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Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
Wedding Ceremony Jazz and Blues
Wedding Ceremony The Prayer Ave Maria Erik Satie -Gymnopedie Canon in D- Pachabel Jesu Joy of Mans Desire- Bach Bridal Chorus from Lohengrin= (Here Mendelssohn Wedding March Comes the Bride) Bach- Prelude in C “Spring”-Vivaldi Four Seasons Chopin- Prelude in e minor Debussy- Reverie The Look of Love Can’t Help Falling in Love-Elvis At Last-Etta James Unforgettable Sunrise Sunset How Sweet It Is to Be Loved by You Longer Than-Dan Fogelberg The First Time Ever I Saw Your Face Wonderful World When You Say Nothing at All-Allison Krauss You Raise Me Up- Josh Groban Kiss From a Rose- Seal Secret Garden- Springsteen With or Without You- U2 Jazz and Blues Alice in Wonderland Waltz for Debbie God Bless the Child After Midnight Ain’t Misbehaving Beginning to See the Light Ellington Black and Blue Blue Monk Blue Skies I. Berlin Birth of the Blues Blue and Sentimental Body and Soul But beautiful Breezin Brubeck Medley Blue Rondo- Take Five-The Duke- Strange Meadowlark- Raggy Waltz Cherokee Deed I do Deep Purple Don't Get Around Much Anymore Emily Everything Happens to Me Fly Me to the Moon Georgia Getting Sentimental Over You Green Dolphin Street Green in Blue Greenhouse Blues Harlem Nocturne Here Comes That Rainy Day Honeysuckle Rose I Can't Get Started I Got it Bad I Remember You I Thought About You In My Solitude Jersey Bounce Lullaby of Bird land Lush Life Mercy Mercy Mood Indigo Moonlight Serenade Glen Miller Midnight Sun My Funny Valentine My Foolish Heart My Romance Nature Boy Nearness of You Our Love is Here to Stay On a Clear Day Poinciana Prelude to a Kiss Satin Doll Serenade in Blue Since I Fell for You Skylark So Rare Sophisticated Lady Stardust St. -
Red Hot & New.Cdr
COLE RED PORTER HOT 1. Don't Fence Me In – David Byrne 2. Let's Do It (Let's Fall In Love) – Alanis Morrisette FOR +NEW 3. You Do Something To Me – Sinnead O'Connor 4. In The Still Of The Night – The Neville Brothers TODAY 5. Experiment – Kevin Kline 6. Love For Sale – Fine Young Cannibals COLE 7. Well Did You Evah! – Deborah Harry & Iggy Pop 8. What Is This Thing Called Love? – Lemar PORTER 9. Miss Otis Regrets – Just One Of Those Things – Kirsty Maccoll & The Pogues 10. Ev'ry Time We Say Goodbye – Annie Lennox FOR 11. True Love – Ashley Judd & Tayler Hamilton 12. I Love Paris – Le Negresses Vertes TODAY 13. So In Love – k.d. lang 14. It's De–Lovely – Robbie Williams 15. Down In The Depths – Lisa Stansfield 16. Begin The Beguine – Sheryl Crow 17. Who Wants To Be A Millionaire? – Thompson Twins 18. From This Moment On – Jimmy Sommerville 19. After You Who – Jody Watley 20. Too Darn Hot – Erasure 21. Anything Goes – Caroline O'Connor 22. I Love You – Mick Hucknall 23. Let's Misbehave – Elvis Costello RED RED HOT + NEW HOT RED HOT + NEW +NEW COLE 1. Don't Fence Me In – David Byrne PORTER 2. Let's Do It (Let's Fall In Love) – Alanis Morrisette 3. You Do Something To Me – Sinnead O'Connor FOR 4. In The Still Of The Night – The Neville Brothers COLE PORTER FOR TODAY COLE PORTER FOR TODAY 5. Experiment – Kevin Kline TODAY COLE PORTER FOR TODAY 6. Love For Sale – Fine Young Cannibals 7. -
200 of the Best Songs from Jazz of The
