marshall Joffre, holding a shell inscribed ‘75mm Ce que joffre’, Lord French, holding a jug inscribed ‘French Pour Les Français’, the Rt. Hon. David Lloyd George, holding a shell titled ‘SHELL OUT!’, Marshall Foch holding a champagne bottle inscribed ‘AU DIABLE LE KAISER’, General Botha, holding a jug inscribed ‘LOYALTY’, President Woodrow Wilson, with an aeroplane on his lap, the base inscribed ‘WELCOME! UNCLE SAM’, and King George V, holding a globe, the base inscribed ‘PRO PATRIA’, 24.5- 31.5cm high, printed marks and facsimile signatures (11)

£3,000 - 4,000 €3,300 - 4,500 US$3,900 - 5,200

Francis Carruthers Gould (1844-1925) was a caricaturist and political cartoonist who founded the monthly ‘Picture Politics’ in 1894. He was never savage in his cartoons, as he claimed ‘I etch with vinegar, not vitriol’. See Vic Schuler, Collecting British Toby Jugs (1994), pp.167-8 for other examples and a discussion of the group. A similar group was sold by Bonhams on 18 May 2016, lot 426.

232 ROYAL WORCESTER VASE BY CHARLEY BALDWYN, DATED 1896 OR 1897 Of slender ovoid form with scrolled handles picked out in green, salmon-pink and gold, painted with four swans in flight above raised gold foliage and green grasses, signed, a swallow in flight to the reverse, a pale blue sky surrounding them, the foot and neck picked out in gold 33.7cm high, green mark, shape number 1935

£700 - 900 €780 - 1,000 232 US$920 - 1,200

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE GLASS AND BRITISH CERAMICS | 111 233 A ROYAL WORCESTER BOXED COFFEE SET BY JAMES STINTON, DATED 1919 Painted with pheasants in misty landscapes, signed, the exteriors and handles of the cups, rims and saucer wells richly gilt, comprising six coffee cups, six saucers and six silver-gilt coffee spoons, saucers 9.7cm diam, puce marks, the spoons with hallmarks for Henry James Hulbert, London 1919 (18) 233 £800 - 1,200 €890 - 1,300 US$1,000 - 1,600

234 A ROYAL WORCESTER ‘PAINTED FRUIT’ COMPOSITE COFFEE SET, DATED 1921- 22 AND 1934-35 Painted all over with still life compositions of autumn fruits set against a mossy ground, with gilt interiors and handles, all pieces signed by the artists, comprising a coffee pot and cover by William Ricketts, a cream jug by Tom Lockyer, a sugar bowl by Louis Flexman, a small dish by Edward Townsend, four coffee cups and saucers by Horace Price and William Ricketts, and two coffee cans and saucers by Albert Shuck and Harry Ayrton, coffee pot 16.9cm high, puce marks, two cups and saucers with retailer’s marks for THE NORTHERN GOLDSMITHS Co, NEWCASTLE-UPON-TYNE (17) 234 £1,200 - 1,800 €1,300 - 2,000 US$1,600 - 2,400

235 A ROYAL WORCESTER COFFEE SET BY WALTER SEDGLEY, DATED 1923-26 Painted with golden pheasants in grassy woodland landscapes, signed, the handles, interiors of the cups and wells of the saucers gilded, comprising a coffee pot and cover, a cream jug, a sugar bowl, six coffee cups and six saucers, coffee pot 17cm high, puce marks (16)

£700 - 900 €780 - 1,000 US$920 - 1,200

235

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 236 A LARGE ROYAL WORCESTER VASE AND COVER BY HARRY DAVIS, DATED 1910 Of elegant classical form, the cover with a spire finial, the cover, neck, handles, and circular pedestal foot crisply moulded and picked out in gold and blush ivory, the body fully painted with three highland sheep and a lamb on a misty mountainside, billowing clouds above them, signed, the reverse with a landscape, 48cm high, puce marks, shape number 1481 (2)

