Criticism Volume 56 Article 3 Issue 2 Jack Smith: Beyond the Rented World 2014 A History of Failure Ann Reynolds University of Texas at Austin,
[email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Reynolds, Ann (2014) "A History of Failure," Criticism: Vol. 56: Iss. 2, Article 3. Available at: http://digitalcommons.wayne.edu/criticism/vol56/iss2/3 A hIStoRy of Failure Ann Reynolds Blonde Cobra begins with silence and a still black-and-white image. After several seconds, a voice asks, “What are your favorite gershwin songs?” this voice seems to prompt movement within the image, as well as the sound of a second voice quickly rattling off a list of songs in response: “I’ve got Rhythm,” “Liza,” “S’Wonderful,” . and “of thee I Sing.”1 the first voice interrupts the second’s recitation with the ob- servation that most of these songs are in the movies as the second voice continues to suggest a few more songs. then the conversation turns to Victor Moore, an actor in the Broadway musical Of thee I Sing (director george S. kaufman, 1931). first voice: “And Victor Moore is dead.” Second voice: “yeah. I’m sorry.” first: “Who’d he play? What was the part he played?” “ta ta tum ta tuttlebaum . tuttlebaum. tuttlebaum. throttlebottom.” Second: “What? What was throttlebottom’s first name?” first: “how did the song go?” Second: “What was his first name, throttlebottom? faster, Robert faster.” first: “I give up.” Second: “Alexander.” first: “Alexander throttlebottom.” Second: “What part, position did he have, did he play in?” Criticism Spring 2014, Vol.