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Varela Vitalina OCTUBRE 2020 Nº 97 (148) www.caimanediciones.es EDICIÓN DIGITAL ENTREVISTAS VIGGO MORTENSEN PABLO AGÜERO LOIS PATIÑO DAVID PÉREZ SAÑUDO VITALINA VAR ELA PEDRO COSTA LA GRAN ENTREVISTA 3,49 EUROS FESTIVALES: VENECIA - SAN SEBASTIÁN / WILLIAM KLEIN / LAV DIAZ / REGRESO A TENET SUMARIO OCTUBRE 2020 NO 97 (148) 52. CRÍTICAS Nunca, casi nunca, a veces, NUNCA, siempre Eliza Hittman CASI NUNCA, Estoy pensando en dejarlo A VECES, Charlie Kaufman SIEMPRE ELIZA HITTMAN 6. RÁFAGAS Reportajes / Festivales / Ciclos / Breves El rey del barrio Judd Apatow Firmas 7. La asesina de la oficina Pilar Pedraza Falling 9. El 'factor tweet' de Werner Herzog Jonathan Rosenbaum Viggo Mortensen Rifkin's Festival 16. GRAN ANGULAR Woody Allen San Sebastián 2020 Ane El año de las sorpresas Carlos Losilla David Pérez Sañudo Zabaltegi Cristina Aparicio New Directors Jaime Pena Akelarre Una edición para recordar Carlos F. Heredero Pablo Agüero Lúa Vermella 28. FOCOS Lois Patiño Vitalina Varela We Are Who We Are Crítica Jonathan Rosenbaum Luca Guadagnino Entrevista Pedro Costa Jaime Pena Patria 45. LO VIEJO Y LO NUEVO Félix Viscarret, Óscar Pedraza Una historia simple Santos Zunzunegui Antidisturbios Rodrigo Sorogoyen 46. HISTORIA(S) DEL CINE Canción sin nombre . Soldados de a pie Adrian Martin William Klein Melina León 50. INFORMES Cartas mojadas Festival de Venecia Jonathan Romney Paula Palacios Crescendo 78. RÉPLICAS Dror Zahavi Tenet La lección de alemán Punto de encuentro Àngel Quintana Christian Schwochow La película que nunca tuvo lugar Carlos Losilla Ratched Lav Diaz Ryan Murphy Relatos del diluvio Javier H. Estrada Sanmao: la novia del desierto 84. MEDIATECA Marta Arribas, Ana Pérez de la Fuente DVD / Blu-ray Libros Un trabajo y una película Pablo Rosal 86. AGENDA Verano del 85 François Ozon 88. THE END Casa de Lava Jaime Pena La voz humana Pedro Almodóvar OTRAS ENTREVISTAS SUSCRIPCIÓN Viggo Mortensen, Pablo Agüero, Lois Patiño, David Pérez Sañudo pág. 4 CAIMÁN CUADERNOS DE CINE OCTUBRE 2020 3 EDICIÓN DIGITAL Siempre al alcance de su mano Busque el texto que desea y márquelo como favorito Comparta textos en las redes sociales Guarde los recortes de lo que le interesa Lea o escuche los textos Amplíe el contenido para una mejor lectura Ahora puede leer también Caimán Cuadernos de Cine en su ordenador (PC o Mac) y, si lo desea, descargarlo y llevárselo consigo a donde quiera que vaya en iPad, iPhone o todo tipo de dispositivos Android (tablet o smartphone). 35,99 SUSCRIPCIÓN ANUAL euros 11 números (uno gratis) EJEMPLAR INDIVIDUAL 3,59 euros Suscríbase o haga su pedido en nuestra web: www.caimanediciones.es y también en: Editorial CARLOS F. HEREDERO Director Carlos F. Heredero Coordinador en Cataluña: Àngel Quintana Consejo de redacción: Enric Albero, Manuel Asín, Fernando Bernal, Roberto Cueto, Javier H. Estrada, José Antonio Hurtado, Eulàlia Iglesias, Violeta Kovacsics, Carlos Losilla, Beatriz Martínez, José Enrique Monterde, Andrea Morán Ferrés, Luis E. Parés, Jaime Pena, Antonio Santamarina Redacción: Jara Yáñez Secretaria de redacción: Carmen Córdoba Consejo Editorial: Jordi Balló, Jean-Michel Frodon, Leonardo García Tsao, Román Gubern, Adrian Martin, David Oubiña, Manuel Pérez Estremera, José María Prado, Jonathan Rosenbaum, Jenaro Talens, Santos Zunzunegui Festivales en tiempos de pandemia Colaboran en este número: Cristina Aparicio, Jonay Armas, José Félix Collazos, Ignasi Franch, Raquel Loredo, Adrian Martin, Pilar Pedraza, rimero fue Málaga, luego Venecia y ahora San Sebastián. Poco a poco, los fes- Rubén de la Prida, Felipe Rodríguez tivales de cine van recuperando su naturaleza más esencial, su condición de Torres, Jonathan Romney, Jonathan Rosenbaum, Javier Rueda, Santos punto de encuentro, de ágora pública, de conversación artística, industrial y Zunzunegui profesional, de ámbito para el comercio y para la comunicación, de comisa- Dirección de arte y maquetación: riado cultural irrenunciable. Naturaleza compleja y múltiple donde las haya, que no Itala Spinetti P Publicidad: puede ser sustituida únicamente por una versión online, por mucho que algunos cer- Pedro Medina támenes se puedan hacer así cuando no es posible celebrarlos de manera presencial Coord. y redes sociales: Juanma Ruiz (como bien demostró el D'A barcelonés el pasado mes de mayo). Un festival no es solo una plataforma, un lugar o un evento en el que se proyectan REDACCIÓN C/ Soria, nº 9, 4º / 28005 Madrid películas. Es muchas más cosas, pero el hecho más preocupante es que, por efecto de (España) la extrema anormalidad y excepcionalidad impuestas por la situación sanitaria en todo Tel.: (+34) 91 468 58 35 Mail: el mundo, se haya podido llegar a teorizar que un certamen cinematográfico se reduce [email protected] al visionado