£2,500 - 3,500 €2,800 - 3,900 US$3,300 - 4,600

END OF SALE

FINE AND RARE WINES ENQUIRIES

Friday 21 August Hong Kong UK Thursday 24 September London +44 (0) 20 7468 5811 Friday 20 November Hong Kong [email protected] [email protected] Thursday 26 November London

WHISKY HONG KONG Entertainment Memorabilia +852 2918 4321 Friday 21 August Hong Kong Montpelier Street, London | 30 September 2020 [email protected] Wednesday 7 October Edinburgh bonhams.com/wine Friday 20 November Hong Kong ENQUIRIES GEORGE HARRISON/JOHN LENNON: Wednesday 9 December Edinburgh +44 (0) 20 7393 3984 A PROTOTYPE BARTELL FRETLESS [email protected] GUITAR OWNED AND PLAYED BY HARRISON AND LENNON Bonhams.com/Entertainment £200,000 - 300,000 Prices shown include buyer’s premium. Details can be found at bonhams.com €222,600 - 334,000 US$251,000 - 377,000 * * For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide International Auction Calendar 2020

FINE AND RARE WINES ENQUIRIES

Friday 21 August Hong Kong UK Thursday 24 September London +44 (0) 20 7468 5811 Friday 20 November Hong Kong [email protected] [email protected] Thursday 26 November London

ENQUIRIES New York A RARE TRIPOD NABESHIMA London +1 (212) 461 6516 LARGE DISH WITH +44 (0) 20 7468 8368 [email protected] CHERRY BLOSSOMS AND WAVE DESIGN [email protected] bonhams.com/japaneseart Edo period (1615-1868), late 17th/early 18th century £20,000 - 30,000 *

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All bids made on your behalf will be loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to Fine Japanese Art Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid New Bond Street, London | 5 November 2020 that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any ENQUIRIES New York A RARE TRIPOD NABESHIMA In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. +1 (212) 461 6516 only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent London LARGE DISH WITH the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the +44 (0) 20 7468 8368 [email protected] CHERRY BLOSSOMS AND WAVE DESIGN to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in [email protected] bonhams.com/japaneseart Edo period (1615-1868), VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration late 17th/early 18th century below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full £20,000 - 30,000 * NTB/MAIN/V1/3.2020

* For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: Appendix 2 at the back of the Catalogue. Please read the terms of the Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: contained in the Catalogue or otherwise, whether given orally or in

writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 the part of management or staff, or for indirect losses or consequential 27.5% up to £2,500 of the Hammer Price Limited. damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price above £2,500 and up to £300,000 source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price above £300,000 and up to £3,000,000 Cash: you may pay for Lots purchased by you at this Sale of whether the said loss or damage is caused by or claimed in respect 13.9% of the Hammer Price above £3,000,000 with notes or coins in the currency in which the Sale is conducted of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Hammer Price calculated in accordance with the table below, and shall Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist not exceed €12,500 (converted into the currency of the Sale using only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same the European Central Bank Reference rate prevailing on the date of person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph the Sale). were substituted with references to the Seller. It may be advisable to notify your debit or credit card provider of your 15. BOOKS Hammer Price Percentage amount intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all From €0 to €50,000 4% seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. From €50,000.01 to €200,000 3% However, you will be entitled to reject a Book in the circumstances set From €200,000.01 to €350,000 1% Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots From €350,000.01 to €500,000 0.5% account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are Exceeding €500,000 0.25% payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. We reserve the rights to investigate and identify the source of any funds 16. CLOCKS AND WATCHES received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good

