Syllabusus March 2 - 4, 2006
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8364 Licensed Charities As of 3/10/2020 MICS 24404 MICS 52720 T
8364 Licensed Charities as of 3/10/2020 MICS 24404 MICS 52720 T. Rowe Price Program for Charitable Giving, Inc. The David Sheldrick Wildlife Trust USA, Inc. 100 E. Pratt St 25283 Cabot Road, Ste. 101 Baltimore MD 21202 Laguna Hills CA 92653 Phone: (410)345-3457 Phone: (949)305-3785 Expiration Date: 10/31/2020 Expiration Date: 10/31/2020 MICS 52752 MICS 60851 1 For 2 Education Foundation 1 Michigan for the Global Majority 4337 E. Grand River, Ste. 198 1920 Scotten St. Howell MI 48843 Detroit MI 48209 Phone: (425)299-4484 Phone: (313)338-9397 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 46501 MICS 60769 1 Voice Can Help 10 Thousand Windows, Inc. 3290 Palm Aire Drive 348 N Canyons Pkwy Rochester Hills MI 48309 Livermore CA 94551 Phone: (248)703-3088 Phone: (571)263-2035 Expiration Date: 07/31/2021 Expiration Date: 03/31/2020 MICS 56240 MICS 10978 10/40 Connections, Inc. 100 Black Men of Greater Detroit, Inc 2120 Northgate Park Lane Suite 400 Attn: Donald Ferguson Chattanooga TN 37415 1432 Oakmont Ct. Phone: (423)468-4871 Lake Orion MI 48362 Expiration Date: 07/31/2020 Phone: (313)874-4811 Expiration Date: 07/31/2020 MICS 25388 MICS 43928 100 Club of Saginaw County 100 Women Strong, Inc. 5195 Hampton Place 2807 S. State Street Saginaw MI 48604 Saint Joseph MI 49085 Phone: (989)790-3900 Phone: (888)982-1400 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 58897 MICS 60079 1888 Message Study Committee, Inc. -
Health, Wellness, and Society Health and Wellness in the Age of Big Data
Fifth International Conference on Health, Wellness, and Society Health and Wellness in the Age of Big Data 3-4 SEPTEMBER 2015 | UNIVERSIDAD DE ALCALÁ | ALCALÁ DE HENARES, MADRID, SPAIN HEALTHANDSOCIETY.COM Fifth International Conference on Health, Wellness & Society “Health and Wellness in the Age of Big Data” Universidad de Alcalá | Alcalá de Henares, Madrid, Spain | 3-4 September 2015 www.healthandsociety.com www.facebook.com/HealthAndSociety.CG @healthnsociety | #CGHealth International Conference on Health, Wellness, and Society www.healthandsociety.com First published in 2015 in Champaign, Illinois, USA by Common Ground Publishing, LLC www.commongroundpublishing.com © 2015 Common Ground Publishing All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected]. Designed by Ebony Jackson Cover image by Phillip Kalantzis-Cope Health, Wellness & Society healthandsociety.com Dear Delegate, Welcome to the Fifth International Conference on Health, Wellness & Society. The conference and its companion journal were created to examine the concept of health as a positive aspect of a global world and society, while bringing together scholarly, research, and practice-based participants. The conference explores the full range of what health and wellness means while taking -
Centro Cultural De La Raza Archives CEMA 12
http://oac.cdlib.org/findaid/ark:/13030/kt3j49q99g Online items available Guide to the Centro Cultural de la Raza Archives CEMA 12 Finding aid prepared by Project director Sal Güereña, principle processor Michelle Wilder, assistant processors Susana Castillo and Alexander Hauschild June, 2006. Collection was processed with support from the University of California Institute for Mexico and the United States (UC MEXUS). Updated 2011 by Callie Bowdish and Clarence M. Chan University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Santa Barbara, California, 93106-9010 (805) 893-8563 [email protected] © 2006 Guide to the Centro Cultural de la CEMA 12 1 Raza Archives CEMA 12 Title: Centro Cultural de la Raza Archives Identifier/Call Number: CEMA 12 Contributing Institution: University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Language of Material: English Physical Description: 83.0 linear feet(153 document boxes, 5 oversize boxes, 13 slide albums, 229 posters, and 975 online items)Online items available Date (inclusive): 1970-1999 Abstract: Slides and other materials relating to the San Diego artists' collective, co-founded in 1970 by Chicano poet Alurista and artist Victor Ochoa. Known as a center of indigenismo (indigenism) during the Aztlán phase of Chicano art in the early 1970s. (CEMA 12). Physical location: All processed material is located in Del Norte and any uncataloged material (silk screens) is stored in map drawers in CEMA. General Physical Description note: (153 document boxes and 5 oversize boxes).Online items available creator: Centro Cultural de la Raza http://content.cdlib.org/search?style=oac-img&sort=title&relation=ark:/13030/kt3j49q99g Access Restrictions None. -
