Female Monologues

Total Page:16

File Type:pdf, Size:1020Kb

Female Monologues The Blair Witch Project http://cli.ps/iMRUX The Blair Witch Project written by Daniel Myrick & Eduardo Sanchez Movie Summary from Wikipedia: This movie is presented as "found footage", as if pieced together from amateur footage, and popularised this style of horror movie. The film relates the story of three student filmmakers (Heather Donahue, Joshua Leonard, and Michael C. Williams) who disappeared while hiking in the Black Hills near Burkittsville, Maryland in 1994 to film a documentary about a local legend known as the Blair Witch. The viewers are told the three were never seen or heard from again, although their video and sound equipment (along with most of the footage they shot) was discovered a year later by the police department and that this "recovered footage" is the film the viewer is watching. (from the Sundance Film Festival version of the movie) Heather: I just want to apologize to Mike's mom and Josh's mom and my mom and I'm sorry to everyone. I was very naive. (looks away from camera, scared) I was very naive and very stupid and I shouldn't have put other people in danger for something that was all about me and my selfish motives. I'm so sorry for everything that has happened because in spite of what Mike says now it is my fault. Because it was my project and I insisted on everything. I insisted we weren't lost. I insisted we keep going. I insisted we walk south. Everything had to be my way and this is where we've ended up. And it's all because of me we're here now hungry and cold and hunted. I love you mom and dad. I am so sorry. It was never my intention to hurt any one and I hope that's clear. (begins to hyperventilate) I am so scared. What was that? I'm scared to close my eyes and I'm scared to open them. I'm going to die out here. Every night we just wait for them to come. (breaks down and sobs) Mommie Dearest http://cli.ps/ZQMf Movie Summary from Wikipedia: Joan Crawford is a driven actress and compulsively clean housekeeper who tries to control the lives of those around her as tightly as she controls herself. To prepare for a work day at MGM Studios, she rises at 4:00 am and engages in a strict morning ritual: scrubbing her face with soap and boiling hot water, then plunging her head into a vat of distilled water and ice to close the pores. Joan’s career is in a bit of a downswing. She desperately wants a baby, but is unable to get pregnant; seven pregnancies when she was married ended in miscarriages. Joan adopts a girl whom she names Christina, and later a boy, Christopher. Joan lavishes Christina with attention and luxuries such as an extravagant birthday party, but also enforces a code of discipline. When Christina is showered with gifts, Joan asks which she likes best, then donates the other gifts to charity. In the most infamous scene of the film, Joan, with her face slathered in cold cream, stalks into Christina's bedroom in the middle of the night and discovers one of the child's dresses hanging on a wire hanger. She launches into a tirade, screaming at the girl, "I told you! No wire hangers, ever!" She yanks dresses from Christina's closet, throws them all over the girl's room and beats the screaming girl with the hanger. Joan wrecks the bathroom as well, throwing cleaning powder all over the already spotless bathroom. Joan Crawford: No wire hangers! What's wire hangers doing in this closet when I told you no wire hangers, ever? I work and work until I'm half dead, and I hear people saying she's getting old, and what do I get? A daughter... ...who cares as much about the beautiful dresses I give her as she cares about me! What's wire hangers doing in this closet? Answer me! I buy you beautiful dresses, and you treat them like they were some dishrag. You do! A three-hundred- dollar dress on a wire hanger? We'll see how many you've hidden over here. We'll see. We'll see! Get out of that bed! Out! Out! We're going to see how many wire hangers you've got in your closet. Why? Why? Christina, get out of that bed! Get out of that bed!You live in the most beautiful house in Brentwood,and you don't care if your clothes look hunchbacked from wire hangers. And your room looks like a two-dollar-a-week priced room in some cheap little backstreet town in Oklahoma! Get up! Get up, clean up this mess. Did you scrub the bathroom floor today? Did you? When I taught you to call me that... ...I wanted you to mean