NTB/MAIN/V1/3.2020 details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication Appendix 2 at the back of the Catalogue. Please read the terms of the specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the firstLot in a 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot contained in the Catalogue or otherwise, whether given orally or in to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under the part of management or staff, or for indirect losses or consequential 27.5% up to £2,500 of the Hammer Price Limited. responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price above £2,500 and up to £300,000 you. 21. PICTURES other charges that may be payable thereon. source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price above £300,000 and up to £3,000,000 Cash: you may pay for Lots purchased by you at this Sale In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent of whether the said loss or damage is caused by or claimed in respect 13.9% of the Hammer Price above £3,000,000 with notes or coins in the currency in which the Sale is conducted to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled to payment of a sum which will not exceed by way of maximum the Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the to inform themselves of all such regulations and should expect the the artist and of a later date; Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Y Subject to CITES regulations when exporting these items outside Hammer Price calculated in accordance with the table below, and shall exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist the EU, see clause 13. not exceed €12,500 (converted into the currency of the Sale using 18. FURNITURE the artist; only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same TP Objects displayed with a TP will be located at the Cadogan the European Central Bank Reference rate prevailing on the date of Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph Tate warehouse and will only be available for collection from this the Sale). Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; were substituted with references to the Seller. location. It may be advisable to notify your debit or credit card provider of your upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion 15. BOOKS W Objects displayed with a w will be located in the Bonhams Hammer Price Percentage amount of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all Warehouse and will only be available for collection from this From €0 to €50,000 4% 19. JEWELLERY another hand. seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. location. From €50,000.01 to €200,000 3% Gemstones 22. PORCELAIN AND GLASS However, you will be entitled to reject a Book in the circumstances set Δ Wines lying in Bond. From €200,000.01 to €350,000 1% Historically many gemstones have been subjected to a variety of Damage and Restoration Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots AR An Additional Premium will be payable to us by the Buyer to From €350,000.01 to €500,000 0.5% treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are cover our Expenses relating to payment of royalties under the Exceeding €500,000 0.25% routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in We reserve the rights to investigate and identify the source of any funds ○ The Seller has been guaranteed a minimum price for the Lot, 16. CLOCKS AND WATCHES Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/3.2020 NTB/MAIN/V1/3.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the purpose. Seller at the Sale or any other auction or by private treaty until IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any

NTB/MAIN/V1/3.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and purpose. Seller at the Sale or any other auction or by private treaty until if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in contract, and generally at law. payable by you on all such sums. Contract. taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If

NTB/MAIN/V1/3.2020 NTB/MAIN/V1/3.2020 you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in or excluding or restricting any person’s rights or remedies in 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. contract; and in any event within one year after the Sale, that the Lot is a 11 BOOKS MISSING TEXT OR ILLUSTRATIONS 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. Seller (or that such a claim can reasonably be expected to be damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or

NTB/MAIN/V1/3.2020 communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Sale date: appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You 12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the should read the Conditions in conjunction with the Sale no. Sale venue: and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers any statement or representation in any way descriptive section of the public into fear. General Bid Increments: agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s GLOSSARY copy of our Privacy Policy can be found on our website of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. the Sale. “Notional Price” the latest in time of the average of the high and low “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer Form or our Telephone Bidding Form. Catalogues. before the contract is made. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; “Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/3.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Fine Glass and British Ceramics 29 September 2020 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. 26314 Sale venue: Knightsbridge Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A £5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Company Registration number (if applicable) interest to you including those provided by third parties. If you do not want to receive such information (except for Address information you specifically requested) please tick this box City Would you like to receive e-mailed information from us? if so please tick this box Post / Zip code County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone (landline) ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a E-mail (in capitals) copy of their articles of association / company registration Please answer all questions below documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3. you may also be asked to provide a bank reference. 3. Bidder's name, address and contact details (phone and email): If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement I will collect the purchases myself Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: Please arrange shippers to contact me with Yes No - - a quote and I agree that you may pass them / my contact details. Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Bidder/Agent’s (please delete one) signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19

Fine Glass and British Ceramics I Montpelier Street, London I 29 September 2020

Bonhams Montpelier Street Knightsbridge, London SW7 1HH 26314

+44 (0) 20 7393 3900 bonhams.com

AUCTIONEERS SINCE 1793