Radio – Preparing for the Future

Total Page:16

File Type:pdf, Size:1020Kb

Radio – Preparing for the Future Radio – Preparing for the future Phase 1 developing a new framework Issued: 15 December 2004 Closing date for responses: 7 March 2005 Radio – Preparing for the future 2 Contents Section Page Foreword 2 1 Introduction 4 2 Executive summary 9 3 An overview of radio in the UK 23 4 Why do we intervene in the market for radio? 34 5 Towards a strategic framework for the regulation of 51 radio 6 The regulation of formats and local material on 59 analogue commercial radio 7 Facilitating the growth of digital radio 88 8 Future licensing 150 9 Questions for consultation 156 10 Glossary of terms and definitions 161 Appendices (published online at www.ofcom.org.uk) A The regulation of commercial radio in the UK B Results of audience research C Summary of representations made during the review of digital radio D The economic and social policy arguments for intervention in the radio market E Regulatory impact assessments F Ofcom’s consultation procedures 2 Radio – Preparing for the future Foreword The senior broadcaster – radio - is a vibrant and increasingly popular medium. Audiences are listening both to a wider range of stations and for longer in total than they were five years ago. Radio is also at the cutting edge of convergence. Audiences listen to radio not just over conventional sets but, increasingly, via digital television, mobile phones and the internet; and there is a growing range of data and multi-media services available over digital radio sets. Since Ofcom inherited regulation of commercial radio from the Radio Authority, we have taken a number of specific steps to help the industry develop and increase choice for audiences. We have confirmed spectrum for at least 30 additional local FM stations, simplified and streamlined the process for applying for a licence to run them, and have so far advertised nine licence areas. We have implemented a new tier of radio - community radio - which will complement local commercial radio and enhance audience choice locally. We have sustained the ongoing programme of temporary / special event licences (RSLs) while developing new processes to deal with recurring peaks of demand for such services, for example during Ramadan; and we have published interim guidance on localness for local commercial radio (which this report develops further). All these were things that needed to be done as soon as possible after Ofcom’s formation. The time has now come to take a wider look at the industry’s development. The starting point for this review has been the requirement to meet two specific statutory duties. The first is our statutory requirement to report to the Secretary of State on the take-up and future prospects for digital radio. The second was Parliament’s will that we should develop ways of protecting local programming and production on commercial local radio, in the light of the potential consolidation of the sector which the Communications Act makes possible. We make some initial proposals in these specific areas and also raise some broader questions about the shape and direction of the industry as a whole. The answers to these broader questions will help Ofcom to shape a strategic framework for regulation of the industry to help us meet our twin objectives in radio. Firstly, that it should remain a dynamic sector, with room to grow and to provide new services to audiences, increasing the range and extent of our choice as consumers. This is exemplified in the proposals in this report on additional spectrum for digital radio, more Medium Wave stations, and for a more flexible approach to new data and multi- media services via radio. Secondly, that radio, like television, has a wider role in support of social, cultural and democratic objectives; and that it has public purposes towards audiences in our capacity as citizens. The overall framework needs to allow the radio sector as a whole - BBC national and local radio, commercial national and local radio, community and RSL radio - to deliver those public purposes effectively in the digital age. As to Ofcom’s specific proposals for local commercial radio, we believe that the emphasis of regulation needs to move away from box-ticking measurement of inputs towards what audiences actually get to hear. Having local radio journalists with time to be on the beat, picking up, investigating and reporting local stories, is likely to be more important to local audiences than whether their radio station has met pre-dealt quotas of live as opposed to recorded programming from the studio. So we will place greater emphasis on radio stations’ compliance with the formats they have promised Radio – Preparing for the future 3 to meet when being awarded their licences and with new localness guidance. In return, it should be possible to move away from detailed input regulation in some areas. Regulation needs to move beyond a London-based regulator dealing centrally with 250-plus geographically dispersed radio stations. Local radio needs to be a genuinely local voice, locally accountable. Local audiences and citizens therefore should have a real say in the process. To that end, we are proposing a system of public files of output, which local residents can inspect, and which will demonstrate, in terms of programming and news output, that the radio station has met its format obligations, with Ofcom remaining vigilant as the back-stop regulator for those stations that do not. As regards digital radio, Digital Audio Broadcasting appears, after a long gestation, to be beginning to take off. Sales have