Klnliuwaht)N Normal Tkaimvl CL\*A
* LOCAL MENTION. HIS CHECKERED CAREER. MILITARY TACTICS. From Rorkrlllr. CITY ITEMS. AMUSEMENTS. EDUCATIONAL. The The Much-Married Prisoner Practical Infractions for the COCKT MATTEBR.A T0V\0 MAX DBOWNKD.A Weather. Newman, Officers of PROMINENT RESIDENT Golden-Hatr NATIONAL THEATER .u. 11 n t k< i BKi.wnmc*A»*Ai»i i> Por the District of Colombia. Marvland. snd alius De Hughes. tbe National Guard. HTRICKKN WITH PARAX" Waak, guaranteed to bleach: MeUaal«. VS18.POLITICAL CELEBRATIONS. in any quantity to rait. Kolb* Pharmhot. JEW KiM>khM»J. *». Lmrlaud wy Wku Virginia, rain Thursday; fair Fridav- slightly 7th and E «to. TO XTC.HT AND BATVRDAT M VT1NEES M tta «»*., 1187 1 :uh at *.«. 1i» I; colder; wind* shifting to RRAJCEKAK. LAWTER ASD PREACHER.PART OF is Time or peace prhpare roa war.how to CoiTMivuOeiK-e of The Evrxrto Star. 16,17* Hoyt'« Very Funny Hun Comedy, ilrniiB. Dra«in* atad OnHaUwglra IWtMntti J^ar westerly. A Him IMIUNk and N«»CRR. Prlu.-(»*i«- Xomaal HIS EXPERIENCES AS PKEACHER AND MARRY- A BIOT.DEFENSE Or PCBLIO Rocktiluc, Mb., Not. 14, 1888. The Great Atlantic iH j-trtim iit for I cK hm. ttH-lm* Drop ix QUELL AND PRI¬ _ Pmcm Drum Goou«. -Woodward In the circuit court now in session H H OO L *KCMS * Lothrop wUl offer to-morrow 50 of 50 150 *0-THE 8TORT TOLD Bt AX EX-PHILA- VATE FBOPEBTT IX CASK OF AS ATTACK BT A here since And M H O O L t «> V i-m i.rs:*<N os niso lessons at and .>2-inch pieces DELPHIAN. -
Technological Studies Kunsthistorisches Museum Vienna
Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Translated from the German volume: Content Technologische Studien Kunsthistorisches Museum. Konservierung – Restaurierung – Forschung – Technologie, Sonderband Depot, Band 9/10, Wien 2012/13 PREFACE Sabine Haag and Paul Frey 6 Editor: Kunsthistorisches Museum Vienna INTRODUCTION Martina Griesser, Alfons Huber and Elke Oberthaler 7 Sabine Haag Editorial Office: ACKNOWLEDGEMENTS 9 Martina Griesser, Alfons Huber, Elke Oberthaler Assistant, Editorial Office: ESSAYS Stefan Fleck Building a Cost-Effective Art Storage Facility that 13 Tanja Kimmel maintains State-of-the-Art Requirements Joachim Huber Creating a Quantity Structure for Planning Storage 21 Translations: Equipment in Museum Storage Areas Aimée Ducey-Gessner, Emily Schwedersky, Matthew Hayes (Summaries) Christina Schaaf-Fundneider and Tanja Kimmel Relocation of the 29 Collections of the Kunsthistorisches Museum Vienna to the New Art Direction: Central Storage Facility: Preparation, Planning, and Implementation Stefan Zeisler Pascal Querner, Tanja Kimmel, Stefan Fleck, Eva Götz, Michaela 63 Photography: Morelli and Katja Sterflinger Integrated Pest Management (IPM) Christian Mendez, Thomas Ritter, Alexander Rosoli, -
The Shape of Women: Corsets, Crinolines & Bustles
The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth. -
Rereading Seymour Joseph Guy's "Making a Train"
Colby College Digital Commons @ Colby Faculty Scholarship 2011 New Perspective: Rereading Seymour Joseph Guy's "Making a Train" Lauren K. Lessing Colby College, [email protected] Follow this and additional works at: https://digitalcommons.colby.edu/faculty_scholarship Part of the American Art and Architecture Commons Recommended Citation Lessing, Lauren K., "New Perspective: Rereading Seymour Joseph Guy's "Making a Train"" (2011). Faculty Scholarship. 66. https://digitalcommons.colby.edu/faculty_scholarship/66 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Colby. New Perspective Rereading Seymour Joseph Guy’s Making a Train Lauren Lessing In March 1868 a reviewer for the Commercial Advertiser described a small painting on view in Seymour Joseph Guy’s Tenth Street studio in Manhattan. It depicted a young girl preparing for bed and holding around her waist “a gaudy skirt of a dress, its folds, draped behind her, forming a train. From her shoulders a single garment hangs loosely, disclosing her neck and finely rounded shoulders.”1 The painting, originally titled The Votary (or Votaress) of Fashion, is now known as Making a Train (fig. 1). Visually complex, beautifully painted, and disturbing in its sensual presentation of a prepubescent female body, Making a Train has long intrigued scholars of American art and culture. Recently, the painting’s inclusion in the exhibition American Stories: Paintings of Everyday Life, 1765–1915 confirmed its position in the canon of American art.2 Concealed behind the scholarly narrative of this picture’s Americanness, however, is the fact that Guy—who was born and trained in England and arrived in the United States at the age of thirty—used an artistic vocabulary drawn from British painting. -