it. Come here! Look at this floor! Do you call that clean? Do you? Do you think it's clean? Do you think it's clean? Look at that. Do you see? Dirt on the floor. We're going to clean this floor, you and me together. Go! Scrub hard. Scrub! Scrub, Christina! This floor is not clean. Look at it! It's not clean! Nothing is clean. This whole place is a mess! Clean up this mess! You figure it out. Steel Magnolias written by Robert Harling http://cli.ps/ZDSP Summary from Wikipedia: The film is about the bond among a group of women from a parish in the Natchitoches, Louisiana, area. Annelle Dupuy a recent beauty school graduate, is hired by Truvy Jones (Dolly Parton) to work in her home-based beauty salon. M'Lynn Eatenton (Sally Field), a good friend of Truvy's, and her daughter, Shelby (Julia Roberts), arrive at Truvy's to prepare for Shelby's wedding, which is taking place later that day. Also arriving at the salon are Ouiser (pronounced "Weezer" or "Weeza") Boudreaux (Shirley MacLaine), a grouchy, two-time widow, and Clairee Belcher (Olympia Dukakis), also a widow, who is cheerful and enjoys taking cracks at Ouiser whenever possible. During an argument with her mother over whether or not she should bear a child, Shelby, who has type one diabetes, falls into a state of hypoglycemia, but she recovers quickly with some orange juice provided by her mother and the other women in the salon. Several months pass, and Shelby announces to her family that she and her husband Jackson (Dylan McDermott) are expecting their first child. Although the majority of her family is thrilled, M'Lynn is worried that Shelby's body cannot handle the stress of childbirth. Shelby successfully delivers a baby boy, Jackson Jr. However, several months later Shelby begins showing signs of kidney failure and starts dialysis. M'Lynn offers to donate a kidney to her daughter and the transplant takes place the day after Jackson Jr's first birthday. Three to four months following the transplant, Shelby's body rejects the kidney and she collapses into a coma. The doctors inform the family that Shelby will likely remain comatose indefinitely, and her family and husband jointly decide to remove Shelby from life support. At the funeral, after the other mourners have left, M'Lynn breaks down in hysterics in front of Clairee, Truvy, Annelle and Ouiser, but the other women are able to give support to M'Lynn through humor and love. Later, at the wake, M'Lynn begins to accept her daughter's death and focuses her energy on helping Jackson raise his son/her grandson. M'Lynn: No.. I couldn't leave my Shelby. I just sat there and kept pushin' the way I always have where Shelby was concerned.... I was hopin' she'd sit up and argue with me. Finally we realized there was no hope. They turned off the machines. (Pause) Drum left.. couldn't take it. Jackson left. (Slight "laugh") I find it amusin'.. men are supposed to be made outta steel or somethin. I just sat there. I just held Shelby's hand. Oh God.. I realize as a woman how lucky I am! I was there when that beautiful creature drifted into my life.. and I was there when she drifted out of it. It was the most precious moment of my life... [Sighs] I gotta get back. Has anyone got a mirror? (someone gives her a mirror) M'Lynn: [Looking in mirror, upset] Shelby was right! This IS a brown foot ball helmet!!!! [Begins to cry] (Someone asks her if she’s OK). M'Lynn: I'm fine.. I'm fine.. I'm fine.. I'm FINE! [sobbing/screaming] I could jog all the way to Texas and back.. but my daughter can't!! She never could!! Oh.. God.....I'm so mad I don't know what to do!! I wanna know why! I wanna know WHY Shelby's life is over!! I wanna HOW that baby will EVER know how wonderful his mother was.. Will he EVER know what she went THROUGH for him? Oh God I wanna know WHY? WHY? Lord...I wish I could understand! No...NO...NO!! It's not supposed to happen this way! I'm supposed to go first!! I've always been ready to go first! I don't think I can take this.. I.. I don't think I can take this! I just wanna hit somethin'! I just wanna hit somebody.. till they feel as bad as I do!! I just wanna hit something! I wanna hit it HARD! Clueless written by Amy Heckerling http://www.youtube.com/watch?v=rT7pOGT4WoA (different scene than the one below but you still get a good sense of the character) Summary from Wikipedia: Cher Horowitz (Alicia Silverstone) is a good-natured but superficial girl who is attractive, popular, and extremely wealthy.
