DOCSLIB.ORG

15-26 February Glasgowfilm.Org/Festival #Gff17 Major Partners

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
15-26 February Glasgowfilm.Org/Festival #Gff17 Major Partners 15-26 FEBRUARY GLASGOWFILM.ORG/FESTIVAL #GFF17 MAJOR PARTNERS SPONSORS Official Colour Chart CMYK Uncoated (Color Bridge +) Cool Gray 11 UP (30 / 17 / 8 / 51) CMYK Coated (Color Bridge +) Cool Gray 9 CP (30 / 22 / 17 / 57) Pantone Uncoated Cool Gray 11 U Pantone Coated Cool Gray 9 C RGB 122 / 125 / 129 HTML 7A7D81 SUPPORTERS Avery 900 Ultimate Cast Opaque Dark Gray (UC 900-855-O) Colour Version (Grey) W M Mann Foundation The Hugh Fraser CMYK Uncoated (Old Process Guide) DS 1-1 U (0 / 5 / 100 / 0) Consulate General CMYK CoatedFoundation (Old Process Guide) DS 1-1 C (0 / 5 / 100 / 0) of the Republic of Poland in Edinburgh Pantone Uncoated 012 U Pantone Coated 012 C RGB 254 / 221 / 0 MrHTML & Mrs William Donald’s FEDD00 Memorial Trust, Avery 900 Ultimate Cast Opaque Pantone 109 C (UC 900-216-O) MLG Colour Version (Yellow) per Mactaggart + Co. McAllister Litho Glasgow Ltd. Solicitors, Largs MEDIA PARTNERS PROGRAMME PARTNERS VENUE PARTNERS Thanks to: The Drink Cabinet, BECTU, Club Noir, Creative Media Skills, The Glue Factory, The Pearce Institute, Hoodou Bayou, H & S Coach Hire, Police Pipe Band, Govan Schools Pipe Band, Sub Club, Traveleads. WELCOME CONTENTS Ticketing 2 Enhance Your Festival Experience 4 Audience Award 5 During the craziest of years, movies have provided a constant Industry Focus 6 source of comfort and joy. We launch the 2017 Glasgow Film Behind the Scenes 7 Festival programme right in the heart of a thrilling awards season. Who hasn’t lost their heart to those foolish dreamers Emma Opening & Closing Galas 8 Stone and Ryan Gosling in La La Land or shed tears over the Dangerous Dames 9 agonisingly poignant Manchester by the Sea or marvelled at old True North: New Canadian Cinema 9 master Martin Scorsese realising his 30 year passion project Special Events 10 Silence? Movies matter to all of us - they are part of our daily lives. In a world that seems impossibly divided, movies build Gala 10 bridges, provoke debate, inspire empathy and remind us of all the Stranger Than Fiction 11 things we have in common. Pioneer 11 FrightFest 11 There is a theory that seeing a film in a cinema is an endangered Local Heroes 12 pastime that will go the way of the horse and carriage. The doom- sayers believe we might go to the cinema for the spectacle of Window on the World 12 a comic book blockbuster if it screens in IMAX with a seat that Modern Families 12 shakes and a snack that satisfies but otherwise, forget it. Well, Mifune: The Last Samurai 12 not on our watch. You can consume what you choose on your Sound & Vision 13 mobile devices or Netflix subscription but there is nothing that will ever replace the magic of a night at the cinema. Movies come Nerdvana 13 alive when you see them together. Comedies are funnier, thrillers CineMasters 13 are more tense, dramas are more gripping and vintage movies Crossing the Line 13 sparkle like brand new. Glasgow prides itself on being a festival A - Z Listings 14–59 that loves movies and loves the audience. It is a festival that Festival Calendar 32-37 programmes without prejudice and delivers without pretension. When you come to our venues the atmosphere is warm and Festival Map 38-39 welcoming, the audience is chatty and excited, the experience Venue Access 60 is everything that going to the movies should be. You are among Staff Thank You 61 friends and kindred spirits. Film and Event Index 64 2017 is a festival of delights that runs the gamut from jaw-dropping documentaries to carefree comedies, grisly horrors to delicate dramas, global greats to local heroes via some unforgettable once-in-a-lifetime events. You will definitely want to be Lost in France but you will also want to be lost in the festival. So, forget those troubles, come on, get happy. Let’s go to the movies. Allan Hunter & Allison Gardner, Festival Co-directors FESTIVAL CLUB DETAILS: GLASGOWFILM.ORG/FESTIVAL-CLUB 1 TICKETING HOW TO BUY TICKETS ONLINE PRICES No booking fees apply From Monday 23 January at 10am, tickets for all events can be STANDARD TICKET PRICES purchased from our website glasgowfilm.org/festival. £10 full price / £8 for all adult concessions / £5.50 children (ages 14 & under). Tickets for GFT/CCA and Cineworld Renfrew Street screenings can be purchased online up until one hour before the Adult concessions include full-time students, over-60s, performance. For all other participating venues, tickets can be Jobseekers Allowance, Income Support recipients and purchased online until two hours before the performance. registered disabled people. Please produce proof of eligibility when purchasing or collecting tickets. GFF also honours the IN PERSON CEA card for all festival events. No booking