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The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
73. Festival Di Venezia 2016
o m r e l a P B C D - % 0 7 - . festival P . A n i 7° Vittorio Veneto Film Festival e n o i z i 9° Filmfestival del Garda d e p S 19° Mestre Film Fest - . A . 26° Festival del Cinema Africano p . S e n a i l a t I e t s o P mondo cinit Concorsi Gagliardi e Dorigo Convegno L’Animazione e le Arti a Padova Cortometraggi d’Autore a Furci Siculo SSppeecciiaallee zzoooomm Nuova serie 7733.. FFeessttiivvaall ddii VVeenneezziiaa n. 47-48 Editoriale Nuova serie - n. 47-48 gennaio-dicembre 2016 Un anno intenso di attività il 2016 per il Cinit e i cineforum affiliati, spiccano tra tutte le tre giornate organizzate durante la Mostra del cinema di Venezia con la presentazione Rivista trimestrale edita dal del libro “Cuori senza frontiere” di Alessandro Cuk sulla genesi della pellicola di Zampa, CINIT - Cineforum Italiano alla presenza dello storico Guido Rumici, di Italia Giacca, consigliere nazionale Asso - Segreteria CINIT: Via Manin, 33/1 ciazione Venezia Giulia e Dalmazia, e di Renato Boraso, Assessore di Venezia; con i 30174 MESTRE (Venezia) premi Cinit agli studenti vincitori dei concorsi “Gagliardi” e “Dorigo” che hanno visto la [email protected] partecipazione attenta e interessata di giovani studenti universitari di varie parti delle regioni italiane; ed infine, il Corso di aggiornamento per gli iscritti all’Ordine dei giornalisti Presidente del CINIT: Massimo Caminiti della Regione Veneto, sul tema “La Mostra del Cinema di Venezia: passato e presente” ([email protected]) aperta da Giuseppe Ghigi, critico cinematografico, da Alberto Anile, giornalista e saggi - sta, da Massimo Tria, docente dell’Università di Cagliari nonché specialista del cinema Direttore Responsabile: dell’Est europeo e Marco Vanelli, direttore della nostra rivista “Cabiria”. -
COMPARATIVE LITERATURE (Div
COMPARATIVE LITERATURE (Div. I) Chair, Associate Professor CHRISTOPHER NUGENT Professors: BELL-VILLADA, CASSIDAY, DRUXES, S. FOX, FRENCH, KAGAYA**, NEWMAN***, ROUHI, VAN DE STADT. Associate Professors: C. BOLTON***, DEKEL, S. FOX, HOLZAPFEL, MARTIN, NUGENT, PIEPRZAK***, THORNE, WANG**. Assistant Professors: BRAGGS*, VARGAS. Visiting Assistant Professor: EQEIQ. Students motivated by a desire to study literary art in the broadest sense of the term will find an intellectual home in the Program in Comparative Literature. The Program in Comparative Literature gives students the opportunity to develop their critical faculties through the analysis of literature across cultures, and through the exploration of literary and critical theory. By crossing national, linguistic, historical, and disciplinary boundaries, students of Comparative Literature learn to read texts for the ways they make meaning, the assumptions that underlie that meaning, and the aesthetic elements evinced in the making. Students of Comparative Literature are encouraged to examine the widest possible range of literary communication, including the metamorphosis of media, genres, forms, and themes. Whereas specific literature programs allow the student to trace the development of one literature in a particular culture over a period of time, Comparative Literature juxtaposes the writings of different cultures and epochs in a variety of ways. Because interpretive methods from other disciplines play a crucial role in investigating literature’s larger context, the Program offers courses intended for students in all divisions of the college and of all interests. These include courses that introduce students to the comparative study of world literature and courses designed to enhance any foreign language major in the Williams curriculum. In addition, the Program offers courses in literary theory that illuminate the study of texts of all sorts. -
Varela Vitalina
