Theater Companies

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2017-2018 Shakespeare in American Communities: Theater Companies Theater Company City State Production Actors' Shakespeare Project Somerville MA Julius Caesar African-American Shakespeare San Company Francisco CA A Midsummer Night's Dream Alabama Shakespeare Festival Montgomery AL Much Ado About Nothing Spring American Players Theatre Green WI A Midsummer Night's Dream American Shakespeare Center Staunton VA Much Ado About Nothing and Macbeth Aquila Theatre Company Katonah NY Hamlet Barter Theatre Abingdon VA Richard III California Shakespeare Theater Berkeley CA Measure for Measure Chicago Shakespeare Theater Chicago IL A Midsummer Night's Dream Cincinnati Shakespeare Company Cincinnati OH A Midsummer Night's Dream Classic Stage Company New York NY Julius Caesar Colorado Shakespeare Festival Boulder CO Julius Caesar Denver Center Theatre Company Denver CO Macbeth Folger Theatre Washington DC The Winter's Tale Coral GableStage Gables FL The Tempest Great Lakes Theater Cleveland OH Macbeth Guthrie Theater Minneapolis MN Romeo and Juliet Hartford Stage Hartford CT A Midsummer Night's Dream Hudson Valley Shakespeare Festival Cold Spring NY Hamlet Idaho Shakespeare Festival Boise ID Julius Caesar Indiana Repertory Theatre Indianapolis IN Romeo and Juliet Kentucky Shakespeare Louisville KY A Midsummer Night's Dream Montana Shakespeare in the Parks Bozeman MT Twelfth Night Nashville Shakespeare Festival Nashville TN Hamlet Nebraska Shakespeare Festival Omaha NE Romeo and Juliet Julius Caesar, Henry IV Pt 1 & 2, The Merry Oregon Shakespeare Festival Ashland OR Wives of Windsor, Othello and Henry V Park Square Theatre St. Paul MN Hamlet Center Romeo and Juliet, Twelfth Night, Richard II, Pennsylvania Shakespeare Festival Valley PA and Henry IV Part 1 People's Light Malvern PA Romeo and Juliet Repertory Theatre of St. Louis St. Louis MO Hamlet Sandra Feinstein-Gamm Theatre Pawtucket RI As You Like It Seattle Repertory Theatre Seattle WA Macbeth Shakespeare Theatre Company Washington DC Twelfth Night and Hamlet Tennessee Shakespeare Company Germantown TN Romeo and Juliet The Shakespeare Theatre of New Florham Jersey Park NJ Macbeth and Comedy of Errors Theater at Monmouth Monmouth ME A Midsummer Night's Dream Theatre for a New Audience New York NY The Winter's Tale Trinity Repertory Company Providence RI Othello Utah Shakespeare Festival Cedar City UT Romeo and Juliet Julius Caesar and A Midsummer Night's Will Geer Theatricum Botanicum Topanga CA Dream .

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Smartdraw Document
Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company
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King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
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Opera and Music Theater Dance Readings and Workshops Lighting
J O S H U A B ENGHIAT 53 Lefferts Ave • Brooklyn, NY 11225-3901 (646) 249-2478 • [email protected] • www.BenghiatLighting.com L I G H T I N G D ESIGNER Opera and Music Chamber Music Society of Lincoln Center Lighting Designer (includes live concerts and digital broadcast) 2013 – Present Lincoln Center for the Performing Arts The White Light Festival (Assoc. Lighting Designer to Matt Frey 2011-2015) 2011 – Present Lincoln Center for the Performing Arts The Swedish Chamber Orchestra with Nina Stemme 2013 NY Opera Society & Newark Archdiocese Dialogues of the Carmelites Dir. Will Bryan 2007 The Lyric Opera of Chicago Resident Assistant 2000 – 2002 Theater The 14th Street Y Hanna and the Moonlit Dress Dir. Ronit Muszkatblit Long View Theater Company Office Politics(Premiere) Dir. Aimee Todoroff 2015 Theatre 167 Pirira (Premiere) Dir. Ari Laura Kreith 2013 Barnard College Marisol Dir. Saheem Ali 2011 New Worlds Theatre Project Under the Cross Dir. David Winitsky 2011 Midtown International Theatre Festival Until We Find Each Other Dir. David Winitsky 2010 Barter Theatre The Blue-Sky Boys (Premiere) Dir. Nicholas Piper 2010 Barter Theatre Annie Dir. Richard Rose 2010 Zoellner Arts Center, Lehigh University Our Dad is in Atlantis Dir. David Winitsky 2009 Barter Theatre Heaven Sent (Premiere) Dir. Mary Lucy Bivins 2009 Playwrights Theatre, NJ Our Dad is in Atlantis Dir. David Winitsky 2009 Luna Stage The Santaland Diaries Dir. David Winitsky 2008 What Exit? Theatre Company The Housekeeper Dir. Jim Peskin 2008 What Exit? Theatre Company The Santaland Diaries Dir. David Winitsky 2007 Columbia University The Wild Party Dir.