fees apply GFT: From Monday 23 January you can purchase tickets for Please note that all GFF tickets are non-refundable and non- most events from the central festival box office at GFT during transferable. opening hours, see opposite. SPECIAL EVENTS & PERFORMANCES CCA: From Thursday 16 February – Sunday 26 February you Please note that some special events, live performances can also purchase tickets in person for most events from the and screenings fall outside the standard ticket price and are festival box office at CCA, Sauchiehall Street. marked with this symbol: £ OVER THE PHONE See individual listings for details. £1.50 fee per transaction From Monday 23 January tickets can be booked by calling 0141 FESTIVAL FOR A FIVER 332 6535 during GFT opening hours. Please note there is £1.50 Our Festival for a fiver films are a brilliant way to enjoy the transaction fee for telephone bookings. festival. These screenings are marked with this symbol: 5 and Please note that during busy periods you will be asked to leave no further discounts apply. a message. Calls will be returned in the order in which they are received, however leaving a message does not ensure you are FREE EVENTS able to purchase a ticket, some events sell out online before Tickets for free events, marked with this symbol: F will only be we are able to return calls. issued on the day from the venue where the event is being held when the box office opens, unless otherwise specified in the COLLECTION A - Z. First come, first served (maximum 2 tickets per person). You can collect advance tickets from the central festival box office at GFT or CCA up until the box office closes. On the HAVE YOU GOT A CINECARD? day of the event, tickets can be picked up from GFT or CCA box offices. For venues other than GFT and CCA tickets will To reward the loyalty of GFT CineCard holders we’re offering be available at the central box offices until approximately two £1 off all standard priced tickets. Tickets can be purchased hours before the performance and then available at the venue online or from the festival box offices at GFT and CCA in from one hour before the performance. person. See glasgowfilm.org/festival for full terms and HAVE YOU GOT A CINEWORLD conditions. UNLIMITED CARD? ALL OTHER VENUES Cineworld Unlimited Card holders can claim £1 off all standard You can collect your pre-booked tickets from the venue an priced tickets. Tickets must be purchased from the festival box hour before the event/screening starts. If you haven’t collected offices at GFT and CCA in person. your tickets in advance these will be taken to the venue where you can collect them. If the event/screening is not sold out AGED 15-25 YEARS OLD? tickets may be purchased from the venue one hour before the Join our free 15 -25 Card scheme and get the reduced price event/screening begins (subject to availability). of £5.50 on standard priced events. Proof of age required on collection of your card. Also applies throughout the year at GFT for standard priced events. To find out more and sign up, go to F.A.C.T. www.glasgowfilm.org/student GFF work in cooperation with the Federation Against Copyright Theft (FACT) to fight intellectual property crime in the UK. GFF kindly ask patrons to note the use of recording equipment during screenings is strictly prohibited. Anyone found with such equipment will be asked to leave the immediately and may be subject to further proceedings. CMYK / .eps 2 GLASGOWFILMFESTIVAL @GLASGOWFILMFEST BUY TICKETS ONLINE: GLASGOWFILM.ORG/FESTIVAL CENTRAL FESTIVAL BOX OFFICE GLASGOW FILM THEATRE SPECIAL DEALS 12 Rose Street Glasgow G3 6RB All tickets deals must be purchased in one transaction, either online at glasgowfilm.org/festival or at the central festival TEL: +44 (0) 141 332 6535 box office at GFT. Full terms and conditions on each deal are available online. Special deals are not available from other OPENING HOURS venues. Monday 23 January (10.00 – 19.00) Tuesday 24 January – Tuesday 14 February INTERNET SAVER DEALS* (12noon – 20.00) Allowing huge savings to satisfy your thirst for Wednesday 15 February (12noon – 18.30) must-see cinema, and leave you with cash for the after-party. During the festival: Open from 10.00 and closes 15 minutes after last Only available on standard priced shows. Please note special performance begins. priced events, free events and Festival for a fiver are not included in this ticket deal. CCA BOX OFFICE Only available at glasgowfilm.org/festival Centre for Contemporary Art Internet Saver 6 Films – £45 350 Sauchiehall Street Internet Saver 10 Films – £70 Glasgow G2 3JD Internet Saver 20 Films – £125 Internet Saver 40 Films – £220 OPENING HOURS Thursday 16 February – Sunday 26 February (opens one hour Internet Saver Deals can only be redeemed against standard before the first performance and closes 15 minutes after last priced tickets.