OCTUBRE 2020 Nº 97 (148) www.caimanediciones.es EDICIÓN DIGITAL ENTREVISTAS VIGGO MORTENSEN PABLO AGÜERO LOIS PATIÑO DAVID PÉREZ SAÑUDO VITALINA VAR ELA PEDRO COSTA LA GRAN ENTREVISTA 3,49 EUROS FESTIVALES: VENECIA - SAN SEBASTIÁN / WILLIAM KLEIN / LAV DIAZ / REGRESO A TENET SUMARIO OCTUBRE 2020 NO 97 (148) 52. CRÍTICAS Nunca, casi nunca, a veces, NUNCA, siempre Eliza Hittman CASI NUNCA, Estoy pensando en dejarlo A VECES, Charlie Kaufman SIEMPRE ELIZA HITTMAN 6. RÁFAGAS Reportajes / Festivales / Ciclos / Breves El rey del barrio Judd Apatow Firmas 7. La asesina de la oficina Pilar Pedraza Falling 9. El 'factor tweet' de Werner Herzog Jonathan Rosenbaum Viggo Mortensen Rifkin's Festival 16. GRAN ANGULAR Woody Allen San Sebastián 2020 Ane El año de las sorpresas Carlos Losilla David Pérez Sañudo Zabaltegi Cristina Aparicio New Directors Jaime Pena Akelarre Una edición para recordar Carlos F. Heredero Pablo Agüero Lúa Vermella 28. FOCOS Lois Patiño Vitalina Varela We Are Who We Are Crítica Jonathan Rosenbaum Luca Guadagnino Entrevista Pedro Costa Jaime Pena Patria 45. LO VIEJO Y LO NUEVO Félix Viscarret, Óscar Pedraza Una historia simple Santos Zunzunegui Antidisturbios Rodrigo Sorogoyen 46. HISTORIA(S) DEL CINE Canción sin nombre . Soldados de a pie Adrian Martin William Klein Melina León 50. INFORMES Cartas mojadas Festival de Venecia Jonathan Romney Paula Palacios Crescendo 78. RÉPLICAS Dror Zahavi Tenet La lección de alemán Punto de encuentro Àngel Quintana Christian Schwochow La película que nunca tuvo lugar Carlos Losilla Ratched Lav Diaz Ryan Murphy Relatos del diluvio Javier H. Estrada Sanmao: la novia del desierto 84. MEDIATECA Marta Arribas, Ana Pérez de la Fuente DVD / Blu-ray Libros Un trabajo y una película Pablo Rosal 86. -
Read Transcript
ARAB INTELLECTUALS SERIES LUNCHTIME EVENT Introduction: Terje Rød-Larsen, President, International Peace Institute Moderator: Ambassador Abdullah M. Alsaidi, Senior Fellow, International Peace Institute Speakers: Hisham Matar, Libyan novelist Ali Al-Muqri, Yemeni novelist September 15, 2011 International Peace Institute 777 United Nations Plaza Transcript edited by IPI T RANSCRIPTION Terje Rød-Larsen: A warm welcome to the International Peace Institute, and to this first lunchtime event in our new Arab Intellectuals Series. The purpose of this new series is to offer a platform for Arab writers and intellectuals, and we have two of them— actually three, I would say—with us here this afternoon. We will ask them to share their own interpretations, their views and analysis on the dramatic changes which are unfolding in the Arab world in this current period of transition, and most importantly, to discuss the way ahead. Indeed, we've heard lately many interpretations and many explanations of the root causes of the Arab Spring. Every day when we open the newspapers, switch on the television or the radio, a new piece of analysis seems to appear. Our new series aims to offer an opportunity for the diplomatic community here in New York to hear unfiltered and fresh perspectives on the events of the Arab uprising from people who have witnessed it first-hand. Therefore I'm very happy to welcome our two speakers today, Hisham Matar from Libya on my right-hand side here, and Ali Al-Muqri from Yemen on the extreme right there, not politically-speaking. For those of you who didn't see it, Hisham Matar was featured very prominently in Sunday's New York Times book review. -
Phillippine Noir
Change of Focus—12 may adadol ingawanij PHILIPPINE NOIR The Cinema of Lav Diaz he filipino director Lav Diaz has created a monumental body of work over the past two decades: some sixteen feature films—interspersed with as many miscellaneous shorts, documentaries and film-essays—shot almost entirely in black Tand white, with running times generally somewhere between four and ten hours. Produced on a largely artisanal scale throughout the archi- pelago of the Philippines, at one level they represent the everyday troubles and resilience of the Filipino people, the present-day plight of the country and the burden of its past. Although he is a well-known figure there, Diaz’s films have been screened only sporadically in the Philippines