Volume 19 Number 3 Issue 228 August 2006 OASFIS July Meeting
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To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Comunicado De Novedadesnoviembre 2012
TM & © DC Comics COMUNICADO DE NOVEDADES NOVIEMBRE 2012 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos Comienza... lA NOCHE de los búhos El Tribunal de los Búhos decidió abandonar las sombras del anonimato no solo para derrotar al Hombre Murciélago, sino también para reclamar un dominio sobre la ciudad que dicen merecer. Para ello, orquestaron un ataque a la Mansión Wayne, mientras un auténtico ejército de Garras se desplegaba por las calles BATMAN núm. 7 de Gotham, con la intención de terminar con la vida de hasta 40 individuos que, • Guion: Judd Winick, Gail Simone, Peter J. Tomasi con su liderazgo y personalidad, dan • Dibujo: Ardian Syaf, Lee Garbett, Marcus To, Andy Clarke forma a la ciudad. Una amenaza que • Edición original: Batwing núm. 9, Batgirl núm. 9, Batman and Robin núm. 9 USA - DC requerirá la intervención de los más Comics cercanos colaboradores del Caballero • Periodicidad: Mensual Oscuro. • Formato: Grapa, 64 págs. Color. 168x257 mm. • PVP: 4,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 6 2 8 8 1 1 lA NOCHE de los búhos TM & © DC Comics lA NOCHE de los búhos El prólogo a la saga más aclamada lA NOCHE de los búhos El misterioso Saiko tiene como objetivo matar a Dick Grayson, a quien acusa de ser “el asesino más fiero de Gotham”. El villano ha liquidado ya a C.C. Haly, el dueño del circo que vio crecer a Dick antes de que se convirtiera en Robin y NIGHTWING núm. 2 donde sus padres murieron. Siguiendo una pista que le proporcionó Haly junto • Guion: Kyle Higgins a las escrituras del circo, Nightwing ha • Dibujo: Eddy Barrows, Eduardo Pansica, Geraldo Borges encontrado un antiguo y enigmático • Edición original: Nightwing núms. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
The Forgotten Realms Are a World of the Realms, Matched by a Sheet of Very Similar to the Earth of the 13Th and Ice, Equally Relentless, to Its East
These things also I have observed: that knowledge of our world is to be nurtured like a precious flower, for it is the most precious thing we have. Wherefore guard the word written and heed words unwrittenand set them down ere they fade . Learn then, well, the arts of reading, writing, and listening true, and they will lead you to the greatest art of all: understanding. Alaundo of Candlekeep Cyclopedia of the Realms Table of Contents Introductions ..................................................................4 About this Product ..............................................................5 Time in the Realms ..............................................................6 Names in the Realms .............................................................7 Languages of the Realms .........................................................8 Currency in the Realms ..........................................................9 Religion in the Realms ...........................................................10 Cyclopedia Entries ..............................................................19 Anauroch Map ..................................................................23 Arabel Map ....................................................................24 Cormyr Map ...................................................................33 Cormyr Royal Lineage ...........................................................34 DalelandsMap ..................................................................36 Immersea Map ..................................................................53 -
Janny Wurts ______Supporting Membership(S) at US$35 Each = US$______
Address Correction Requested Address CorrectionRequested Convention 2004 2004 Convention World Fantasy Tempe, AZ 85285-6665Tempe, USA C/O LepreconInc. P.O. Box26665 The 30th Annual World Fantasy Convention October 28-31, 2004 Tempe Mission Palms Hotel Tempe, Arizona USA Progress Report #2 P 12 P 1 Leprecon Inc. presents World Fantasy Con 2004 Registration Form NAME(S) _____________________________________________________________ The 30th Annual ADDRESS ____________________________________________________________ World Fantasy Convention CITY _________________________________________________________________ October 28-31, 2004 STATE/PROVINCE _____________________________________________________ Tempe Mission Palms Hotel ZIP/POSTAL CODE _____________________________________________________ Tempe, Arizona USA COUNTRY ____________________________________________________________ EMAIL _______________________________________________________________ Author Guest of Honour PHONE _______________________________________________________________ Gwyneth Jones FAX __________________________________________________________________ Artist Guest of Honor PROFESSION (Writer, Artist, Editor, Fan, etc.) ______________________________________________________________________ Janny Wurts _______ Supporting Membership(s) at US$35 each = US$_________ Editor Guest of Honor _______ Attending Membership(s) at US$_______ each = US$_________ Ellen Datlow _______ Banquet Tickets at US$53 each = US$ _________ Total US$___________ Publisher Guest of Honor _______ Check: -
Sandman, Aesthetics and Canonisation Today I Want To
Sandman, Aesthetics and Canonisation Today I want to examine the ways in which Neil Gaiman’s Sandman has used narrative, format and aesthetic to move ever closer to the notion of the literary text. Particularly going to consider how it exploits the author function and enacts the struggle for cultural worth that comics seem consistently engaged in. Sandman is an epic series rewriting a golden-age superhero into an immortal deity. It is best remembered for its mythological content and literary references, and these elements have allowed it to claim its place as a canonised graphic novel (despite not actually being a singular GN but a maxi-series across multiple trade paperbacks!). Neil Gaiman’s authorship and authority dominate the text and epitomise Michel Foucault’s author function. But Sandman also draws heavily on mixed media and artistic variation and these aspects are less often discussed. Far from supporting a singular author function, Sandman’s visual style is multiple and varied. But despite this, in paratexts the artistic contributions are frequently subsumed into Gaiman’s authorship. However, a closer reading demonstrates that in fact this artistic variety destabilises clear-cut authorship and enacts the particular status struggles of comics as a collaborative medium struggling against the graphic novel branding. SLIDE: literary pix Sandman was launched in 1989 and became the flagship title for DC’s new Vertigo imprint. Vertigo’s publications contributed heavily to the mainstream cultural revaluation of comics as graphic novels, and critics such as Candace West have argued that Sandman in particular was instrumental here due to the attention the series received from mainstream media such as Rolling Stone magazine. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI. -
This Session Will Be Begin Closing at 6PM on 03/24/21, So Be Sure to Get Those Bids in Via Proxibid! Follow Us on Facebook & Twitter @Back2past for Updates
3/24 - Good Times: Comics, Toys, Drinkware & Beer Steins 3/24/2021 This session will be begin closing at 6PM on 03/24/21, so be sure to get those bids in via Proxibid! Follow us on Facebook & Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # QTY LOT # QTY 1 Auction Rules & Policies 1 13 Shazam Comic Lot of (16) 1 Modern issues. VF/NM or better condition on average. 2 All-New Wolverine Near Complete Run of (36) 1 Includes #3-35 (with two duplicate issues) & Annual #1. #3 is the 14 Serenity/Firefly Comic Lot of (25) 1 2nd appearance of Gabby (Honey Badger). NM condition. Mix of Dark Horse & Boom issues. NM condition on average. 3 Bronze to Copper Marvel Comic Lot of (20) 1 15 The Avengers #52/1968/Marvel/KEY 1 Various grades. Includes Astonishing Tales #26 (2nd appearance 1st appearance of the Grim Reaper, brother of Wonder Man. Black of Deathlok). Panther joins the team. There is a picture/coupon clipped off the last page (does not affect the story). 4 Black Adam: The Dark Age Set 1 Complete 6-part limited series & the Year of the Villain Black Adam 16 Marvel Comics Lot of (61) 1 one-shot. NM condition. Copper to Modern. Mostly VF/NM or better condition. A couple older issues are around FN. 5 Modern Indie Comic Lot of (89) 1 Mostly Titles Starting with "E" through "F". -
Liste De Jeux - 1/26 - Ambition Schmidt France G