Loading...
Loading...
Loading...
Loading...
Loading...

5 pages remaining, click to load more.

Recommended publications
  • Robert Heide Meeting Jackie
    Excerpt from When Jackie Met Ethyl / Curated by Dan Cameron, May 5 – June 1, 2016 © 2016 Howl! Arts, Inc. Page 1 Robert Heide Meeting Jackie I first met Jackie Curtis through theater director Ron Link, during rehearsals of Jackie’s outrageous nostalgic/camp Hollywood comedy-play Glamour Glory, and Gold at Bastiano’s Cellar Studio in the Village. In the cast were platinum Melba LaRose Jr. playing a Jean Harlow-type screen siren, Robert De Niro in his very first acting role playing all the male parts, and Candy Darling, still a brunette before being transformed by Link—with the help of Max Factor theatrical make-up, false eyelashes, blue eye shadow, and for her hair, 20 volume peroxide mixed with white henna ammonia—into the super-blonde Goddess she is thought of today. Jackie also became a Warhol Superstar, along with her glamorous sisters Candy and Holly Woodlawn. At the time of my first introduction, Jackie was a pretty boy wearing wire-rimmed eyeglasses with natural rosy cheeks and brown hair. Initially shy and introverted, he was given a quick makeover by Svengali Link and changed, with the help of red henna, into a flaming redhead with glossy scarlet lips à la Barbara Stanwyck, Jackie’s favorite film star. Gobs of facial glitter would later add to the mix. During the run of Glamour, Glory, and Gold, Sally Kirkland, who lived upstairs from me on Christopher Street, brought along her friend Shelley Winters to Bastiano’s to see Jackie’s show. Shelley was about to open in her own play, One Night Stands of a Noisy Passenger, at the Actors’ Playhouse on Sheridan Square, and became enamored with the young, sexy, muscular De Niro, deciding to cast him in her show, where he ran around stage in his bathing trunks.
    [Show full text]
  • JOAN CRAWFORD Early Life and Inspiration Joan Crawford Was Born Lucille Fay Lesueur on March 23, 1908, in San Antonio, Texas
    JOAN CRAWFORD Early Life and Inspiration Joan Crawford was born Lucille Fay LeSueur on March 23, 1908, in San Antonio, Texas. Her biological father, Thomas E. LeSueur, left the family shortly after Lucille’s birth, leaving Anna Bell Johnson, her mother, behind to take care of the family. page 1 Lucille’s mother later married Henry J. Cassin, an opera house owner from Lawton, Oklahoma, which is where the family settled. Throughout her childhood there, Lucille frequently watched performances in her stepfather’s theater. Lucille, having grown up watching the many vaudeville acts perform at the theater, grew up wanting to pursue a dancing career. page 2 In 1917, Lucille’s family moved to Kansas City after her stepfather was accused of embezzlement. Cassin, a Catholic, sent Lucille to a Catholic girls’ school by the name of St. Agnes Academy. When her mother and stepfather divorced, she remained at the academy as a work student. It was there that she began dating and met a man named Ray Sterling, who inspired her to start working hard in school. page 3 In 1922, Lucille registered at Stephens College in Columbia, Missouri. However, she only attended the college for a few months before dropping out when she realized that she was not prepared enough for college. page 4 Early Career After her stint at Stephens, Lucille began dancing in various traveling choruses under the name Lucille LeSueur. While performing in Detroit, her talent was noticed by a producer named Jacob Shubert. Shubert gave her a spot in his 1924 Broadway show Innocent Eyes, in which she performed in the chorus line.