Halliwick-Based Aquatic Assessments : Reliability and Validity
International Journal of Aquatic Research and Education Volume 2 Number 3 Article 4 8-1-2008 Halliwick-Based Aquatic Assessments : Reliability and Validity Ruthy Tirosh Alyn Hospital Pediatric and Adolescent Rehabilitation Center, Jerusalem, Israel, [email protected] Michal Katz-Leurer Alyn Hospital Pediatric and Adolescent Rehabilitation Center, Jerusalem, Israel Miriam D. Getz Kibuzzim College of Education Follow this and additional works at: https://scholarworks.bgsu.edu/ijare Recommended Citation Tirosh, Ruthy; Katz-Leurer, Michal; and Getz, Miriam D. (2008) "Halliwick-Based Aquatic Assessments : Reliability and Validity," International Journal of Aquatic Research and Education: Vol. 2 : No. 3 , Article 4. DOI: https://doi.org/10.25035/ijare.02.03.04 Available at: https://scholarworks.bgsu.edu/ijare/vol2/iss3/4 This Research Article is brought to you for free and open access by the Journals at ScholarWorks@BGSU. It has been accepted for inclusion in International Journal of Aquatic Research and Education by an authorized editor of ScholarWorks@BGSU. Tirosh et al.: Halliwick-Based Aquatic Assessments : Reliability and Validity International Journal of Aquatic Research and Education, 2008, 2, 224-236 © 2008 Human Kinetics, Inc. Halliwick-Based Aquatic Assessments: Reliability and Validity Ruthy Tirosh, Michal Katz-Leurer, and Miriam D. Getz Purpose: To investigate the reliability and validity of 2 aquatic functional- assessment tests (Water Orientation Test of Alyn 1 and 2: WOTA1, WOTA2) for evaluating adjustment and functional ability in the aquatic environment based on the Halliwick concept. Methods: Thirty-two children with disabilities participated in the reliability study. Thirty-three other children participated in the validity study, which tested the correlations between the WOTA total score and motor performance on land. -
Close to the Skin: a Revealing Look at Lingerie
Close to the Skin: A Revealing look at Lingerie Wedding gown House of Worth, France ca. 1878 Silk faille; silk embroidery; glass pearls; lace #67.446 Charles Frederick Worth (1825-1895) is considered the founder of haute couture. This early Worth creation illustrates his patronage by wealthy Americans, who had to travel to Paris to purchase their custom made dresses. Sarah Noyes Tibbets wore this dress when she married John Wool Griswold on January 15, 1878. Petticoat ca. 1878 Cotton #67.446c This petticoat was probably coordinated to go with the elaborate wedding gown by Charles Frederick Worth, made for Sarah Noyes Tibbett. The fineness of the cotton petticoat matches that of the gown. Pantaloons or drawers United States 1870s Plain weave light brown mixed fiber (silk, cotton, and/or wool) #57.920 Hoop skirt United States Ca. 1870 Steel springs; cotton twill tape No acc. # Hoop skirts could on occasion flip up, due to tripping or high wind. Pantaloons, or drawers, proved helpful in covering the legs if such a faux paus occurred. Corset R & G Corset Co. 1875-1900 White twill-weave cotton, lace, steel #67.591 Close to the Skin: A Revealing look at Lingerie Dress 1925-1930 Floral print silk chiffon with pink silk faille underdress. #59.379 Simpler, sheerer dresses in fashion in the 1920s often borrowed elements from undergarments. This example has a pink slip that is integral to the sheer overdress, including a matching printed hem that extends below the outer hemline. The edge of the wide collar is finished in a manner similar to fine lingerie. -
KNOWLES-DOCUMENT-2014.Pdf
Abstract Fashioning Slavery: Slaves and Clothing in the U.S. South, 1830–1865 By Katie Knowles This dissertation examines such varied sources as Uncle Tom’s Cabin, Eastman Johnson’s genre paintings, runaway advertisements, published narratives, plantation records, the WPA ex-slave narratives, and nearly thirty items of clothing with provenance connections to enslaved wearers. The research presented in the following pages seeks to reveal the complexities surrounding clothing and slave life in the antebellum South by examining a variety of sources in combination. Enslaved people resisted race-based slavery by individualizing their appearance when working and when playing, but they were ultimately