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JOURNAL of MUSIC and AUDIO Issue 4, April 11, 2016
Issue 4, April 11, 2016 JOURNAL OF MUSIC AND AUDIO Copper Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Subscribe copper.psaudio.com/home/ Page 2 Credits Issue 11, July 18, 2016 JOURNAL OF MUSIC AND AUDIO Publisher Paul McGowan Editor Bill Leebens Copper Columnists Richard Murison Dan Schwartz Bill Leebens Lawrence Schenbeck Duncan Taylor WL Woodward Writers Inquiries [email protected] Ken Kessler 720 406 8946 Eric Franklin Shook Boulder, Colorado Bill Leebens USA Copyright © 2016 PS Audio International Copper magazine is a free publication made possible by its publisher, PS Audio. We make every effort to uphold our editorial integrity and strive to offer honest content for your enjoyment. Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Page 3 Copper JOURNAL OF MUSIC AND AUDIO Issue 11 - July 18, 2016 Opening Salvo Letter from the Editor Bill Leebens Welcome to Copper #11! Wherever you are, we hope it’s not as hot and dry as it is here in literally-on-fire Colorado. Here in mid-July, most folks are approaching some sort of break or vacation. We’ll keep plugging away, but the world of audio shows is about to go on hiatus, following the highly-energetic Capital Audiofest (and we’re happy to offer an amazing photo spread from CapFest by Eric Franklin Shook). The Rocky Mountain Audio Fest is the next major show in North Amer- ica, coinciding with the turning of the leaves here in early October. TAVES, in Toronto, quickly follows in November, and rumors are ram- pant about a show in NYC. -
16-17 Master Pages 11/17/11 8:13 PM Page 16
16-17_Master Pages 11/17/11 8:13 PM Page 16 Interviewed by phone from his home-based Cedar Crest Studio in Henderson, Ark., overlooking Lake Norfolk, Ketchum's conversation is full of humor and humility. He Bob Ketchum’s multimedia bio was speaking with Entertainment Fort Smith on the eve of a shared birthday: Ketchum turned 65 and his son Robert W. Ketchum III was 14. brings back ’70s Rock memories Ketchum's marriage to his wife, Jane; the birth of their son, a close relationship with his older by Lynn Wasson daughter, Missy, and his grandchildren are the joy he calls “a gift of a second chance at life.” Face the Music includes Ketchum's career after his Fort Smith radio years, establishing an audio/video recording business near Mountain Home in the house his parents built at Lake Norfolk. His personal life and career have been a bumpy but enthusiastic ride, pitting his unflagging passion for music with the tough realities of “the music business.” Local music fans will recognize bands and artists Paperkid, Joe Hamilton, Judge Parker, the Cate Brothers and many more who were recorded by Ketchum. Cedar Crest Studio also recorded pre-production tracks for the Swedish metal band Krokus. The book's highlight for Fort Smith readers, however, will be Ketchum's retelling of memories they share with him. Besides “Album Review,” radio listeners from 1969-75 may remember the station's truck with a Plexiglas window revealing Ketchum inside spinning 45s at live remote events and “battles of bands.” Ketchum at the board at KWHN/KMAG, which broadcast his show “Album Review.” “The vehicle was a converted bread truck, an Inset: Whizz performs at a KISR Frisbee Festival in 1974. -
Leni Sinclair Is the 2016 Kresge Eminent Artist