    [Show full text]
  • Pacific Symphony Pops Richard Kaufman , Conductor a S Ymphonic Night at the Movies “O Z with Orchestra ”
    SEGERSTROM CENTER FOR THE ARTS RENÉE AND HENRY SEGERSTROM CONCERT HALL Thursday –Saturday, April 7 –9, 2011, at 8:00 p.m. PRESENTS PACIFIC SYMPHONY POPS RICHARD KAUFMAN , CONDUCTOR A S YMPHONIC NIGHT AT THE MOVIES “O Z WITH ORCHESTRA ” CAST Judy Garland: Dorothy Gale Screenplay by Frank Morgan: Prof. Marvel/Emerald City Noel Langley Doorman/the Cabbie/The Florence Ryerson Wizard’s Guard/The Wizard of Edgar Allan Woolf Oz Ray Bolger: Hunk/The Scarecrow Directed by Victor Fleming Bert Lahr: Zeke/The Cowardly Lion Jack Haley: Hickory/The Tin Man Produced by Billie Burke: Glinda, the Good Witch Mervyn LeRoy Margaret Hamilton: Miss Gulch/The Wicked Witch Music by Charley Grapewin: Uncle Henry Harold Arlen (Songs) The Munchkins Herbert Stothart Film Courtesy of Warner Bros. Entertainment, Inc. PRODUCTION CREDITS Producer: John Goberman Original orchestrations reconstructed by: John Wilson and Andrew Cottee The producer wishes to acknowledge the contributions and extraordinary support of John Waxman (Themes & Variations). A Symphonic Night at the Movies is a production of PGM Productions, Inc. (New York) and appears by arrangement with IMG Artists. The Saturday, April 9 concert is generously sponsored by The Westin South Coast Plaza the Official Hotel of Pacific Symphony. Pacific Symphony proudly recognizes its Official Partners: Official Airline Official Television Station Pops Radio Sponsor ABOUT THE CONDUCTOR Kaufman has coached various actors in musical roles including Jack Nicholson, RICHARD KAUFMAN Dudley Moore, Tom Hanks, Armand Hal and Jeanette Segerstrom Family Assante, David Ogden Stiers and Susan Foundation Principal Pops Conductor Chair Sarandon. Kaufman has served as music director PRINCIPAL POPS CONDUCTOR and conductor for numerous musicals.
    [Show full text]
  • Filmic Tomboy Narrative and Queer Feminist Spectatorship
    UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Lynne Stahl May 2015 © 2015 Lynne Stahl ALL RIGHTS RESERVED UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP Lynne Stahl, Ph.D. Cornell University, 2015 ABSTRACT This dissertation investigates the ways in which American discourses of gender, sexuality, and emotion structure filmic narrative and the ways in which filmic narrative informs those discourses in turn. It approaches this matter through the figure of the tomboy, vastly undertheorized in literary scholarship, and explores the nodes of resistance that film form, celebrity identity, and queer emotional dispositions open up even in these narratives that obsessively domesticate their tomboy characters and pair them off with male love interests. The first chapter theorizes a mode of queer feminist spectatorship, called infelicitous reading, around the incoherently “happy” endings of tomboy films and obligatorily tragic conclusions of lesbian films; the second chapter links the political and sexual ambivalences of female-centered sports films to the ambivalent results of Title IX; and the third chapter outlines a type of queer reproductivity and feminist paranoia that emerges cumulatively in Jodie Foster’s body of work. Largely indebted to the work of Judith Butler, Lauren Berlant, and Sara Ahmed, this project engages with past and present problematics in the fields of queer theory, feminist film criticism, and affect studies—questions of nondichotomous genders, resistant spectatorship and feminist potential within linear narrative, and the chronological cues that dominant ideology builds into our understandings of gender, sexuality, narrative, and emotions.