de una serie de producciones, por muy interesantes o brillantes que estas puedan ser. Casi sin darnos cuenta, interiorizamos como 'normal' lo que en la vida libre de virus (¿se acuerdan...?) nos habría parecido una anormalidad poco deseable. Y sí, es cierto: Málaga, Venecia y San Sebastián han tenido que celebrarse bajo la estricta vigilancia de todas las medidas de seguridad y de todos los protocolos sanita- rios obligados en las presentes circunstancias. Es cierto también que su programación Director General Pedro Medina se ha visto mediatizada y condicionada, no siempre para bien, por las convulsiones que Caimán Ediciones, S.L. sufren en estos momentos –desde hace más de siete meses– la distribución comercial C/ Soria, nº 9, 4º y el calendario internacional de estrenos, por la parálisis que padecen los rodajes y por 28005 Madrid Tel.: (+34) 91 468 58 35 estrategias de marketing interesadas en guardar determinadas películas para 'cuando [email protected] pase la tormenta' (con el optimista horizonte de Cannes 2021 por delante). Todos somos www.caimanediciones.es conscientes de que, en la 'vieja normalidad', la programación de estos festivales habría PUBLICIDAD sido bastante diferente casi con total seguridad, pero lamentarse por la imposibilidad [email protected] Tel.: 91 468 58 35 de lo imposible solo puede producir, aquí y ahora, una inútil melancolía. El más elemental realismo posibilista (impuesto por la pandemia; en modo alguno SUSCRIPCIONES [email protected] elegido ni deseable) nos dicta que el esfuerzo llevado a cabo por Málaga, Venecia y San Tel.: 91 468 58 35 Sebastián ha sido una pequeña –y no tan pequeña– heroicidad. Su empeño, y su triunfo, DISTRIBUCIÓN: Sociedad General consisten en haber abierto un camino perfectamente transitable en medio de las con- Española de Librería (SGEL). diciones más adversas que quepa imaginar: con una estricta y exigente limitación de IMPRESIÓN: www.LITOFINTER.com aforo, con menos invitados, menos prensa, menos público y menos películas, menos Depósito Legal: M-48464-2011 ISSN: 2253-7317 encuentros profesionales, menos actividades colectivas y menos industria. Sí, claro, Las opiniones expresadas por los colaboradores pero con invitados, con prensa, con público, con encuentros online, con actividades y no son compartidas necesariamente por Caimán Cuadernos de Cine. con industria. Es decir, con todo lo propio de un festival, por mucho que, este maldito Esta revista ha recibido una ayuda a la edición del Ministerio de Cultura y Deporte. año, todo ello se haya visto circunscrito a propociones mucho más limitadas. El camino que estos festivales han abierto señala una ruta posible para Sitges, Valla- dolid, Gijón, Bilbao y Sevilla: las próximas, más inmediatas y más relevantes citas del Actividad subvencionada por el Ministerio de Cultura y Deporte. otoño festivalero en España. Por esa senda habrá que caminar mientras todos espera- mos, ansiosos, el retorno a esa 'vieja normalidad' que antes nos parecía tan cuestiona- ble y que ahora tanto añoramos; sin duda para volver a cuestionarla cuando regrese. CAIMÁN CUADERNOS DE CINE OCTUBRE 2020 5 RÁFAGASx x x x x Rodajes Entrevistas Festivales Seminarios Ciclos Breves Nieva en Benidorm, de Isabel Coixet 65 SEMINCI (VALLADOLID). AVANCE DE PROGRAMACIÓN Contra viento y marea JARA YÁÑEZ a Semana Internacional de Cine de Valladolid cumple 65 ediciones de siete años a la vida en Estados fiel a sus principios (y a pesar de la dura incertidumbre que marcan Unidos. Allí estarán también There estos tiempos) con una programación que no solo se compromete, is No Evil, la última y esperada gran un año más, con distintos conflictos y dificultades tanto sociales como cinta del iraní Mohammad Rasoulof (al políticas alrededor del mundo, sino que apuesta por una sugerente que la SEMINCI dedicara en 2018 una y atrevida selección de primeras o segundas obras –con más de la retrospectiva y un libro) que se alzó con mitad de los títulos en esta condición– provenientes además de cinematografías con el Oso de Oro en el Festival de Berlín Lindustrias fílmicas de escasa producción y difícil difusión. Destaca en este sentido la o Josep (del francés Aurel), convertida presencia de películas como The Wasteland, del iraní Ahmad Bahrami, ambientada ya en una de las grandes películas de en el corazón del desierto; la israelí Here We Are, de Nir Bergman, en la que se narra animación del año después de haber la historia de un padre y su hijo autista; o The Disciple, del cineasta independiente, sido preseleccionada para el festival de afincado en Bombay, Chaitanya Tamhane (que fue galardonado con el premio Cannes que no pudo ser. Orizzonti a la Mejor Película y el León del Futuro en Venecia con su primer largo, Six Pocas mujeres forman parte de
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