N Nom editeur createurs An Num Lg Tr Min Max 1870 Descartes Jean-Pierre Defieux 1978 W 82 fr - 2 1806: Iéna, Campagne de Prusse (Jena!) Tilsit Ed Wimble 1997 W 71 fr - 2 1814: Six jours de gloire Tilsit Kevin Zucker 1998 W 61 fr - 2 1830 Avalon Hill Francis Tresham 1986 S 52 en fr 3 6 1862, The Battles and Leaders Series Simulation Design Incorporated Richard Berg, Thaddeus B. Kubis, 1990 W 99 en - 2 Robert G. Markham 1863: Chickamauga, la rivière de la mort Tilsit Gary Selrik , Stephen Rawling 1997 W 84 fr - 2 221b Baker Street: Master Detective Game Gibsons Games Sg 12 en - 2 6 2e D.B. 1 Normandie Descartes Jean-Jacques Petit 1983 W 32 fr - 2 4 7 Royaumes combattants (les) éditions du stratège Jean-Pierre Pecau, Jël Gourdon W 127 fr - 2 7 8th army: WWII desert campaign Attactix 1982 W 81 en - 2 4 A Game of Throne Fantasy Flight Games Christian T. Petersen 2003 S 305a en fr 3 5 A Game of Throne : A clash of Kings Fantasy Flight Games Christian T. Petersen 2005 S 305b en fr 3 6 A Game of Throne : A storm of Swords Fantasy Flight Games Christian T. Petersen 2006 S 305c en fr 3 6 Abalone Hasbro Michel Lalet, Laurent Lévi 1990 R 8 fr - 2 Accross 5 April Victory Games Eric Lee Smith 1992 W 48 en fr 2 4 Adel Verpflichtet FX Schmid Klaus Tauber 1990 S 92 de fr 2 5 Africa 1880 Tilsit Francis Pacherie 1997 S 28 fr - 3 6 Afrika: La guerre du Désert Oriflam Dean Essig 1994 W 134 fr - 2 Âge des dieux (L') Asmodée Edition Croc 2004 S 236 fr - 3 6 Age of Battles : the Battle of Marathon Zvezda W 122 en - 2 Age of Chivalry 3W Rob Markham 1992 W 65 en - 1 4 Age of Renaissance Avalon Hill 1996 S 142 en fr 3 6 Age of Steam Warfrog Martin Wallace 2001 S 259 en fr 2 6 Ages of Mythology Eagle Games Glenn Drover 2003 S 223 en fr 4 6 Aigles (les) Descartes J.m. -
Castlemourn Campaign Setting
Sample file Original Concept: Ed Greenwood Fiction: Ed Greenwood Writing & Design: Jim Butler, Jennifer Brozek, Steve Creech, Darrin Drader, Sean Everette, Ed Greenwood, Brian Gute, Tim Hitchcock, Alex Jacobs, Tom Knauss, Todd R. Laing, Kevin W. Melka, Montgomery Mullen, James M. Ward Editor: Brian Gute Fiction Editor: Peter Archer Proofreader: Christy Everette Project Manager: Sean Everette Layout & Typesetting: Sean Everette Art Director: Renae Chambers Cover Artist: Donato Giancola Interior Artists: Christopher Appel, Drew Baker, Patrick Ballesteros, Joel Beebe, Mike Bielaczyc, Paul Bielaczyc, Bruce Colero, Jason Engle, Toby Hampton, Kristina Knopse, Ron Lemen, Jennifer Meyer, Therese Mitchell, Stefan Moroni, Dzu Nguyen, Jessica Renk, Daniel Roe, Douglas Sirois, Beth Trott, Fabiola Vargas, Gareth Verleyen, Michelle Weber, Fredy Wenzel Cartographer: Sean Macdonald Graphic Designer: Sean Macdonald LEGAL Margaret Weis Productions, the MW logo, Castlemourn, and the Castlemourn logo are trademarks owned by Margaret Weis Productions, Ltd. All rights reserved. © 2006 Margaret Weis Productions, Ltd. All rights reserved. The mention of or reference to any company or product in these pages is not a challenge to the trademark or copyright concerned. This edition of Castlemourn Campaign Settings is produced under version 1.0a, 5.0, and/or draft versions of the Open Game License and the System Reference Document by permission of Wizards of the Coast. Subsequent versions of this product will incorporate later versions of the license, guide, -
Norwescon 28 Post Con Report So Easy to Talk to and So Full of Such Interesting Tales from Around the World
Norwescon 28 Post-Con Report October 2005 Exploring the Language of Science Fiction and Fantasy Twenty-Eight An Annual Regional Science Fiction and Fantasy Convention Chairman Shawn Marier The First Page Vice Chairman Tracy Knoedler Welcome to the Postcon report, I’ll make my part short, well Publications Director Patricia Booze short as I can! Editing Team Betty Claar Here you will find the final thoughts and thanks of the staff of Katrina Marire Norwescon 28, a few announcements and hopefully some other Cathy Sullivan useful information for planning out the life of a Science Fiction Fan, check out the fall event schedule for the SFM. Layout Designer Gayle MacArthur I’d personally like to thank my Publication team for all their hard work and dedication to our first year together, Felice Contributing Writers Patricia Booze, Jeffrey Cornish, Nightengale, Katrina Marier, Betty Claar, Cathy Sullivan, Tracy Knoedler, Elizabeth Fellows, Peggy Stewart, R’ykandar Korra’ti, Judy Suryan, Gayle Cheryl Ferguson, Jeromie Foulger, MacArthur, Don Glover, Angela Suryan and Erica Weiland. Jerry Gieseke, Ali Grieve, Shawn Marier, Jamie “Sunny Jim” Morgan, To Shawn and Tracy for believing I could step into some William Sadorus, Anita Taylor, Eric mighty big shoes and to those members of the executive team Weber, Sally Woehrle and concom who helped my team get there. I’d also like to extend a very special thank you to Stephen Photo Department Angela Suryan, Eric Weiland and Hickman and Michael Whelan for their beautiful art work, and special thanks to Tom Walls their amazing generosity in its use. To all that wrote the words, they were all great words.