unsuccessful in resisting their exclusion from the race-based American fashion system. In bringing together previous scholarship on slavery in the American South, material culture, and fashion studies, this project reveals the deep connections between race and fashion in the antebellum United States. Enslaved people struggled against a racist culture that attempted to exclude them as valid participants in American culture. The individuality expressed by slaves through personalizing their clothing was a tactic of resistance against racism and race- based slavery. In many instances, enslaved people chose to acquire and dress in fashionable Euro-American clothing, a method of resistance because it was an attempt by them to disrupt the racially exclusionary fashion system of the antebellum United States. Though relatively few garments survive today, the voices of enslaved people and the records of their oppressors provide a rich narrative that helps deconstruct the many ways in which slaves encountered clothing. Clothing played an integral part in the daily life of enslaved African Americans in the antebellum South and functioned in multi-faceted ways across the antebellum United States to racialize and engender difference, and to oppress a variety of people through the visual signs and cues of the fashion system. -
Employee Safety Manual
Employee Safety Manual Roanoke County Public Schools 5937 Cove Road Roanoke, VA 24019 Introduction ...................................................................................................................... 1.1 Responsibilities .................................................................................................................. 1.2 Accident Prevention .......................................................................................................... 1.3 Accident Investigation....................................................................................................... 1.5 General Building, Office, Classroom Safety Computer Workstations .................................................................................................. 2.1 General Safety ................................................................................................................. 2.4 Electrical .......................................................................................................................... 2.6 Lifting .............................................................................................................................. 2.8 Slips, Trips, and Falls ...................................................................................................... 2.9 Support Services Safety Cleaning Chemicals......................................................................................................... 3.1 Forklifts .......................................................................................................................... -
AVIVA WOLFF, Edd, OTR, CHT
AVIVA WOLFF, EdD, OTR, CHT The Hospital for Special Surgery 535 East 70th Street New York, NY 10021 212-606-1215 [email protected] https://www.hss.edu/research-staff_Wolff-Aviva.asp EDUCATION Columbia University, Teachers College, EdD Motor Learning and Control, NY 2016 Columbia University, Teachers College, MA, Motor Learning and Control, NY 2010 College of Health Related Professions, State University of New York BS, Occupational Therapy, Brooklyn 1991 LICENSURE New Jersey State License Number TR00274 New York State License Number 006715 Hand Therapy Certification Number 971100031 EMPLOYMENT Clinician Scientist, Leon Root, MD Motion Analysis Laboratory, 2016-2018 Hospital for Special Surgery, NY Manager Research Operations, Leon Root, MD Motion Lab, HSS, NY 2013-2016 Director, Hand Therapy Department, Hospital for Special Surgery, NY 2005-2013 Senior Hand Therapist, Hospital for Special Surgery, NY 2003-2005 Clinical Director, Accelerated Hand Therapy, Somerset, NJ 2001-2003 Senior Hand Therapist, Hospital for Special Surgery, NY 1997-2001 Hand Therapist - Kupat Cholim, Jerusalem, Israel 1995-1997 Staff Hand Therapist, Hospital for Special Surgery, NY 1994-1995 Hand Therapist, Connecticut Hand Surgery Center, Bridgeport, CT 1993-1994 Staff Occupational Therapist, Inpatient/Outpatient Therapy 1991-1994 Kessler Institute of Rehabilitation, Inc. Saddle Brook, NJ CONSULTANCIES Consultant Hand Therapist, The Juilliard School, New York, NY, 2015-2018 ACADEMIC APPOINTMENT AND TEACHING Teaching Adjunct Instructor, Research Training Seminar 2010-2016