2016 KRESGE EMINENT ARTIST LENI SINC LAIR The Kresge Eminent Artist Award honors an exceptional artist in the visual, performing or literary arts for lifelong profes- sional achievements and contributions to metropolitan Detroit’s cultural community. | Leni Sinclair is the 2016 Kresge Eminent Artist. This monograph commemorates her life and work. Fred “Sonic” Smith in concert with the MC5 at Michigan State University, Lansing, Michigan, 1969. Front Cover: Dallas Hodge Band concert at Gallup Park, Ann Arbor, Michigan, 1974. 5 Forward Other Voices 42 The Greatness 76 “John Sinclair” Kresge Arts in Detroit By Rip Rapson 13 Hugh “Buck” Davis of Leni Sinclair By John Lennon 108 2015-16 Kresge Arts in Detroit President and CEO 27 Bill Harris By John Sinclair Advisory Council The Kresge Foundation 35 Robin Eichele 78 A People’s History of the 47 Harvey Ovshinsky CIA Bombing Conspiracy 108 The Kresge Eminent Artist 6 Artist’s Statement 55 Peter Werbe Art (The Keith Case): Or, Award and Winners 71 Juanita Moore and Lars Bjorn 52 When Photography How the White Panthers 85 Judge Damon J. Keith is Revolution: Saved the Movement 110 About The Kresge Foundation Life 97 Rebecca Derminer Notes on Leni Sinclair By Hugh “Buck” Davis Board of Trustees 10 Leni Sinclair: Back 97 Barbara Weinberg Barefield By Cary Loren Credits In The Picture 90 Photographs: Acknowledgements By Sue Levytsky 62 Leni Sinclair: The Times 40 Coming to Amerika: Out of the Dark 22 A Reader’s Guide Leni Sinclair Chronicled Our By Herb Boyd 100 Biography Dreams and Aspirations 24 Photographs: By George Tysh 107 Our Congratulations Michelle Perron The Music Activism 68 The Evolution of Director, Kresge Arts in Detroit a Commune 107 A Note From By Leni Sinclair Richard L. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
(PDF) from "Queers in History"
ueers QiN HiSTORY The Comprehensive Encyclopedia of Historical Gays, Lesbians, Bisexuals, and Transgenders Keith Stern BENBELLA BOOKS, INC. Dallas, Texas Copyright © 2009 by Keith Stern Image permissions appear below each image or in the section titled “Image Details” at the back of the book. Academy Award, Barbie, Coca-Cola, Emmy, Golden Globe, Oscar, and Tony are all registered trademarks of their respective companies. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. BenBella Books, Inc. 6440 N. Central Expressway, Suite 503 Dallas, TX 75206 www.benbellabooks.com Send feedback to [email protected] Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data is available for this title. ISBN 978-1933771-87-8 Proofreading by Gregory Teague, Erica Lovett, and Stacia Seaman Front cover design by Chip Kidd Full cover design by Moxie Studio Text design and composition by John Reinhardt Book Design Printed by Bang Printing Distributed by Perseus Distribution perseusdistribution.com To place orders through Perseus Distribution: Tel: 800-343-4499 Fax: 800-351-5073 E-mail: [email protected] Significant discounts for bulk sales are available. Please contact Glenn Yeffeth at [email protected] or (214) 750-3628. Contents Foreword .................................. vii N ........................................ 337 Introduction -
Paul Kramer Was Born in Detroit “Rock City!” He Has Been Playing Guitar for Over Three Decades
Paul Kramer was born in Detroit “Rock City!” He has been playing guitar for over three decades. Christened “Detroit’s Best Rock Guitarist,” he defeated over 1,000 contestants in the state inaugural competition in 1989. In the last 19 years, Paul has played at over 2,000 music workshops & trade show clinics for Korg, Marshall, and Vox. Chances are, you’ve heard Paul play guitar on Utube and car commercial or sports telecasts. He’s worked on projects for some of the largest scoring and film production houses in Detroit. His previous performance