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Robert Heide Meeting Jackie
Excerpt from When Jackie Met Ethyl / Curated by Dan Cameron, May 5 – June 1, 2016 © 2016 Howl! Arts, Inc. Page 1 Robert Heide Meeting Jackie I first met Jackie Curtis through theater director Ron Link, during rehearsals of Jackie’s outrageous nostalgic/camp Hollywood comedy-play Glamour Glory, and Gold at Bastiano’s Cellar Studio in the Village. In the cast were platinum Melba LaRose Jr. playing a Jean Harlow-type screen siren, Robert De Niro in his very first acting role playing all the male parts, and Candy Darling, still a brunette before being transformed by Link—with the help of Max Factor theatrical make-up, false eyelashes, blue eye shadow, and for her hair, 20 volume peroxide mixed with white henna ammonia—into the super-blonde Goddess she is thought of today. Jackie also became a Warhol Superstar, along with her glamorous sisters Candy and Holly Woodlawn. At the time of my first introduction, Jackie was a pretty boy wearing wire-rimmed eyeglasses with natural rosy cheeks and brown hair. Initially shy and introverted, he was given a quick makeover by Svengali Link and changed, with the help of red henna, into a flaming redhead with glossy scarlet lips à la Barbara Stanwyck, Jackie’s favorite film star. Gobs of facial glitter would later add to the mix. During the run of Glamour, Glory, and Gold, Sally Kirkland, who lived upstairs from me on Christopher Street, brought along her friend Shelley Winters to Bastiano’s to see Jackie’s show. Shelley was about to open in her own play, One Night Stands of a Noisy Passenger, at the Actors’ Playhouse on Sheridan Square, and became enamored with the young, sexy, muscular De Niro, deciding to cast him in her show, where he ran around stage in his bathing trunks. -
JOAN CRAWFORD Early Life and Inspiration Joan Crawford Was Born Lucille Fay Lesueur on March 23, 1908, in San Antonio, Texas
JOAN CRAWFORD Early Life and Inspiration Joan Crawford was born Lucille Fay LeSueur on March 23, 1908, in San Antonio, Texas. Her biological father, Thomas E. LeSueur, left the family shortly after Lucille’s birth, leaving Anna Bell Johnson, her mother, behind to take care of the family. page 1 Lucille’s mother later married Henry J. Cassin, an opera house owner from Lawton, Oklahoma, which is where the family settled. Throughout her childhood there, Lucille frequently watched performances in her stepfather’s theater. Lucille, having grown up watching the many vaudeville acts perform at the theater, grew up wanting to pursue a dancing career. page 2 In 1917, Lucille’s family moved to Kansas City after her stepfather was accused of embezzlement. Cassin, a Catholic, sent Lucille to a Catholic girls’ school by the name of St. Agnes Academy. When her mother and stepfather divorced, she remained at the academy as a work student. It was there that she began dating and met a man named Ray Sterling, who inspired her to start working hard in school. page 3 In 1922, Lucille registered at Stephens College in Columbia, Missouri. However, she only attended the college for a few months before dropping out when she realized that she was not prepared enough for college. page 4 Early Career After her stint at Stephens, Lucille began dancing in various traveling choruses under the name Lucille LeSueur. While performing in Detroit, her talent was noticed by a producer named Jacob Shubert. Shubert gave her a spot in his 1924 Broadway show Innocent Eyes, in which she performed in the chorus line. -
Female Monologues