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Stick Fly Program
theatre.indiana.edu STICK FLY BY LYDIA R. DIAMOND DIRECTED BY LERALDO ANZALDUA A DIGITAL EVENT IU Theatre & Dance wishes to acknowledge and honor the Miami, Delaware, Potawatomi, and Shawnee people, on whose ancestral homelands and resources PRESENTS Indiana University was built. LIVE STICK FLY PERFORMANCE by Lydia R. Diamond The mission of the Department of Theatre, Drama, and Contemporary Dance is to advance the art, scholarship, and appreciation of theatre and dance and its DIRECTOR Leraldo Anzaldua place in society. We pursue this mission collectively STAGE MANAGER Jorie Miller and as individuals through theatrical productions, scholarship and publication, presentation of our work in national and international venues, formal instruction, and individual mentoring. The Department of Theatre, Drama, and Contemporary Dance is accredited by the National Association of Schools of Theatre and is a member of the University/ Stick Fly is presented by arrangement with Concord Theatricals on behalf of Resident Theatre Association Samuel French, Inc. www.concordtheatricals.com and United States Institute for Theatre Technology. Stick Fly was developed in part at Chicago Dramatists, originally produced by Congo Square Theatre and subsequently produced by McCarter Theatre Center. A further developmental production directed by Kenny Leon, was LIVING produced jointly by Arena Stage and the Huntington Theatre Company. IMPACT The video and/or audio recording of this production is strictly prohibited. A DIGITAL EVENT | FEBRUARY 12–13, 2021 3 Cast Production
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Study Guide Alice in Wonderland
Study Guide prepared by Catherine Bush Barter Playwright-in-Residence Alice in Wonderland Adapted by Catherine Bush from Lewis Carroll’s story Alice’s Adventure in Wonderland *Especially for Grades K-6 By the Barter Players – Barter on Demand (NOTE: Standards listed below include those for reading Alice’s Adventures in Wonderland, seeing a performance of the play, and completing the study guide.) Virginia SOLs English – K.1, K.5, K.8, K.9, K.12, 1.1, 1.5, 1.8, 1.9, 1.13, 2.6, 2.7, 2.8, 2.12, 3.4, 3.5, 3.9, 3.11, 4.1, 4.2, 4.4, 4.5, 4.7, 4.9, 5.1, 5.2, 5.4, 5.5, 5.7, 5.9, 6.2, 6.4, 6.5, 6.7, 6.9 Theatre Arts – 6.5, 6.7, 6.8, 6.10, 6.18, Tennessee/North Carolina Common Core State Standards English/Language Arts - Reading Literacy: K.1, K.3, K.5, K.7, K.9, 1.1, 1.2, 1.7, 1.9, 1.10, 2.1, 2.2, 2.3, 2.10, 3.1, 3.2, 3.3, 3.4, 3.5, 3.9, 3.10, 4.1, 4.2, 4.3, 4.4, 4.7, 4.9, 4.10, 5.1, 5.3, 5.4, 5.9, 5.10, 6.2, 6.4, 6.7, 6.9 English Language Arts – Writing: K.1, K.5, K.7, K.8, 1.1, 1.3, 1.5, 1.8, 2.1, 2.3, 2.5, 2.8, 3.1, 3.2, 3.3, 3.7, 3.8, 4.1, 4.2, 4.3, 4.7, 4.8, 4.9, 5.1, 5.2, 5.3, 5.7, 5.8, 5.9, 6.1, 6.2, 6.3, 6.7, 6.8, 6.9 Tennessee Fine Arts Curriculum Standards Theatre – K.1, K.3, K.4, K.5, K.6, 1.1, 1.3, 1.4, 1.5, 1.6, 2.1, 2.3, 2.4, 2.5, 2.6, 3.1, 3.3, 3.4, 3.5, 4.1, 4.3, 4.6, 4.7, 5.1, 5.3, 5.6, 5.7, 6.1, 6.3, 6.6, 6.7 North Carolina Essential Standards Theatre Arts – K.A.1, K.AE.1, 1.A.1, 1.AE.1, 1.CU.2, 2.C.2, 2.A.1, 2.AE.1, 3.C.1, 3.C.2, 3.A.1, 3.CU.1, 3.CU.2, 4.C.1, 4.A.1, 4.AE.1, 5.C.1, 5.A.1, 5.AE.1, 5.CU.2, 6.C.1, 6.C.2, 6.A.1, 6.AE.1 A Brief History Barter Theatre was founded during the Great Depression by Robert Porterfield, an enterprising young actor.