exceeded 800,000 sets and are expected to pass the one million mark by Christmas. Ofcom’s research shows high levels of listener satisfaction among those who have already adopted Digital Radio. The demand is for more new services and better coverage. We have identified four and possibly five blocks of spectrum that could be available for DAB. These are subject to being able successfully to migrate a range of existing users of those blocks to elsewhere in the spectrum and to international clearance for DAB use. We propose to release up to three of these blocks of spectrum as multiplexes to complete the nationwide coverage of local DAB radio services; and we consult on the possibility of releasing one or possibly two blocks of spectrum for national coverage, each allowing a range of sound programming, data and multi-media services. We propose to license the local multiplexes under the traditional Broadcasting Act rules, since they will complete a consistent and coherent roll-out pattern that was set in place in 1996. If the eventual decision is to go ahead with the national multiplexes, however, we believe that it could be advantageous to take advantage of the flexibility created by last year’s Communications Act, which allows the market to decide the best combination of uses. We would welcome views on how these nationally available blocks of spectrum might best be used. This Report is, in the jargon, a Phase 1 Report: that is, a mixture of outline proposals and questions. In the light of your views, we will firm up our proposals in the next, Phase 2 Stage. We will then be able to go firm on the specifics on localness and on digital radio. We also hope, in the light of your views, to be able to move beyond questions to proposals for the public purposes of radio and the market structure best designed to deliver them. Many of these public purposes, we expect, will, as they have for much of the past 80 years, continue to be met by the BBC’s radio services. But commercial and community radio will also have a significant part to play in the total framework in giving all of us, as audiences, a wide range of services which meet our needs for imaginative, speech-based services, a wide range of music and other cultural programming, local news and information which allows us to participate effectively in the democratic process and to get the best out of our lives. We believe that radio matters. So do your views. We look forward to receiving them. David Currie Stephen A Carter Chairman Chief Executive 4 Radio – Preparing for the future Section 1 Introduction 1.1 What is radio? Radio is everywhere. It wakes us up in the morning and accompanies us around the house – in the bedroom, in the shower, in the kitchen – entertaining and informing us. It helps us get to work, advising us of traffic problems and calming our nerves as we commute, in the car or on public transport. For some of us, it keeps us going through the day, either at work or at home, providing company, entertaining us and making us think. At the end of the working day it helps us get home again. Only then does television, radio’s younger sibling, take over in the battle for our attention. Radio has been around for over 80 years and, despite the arrival of new technologies, from television to computers and the internet, radio still plays a major role in our lives today. Every week, 90% of the population tunes into radio for at least five minutes and listening is on the increase. On average, we each listen to 22.9 hours of radio a week – almost as much time as we spend watching television. But our relationship with radio is different from that with television. Radio is a secondary medium; we usually listen to it while we are doing other things – getting ready, commuting or working. That doesn’t mean, however, that we take it less seriously than television. Radio is a personal medium, which many of us feel very passionately about and we have a strong sense of ownership of the stations we listen to.
Recommended publications
  • Rangoli Radio (Leeds)
    Community Digital Sound Programme (C-DSP) licence Application form – Part A (public) Name of applicant (i.e. the body corporate that will hold the licence): Radio Rangoli CIC Proposed service name: Rangoli Radio Radio multiplex service(s) on which the proposed C-DSP service is to be provided: Leeds Digital Media Public contact details: [email protected] Publication date: 1 September 2020 ​ Contents Section 1. Overview 1 2. Applicant’s details 4 3. The proposed service 13 4. Compliance of the service 20 5. Declaration 24 C-DSP licence: Application form (Part A) 1. Overview You should complete this form if you are applying for a community digital sound programme licence (“C-DSP”). You can find further information about C-DSP services in the guidance notes for licensees ​ and applicants. ​ This application form is divided into two parts – Part A (which we will publish on our website) and ​ ​ Part B (which will be kept confidential). This document constitutes Part A; Part B of the application ​ ​ form is available on our website. ​ If you encounter any issues using these forms, please contact [email protected]. ​ ​ The purpose of this form 1.1 You should complete this form if you are applying for a Community Digital Sound Programme (C-DSP) licence. 1.2 A digital sound programme service intended for broadcast by means of a local or small-scale radio multiplex service requires either a C-DSP licence or a local DSP licence. Ofcom’s published guidance notes set out some of the key issues that potential applicants need to consider in deciding which type of licence is suitable for them.