itself, the product not only of political constraints—a num- ber have been banned—but also of working beyond the bounds of an entrenched national film industry. Internationally, Diaz’s reputation has grown since Norte, the End of History (2013)—a 4-hour, freewheeling adaptation of Dostoevsky’s Crime and Punishment set in the contempo- rary Philippines—appeared at Cannes, with prizes and acclaim garnered at Locarno, Berlin and Venice. His oeuvre, though, remains little under- stood. On the global circuit, he is regularly acclaimed as a master of ‘slow cinema’. In interviews, Diaz rarely fails to correct the record: ‘it’s not slow cinema; it’s cinema.’1 First coined by the French critic Michel Ciment who identified an emerg- ing ‘cinema of slowness’ in a talk at the 2003 San Francisco International Film Festival, ‘slow cinema’ has been consolidated in Anglophone film writing as a designation for a range of austere, minimalist films typified by use of the long take.2 Directors who have been classified as practi- tioners alongside Diaz include Nuri Bilge Ceylan, Jia Zhangke, Pedro new left review 130 july aug 2021 53 54 nlr 130 Costa and Tsai Ming-Liang, while the category has also been applied retrospectively, with Ozu, Bresson, Tarkovsky and others enlisted into a genealogy of slowness. -
To Rock Or Not Torock?
v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay. -
Read a Pulitzer Prize-Winning Book
September 2020 Reading Challenge: Read a Pulitzer Prize-Winning Book Key for on which services the books are located: A = Axis 360 C = CloudLibrary H = Hoopla L = Libby O = Overdrive P = Print LP = Large Print eAudio = AudioCD = CD March by Geraldine Brooks (fiction) P, LP In a story inspired by the father character in "Little Women" and drawn from the journals and letters of Louisa May Alcott's father, a man leaves behind his family to serve in the Civil War and finds his beliefs challenged by his experiences. The Gulf: The Making of an American Sea by Jack E. Davis (non-fiction) P, C H A comprehensive history of the Gulf of Mexico and its identity as a region marked by hurricanes, oil fields, and debates about population growth and the environment demonstrates how its picturesque ecosystems have inspired and reflected key historical events. The Brief Wondrous Life of Oscar Wao by Junot Diaz (fiction) P, LT, O, L, O L Living with an old-world mother and rebellious sister, an urban New Jersey misfit dreams of becoming the next J. R. R. Tolkien and believes that a long-standing family curse is thwarting his efforts to find love and happiness. Late Wife by Claudia Emerson (poetry) P In Late Wife, a woman explores her disappearance from one life and reappearance in another as she addresses her former husband, herself, and her new husband in a series of epistolary poems. Though not satisfied in her first marriage, she laments vanishing from the life she and her husband shared for years. -
The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet). -
1 Studio Responsibility Index 2018
STUDIO RESPONSIBILITY INDEX 2018 STUDIO RESPONSIBILITY INDEX 2018 2018 Studio Responsibility Index 1 STUDIO RESPONSIBILITY INDEX 2018 Hollywood is at a tipping point. The past year has seen the rise of the Time’s This inconsistency from year-to-year, even Up and #MeToo movements, which have sometimes within a single year across a studio’s transformed the conversation in the industry and slate, is something we have noted in several among the movie-going public, and are driving editions of this report. We cannot let these signs change behind the scenes and in the media. On of improvement be a blip in the radar; we need screen, record-breaking films like Black Panther real and sustained progress, and GLAAD is a and Wonder Woman prove that not only does resource to the industry in making that change. inclusion make for great stories – inclusion is Our GLAAD Media Institute is driving a culture good for the bottom line. It is time for lesbian, revolution through research, consulting, and gay, bisexual, transgender, and queer (LGBTQ) training to help creators and industry leaders stories to be included in this conversation and in be better prepared to produce compelling, this movement. entertaining LGBTQ characters that do not reinforce harmful and outdated stereotypes. (Call GLAAD is calling on the seven major film studios us, we’re happy to help!) to make sure that 20% of annual major studio releases include LGBTQ characters by 2021, and Films like Love, Simon have helped accelerate that 50% of films include LGBTQ characters by acceptance around the world with many outlets 2024. -