resume includes countless studio and live appearances with artists including: • Mark Farner (Grand Funk); • Rob Tyner (MC5); • Ted Nugent; • Derek St. Holmes; • Stu Hamm; • Billy Sheehan (Mr.Big); • Phil Keaggy; • Buddy Guy, • Peter Tork (The Monkees) and • Gary Shea (Alcatrazz & New England). Formally trained in Classical and Jazz guitar, Paul taught privately for 20 years. Among his thousands of students was John Lowery (a.k.a. John5). Paul had two successful Detroit rock bands, "Pleezer and CODA," in the late 80's and early 90's. During the 90s, he was the senior Guitar Product Specialist for Korg Inc., displaying his extraordinary playing abilities at NAMM conventions and in-store appearances around the globe. For over six years, Paul served as Product Manager of VOX Amplification, Korg ToneWorks Effects, and Tuner products. Paul has released two solo instrumental CD's, "Seasons in 1996" and "The Red Planet in 2000." He is currently in Detroit finishing a new CD project, "Plain Vu" with Sponge Vocalist Vinnie, Joe Satriani drummer Jeff Campitelli, bass guitarist Richard (Guido) Milligan, and WSG Jimmie Bones on keyboards. -
Blair's IPOD List
Blair’s IPOD list USAFA Class of 68 Music 1. Stranger on the Shore Ackerbilt 2. Boy From New York City Ad Libs 3. Magnificent Seven Theme Al Caiola 4. Alley Cat Al Hirt 5. Mary in the Morning Al Martino 6. Theme from Love Story Andy Williams 7. Moon River Andy Williams 8. Charade Andy Williams 9. We Gotta Get Out Of This Place Animals 10. House of the Rising Sun Animals 11. It's My Life Animals 12. Don’t Let Me be Misunderstood Animals 13. Teach Me Tiger April Stevens 14. Deep Purple April Stevens/N. Tempo 15. Respect Aretha Franklin 16. Think Aretha Franklin 17. Chain of Fools Aretha Franklin 18. Tighten Up Archie Bell & the Drells 19. You Better Move On Arthur Alexander 20. Sweet Soul Music Arthur Conley 21. Along Comes Mary Association 22. Never My Love Association 23. Cherish Association 24. Baja The Astronauts 25. Soul Finger Bar-Kays 26. I Know Barbara George 27. Baby I’m Yours Barbara Lewis 28. Eve of Destruction Barry McGuire 29. The Ballad of the Green Berets Barry Sadler 30. Little Deuce Coupe Beach Boys 31. God Only Knows Beach Boys 32. Wouldn't It Be Nice Beach Boys 33. That's Not Me Beach Boys 34. Be True to Your School Beach Boys 35. California Girls Beach Boys 36. Dance,Dance,Dance Beach Boys 37. Don't Worry Baby Beach Boys file:///E|/Webmaster/usafa/USAFAsonglist2.htm (1 of 15) [2/10/2007 2:12:55 PM] Blair’s IPOD list 38. Fun Fun Fun Beach Boys 39. -
The Civics of Rock: Sixties Countercultural Music and The
THE CIVICS OF ROCK: SIXTIES COUNTERCULTURAL MUSIC AND THE TRANSFORMATION OF THE PUBLIC SPHERE by Michael Jacob Kramer A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2006 Approved by Advisor: John F. Kasson Reader: Robert Cantwell Reader: Peter Filene Reader: Lawrence Grossberg Reader: Jacquelyn Hall © 2006 Michael Jacob Kramer ALL RIGHTS RESERVED ii ABSTRACT MICHAEL KRAMER: The Civics of Rock: Sixties Countercultural Music and the Transformation of the Public Sphere (Under the direction of Professor John F. Kasson) For the counterculture of the 1960s and 70s, rock music was not only mass entertainment, but also a form of public life. While many scholars have argued that rock was incompatible with civic participation, this book claims that in music scenes such as San Francisco, in poster art and dancing, on the radio and in print publications, rock served as a flash point for dilemmas of citizenship and civil society. As frequently as it deteriorated into escapism and hedonism, rock also created an atmosphere of inquiry in which the young might listen, think, move, and feel their way through issues of public and civic interaction, such as identity, belonging, power, and democracy. Even when exported by the American military to Vietnam or when circulating to youth movements worldwide, far from eclipsing public life, rock music transformed it into a mass-mediated mode of association -