200 OF THE BEST SONGS FROM BOOGIEWOOGIE.RU OF THE'50S JAZZCompiled and edited by Rob DuBoff Song Index ........................................2 Artist Index ...................................... 226 This series would not have been possible without encouragement from my family and friends. Thanks to: Grandma Lydia for helping me brainstorm for prospective titles, Mark Vinci and Mark Davis for sparking my interest in song collection, Jim and Jane Hall for their enthusiasm, Noel Silverman for being my advocate, Doug and Wendy for giving me perspective, and especially my parents, Arlene and Andy, for their tremendous support, confidence and guidance. Special gratitude to Heather for being my sounding board, problem solver, editor, frequently-more-accurate extra set of ears and most importantly, my best friend. Without your unconditional support this project would not be. THE JAZZ BIBLE" and JAZZLINES PUBLICATIONS'" are trademarks used under license from Hero Enterprises, Inc. Compiled and edited by Rob DuBoff for Jazzlines Publications", a division of Hero Enterprises, Inc. ISBN 0-7935-5808-5 HALOLEONARD@ PdCORPORATION 7777 W. BLUEMOUND RD. P.O.BOX 13819 MILWAUKEE, WI 53213 For all works contained herein: Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. Visit Hal Leonard Online at www.halleonard.com 2 ZOO OF THE BEST SONGS FROBOOGIEWOOGIE.RUM JAcZ Z0 NO FT TE HN TE S W ADIOS STAN KENTON 11 AFTERNOON IN PARIS THE MODERN JAZZ QUARTET 12 ALICE IN -
Developmental Cross Training Repertoire for Musical Theatre
Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing. -
The American Pops Orchestra Family!
LOOKINGTO GET INVOLVED WITHTHE APO? The APO’s Don’t Rain On My Parade (Photo by Daniel Schwartz) Become Part of The American Pops Orchestra Family! Your donation will support: • 80+ musicians annually • Producing our mainstage concerts • APO’s monthly community concert series • Providing free and reduced tickets to veterans, seniors, students and others • Fulfi lling the APO’s Mission: to inspire new audiences to discover the wealth of material in the Great American Songbook in dynamic ways For more information about donating to the APO, please visit theamericanpops.org/donate Arena Stage at the Mead Center for American Theater Fichandler Stage - May 19, 2018, 8:00 pm The American Pops Orchestra Presents Let's Misbehave: Cole Porter After Dark Starring Betty Who Featuring Liz Callaway Ali Ewoldt Luke Hawkins Bobby Smith Vishal Vaidya Luke S. Frazier, Music Director Directed by Kelly Crandall d'Amboise Media Sponsor: - 1 - SONG LIST Selections to include: Begin the Beguine Everytime We Say Goodbye Experiment Friendship From This Moment On I Happen to Like New York I’m a Gigolo Ignore Me/Why Can't You Behave In the Still of the Night It's De-Lovely Let’s Misbehave Love For Sale Night and Day So in Love/I Love You Somebody Loves You/You’d Be So Nice to Come Home To Too Darn Hot Why Shouldn’t I You Do Something to Me - 2 - WELCOME We’re all alone, no chaperone can get our number, the world’s in slumber... LET’S MISBEHAVE! Cole Porter’s lyrics aren’t the only things getting raucous this evening- we are thrilled you’ve joined us for an evening that’s sure to be delightful, delirious and delovely! Cole Porter’s music, made famous through the decades by such iconic vocalists as Frank Sinatra, Ella Fitzgerald, Dionne Warwick, Sheryl Crow, Natalie Cole and so many more, has inspired artists from every genre who have found the joy, beauty and fun in Porter's brilliant, timeless music. -
Kiss Me, Kate Music and Lyrics by Cole Porter Book by Sam & Bella Spewack
Kiss Me, Kate Music and lyrics by Cole Porter Book by Sam & Bella Spewack Teaching resources researched and written by Simon Pollard 1 Kiss Me, Kate – teaching ResouRces Kiss Me, Kate Contents Kiss Me, Kate at The Old Vic 3 Cole Porter: His Story 4 Sam and Bella Spewack: Their Story 5 Cole Porter Chronology 6 Kiss Me, Kate: Notable Productions 7 Another Op’nin, Another Show: The Story Behind Kiss Me, Kate 8 Kiss Me, Kate Synopsis 9 Character Breakdown 10 Musical Numbers 11 The Taming of the Shrew Synopsis 13 I Hate Men: Gender politics in Kiss Me, Kate & The Taming of the Shrew 14 ‘Breaking the color line’: Integrating the theatre in 1940s America 15 If Music Be the Food of Love: Musicals Based on Shakespeare Plays 16 In conversation with... Hannah Waddingham 17 Adam Garcia 18 Clive Rowe 19 Gareth Valentine, Musical Director 20 Bibliography 21 2 3 Kiss Me, Kate – teaching ResouRces Cole Porter His Story Cole Albert Porter was born on 9 June 1891 in Peru, Indiana. His father, Sam Porter, was a local pharmacist and his mother, Kate Cole, was the daughter of James Omar ‘J. O.’ Cole allegedly ‘the richest man in Indiana’. Porter proved a talented musician from an early age, learning the violin and piano from the age of six, and he composed his first operetta with the help of his mother when he was just ten years old. In 1905, he enrolled at the Worcester Academy in Massachusetts, where his musical skills made him very popular and he was elected class valedictorian. -
Kinsella Feb 13
MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL JOHN KINSELLA B L A Z E V O X [ B O O K S ] Buffalo, New York Morpheus: a Bildungsroman by John Kinsella Copyright © 2013 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publisher’s written permission, except for brief quotations in reviews. Printed in the United States of America Interior design and typesetting by Geoffrey Gatza First Edition ISBN: 978-1-60964-125-2 Library of Congress Control Number: 2012950114 BlazeVOX [books] 131 Euclid Ave Kenmore, NY 14217 [email protected] publisher of weird little books BlazeVOX [ books ] blazevox.org 21 20 19 18 17 16 15 14 13 12 01 02 03 04 05 06 07 08 09 10 B l a z e V O X trip, trip to a dream dragon hide your wings in a ghost tower sails crackling at ev’ry plate we break cracked by scattered needles from Syd Barrett’s “Octopus” Table of Contents Introduction: Forging the Unimaginable: The Paradoxes of Morpheus by Nicholas Birns ........................................................ 11 Author’s Preface to Morpheus: a Bildungsroman ...................................................... 19 Pre-Paradigm .................................................................................................. 27 from Metamorphosis Book XI (lines 592-676); Ovid ......................................... 31 Building, Night ...................................................................................................... -
Preface to the First Edition 1
NOTES Preface to the First Edition 1. The Rodgers and Hammerstein Song Book (New York: Simon & Schuster and Williamson Music, 1956); Six Plays by Rodgers and Hammerstein (New York: Modern Library Association, 1959). 2. Like other Broadway-loving families, especially those residing on the west side of the coun- try, it took the release of the West Side Story movie with Natalie Wood for us to become fully cognizant of this show. 3. “The World of Stephen Sondheim,” interview, “Previn and the Pittsburgh,” channel 26 tele- vision broadcast, March 13, 1977. 4. A chronological survey of Broadway texts from the 1950s to the 1980s might include the fol- lowing: Cecil Smith, Musical Comedy in America; Lehman Engel, The American Musical Theater; David Ewen, New Complete Book of the American Musical Theatre; Ethan Mordden, Better Foot Forward; Abe Laufe, Broadway’s Greatest Musicals (New York: Funk & Wagnalls, 1977); Martin Gottfried, Broadway Musicals; Stanley Green, The World of Musical Comedy; Richard Kislan, The Musical (Englewood Cliffs, N.J.: Prentice-Hall, 1980); Gerald Bordman, American Musical Comedy, American Musical Theatre, American Musical Revue, and American Operetta; Alan Jay Lerner, The Musical Theatre: A Celebration; and Gerald Mast, Can’t Help Singin.’ 5. See Gerald Bordman, American Musical Comedy, American Musical Revue, and American Oper- etta, and Lehman Engel, The American Musical Theater. 6. Miles Kreuger, “Show Boat”: The Story of a Classic American Musical; Hollis Alpert, The Life and Times of “Porgy and Bess.” The literature on Porgy and Bess contains a particularly impres- sive collection of worthwhile analytical and historical essays by Richard Crawford, Charles Hamm, Wayne Shirley, and Lawrence Starr (see the Selected Bibliography). -