Load more

Recommended publications
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • New Docs. Fall 2016/ Winter 2017
    New Docs. Fall 2016/ Winter 2017 A Bastard Child After Inez Belonging The Borneo Case Citizen Schein I Called Him Morgan The Inertia Variations Kiki Letters to a Serial Killer Loving Lorna Ouaga Girls The Pearl of Africa Prison Sisters Reflections The Return Stronger than a Bullet This special edition of Swedish Film presents Welcome to new and upcoming documentaries ready to hit international festivals and markets. Please visit our website sfi.se for updated information on Swedish the world of features, documentaries and shorts. Swedish docs! Swedish Film Institute Publisher Pia Lundberg Festival Manager, International Department ISSN 1654-0050 documentaries P.O. Box 27126 Contributing Editor Josefina Mothander Sara Rüster SE-102 52 Stockholm, Sweden Art Director Markus Edin Phone +46 8 665 11 00 Cover photo I Called Him Morgan, Ben van Acting Festival Manager, Fax +46 8 661 18 20 Meerendonk International Institute for Social documentaries sfi.se History Courtesy of Kasper Collin Produktion Josefina Mothander twitter.com/swedishfilm Print Ineko, Stockholm Phone +46 70 972 93 52 instagram.com/swedishfilm [email protected] A Bastard Child IDFA In 1909, in an undemocratic Sweden, a bastard child is born and given the name Hervor. Her mother is unmarried and driven away from home. Hervor grows up at orphanages, unwanted by society. As an adult she spends her life struggling for social justice. Through hand-painted animated images we get to witness someone being rejected in order to unite others. Original title Horungen Knutte Wester (b. 1977) is educated at the Academy of Director/screenwriter Knutte Wester Fine Arts in Umeå and Johannesburg.
    [Show full text]
  • SKYDANCE MEDIA CASTS NATALIA REYES, DIEGO BONETA, and GABRIEL LUNA to STAR in UPCOMING TERMINATOR PROJECT After a Global Ta
    SKYDANCE MEDIA CASTS NATALIA REYES, DIEGO BONETA, AND GABRIEL LUNA TO STAR IN UPCOMING TERMINATOR PROJECT After a global talent search, Skydance Media announced today Natalia Reyes ("Lady, La Vendedora de Rosas"), Diego Boneta (“Scream Queens,” Rock of Ages), and Gabriel Luna (“Marvel’s Agents of S.H.I.E.L.D.”) will join MaCkenzie Davis as the new stars of the latest Terminator project directed by Tim Miller (Deadpool) and produced by James Cameron and David Ellison. Specific details on the characters are being kept under wraps As previously announced, Arnold Schwarzenegger and Linda Hamilton are set to star in the film which is scheduled for release the Friday before Thanksgiving on November 22, 2019. The movie will be a direct sequel to Cameron's Terminator 2: Judgment Day, with Schwarzenegger and Hamilton anchoring the story while passing the baton to a new generation of characters. The film will be distributed domestically by Paramount Pictures and internationally by 20th Century Fox. Natalia Reyes, is a Colombian actress best known for her starring role in Sony's hit Latin America series "Lady, La Vendedora de Rosas" and as one of the stars of Peter Webber’s Netflix original film Pickpockets. In 2017, she shot Sumergible produced by Ecuadorian director Sebastián Cordero and was part of Sticks and Stones a film by Martin SkovbJerg in Denmark. She Just finished shooting Running with the Devil, an upcoming American thriller starring Nicolas Cage. Reyes is a graduate of the Lee Strasberg Theatre and Film Institute (New York City). Mexican-born actor Diego Boneta, made his feature debut in the musical Rock of Ages.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Certain Women
    CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up.