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A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
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A Midsummer Night's Dream
Otterbein University Digital Commons @ Otterbein 1983-1984 Season Productions 1981-1990 3-8-1984 A Midsummer Night's Dream Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1983-1984 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "A Midsummer Night's Dream" (1984). 1983-1984 Season. 6. https://digitalcommons.otterbein.edu/production_1983-1984/6 This Book is brought to you for free and open access by the Productions 1981-1990 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1983-1984 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. A MIDSUMMER NIGHT’S DREAM by William Shakespeare with Professional Guest Artist Marcus Smythe March 8 - 10, 1984 — 8:15 p.m. March 11, 1984 - 2:30 p.m. DIRECTOR - Ed Vaughan SCENE DESIGN - Michael Slane LIGHT DESIGN - Fred J. Thayer COSTUME DESIGN - Lucy Lee Reuther OTTERBEIN COLLEGE THEATRE Dept of Theatre & Dance L1 Center for the Arts^ GUEST ACTOR: MARCUS SMYTHE ... is privileged to have the honor of being the first Otterbein graduate (’72) to perform in the annual winter guest artist production. A native of Berea, Ohio, and later of Sylvania, he too worked in the guest artist programs learning much from the likes of Brock Peters in OTHELLO, George Grizzard in TWELFTH NIGHT, and as Mercutio in ROMEO AND JULIET with John Milligan. He first met Pat Hingle at Otterbein and later work ed with him as Happy in DEATH OF A SALESMAN at Buffalo’s Studio Arena.
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Mfoniso Udofia
oth ello By william shakespeare translated by mfoniso udofia This project is part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest. play on! othello by William Shakespeare Translated by Mfoniso Udofia directed by Christopher V. Edwards Adele Nadine Traub* — Stage Manager Eunice Woods*— Assistant Stage Manager Kristin Leahey — Dramaturg Emma Foley — Assistant Dramaturg Steve Vieira — Production Manager Colin Fleming — Sound Designer Abraham Joyner-Meyers — Sound Engineer Sanjana Kumar — Editor Jules Talbot — Graphic Designer McKayla Witt — Assistant Director Julia Luisa Lee — Production Assistant Abigayle Scobee — Production Assistant Travis Doughty — Production Assistant *Appearing through an Agreement between Actors’ Shakespeare Project, and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. about Play on! The Oregon Shakespeare Festival commissioned 36 playwrights and paired them with dramaturgs to translate 39 plays attributed to Shakespeare into contemporary modern English between the fall of 2015 and December 31, 2018. Additionally, the program commissioned two exciting Shakespearean adaptations. By seeking out a diverse set of playwrights (more than half writers of color and more than half women), it hoped to bring fresh voices and perspectives to the rigorous work of translation. Each playwright was asked to put the same pressure and rigor on language as Shakespeare did on his, keeping in mind meter, rhythm, metaphor, image, rhyme, rhetoric and emotional content. The hope was to have 39 unique side-by-side companion translations of Shakespeare’s plays that were both performable and extremely useful reference texts for both classrooms and productions.
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1998 ANNUAL REPORT the Abell Foundation, Inc
SINCE ITS THE INCEPTION, ........................................................................ THE ABELL ABELL FOUNDATION ........................................................................ HAS BEEN FOUNDATION DEDICATED ........................................................................ TO THE ANNUAL REPORT 1998 ENHANCEMENT OF THE QUALITY OF LIFE IN BALTIMORE AND MARYLAND A HISTORY OF THE ABELL FOUNDATION The Abell Foundation, formerly known as The A.S. Abell Company Foundation, was established on December 31, 1953, on the initiative of the late Harry C. Black, philanthropist and then chairman of the board of the A.S. Abell Company, publishers of the Baltimore Sunpapers. Since its inception as a private foundation incorporated in Maryland, The Abell Foundation has been dedicated to the enhancement of the quality of life in Maryland. From its beginnings, the Foundation has supported needs across the community spectrum. Early records show gifts to hospitals, educational THE institutions, culture and the arts, and human services—including the Associated Jewish Charities and the United Negro College Fund of Baltimore, Inc. FOUNDATION’S The Foundation’s mission, though shaped early on by Harry C. Black, was given firmer definition over the years by his nephew and successor, CHARGE Gary Black. With the passing of Gary Black in October of 1987, the mantle of leadership was passed to his son, Gary Black, Jr., who had trained a lifetime for TO ITSELF the position. HAS BEEN The Foundation’s leadership over the years has been supported by persons of remarkable dedication and community involvement: William S. TO ACT Abell, Thomas B. Butler, George L. Bunting, Jr., Harrison Garrett, Benjamin Griswold, III, Robert Garrett, William E. McGuirk, Jr., Sally J. Michel, Edwin F. AS AN Morgan, John E.