LOW FLYING PLANES SONG LIST--By "Artist Or Group" 205 Songs & Growing
LOW FLYING PLANES SONG LIST--by "Artist or Group" 205 Songs & Growing Aerosmith: Sweet Emotion, Walk This Way Allman Brothers: One Way Out; Statesboro Blues Aloe Blacc: Can You Do This Alan Jackson: Five O’Clock Somewhere America: Tin Man Archie’s: Sugar, Sugar Atlanta Rhythm Section: Spooky Average White Band: Pick up the Pieces Bad Company: Can't Get Enough of Your Love Band, The: The Weight Beatles, The: Back In the USSR; Drive My Car; Get Back; Saw Her Standing There; I Want To Hold Your Hand; She Loves You; Hey Jude; Help; All My Lovin’; Tell Me Why. Ben E. King: Stand By Me Billy Currington: Pretty Good At Drinking Beer Billy Idol: Mony, Mony; White Wedding Black Crowes: Hard to Handle Blink 182: All the Small Things 1 Blue Oyster Cult: Don't Fear the Reaper; I'm Burnin' For You Bob Seger: Ramblin' Gamblin' Man Bobby "Boris" Pickett: Monster Mash Boxtops, The: The Letter Bozz Scaggs: Lido Shuffle Brooks & Dunn: Boot Scootin' Boogie Bruce Springsteen: Pink Cadillac Bruno Mars: Uptown Funk Cars, The: Just What I needed Chuck Berry: Johnny B. Goode Chumbawamba: Tubthumping Clash, The: Should I Stay Or Should I Go Commodores: Brick House Credence Clearwater Revival: Proud Mary Daft Punk: Get Lucky Darius Rucker: Wagon Wheel Deep Purple: Hush Delbert McClinton: Givin' It Up for Your Love Dire Straits: Money For Nothin' DNC: Cake by the Ocean Doobie Brothers: China Grove, Listen to the Music Doors, The: Love Her Madly Eagles: Already Gone; Peaceful Easy Feeling; Take It Easy 2 Earth, Wind & Fire: September Eddie Money: Two Tickets To -
Fallguidetotheartsfal Lguidetothearts
The new season is arriving and our Guide to the Arts will give you a preview of the promises that holds. We’ve listed a wide range of area venues offering theater, dance, music and events and a peek into their upcoming performances. Theaters & Venues cinema, concerts and other theatrical events. national and international musicians. with Music, Dance & 1 Neumann Dr., Aston. Neumann.edu 5753 Main St., Rock Hall F MainStayRockHall.org Theater Performances Sight & Sound Theatres * Charlie Byrd Tribute, Miles & Steve Brown Duo, SUBURBAN PA COUNTIES Faith-based live theater that’s been described as July 2018 A “Christian Broadway.” RUNA American Music Theatre 300 Hartman Bridge Rd., Strasburg. Sight-Sound.com PHILADELPHIA Featuring both touring concerts and original shows * Jesus in a 1,600-seat theater, from Broadway tours to rock The Academy of Music legends to today’s hottest acts. L Uptown! Knauer Performing Arts Center Opened in 1857, it’s the oldest grand opera house 2425 Lincoln Hwy E., Lancaster Promoting cultural, economic and civic life through in the country still used for its original purpose. This AmericanMusicTheatre.com live theater, music, dance and film. The theater has 2,900-seat venue is both a celebrated historic land- * The Texas Tenors, Rock at the Park, Dione L nine resident companies with three separate perfor- mark and a contemporary concert hall. mance spaces. Broad & Locust Sts. AcademyOfMusic.org Bird-in-Hand Stage 226 N. High St., West Chester * Aladdin, Love Never Dies, Fiddler on the Roof Offering exceptional entertainment, including UptownWestChester.org Annenberg Center for the Performing Arts Broadway-style musical theater and magic shows— * Better Than Bacon: Interactive Improv Comedy, one of Lancaster County’s must-see stops for live G Dedicated to the advancement of a diverse and The World Famous Glenn Miller Orchestra, thriving cultural community through innovation performances. -