    [Show full text]
  • Review of the Film Sector in Scotland Creative Scotland
    Review of the Film Sector in Scotland Creative Scotland January 2014 This report was produced by: BOP Consulting (www.bop.co.uk) in partnership with: Whetstone Group (www.whetstonegroup.org) Jonathan Olsberg (www.o-spi.com) If you would like to know more about the report, please contact the project’s director, Barbara McKissack: Email: [email protected] Tel: 0207 253 2041 i Contents 4.6 Festivals ........................................................................................... 17 1. Executive Summary ............................................... 1 4.7 Archives ........................................................................................... 18 1.1 Introduction ....................................................................................... 1 4.8 Cultural impact of film ................................................................... 18 1.2 Watching film ..................................................................................... 1 4.9 Consultants’ assessment of the issues ..................................... 19 1.3 Learning about film .......................................................................... 1 1.4 Making film ........................................................................................ 2 5. Learning about film ............................................. 21 1.5 Earning from film – supporting enterprises and 5.1 Introduction .....................................................................................21 employment ......................................................................................
    [Show full text]
  • Adrian Crowley
    “The Law of Large Numbers” by Emma Pollock The Law of Large Numbers Emma Pollock returns to Chemikal Underground with The Law of Large Numbers, her second solo outing, and if her ‘repatriation’ to the label she helped to create represents a return to more familiar territory, then the same could also be said for the album itself. The follow-up to 2007’s 4AD-released Watch the Fireworks, Emma’s second solo effort eschews the traditional, accessibly melodic approach of her debut for a more angular musical terrain: The Law of Large Numbers is crammed with unconventional arrangements and by Emma’s own admission, was an almost entirely self-serving project. So if returning to Chemikal Underground and the creative alliances that fuelled The Delgados has restored Emma’s conviction to pursue her own instincts, then we should all be extremely grateful as her new album is a complex, intelligent and hugely compelling piece of work. Recorded throughout 2009 in Chem19 with husband and ex-Delgado Paul Savage producing, The Law of Large Numbers was always going to be a very different prospect. Armed with an open remit and a preparedness to let this album dictate its own course, The Law of Large Numbers arrives with taut, sparse production, hints of Dixieland jazz, abrasive pop songs; programmed drums and improvised vocal loops – in short, and in the words of Emma herself, “The truest representation of me as an individual - whatever that means.” “I feel like I‟m beginning to understand the difference between being a solo artist and being in a band, making music for my own gratification first and foremost.
    [Show full text]
  • Owner's Manual
    OWNER’S MANUAL ADULT / ELECTRIC / JUVENILE OWNER’S RESPONSIBILITY Consult last page of manual for Warranty Registration This manual contains important information regarding the safe operation and maintenance of your bicycle. Read all sections and appendices before you ride your new bicycle, and carefully follow the instructions. Instructions preceded by the words NOTE, CAUTION, or WARNING are of special significance. NOTE: Instructions which are of special interest. CAUTION: Indicates a potentially hazardous situation which, if not avoided, may result in minor or moderate injury, or is an alert against unsafe practices. WARNING: Indicates a potentially hazardous situation which, if not avoided, could result in serious injury or death. THEFT AND WARRANTY INFORMATION • Record all numbers shown on the bicycle. • Be sure to fill out warranty information online (or mail in if you do not have access to a computer). NOTE: The serial number is not on record where your bicycle was sold or manufactured, you must register it. Keep the following information along with a copy of your sales receipt. Serial Number: Model Name: Store Purchased From: Purchase Date: Color: Size: • Lock your bicycle securely whenever it is out of your sight. • Also, carefully follow the instructions in any additional literature supplied with the bicycle. WARNING: Before your first ride, check the brakes and all cam action retention devices. Service, if necessary, is described in the maintenance section of this manual. • Register your bicycle with your local law enforcement agency & National Bike Registry. • Report any theft immediately. • Add your bicycle to your homeowner’s or apartment insurance policy. Serial Number Locations WARNING: MUST READ BEFORE RIDING • Obtain, read, and follow Owner’s Manual.