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2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2012 2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2012 Illinois Shakespeare Festival Program" (2012). Illinois Shakespeare Festival. 25. https://ir.library.illinoisstate.edu/isf/25 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. 'The Snyder Comyanies yresentin3 ponsors of the ... ~ 012 1([inois Shake~eare 'FestivaO ~ g~~ i) (~ JILILINOIS1 Sponsored by SHAKESPEARE (~..- - -..,.-D-ER~) THE SNYDER COMPANIES FIESlflVAL APARTMEITTS I HOTRS I INSURANCE I REAL ESTATE 2012 ·.· ]Jfft JCa,J()f! As You Like It by William Shakespeare June 27, 28,July 1, 6, 8, 12, 14, 20, 27, August 1, 5, 7, 11 Othello by William Shakespeare June 26, 29, 30, July 5, 7, 13, 15, 21, 25, 28, 31, August 3, 9 The Rivals by Richard Brinsley Sheridan July 18, 19, 22, 24, 26, 29, August 2, 4, 8, 10 Comedy of Errors by William Shakespeare (Theatre for Young Audiences) July 11, 14, 18, 21, 22, 25, 28, August I, 4, 8, 11 Three Wills and a Shakespeare (Green Show Performances) Every night of the Festival! DEB ALLEY DICK FOLSE JANET WILSON Artistic Director Managing Director Producer The 2012 Illinois Shakespeare Festival is made possible in part by funding and support provided by individuals, businesses, foundations, government agencies, and organizations.
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Aquila Theatre's Mission Is to Make Classical Works
Aquila Theatre’s mission is to make classical works accessible to the greatest number. A play becomes ‘classical’ because we recognize that after a time it transcends the original culture it was created for. It retains the power to provoke the central question of what it means to be human. As a company dedicated to the classics, we feel a responsibility to acknowledge and explore newfound classical works. Aquila was founded in London in 1991 by Peter Meineck. In 1997, Aquila became a US non-for-profit organization and is currently based in New York. Aquila’s programs include: PRODUCTIONS IN NEW YORK CITY: Aquila is a major part of New York's theatrical landscape, producing a regular season of plays. Aquila recently produced: The Trojan War: Our Warrior Chorus, based on the writings of Homer, Aeschylus, Euripides, Sophocles and reimagined through the experiences of modern day military veterans at Brooklyn Academy of Music; Romeo and Juliet, The Adventures of Sherlock Holmes and Philoctetes at GK ArtsCenter in Brooklyn, a staged workshop production of A Female Philoctetes at BAM Fisher’s Hillman Studio as part of our YouStories program, Euripides’ Herakles at BAM, Shakespeare’s Macbeth at the GYM at Judson, Shakespeare’s A Midsummer Night’s Dream, Mary Shelley’s Frankenstein, Pirandello’s Six Characters in Search of an Author, Shakespeare’s As You Like It and Ibsen’s An Enemy of the People at the Skirball Center for the Performing Arts at New York University, and Joseph Heller’s Catch-22 and Homer’s The Iliad: Book One Off-Broadway at the Lucille Lortel Theatre.
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Julius Caesar
Julius Caesar C u r r i C u l u m G u i d e for teachers and students a companion to the folger shakespeare Library edition i nside this G u i d e Shakespeare is for everyone! Overview from folger education Julius Caesar synopsis Characters in Julius Caesar From one classroom teacher to another Tips for teaching shakespeare Teaching shakespeare FAQs 2 Lesson Plans Famous Lines and Phrases from Julius Caesar Julius Caesar fact sheet Suggested additional resources About the folger O n t h e co v e r : Julius Caesar, folger shakespeare Library. see more images of Julius Caesar from the folger collection at www.folger.edu/digitalcollection. Image 1) hugo Kaeseberg and J.c.G. feldweg after Julius Kleinmichel. Shakespeare, Julius Cäsar, act III scene 2. Print, 1879. folger shakespeare Library. Image 2) 2003 children’s shakespeare festival. folger shakespeare Library. Image 3) John Gregory. Julius Caesar bas relief. Marble, 1932. folger shake- speare Library. Image 4) Julius Caesar. MGM Promotional Program, 1953. folger shakespeare Library. At the Folger, we love to see students take Shakespeare and make it their own. We believe that Shakespeare is for everyone and that students of all ability levels can successfully engage with his works. s hakespeare is f O r e v e r y O n e ! hakespeare isn’t an antiquated art form. his plays are full of explosive family ssituations, complex relationships, and deep emotions that today’s students can— and do—relate to. at the folger shakespeare Library, we love to see students take shakespeare and make it their own.
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