The Blair Witch Project http://cli.ps/iMRUX The Blair Witch Project written by Daniel Myrick & Eduardo Sanchez Movie Summary from Wikipedia: This movie is presented as "found footage", as if pieced together from amateur footage, and popularised this style of horror movie. The film relates the story of three student filmmakers (Heather Donahue, Joshua Leonard, and Michael C. Williams) who disappeared while hiking in the Black Hills near Burkittsville, Maryland in 1994 to film a documentary about a local legend known as the Blair Witch. The viewers are told the three were never seen or heard from again, although their video and sound equipment (along with most of the footage they shot) was discovered a year later by the police department and that this "recovered footage" is the film the viewer is watching. (from the Sundance Film Festival version of the movie) Heather: I just want to apologize to Mike's mom and Josh's mom and my mom and I'm sorry to everyone. I was very naive. (looks away from camera, scared) I was very naive and very stupid and I shouldn't have put other people in danger for something that was all about me and my selfish motives. I'm so sorry for everything that has happened because in spite of what Mike says now it is my fault. Because it was my project and I insisted on everything. I insisted we weren't lost. I insisted we keep going. I insisted we walk south. Everything had to be my way and this is where we've ended up. -
Filmic Tomboy Narrative and Queer Feminist Spectatorship
UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Lynne Stahl May 2015 © 2015 Lynne Stahl ALL RIGHTS RESERVED UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP Lynne Stahl, Ph.D. Cornell University, 2015 ABSTRACT This dissertation investigates the ways in which American discourses of gender, sexuality, and emotion structure filmic narrative and the ways in which filmic narrative informs those discourses in turn. It approaches this matter through the figure of the tomboy, vastly undertheorized in literary scholarship, and explores the nodes of resistance that film form, celebrity identity, and queer emotional dispositions open up even in these narratives that obsessively domesticate their tomboy characters and pair them off with male love interests. The first chapter theorizes a mode of queer feminist spectatorship, called infelicitous reading, around the incoherently “happy” endings of tomboy films and obligatorily tragic conclusions of lesbian films; the second chapter links the political and sexual ambivalences of female-centered sports films to the ambivalent results of Title IX; and the third chapter outlines a type of queer reproductivity and feminist paranoia that emerges cumulatively in Jodie Foster’s body of work. Largely indebted to the work of Judith Butler, Lauren Berlant, and Sara Ahmed, this project engages with past and present problematics in the fields of queer theory, feminist film criticism, and affect studies—questions of nondichotomous genders, resistant spectatorship and feminist potential within linear narrative, and the chronological cues that dominant ideology builds into our understandings of gender, sexuality, narrative, and emotions. -
The Physician at the Movies Peter E
The physician at the movies Peter E. Dans, MD Kenneth Branagh (center) is Viktor Cherevin in Jack Ryan: Shadow Recruit. © MMXIV Paramount Pictures Corporation. All Rights Reserved. Photo credit: Anatoliy Vorobev. Jack Ryan: Shadow Recruit therapy. She can’t date patients but when she is no longer his Starring Chris Pine, Keira Knightley, Kevin Costner, and caregiver and has embarked on her ophthalmology residency, Kenneth Branagh. they begin a relationship. After he leaves the hospital, Ryan is Directed by Kenneth Branagh. Rated PG-13. Running time recruited by CIA operative Thomas Harper (Kevin Costner) as 105 minutes. an analyst to monitor the Russians who are plotting to destroy the dollar. We are treated to screensful of computer-generated he film opens in London on September 11, 2001, where figures and assorted mumbo-jumbo that essentially show that John Patrick Ryan (Chris Pine) is pursuing an economics the Russians are hiding numerous accounts and could dump degree.T The 9/11 attack leads him to join the Marines. Cut next billions in treasury bonds on the market at a critical time, to to Afghanistan where he and other Marines are being trans- devastating effect. Ryan is sent to Moscow, where he escapes ported in a helicopter while discussing the relative merits of killers, helps advise the tracking down of terrorists, all the the Baltimore Ravens and Cincinnati Bengals. (This dialogue while racing against the clock to prevent a stock market col- was probably an homage to Tom Clancy, a Baltimorean and lapse. He is almost killed by the person who is sent to meet the author of the Jack Ryan novels.) This is the only Ryan story him at the airport to “protect” him. -