Wk 41 – 1967 Oct 14 – USA Top 100
Wk 41 – 1967 Oct 14 – USA Top 100 1 1 10 THE LETTER Box Tops 2 2 8 NEVER MY LOVE Association 3 11 6 TO SIR WITH LOVE Lulu 4 5 7 LITTLE OLE MAN Bill Cosby 5 3 11 ODE TO BILLY JOE Bobbie Gentry 6 6 10 HIGHER AND HIGHER Jackie Wilson 7 4 13 COME BACK WHEN YOU GROW UP Bobby Vee 8 9 6 HOW CAN I BE SURE Young Rascals 9 10 10 GIMME LITTLE SIGN Brenton Wood 10 20 6 SOUL MAN Sam and Dave 11 8 14 APPLES PEACHES PUMPKIN PIE Jay and the Techniques 12 19 6 HEY BABY Buckinghams 13 23 6 FOR YOUR PRECIOUS LOVE Marvin Gaye and Tammi Terrell 14 15 6 DANDELION Rolling Stones 15 17 7 EXPRESSWAY TO YOUR HEART Soul Survivors 16 16 9 GET ON UP Esquires 17 12 9 I DIG ROCK AND ROLL MUSIC Peter, Paul and Mary 18 38 3 A NATURAL WOMAN Aretha Franklin 19 24 5 YOU KEEP RUNNING AWAY Four Tops 20 13 14 BROWN EYED GIRL Van Morrison 21 14 11 FUNKY BROADWAY Wilson Pickett 22 7 10 REFLECTIONS Diana Ross and the Supremes 23 32 4 PEOPLE ARE STRANGE Doors 24 29 7 IT MUST BE HIM Vicki Carr 25 33 4 LIGHTNING'S GIRL Nancy Sinatra 26 21 11 GROOVIN' Booker T. and the MG’s 27 40 5 LET IT ALL HANG OUT Hombres 28 31 6 LET LOVE COME BETWEEN US James and Bobby Purify 29 39 4 ODE TO BILLIE JOE Kingpins 30 30 6 WHAT NOW MY LOVE Mitch Ryder 31 41 10 THE LOOK OF LOVE Dusty Springfield 32 42 4 CHILD OF CLAY Jimmie Rodgers 33 34 8 MEMPHIS SOUL STEW King Curtis 34 59 3 INCENSE AND PEPPERMINTS Strawberry Alarm Clock 35 36 6 A BANDA Herb Alpert and the Tijuana Brass 36 48 4 THE LAST WALTZ Engelbert Humperdinck 37 51 3 PLEASE LOVE ME FOREVER Bobby Vinton 38 52 3 LOVE IS STRANGE Peaches and Herb -
Rusty Wright Takes His Blues Further Down the Road
Rusty Wright Takes His Blues Further Down the Road July 30 2015 13:47 by Barry Kerzner Rusty Wright has been involved in music all his life. He loves his blues, and it shows every time he plays it, whether it’s scorching lead driven rocking blues, or blues with a jazz or country feel. Growing up in a musical family in Michigan and Alabama, he was influenced by several styles of music and learned from all of it. Forming his own band with singer guitarist wife Laurie in 2004, they had the good fortune to open for Lynyrd Skynyrd at their second gig. The band has recently issued their self released album Wonder Man, on Wright’s Sadson Music label. American Blues Scene spoke with Wright about his lifetime of playing and creating music, self releasing albums, and what blues means to him. Barry Kerzner for American Blues Scene: When did music begin for you? Rusty Wright – The very beginning for me was right from childhood. I grew up in a very musical home. My mother actually sang opera when she was very young, and was part of an opera group that did college musicals. Her real love was gospel. She loved Southern gospel, usually the four-part quartet style gospel. She had a very successful group in the ’70s called The Temples that cut five or six vinyl records and toured all over. That was my first gig, playing guitar in her backup band when I was about thirteen. I was in the blues from a very early age because not only was I surrounded by her doing that, but my dad, he came from Florence Alabama, and he had a very large vinyl record collection.