The Werewolf in Lore and Legend Plate I
Montague Summers The Werewolf IN Lore and Legend Plate I THE WARLOCKERS’ METAMORPHOSIS By Goya THE WEREWOLF In Lore and Legend Montague Summers Intrabunt lupi rapaces in uos, non parcentes gregi. Actus Apostolorum, XX, 29. DOVER PUBLICATIONS, INC. Mineola New York Bibliographical Note The Werewolf in Lore and Legend, first published in 2003, is an unabridged republication of the work originally published in 1933 by Kegan Paul, Trench, Trubner & Co., Ltd., London, under the title The Werewolf. Library ofCongress Cataloging-in-Publication Data Summers, Montague, 1880-1948. [Werewolf] The werewolf in lore and legend / Montague Summers, p. cm. Originally published: The werewolf. London : K. Paul, Trench, Trubner, 1933. Includes bibliographical references and index. ISBN 0-486-43090-1 (pbk.) 1. Werewolves. I. Title. GR830.W4S8 2003 398'.45—dc22 2003063519 Manufactured in the United States of America Dover Publications, Inc., 3 1 East 2nd Street, Mineola, N.Y. 11501 CONTENTS I. The Werewolf: Lycanthropy II. The Werewolf: His Science and Practice III. The Werewolf in Greece and Italy, Spain and Portugal IV. The Werewolf in England and Wales, Scotland and Ireland V. The Werewolf in France VI. The Werewolf in the North, in Russia and Germany A Note on the Werewolf in Literature Bibliography Witch Ointments. By Dr. H. J. Norman Index LIST OF ILLUSTRATIONS I. The Warlocks’ Metamorphosis. By Goya. Formerly in the Collection of the Duke d’Osuna II. A Werewolf Attacks a Man. From Die Emeis of Johann Geiler von Kaisersberg III. The Transvection of Witches. From Ulrich Molitor’s De Lamiis IV. The Wild Beast of the Gevaudan. -
Mary Magdalene Revealed
Praise for MARY MAGDALENE REVEALED “This book is a masterpiece. I haven’t been this excited or awakened by a book for a decade. This is what it looks like when an artist follows her heart and her passion instead of the crowd.” — Glennon Doyle, #1 New York Times best-selling author of Love Warrior “The evidence within these pages, both scholarly and lived experience, will change you on a cellular level as you remember what has been forgotten for thousands of years, but has never been untrue: that the feminine is sacred and holy. This book is a revolution.” — Kate Northrup, best-selling author of Do Less and Money: A Love Story “Meggan Watterson is a modern-day prophetess who sets souls on fire with her lyrical prose and courageous truth-telling. Her unearthing of the hidden and silenced realities of the first apostle’s life and legacy ignites revelations that will transform the hearts and minds of readers who are ready to claim their own power and spiritual authority.” — Jamia Wilson, author of Step Into Your Power and executive director of The Feminist Press “Mary Magdalene Revealed brings together the exquisite balance of personal experience and the uncovering of spiritual texts that quite simply rock and lovingly challenge the Christianity of the world today. Meggan Watterson is the spiritual teacher to spiritual teachers and this book is a road map to the heart of Christ’s message.” — Kyle Gray, best-selling author of Angel Prayers and Raise Your Vibration “Mary Magdalene Revealed is a masterpiece of theology, feminism, and just plain spiritual goodness.