    [Show full text]
  • MEMORY of the WORLD REGISTER the Wizard of Oz
    MEMORY OF THE WORLD REGISTER The Wizard of Oz (Victor Fleming 1939), produced by Metro-Goldwyn-Mayer REF N° 2006-10 PART A – ESSENTIAL INFORMATION 1 SUMMARY In 1939, as the world fell into the chaos of war, Metro-Goldwyn-Mayer released a film that espoused kindness, charity, friendship, courage, fortitude, love and generosity. It was dedicated to the “young, and the young in heart” and today it remains one of the most beloved works of cinema, embraced by audiences of all ages throughout the world. It is one of the most widely seen and influential films in all of cinema history. The Wizard of Oz (1939) has become a true cinema classic, one that resonates with hope and love every time Dorothy Gale (the inimitable Judy Garland in her signature screen performance) wistfully sings “Over the Rainbow” as she yearns for a place where “troubles melt like lemon drops” and the sky is always blue. George Eastman House takes pride in nominating The Wizard of Oz for inclusion in the Memory of the World Register because as custodian of the original Technicolor 3-strip nitrate negatives and the black and white sequences preservation negatives and soundtrack, the Museum has conserved these precious artefacts, thus ensuring the survival of this film for future generations. Working in partnership with the current legal owner, Warner Bros., the Museum has made it possible for this beloved film classic to continue to enchant and delight audiences. The original YCM negatives have been conserved at the Museum since 1975, and Warner Bros. recently completed our holdings of the film by assigning the best surviving preservation elements of the opening and closing black and white sequences and the soundtrack to our care.
    [Show full text]
  • The Physician at the Movies Peter E
    The physician at the movies Peter E. Dans, MD Kenneth Branagh (center) is Viktor Cherevin in Jack Ryan: Shadow Recruit. © MMXIV Paramount Pictures Corporation. All Rights Reserved. Photo credit: Anatoliy Vorobev. Jack Ryan: Shadow Recruit therapy. She can’t date patients but when she is no longer his Starring Chris Pine, Keira Knightley, Kevin Costner, and caregiver and has embarked on her ophthalmology residency, Kenneth Branagh. they begin a relationship. After he leaves the hospital, Ryan is Directed by Kenneth Branagh. Rated PG-13. Running time recruited by CIA operative Thomas Harper (Kevin Costner) as 105 minutes. an analyst to monitor the Russians who are plotting to destroy the dollar. We are treated to screensful of computer-generated he film opens in London on September 11, 2001, where figures and assorted mumbo-jumbo that essentially show that John Patrick Ryan (Chris Pine) is pursuing an economics the Russians are hiding numerous accounts and could dump degree.T The 9/11 attack leads him to join the Marines. Cut next billions in treasury bonds on the market at a critical time, to to Afghanistan where he and other Marines are being trans- devastating effect. Ryan is sent to Moscow, where he escapes ported in a helicopter while discussing the relative merits of killers, helps advise the tracking down of terrorists, all the the Baltimore Ravens and Cincinnati Bengals. (This dialogue while racing against the clock to prevent a stock market col- was probably an homage to Tom Clancy, a Baltimorean and lapse. He is almost killed by the person who is sent to meet the author of the Jack Ryan novels.) This is the only Ryan story him at the airport to “protect” him.