    [Show full text]
  • Bbc Music Jazz 4
    Available on your digital radio, online and bbc.co.uk/musicjazz THURSDAY 10th NOVEMBER FRIDAY 11th NOVEMBER SATURDAY 12th NOVEMBER SUNDAY 13th NOVEMBER MONDAY 14th NOVEMBER JAZZ NOW LIVE WITH JAZZ AT THE MOVIES WITH 00.00 - SOMERSET BLUES: 00.00 - JAZZ AT THE MOVIES 00.00 - 00.00 - WITH JAMIE CULLUM (PT. 1) SOWETO KINCH CONTINUED JAMIE CULLUM (PT. 2) THE STORY OF ACKER BILK Clarke Peters tells the strory of Acker Bilk, Jamie Cullum explores jazz in films – from Al Soweto Kinch presents Jazz Now Live from Jamie celebrates the work of some of his one of Britain’s finest jazz clarinettists. Jolson to Jean-Luc Godard. Pizza Express Dean Street in London. favourite directors. NEIL ‘N’ DUD – THE OTHER SIDE JAZZ JUNCTIONS: JAZZ JUNCTIONS: 01.00 - 01.00 - ELLA AT THE ROYAL ALBERT HALL 01.00 - 01.00 - OF DUDLEY MOORE JAZZ ON THE RECORD THE BIRTH OF THE SOLO Neil Cowley's tribute to his hero Dudley Ella Fitzgerald, live at the Royal Albert Hall in Guy Barker explores the turning points and Guy Barker looks at the birth of the jazz solo Moore, with material from Jazz FM's 1990 heralding the start of Jazz FM. pivotal events that have shaped jazz. and the legacy of Louis Armstrong. archive. GUY BARKER'S JAZZ COLLECTION: GUY BARKER’S JAZZ COLLECTION: GUY BARKER'S JAZZ COLLECTION: 02.00 - 02.00 - GUY BARKER'S JAZZ COLLECTION: 02.00 - THE OTHER SIDE OF THE POND: 02.00 - TRUMPET MASTERS (PT. 2) JAZZ FESTIVALS (PT. 1) JAZZ ON FILM (PT.
    [Show full text]
  • As Filed with the Securities and Exchange Commission on July 2, 1998
    AS FILED WITH THE SECURITIES AND EXCHANGE COMMISSION ON JULY 2, 1998 REGISTRATION NO. 333-57283 - ------------------------------------------------------------------------------- - ------------------------------------------------------------------------------- SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 --------------- AMENDMENT NO. 1 TO FORM S-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 --------------- CROWN CASTLE INTERNATIONAL CORP. (EXACT NAME OF REGISTRANT AS SPECIFIED IN ITS CHARTER) DELAWARE 4899 76-0470458 (STATE OR OTHER JURISDICTION (PRIMARY STANDARD (I.R.S. EMPLOYER OF INCORPORATION OR INDUSTRIAL IDENTIFICATION NUMBER) ORGANIZATION) CLASSIFICATION NUMBER) 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF REGISTRANT'S PRINCIPAL EXECUTIVE OFFICES) --------------- MR. CHARLES C. GREEN, III EXECUTIVE VICE PRESIDENT AND CHIEF FINANCIAL OFFICER CROWN CASTLE INTERNATIONAL CORP. 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (NAME, ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF AGENT FOR SERVICE) --------------- COPIES TO: STEPHEN L. BURNS, ESQ. KIRK A. DAVENPORT, ESQ. CRAVATH, SWAINE & MOORE LATHAM & WATKINS 825 EIGHTH AVENUE 885 THIRD AVENUE NEW YORK, NEW YORK 10019 NEW YORK, NEW YORK 10022 --------------- APPROXIMATE DATE OF COMMENCEMENT OF PROPOSED SALE TO THE PUBLIC: As soon as practicable after the effective date of this Registration Statement. If any of the securities being registered on this Form are to be offered on a delayed or continuous basis pursuant to Rule 415 under the Securities Act of 1933, check the following box. [_] If this Form is filed to register additional securities for an offering pursuant to Rule 462(b) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering.
    [Show full text]
  • Local Commercial Radio Content
    Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary ....................................................................................................
    [Show full text]
  • BBC Radio Ulster/Foyle Service Licence
    BBC Radio Ulster/Foyle Service Licence. Issued November 2012 BBC Radio Ulster/Foyle This service licence describes the most important characteristics of BBC Radio Ulster/Foyle, including how it contributes to the BBC’s public purposes. Service Licences are the core of the BBC’s governance system. They aim to provide certainty for audiences and stakeholders about what each BBC service should provide. The Trust uses service licences as the basis for its performance assessment and as the basis for its consideration of any proposals for change to the UK public services from the BBC Executive. A service may not change in a way that breaches its service licence without Trust approval. The Trust presumes that any proposed change to a stated Key Characteristic of a licence will require it to undertake a Public Value Test. Should it decide not to carry out a Public Value Test before approving any such change, then it must publish its reasons in full. Part l: Key characteristics of the service 1. Remit The remit of BBC Radio Ulster/Foyle is to be a speech-led service for listeners seeking programmes about the life, culture and affairs of Northern Ireland. Its programming should combine extensive coverage of local issues, interests and events with coverage of national and international developments. 2. Scope of this Licence BBC Radio Ulster/Foyle should be available every day for reception across Northern Ireland on FM and more widely on DAB digital radio and digital television platforms1, and it may be simulcast on the internet. It may also offer its broadcast content on fixed and mobile internet protocol networks or via other platforms2.