    [Show full text]
  • Digital Shoegaze
    SENTIREASCOLTAREDIGital MAGAZINE LUGLIO/AGosto N. 45/46 garneau°dadamatto°capillary action°ital tek°function°isengrind°el topo°feiner ITALIANS REMIX IT BETTER°DILLON°ELEFANT°FRANCESCO CUSA primavera sound°mi ami°my bloody valentine°angelica KLUSTER°MUDHONEY°KURT WEILL Pyramids*Fuck Buttons*Televise Digital Shoegaze DIRETTORE 4 NEWS Edoardo Bridda COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE 6 TURN ON Daniele Follero THOMAS FUNCTION, BLACK DEVIL DISCO, ITAL TEK, CAPILLARY ACTION...... Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari 16 TUNE IN Antonello Comunale FRANCESCO DILLON, REMIX ITALIA... Antonio Puglia HA NNO C OLL A BOR A TO Gianni Avella, Paolo Bassotti, Davide Brace, Marco 28 DroP OUT Braggion, Filippo Bordignon, Marco Canepari, Manfredi Lamartina, Gabriele Maruti, Stefano Pifferi, Andrea DIGITAL SHOEGAZE, FRANCESCO CUSA Provinciali, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco 44 RECENSIONI GUI da S PIRITU A LE TRICKY, EL TOPO, MICAH P. HINSON,SIGUR ROS Adriano Trauber (1966-2004) GR A FI ca 96 WE ARE DEMO Nicolas Campagnari 98 REARVIEW Mirror IN C OPERTIN A KLUSTER, MUDHONEY, MOGWAI.... Pyramids SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda 116 CUlt MOVIE Direttore responsabile Antonello Comunale AMERICA, AMERICA, DOVE VAI? Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi 120 LA SERA DELLA PRIMA mezzo, è proibita senza autorizzazione scritta di SentireAscoltare IL DIVO, INDIANA JONES E IL REGNO DEL TESCHIO DI CRISTALLO 122 I COSIDDETTI CONTEMPORANEI KURT WEILL SA 3 S W Sarà pubblicato in ottobre su Kemado il film The Fountain (in Italia L’albero della For All Of Us doveva uscire il prossimo 22 sto disco costituisce un’introduzione, sarà nuovo album di Marissa Nadler.
    [Show full text]
  • OWNERS MANUAL Bicycle Owner’S Manual
    OWNERS MANUAL Bicycle Owner’s Manual 11th Edition This manual meets ISO-4210, 16 CFR 1512 and EN 14764, 14766 and 14781 Standards IMPORTANT: This manual contains important safety, performance and service information. Read it before you take the first ride on your new bicycle, and keep it for reference. Additional safety, performance and service information for specific components such as suspension or pedals on your bicycle, or for accessories such as helmets or lights that you purchase, may also be available. Make sure that your dealer has given you all the manufacturers’ literature that was included with your bicycle or accessories. In case of a conflict between the instructions in this manual and information provided by a component manufacturer, always follow the component manufacturer’s instructions. If you have any questions or do not understand something, take responsibility for your safety and consult with your dealer or the bicycle’s manufacturer. WARRANTY INFORMATION: Norco warrants that Norco frames will be free from manufacturer defects in materials and workmanship. This warranty applies to the original owner only, and is non-transferable. The original owner must register their new bicycle with Norco Bicycles within 90 days from the date of purchase. To register your bike please visit: www.norco.com/bike-registration/ To view detailed information regarding your bicycle's warranty please visit: www.norco.com/warranty/ NOTE: This manual is not intended as a comprehensive use, service, repair or maintenance manual. Please see your dealer for all service, repairs or maintenance. Your dealer may also be able to refer you to classes, clinics or books on bicycle use, service, repair or maintenance.
    [Show full text]
  • !!Dvdrip!! Horror Film Indonesia Download – Watch Online with 123Movies
    !!DVdRIP!! Horror Film Indonesia Download – Watch online with 123movies This is an Indonesian Wayan brother's ripoff of Sccary Movie with the film making fun of its own horror movie industry. And believe me - there is a lot to make fun of in this horror industry. As with any spoof there isn't really much of a plot to tell... High school kids face ghosts, demons and witches. Eyes pop out and ghosts bang their heads against walls. Possessed fly off whilst being exorcised. Headless zombies lose their heads. Witches get shoeshines. And so forth... O yeah... and Spiderman makes an appearance... I'm not quite sure what to think of this movie, so I put myself to this test: Did I enjoy the movie? Yes. Did it make me laugh? From time to time. Did I enjoy it more than Scary Movie? Yes. Is it pointless? Yes. Is it so bad that its good? Hmm... not really. Acting was from bad to decent with Andhika Gumilang doing the only proper acting job, even if his role was being a geeky idiot... But well... the guy has potential in comparison with some other members of the cast like ms Ugly Betty (watch the movie). Special effects are mostly OK and don't subtract from the movie. Ghosts are nicely done, sometimes better than in the original movie. Its actually the most surprising thing about the Indonesian horror movies. No matter how bad the plot and directing it seems that the 'monsters' are actually nicely done, even though they are often overused and badly filmed to change them from scary into ridiculous.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]