    [Show full text]
  • Universiv Micrcsilms International
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. Tlie sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • SCRAPBOOK of MOVIE STARS from the SILENT FILM and Early TALKIES Era
    CINEMA Sanctuary Books 790 - Madison Ave - Suite 604 212 -861- 1055 New York, NY 10065 sanctuaryrarebooks@gmail.com Open by appointment www.sanctuaryrarebooks.com Featured Items THE FIRST 75 ISSUES OF FILM CULTURE Mekas, Jonas (ed.). Film Culture. [The First 75 Issues, A Near Complete Run of "Film Culture" Magazine, 1955-1985.] Mekas has been called “the Godfather of American avant-garde cinema.” He founded Film Culture with his brother, Adolfas Mekas, and covered therein a bastion of avant-garde and experimental cinema. The much acclaimed, and justly famous, journal features contributions from Rudolf Arnheim, Peter Bogdanovich, Stan Brakhage, Arlene Croce, Manny Farber, David Ehrenstein, John Fles, DeeDee Halleck, Gerard Malanga, Gregory Markopoulos, Annette Michelson, Hans Richter, Andrew Sarris, Parker Tyler, Andy Warhol, Orson Welles, and many more. The first 75 issues are collected here. Published from 1955-1985 in a range of sizes and designs, our volumes are all in very good to fine condition. Many notable issues, among them, those designed by Lithuanian Fluxus artist, George Macunias. $6,000 SCRAPBOOK of MOVIE STARS from the SILENT FILM and early TALKIES era. Staple-bound heavy cardstock wraps with tipped on photo- illustration of Mae McAvoy, with her name handwritten beneath; pp. 28, each with tipped-on and hand-labeled film stills and photographic images of celebrities, most with tissue guards. Front cover a bit sunned, lightly chipped along the edges; internally bright and clean, remarkably tidy in its layout and preservation. A collection of 110 images of actors from the silent film and early talkies era, including Inga Tidblad, Mona Martensson, Corinne Griffith, Milton Sills, Norma Talmadge, Colleen Moore, Charlie Chaplin, Lillian Gish, and many more.
    [Show full text]
  • Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema
    Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema Asher Benjamin Guthertz Film and Digital Media March 23, 2018 Thesis Advisor: Dr. Shelley Stamp This thesis has been completed according to the Film and Digital Media department's standards for undergraduate theses. It is submitted in partial fulfillment of the degree of Bachelor of Arts in Film and Digital Media. Introduction: Performing Resistance In the sunny California town of Santa Lisa, amidst a round of applause, veteran Frank Enley (Van Heflin) hands his toddler to his wife and struts onto a makeshift stage. In front of a crowd gathered to celebrate the opening of a new housing complex, he declares: “It was you fellas, you and your families, that really put this thing over. You stuck together and you fought for what you wanted, and if I gave you any help at all, well believe me, I am very happy.” His wife, holding their young son, beams. Frank musters all the spirit of war time camaraderie, and expresses that American belief that with hard work and a communal effort, anything is possible. But as Act of Violence (1949) unfolds, Frank’s opening speech becomes sickeningly hypocritical. A former army comrade sets out to murder Frank, and halfway through the film, Frank tells his wife Edith (Janet Leigh) why. The revelation takes place on an outdoors stairway at night. The railing and fences draw deep angular shadows on the white walls, and the canted angles sharpen the lines of the stairs and floor. A sense of enclosure looms; Frank mutters that he betrayed his troop.
    [Show full text]
  • PROGRAM NOTES Superman March
    PROGRAM NOTES Superman March (2008) John Williams Composer, conductor, and pianist John Williams has enjoyed a career spanning six decades, Williams has composed many of the most recognizable film scores in history, including those for Jaws, the Star Wars films, Superman, the Indiana Jones films, E.T. the Extra-Terrestrial, Hook, Jurassic Park, Schindler's List, Home Alone, and three Harry Potter films; he has composed the music for all but one of Steven Spielberg's theatrical features. Other notable works by Williams include theme music for four Olympic Games, NBC Nightly News, the rededication of the Statue of Liberty, the DreamWorks Pictures production logo, and the television series Lost in Space. Williams also composed numerous classical concerti, and served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993. He is now the orchestra's laureate conductor. Williams has won five Academy Awards, four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004. Superman March This march was conducted by Mr. Williams as part of the 210th anniversary concert of the United States Marine Band, July 20, 2008 at the John F. Kennedy Center for the Performing Arts in Washington DC. The music of course is from the Richard Donner Film, Superman,and was the basis for the film’s entire musical score.