    [Show full text]
  • Our Manchester Voluntary and Community Sector
    Our Manchester Voluntary and Community Sector Grants Programme 2018/2019 Annual Report Community Hub Contents Foreword Manchester’s Voluntary and Community Sector This annual report celebrates the successes (VCS) organisations are a vital part of the fabric of the VCS organisations funded by the Council. Foreword 3 of the city. Their work is key to reaching those It’s wonderful to see what has already been untouched by Manchester’s success, to create achieved in the first year of the programme. Introduction 4 resilient and vibrant communities, and to make sure that they are able to access the best of It’s also a great opportunity to look forward Our year in numbers – what Manchester has to offer. The VCS plays and outline our ambitions for the next two 2018/2019 6 an important role in improving people’s skills years of the programme. This includes working and job prospects, encouraging residents to to strengthen our partnership with Manchester Supporting individuals 8 get involved in their neighbourhoods, building Health & Care Commissioning to extend the local partnerships, and celebrating the city’s reach of our investment and support to a Community impact 10 diverse communities. The work of voluntary broader range of organisations and residents. organisations is also typical of the Our Supporting volunteering We also recognise that these successes only Manchester way of working: listening to represent a portion of what VCS organisations in the city 12 people and recognising the best in them, deliver across the city. Despite the many and working together to improve the lives Better relationships 14 challenges and changes we face, our ambition of individuals and communities.
    [Show full text]
  • Radio City 2 and City Talk Requests to Change Formats
    Radio City 2 and City Talk Requests to change Formats Consultation Publication date: 21 July 2015 Closing date for responses: 2 September 2015 Requests to change Formats – Radio City 2 and City Talk Contents Section Page 1 About this document 2 2 Details and background information 3 Annex Page 1 Responding to this consultation 6 2 Ofcom’s consultation principles 8 3 Consultation response cover sheet 9 4 Consultation questions 11 5 Format Change Requests - Radio City 2 & City Talk 22 6 Existing Formats of Radio City & City Talk 23 7 Other commercial and community radio stations in the Liverpool area 24 1 Requests to change Formats – Radio City and City Talk Section 1 1 About this document 1.1 Ofcom has received two Format change requests from Radio City (Sound of Merseyside) Ltd, which holds an AM and two FM commercial radio licences for Liverpool. 1.2 A station’s Format describes the type of programme service which it is required to provide, and forms part of the station’s licence. 1.3 Radio City (Sound of Merseyside) Ltd wishes to change the ‘Character of Service’ of its AM licence (currently Radio City 2) and one of its FM licences (currently City Talk). 1.4 Radio City 2’s published Format requires the service to broadcast “a classic soft pop music-led service”. The licensee wishes to change this to a service of “rock hits with news, local sport and information programming.” 1.5 City Talk’s published Format requires the service to broadcast “speech and soft pop- led music programming”.
    [Show full text]
  • QUARTERLY SUMMARY of RADIO LISTENING Survey Period Ending 20Th December 2015
    QUARTERLY SUMMARY OF RADIO LISTENING Survey Period Ending 20th December 2015 PART 1 - UNITED KINGDOM (INCLUDING CHANNEL ISLANDS AND ISLE OF MAN) Adults aged 15 and over: population 53,575,000 Survey Weekly Reach Average Hours Total Hours Share in Period '000 % per head per listener '000 TSA % All Radio Q 48237 90 18.9 21.0 1013438 100.0 All BBC Radio Q 34947 65 10.1 15.5 541794 53.5 All BBC Radio 15-44 Q 14656 58 5.9 10.1 148396 38.7 All BBC Radio 45+ Q 20291 72 13.9 19.4 393398 62.4 All BBC Network Radio1 Q 32125 60 8.7 14.6 467524 46.1 BBC Local Radio Q 8558 16 1.4 8.7 74270 7.3 All Commercial Radio Q 35111 66 8.3 12.7 446584 44.1 All Commercial Radio 15-44 Q 18313 72 8.8 12.2 222861 58.1 All Commercial Radio 45+ Q 16798 59 7.9 13.3 223723 35.5 All National Commercial1 Q 18298 34 2.8 8.1 147660 14.6 All Local Commercial (National TSA) Q 27126 51 5.6 11.0 298924 29.5 Other Radio Q 3966 7 0.5 6.3 25059 2.5 Source: RAJAR/Ipsos MORI/RSMB 1 See note on back cover. For survey periods and other definitions please see back cover. Embargoed until 00.01 am Enquiries to: RAJAR, 6th floor, 55 New Oxford St, London WC1A 1BS 4th February 2016 Telephone: 020 7395 0630 Facsimile: 020 7395 0631 e mail: [email protected] Internet: www.rajar.co.uk ©Rajar 2016.