JOURNAL of MUSIC and AUDIO Issue 4, April 11, 2016
Issue 4, April 11, 2016 JOURNAL OF MUSIC AND AUDIO Copper Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Subscribe copper.psaudio.com/home/ Page 2 Credits Issue 11, July 18, 2016 JOURNAL OF MUSIC AND AUDIO Publisher Paul McGowan Editor Bill Leebens Copper Columnists Richard Murison Dan Schwartz Bill Leebens Lawrence Schenbeck Duncan Taylor WL Woodward Writers Inquiries [email protected] Ken Kessler 720 406 8946 Eric Franklin Shook Boulder, Colorado Bill Leebens USA Copyright © 2016 PS Audio International Copper magazine is a free publication made possible by its publisher, PS Audio. We make every effort to uphold our editorial integrity and strive to offer honest content for your enjoyment. Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Page 3 Copper JOURNAL OF MUSIC AND AUDIO Issue 11 - July 18, 2016 Opening Salvo Letter from the Editor Bill Leebens Welcome to Copper #11! Wherever you are, we hope it’s not as hot and dry as it is here in literally-on-fire Colorado. Here in mid-July, most folks are approaching some sort of break or vacation. We’ll keep plugging away, but the world of audio shows is about to go on hiatus, following the highly-energetic Capital Audiofest (and we’re happy to offer an amazing photo spread from CapFest by Eric Franklin Shook). The Rocky Mountain Audio Fest is the next major show in North Amer- ica, coinciding with the turning of the leaves here in early October. TAVES, in Toronto, quickly follows in November, and rumors are ram- pant about a show in NYC. -
SCRAPBOOK of MOVIE STARS from the SILENT FILM and Early TALKIES Era
CINEMA Sanctuary Books 790 - Madison Ave - Suite 604 212 -861- 1055 New York, NY 10065 [email protected] Open by appointment www.sanctuaryrarebooks.com Featured Items THE FIRST 75 ISSUES OF FILM CULTURE Mekas, Jonas (ed.). Film Culture. [The First 75 Issues, A Near Complete Run of "Film Culture" Magazine, 1955-1985.] Mekas has been called “the Godfather of American avant-garde cinema.” He founded Film Culture with his brother, Adolfas Mekas, and covered therein a bastion of avant-garde and experimental cinema. The much acclaimed, and justly famous, journal features contributions from Rudolf Arnheim, Peter Bogdanovich, Stan Brakhage, Arlene Croce, Manny Farber, David Ehrenstein, John Fles, DeeDee Halleck, Gerard Malanga, Gregory Markopoulos, Annette Michelson, Hans Richter, Andrew Sarris, Parker Tyler, Andy Warhol, Orson Welles, and many more. The first 75 issues are collected here. Published from 1955-1985 in a range of sizes and designs, our volumes are all in very good to fine condition. Many notable issues, among them, those designed by Lithuanian Fluxus artist, George Macunias. $6,000 SCRAPBOOK of MOVIE STARS from the SILENT FILM and early TALKIES era. Staple-bound heavy cardstock wraps with tipped on photo- illustration of Mae McAvoy, with her name handwritten beneath; pp. 28, each with tipped-on and hand-labeled film stills and photographic images of celebrities, most with tissue guards. Front cover a bit sunned, lightly chipped along the edges; internally bright and clean, remarkably tidy in its layout and preservation. A collection of 110 images of actors from the silent film and early talkies era, including Inga Tidblad, Mona Martensson, Corinne Griffith, Milton Sills, Norma Talmadge, Colleen Moore, Charlie Chaplin, Lillian Gish, and many more. -
Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema
Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema Asher Benjamin Guthertz Film and Digital Media March 23, 2018 Thesis Advisor: Dr. Shelley Stamp This thesis has been completed according to the Film and Digital Media department's standards for undergraduate theses. It is submitted in partial fulfillment of the degree of Bachelor of Arts in Film and Digital Media. Introduction: Performing Resistance In the sunny California town of Santa Lisa, amidst a round of applause, veteran Frank Enley (Van Heflin) hands his toddler to his wife and struts onto a makeshift stage. In front of a crowd gathered to celebrate the opening of a new housing complex, he declares: “It was you fellas, you and your families, that really put this thing over. You stuck together and you fought for what you wanted, and if I gave you any help at all, well believe me, I am very happy.” His wife, holding their young son, beams. Frank musters all the spirit of war time camaraderie, and expresses that American belief that with hard work and a communal effort, anything is possible. But as Act of Violence (1949) unfolds, Frank’s opening speech becomes sickeningly hypocritical. A former army comrade sets out to murder Frank, and halfway through the film, Frank tells his wife Edith (Janet Leigh) why. The revelation takes place on an outdoors stairway at night. The railing and fences draw deep angular shadows on the white walls, and the canted angles sharpen the lines of the stairs and floor. A sense of enclosure looms; Frank mutters that he betrayed his troop. -
16-17 Master Pages 11/17/11 8:13 PM Page 16
16-17_Master Pages 11/17/11 8:13 PM Page 16 Interviewed by phone from his home-based Cedar Crest Studio in Henderson, Ark., overlooking Lake Norfolk, Ketchum's conversation is full of humor and humility. He Bob Ketchum’s multimedia bio was speaking with Entertainment Fort Smith on the eve of a shared birthday: Ketchum turned 65 and his son Robert W. Ketchum III was 14. brings back ’70s Rock memories Ketchum's marriage to his wife, Jane; the birth of their son, a close relationship with his older by Lynn Wasson daughter, Missy, and his grandchildren are the joy he calls “a gift of a second chance at life.” Face the Music includes Ketchum's career after his Fort Smith radio years, establishing an audio/video recording business near Mountain Home in the house his parents built at Lake Norfolk. His personal life and career have been a bumpy but enthusiastic ride, pitting his unflagging passion for music with the tough realities of “the music business.” Local music fans will recognize bands and artists Paperkid, Joe Hamilton, Judge Parker, the Cate Brothers and many more who were recorded by Ketchum. Cedar Crest Studio also recorded pre-production tracks for the Swedish metal band Krokus. The book's highlight for Fort Smith readers, however, will be Ketchum's retelling of memories they share with him. Besides “Album Review,” radio listeners from 1969-75 may remember the station's truck with a Plexiglas window revealing Ketchum inside spinning 45s at live remote events and “battles of bands.” Ketchum at the board at KWHN/KMAG, which broadcast his show “Album Review.” “The vehicle was a converted bread truck, an Inset: Whizz performs at a KISR Frisbee Festival in 1974. -
Alumna Eva Mendes Snags Joan Crawford Role in Re-Make Of
Eva Mendes on top - Entertainment - BrisbaneTimes - brisbanetimes.com.au Page 1 of 5 z Home z National News z World News z Sport z Life & Style z Entertainment z Whats On z Business z Tech z Travel z Opinion z Cars z Jobs z Real Estate z Dating Search brisbanetimes: Search here... Eva Mendes reprises a role made famous by Joan Crawford. Photo: Reuters http://www.brisbanetimes.com.au/news/entertainment/eva-mendes-on-top/2008/08/22/121... 8/25/2008 Eva Mendes on top - Entertainment - BrisbaneTimes - brisbanetimes.com.au Page 2 of 5 Eva Mendes on top Tim Elliott | August 24, 2008 - 12:00AM UNBEKNOWN to my wife, I have been seeing Eva Mendes for some years now, always in private, of course, precious moments snatched on a Sunday morning or late at night; Eva and I in bed reading aloud to one another, or Eva, mowing the lawn in her favourite palm-tree print bikini. The 34-year-old actor and model is soon to arrive in Sydney, where she will co- host September's 30 Days Of Fashion And Beauty, but I doubt we'll be hooking up. Recently she revealed to the press her love for some schmuck movie producer called George Gargurevich, who she claimed she had been with for six years. Hussy. It's said that the 1930s screen vixen Mae West was one of the first Westerners to understand karmic energy, that she took all the lustful male thoughts directed her way and cultivated them like a garden. If West was right, Mendes could have by now grown not just a garden but her own rooftop nature reserve, 200-hectare private rainforest and tropical island retreat in the Bahamas. -