    [Show full text]
  • Alumna Eva Mendes Snags Joan Crawford Role in Re-Make Of
    Eva Mendes on top - Entertainment - BrisbaneTimes - brisbanetimes.com.au Page 1 of 5 z Home z National News z World News z Sport z Life & Style z Entertainment z Whats On z Business z Tech z Travel z Opinion z Cars z Jobs z Real Estate z Dating Search brisbanetimes: Search here... Eva Mendes reprises a role made famous by Joan Crawford. Photo: Reuters http://www.brisbanetimes.com.au/news/entertainment/eva-mendes-on-top/2008/08/22/121... 8/25/2008 Eva Mendes on top - Entertainment - BrisbaneTimes - brisbanetimes.com.au Page 2 of 5 Eva Mendes on top Tim Elliott | August 24, 2008 - 12:00AM UNBEKNOWN to my wife, I have been seeing Eva Mendes for some years now, always in private, of course, precious moments snatched on a Sunday morning or late at night; Eva and I in bed reading aloud to one another, or Eva, mowing the lawn in her favourite palm-tree print bikini. The 34-year-old actor and model is soon to arrive in Sydney, where she will co- host September's 30 Days Of Fashion And Beauty, but I doubt we'll be hooking up. Recently she revealed to the press her love for some schmuck movie producer called George Gargurevich, who she claimed she had been with for six years. Hussy. It's said that the 1930s screen vixen Mae West was one of the first Westerners to understand karmic energy, that she took all the lustful male thoughts directed her way and cultivated them like a garden. If West was right, Mendes could have by now grown not just a garden but her own rooftop nature reserve, 200-hectare private rainforest and tropical island retreat in the Bahamas.
    [Show full text]
  • Los Angeles Lawyer Magazine May 2018
    ENTERTAINMENT THE MAGAZINE OF THE LOS ANGELES COUNTY BAR ASSOCIATION 34TH ANNUAL LAW ISSUE MAY 2018 / $5 EARN MCLE CREDIT “QUOTE” REQUESTS PROHIBITED page 22 SLANTS RULE page 30 Nondisclosure and Sexual Harassment page 12 Net Neutrality Threat page 36 Based on True Events Los Angeles lawyers Saul S. Rostamian, Diana Hughes Leiden, and Lev Tsukerman examine the future of docudramas after De Havilland v. FX page 16 2018 EntertainmentLawIssue FEATURES 16 Based on True Events BY SAUL S. ROSTAMIAN, DIANA HUGHES LEIDEN, AND LEV TSUKERMAN The specter of the California Supreme Court overturning the appellate decision in De Havilland v. FX Neworks creates additional uncertainty in the production of docudramas 22 Quote No More BY NESTOR BARRERO, SAYAKA KARITANI, AND JADE BREWSTER Labor Code Section 432.3, the latest milestone in California's evolving efforts toward equal pay, prohibits employers from requesting salary or compensation history Plus: Earn MCLE credit. MCLE Test No. 278 appears on page 25. 30 SLANTS Rule BY DREW WILSON In Matal v. Tam, the U.S. Supreme Court found the prohibition against disparaging trademarks to be unconstitutional Los Angeles Lawyer DEPARTME NTS the magazine of the Los Angeles County 8 LACBA Matters 12 Practice Tips Bar Association New LACBA position focuses on diversity #MeToo challenges confidentiality and May 2018 and inclusion nondisclosure agreements BY STAN BISSEY BY ANN FROMHOLZ AND JEANETTE LABA Volume 41, No. 3 9 On Direct 36 Closing Argument COVER PHOTOS CREDITS: OLIVIA DE HAVILLAND: Jeffrey B. Valle The FCC's worrisome repeal of net NBC/GETTY IMAGES INTERVIEW BY DEBORAH KELLY neutrality rules CATHERINE ZETA JONES: KURT ISWARIENCO/FX/SHUTTERSTOCK BY JAMES E.
    [Show full text]