    [Show full text]
  • School Closures Due to Severe Weather Guidance
    SCHOOL CLOSURES DUE TO SEVERE WEATHER GUIDANCE Background The guidance is intended to provide some advice around the circumstances when it is appropriate to close, confirm that responsibility for choosing to close rests with yourselves as head teachers and clarify the procedure for closing. This guidance also includes some of the key HR guidance around attendance at work during periods of very bad weather. Whilst this guidance is mainly aimed at closures due to severe weather it can also be used for other unplanned closures that occur due to unforeseen circumstances. NB: the BBC telephone number for reporting school closures is for use by schools only. It is not a general information line for parents to get school closure information from and should not be given to parents to ring for this purpose as this jams the line and delays schools reporting closures. Decision to close The decision to close a school due to snow or severe weather is the responsibility of the head teacher of the school concerned, in consultation with the chair of governors. The LA can advise and support in this decision but the decision will remain the responsibility of the head. In taking this decision head teachers will want to consider the following: • Health and Safety – will remaining open constitute a significant risk to pupils and/or staff • Availability of staff – has the severe weather meant that a significant number of staff have been unable to attend making it impossible to open Schools should remember that the first priority however should always be to ensure the health, safety and wellbeing of staff, pupils, parents and visitors to the site.
    [Show full text]
  • Digital Switchover of Television and Radio in the United Kingdom
    HOUSE OF LORDS Select Committee on Communications 2nd Report of Session 2009–10 Digital switchover of television and radio in the United Kingdom Report with Evidence Ordered to be printed 18 March 2010 and published 29 March 2010 Published by the Authority of the House of Lords London : The Stationery Office Limited £price HL Paper 100 The Select Committee on Communications The Select Committee on Communications was appointed by the House of Lords with the orders of reference “to consider communications”. Current Membership Baroness Bonham-Carter of Yarnbury Baroness Eccles of Moulton Lord Fowler (Chairman) Lord Gordon of Strathblane Baroness Howe of Idlicote Lord Inglewood Lord King of Bridgwater Lord Macdonald of Tradeston Baroness McIntosh of Hudnall Bishop of Manchester Lord Maxton Lord St John of Bletso Baroness Scott of Needham Market Publications The report and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee are available on the intranet at: http://www.parliament.uk/parliamentary_committees/communications.cfm General Information General information about the House of Lords and its Committees, including guidance to witnesses, details of current inquiries and forthcoming meetings is on the internet at: http://www.parliament.uk/about_lords/about_lords.cfm Contact details All correspondence should be addressed to the Clerk of the Select Committee on Communications, Committee Office, House of Lords, London SW1A 0PW The telephone number for general enquiries is
    [Show full text]
  • Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
    Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations.
    [Show full text]
  • BBC Local Radio Service Licence
    BBC Local Radio Service Licence. Issued May 2013 BBC Local Radio This service licence describes the most important characteristics of BBC Local Radio, including how it contributes to the BBC’s public purposes. Service Licences are the core of the BBC’s governance system. They aim to provide certainty for audiences and stakeholders about what each BBC service should provide. The Trust uses service licences as the basis for its performance assessment and as the basis for its consideration of any proposals for change to the UK public services from the BBC Executive. A service may not change in a way that breaches its service licence without Trust approval. The Trust presumes that any proposed change to a stated Key Characteristic of a licence will require it to undertake a Public Value Test. Should it decide not to carry out a Public Value Test before approving any such change, then it must publish its reasons in full. This Service Licence covers all BBC Local Radio stations in England. Each of the 39 stations is described in Annex II of this licence Part I: Key characteristics of the service 1. Remit The remit of BBC Local Radio is to provide a primarily speech-based service of news, information and debate to local communities across England. Speech output should be complemented by music. The target audience should be listeners aged 50 and over, who are not well-served elsewhere, although the service may appeal to all those interested in local issues. There should be a strong emphasis on interactivity and audience involvement.
    [Show full text]