Los Angeles Lawyer Magazine May 2018
ENTERTAINMENT THE MAGAZINE OF THE LOS ANGELES COUNTY BAR ASSOCIATION 34TH ANNUAL LAW ISSUE MAY 2018 / $5 EARN MCLE CREDIT “QUOTE” REQUESTS PROHIBITED page 22 SLANTS RULE page 30 Nondisclosure and Sexual Harassment page 12 Net Neutrality Threat page 36 Based on True Events Los Angeles lawyers Saul S. Rostamian, Diana Hughes Leiden, and Lev Tsukerman examine the future of docudramas after De Havilland v. FX page 16 2018 EntertainmentLawIssue FEATURES 16 Based on True Events BY SAUL S. ROSTAMIAN, DIANA HUGHES LEIDEN, AND LEV TSUKERMAN The specter of the California Supreme Court overturning the appellate decision in De Havilland v. FX Neworks creates additional uncertainty in the production of docudramas 22 Quote No More BY NESTOR BARRERO, SAYAKA KARITANI, AND JADE BREWSTER Labor Code Section 432.3, the latest milestone in California's evolving efforts toward equal pay, prohibits employers from requesting salary or compensation history Plus: Earn MCLE credit. MCLE Test No. 278 appears on page 25. 30 SLANTS Rule BY DREW WILSON In Matal v. Tam, the U.S. Supreme Court found the prohibition against disparaging trademarks to be unconstitutional Los Angeles Lawyer DEPARTME NTS the magazine of the Los Angeles County 8 LACBA Matters 12 Practice Tips Bar Association New LACBA position focuses on diversity #MeToo challenges confidentiality and May 2018 and inclusion nondisclosure agreements BY STAN BISSEY BY ANN FROMHOLZ AND JEANETTE LABA Volume 41, No. 3 9 On Direct 36 Closing Argument COVER PHOTOS CREDITS: OLIVIA DE HAVILLAND: Jeffrey B. Valle The FCC's worrisome repeal of net NBC/GETTY IMAGES INTERVIEW BY DEBORAH KELLY neutrality rules CATHERINE ZETA JONES: KURT ISWARIENCO/FX/SHUTTERSTOCK BY JAMES E. -
Leni Sinclair Is the 2016 Kresge Eminent Artist
2016 KRESGE EMINENT ARTIST LENI SINC LAIR The Kresge Eminent Artist Award honors an exceptional artist in the visual, performing or literary arts for lifelong profes- sional achievements and contributions to metropolitan Detroit’s cultural community. | Leni Sinclair is the 2016 Kresge Eminent Artist. This monograph commemorates her life and work. Fred “Sonic” Smith in concert with the MC5 at Michigan State University, Lansing, Michigan, 1969. Front Cover: Dallas Hodge Band concert at Gallup Park, Ann Arbor, Michigan, 1974. 5 Forward Other Voices 42 The Greatness 76 “John Sinclair” Kresge Arts in Detroit By Rip Rapson 13 Hugh “Buck” Davis of Leni Sinclair By John Lennon 108 2015-16 Kresge Arts in Detroit President and CEO 27 Bill Harris By John Sinclair Advisory Council The Kresge Foundation 35 Robin Eichele 78 A People’s History of the 47 Harvey Ovshinsky CIA Bombing Conspiracy 108 The Kresge Eminent Artist 6 Artist’s Statement 55 Peter Werbe Art (The Keith Case): Or, Award and Winners 71 Juanita Moore and Lars Bjorn 52 When Photography How the White Panthers 85 Judge Damon J. Keith is Revolution: Saved the Movement 110 About The Kresge Foundation Life 97 Rebecca Derminer Notes on Leni Sinclair By Hugh “Buck” Davis Board of Trustees 10 Leni Sinclair: Back 97 Barbara Weinberg Barefield By Cary Loren Credits In The Picture 90 Photographs: Acknowledgements By Sue Levytsky 62 Leni Sinclair: The Times 40 Coming to Amerika: Out of the Dark 22 A Reader’s Guide Leni Sinclair Chronicled Our By Herb Boyd 100 Biography Dreams and Aspirations 24 Photographs: By George Tysh 107 Our Congratulations Michelle Perron The Music Activism 68 The Evolution of Director, Kresge Arts in Detroit a Commune 107 A Note From By Leni Sinclair Richard L.