LFA Library: New Materials (Apr - May 2017)
LFA Library: New Materials (Apr - May 2017) Overdrive eBooks (Red= Fiction; Black= Non-Fiction) Title Author Africa (Fourth Edition) Maria Grosz-Ngate Almighty: Courage, Resistance, and Existential Peril in the Nuclear Age Dan Zak All These Worlds Are Yours: The Scientific Search for Alien Life Jon Willis Behold the Dreamers Imbolo Mbue (Winner of the PEN/Faulkner Award for Fiction) Blood and Earth: Modern Slavery, Ecocide, and the Secret to Saving the World Kevin Bales Born a Crime: Stories from a South African Childhood Trevor Noah Bringing Innovation to School: Empowering Students to Thrive in a Changing World Suzie Boss Brothers at Arms: American Independence and the Men of France and Spain Who Saved It Larrie D. Ferreiro (Finalist for the Pulitzer Prize; Winner of the Journal of the American Revolution Book of the Year Prize) Children of Paradise: The Struggle for the Soul of Iran Laura Secor Dodgers: A Novel Bill Beverly (Winner of the Los Angeles Times Book Prize for Best Mystery/Thriller) The Confidence Game: Why We Fall for It…Every Time Maria Konnikova The Cubs Way: The Zen of Building the Best Team in Baseball and Breaking the Curse Tom Verducci Fever Dream: A Novel Samantha Schweblin (Shortlisted for the Man Booker Prize) Free to Make: How the Maker Movement is Changing Our Schools, Our Jobs, and Our Minds Dale Dougherty Girls on Fire Robin Wasserman The Handmaid’s Tale Margaret Atwood Herding Hemingway’s Cats: Understanding How Our Genes Work Kat Arney Hero of the Empire: The Boer War, A Daring Escape, and the Making of Winston -
International Covenant on Civil and Political Rights (110Th Session)
United Nations CCPR/C/110/D/2006/2010 International Covenant on Distr.: General 31 March 2014 Civil and Political Rights Original: English Advance Unedited Version Human Rights Committee Communication No. 2006/2010 Views adopted by the Committee at its 110th session (10-28 March 2014) Submitted by: Youcif Almegaryaf and Hisham Matar (represented by TRIAL (Track Impunity Always)) Alleged victim: Izzat Yousef Al-Maqrif and Jaballa Hamed Matar (the authors’ fathers respectively), and the authors. State party: Libya Date of communication: 10 November 2010 (initial submission) Document reference: Special Rapporteur’s rule 97 decision, transmitted to the State party on 22 November 2010 Date of adoption of Views: 21 March 2014 Subject matter: Enforced disappearance Substantive issues: Right to life, prohibition of torture and cruel and inhuman treatment, right to liberty and security of person, right of all persons deprived of their liberty to be treated with humanity and dignity, recognition as a person before the law, right to an effective remedy, and child protection Procedural issue: Lack of cooperation from the State party Articles of the Covenant: Articles 2 (para. 3), 6 (para. 1), 7, 9 (paras. 1-4), 10 (para. 1), 16 and 24 (para 1) Article of the Optional Protocol: Article 5, paragraph 2 (a) [Annex] GE.14- CCPR/C/110/D/2006/2010 Advance Unedited Version Annex Views of the Human Rights Committee under article 5, paragraph 4 of the Optional Protocol to the International Covenant on Civil and Political Rights (110th session) concerning Communication No. 2006/2010* Submitted by: Youcif Almegaryaf and Hisham Matar (represented by TRIAL (Track Impunity Always)) Alleged victim: Izzat Yousef Al-Maqrif and Jaballa Hamed Matar (the authors’ fathers respectively), and the authors.