Leader BIBLE STUDY Jesus Raised Lazarus
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Lamb of God" Title in John's Gospel: Background, Exegesis, and Major Themes Christiane Shaker [email protected]
Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) Fall 12-2016 The "Lamb of God" Title in John's Gospel: Background, Exegesis, and Major Themes Christiane Shaker [email protected] Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the Biblical Studies Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Shaker, Christiane, "The "Lamb of God" Title in John's Gospel: Background, Exegesis, and Major Themes" (2016). Seton Hall University Dissertations and Theses (ETDs). 2220. https://scholarship.shu.edu/dissertations/2220 Seton Hall University THE “LAMB OF GOD” TITLE IN JOHN’S GOSPEL: BACKGROUND, EXEGESIS, AND MAJOR THEMES A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF THEOLOGY IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN THEOLOGY CONCENTRATION IN BIBLICAL THEOLOGY BY CHRISTIANE SHAKER South Orange, New Jersey October 2016 ©2016 Christiane Shaker Abstract This study focuses on the testimony of John the Baptist—“Behold, the Lamb of God, who takes away the sin of the world!” [ἴδε ὁ ἀµνὸς τοῦ θεοῦ ὁ αἴρων τὴν ἁµαρτίαν τοῦ κόσµου] (John 1:29, 36)—and its impact on the narrative of the Fourth Gospel. The goal is to provide a deeper understanding of this rich image and its influence on the Gospel. In an attempt to do so, three areas of concentration are explored. First, the most common and accepted views of the background of the “Lamb of God” title in first century Judaism and Christianity are reviewed. -
Jesus Raised Lazarus
Unit 25 • Session 4 Use Week of: Unit 25 • Session 4 Jesus Raised Lazarus BIBLE PASSAGE: John 11 STORY POINT: Jesus has power over death. KEY PASSAGE: Colossians 1:13-14 BIG PICTURE QUESTION: How does God care for His creation? God loves and rules over His creation according to His perfect plan. INTRODUCE THE STORY TEACH THE STORY APPLY THE STORY 1015 MINUTES 2530 MINUTES 2530 MINUTES PAGE 58 PAGE 60 PAGE 66 Leaders, grow on the go! Listen to session-by-session training every week on Ministry Grid, Apple Podcasts, Spotify, or LifeWay’s Digital Pass: ministrygrid.com/gospelproject | gospelproject.com/podcasts Older Kids Leader Guide 54 Unit 25 • Session 4 LEADER Bible Study Jesus received word that His friend Lazarus was sick. Lazarus was the brother of Mary and Martha. They lived in the town of Bethany, which was about two miles away from Jerusalem. Mary and Martha sent a message to Jesus, likely expecting Him to come right away. Jesus loved Mary, Martha, and Lazarus; yet He stayed where He was, and Lazarus died. Why would Jesus do such a thing? Jesus said that Lazarus’ sickness was “for the glory of God, so that the Son of God may be glorified through it” (John 11:4). He said that He was glad He wasn’t there when Lazarus died so that the disciples may believe. (John 11:15) Jesus’ timing is always perfect, and He acts—or doesn’t act—so that God will be glorified. By the time Jesus arrived in Bethany, Lazarus had been in the tomb for four days. -
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
LAZARUS UNDER the HOOD Executive Summary
LAZARUS UNDER THE HOOD Executive Summary The Lazarus Group’s activity spans multiple years, going back as far as 2009. Its malware has been found in many serious cyberattacks, such as the massive data leak and file wiper attack on Sony Pictures Entertainment in 2014; the cyberespionage campaign in South Korea, dubbed Operation Troy, in 2013; and Operation DarkSeoul, which attacked South Korean media and financial companies in 2013. There have been several attempts to attribute one of the biggest cyberheists, in Bangladesh in 2016, to Lazarus Group. Researchers discovered a similarity between the backdoor used in Bangladesh and code in one of the Lazarus wiper tools. This was the first attempt to link the attack back to Lazarus. However, as new facts emerged in the media, claiming that there were at least three independent attackers in Bangladesh, any certainty about who exactly attacked the banks systems, and was behind one of the biggest ever bank heists in history, vanished. The only thing that was certain was that Lazarus malware was used in Bangladesh. However, considering that we had previously found Lazarus in dozens of different countries, including multiple infections in Bangladesh, this was not very convincing evidence and many security researchers expressed skepticism abound this attribution link. This paper is the result of forensic investigations by Kaspersky Lab at banks in two countries far apart. It reveals new modules used by Lazarus group and strongly links the tools used to attack systems supporting SWIFT to the Lazarus Group’s arsenal of lateral movement tools. Considering that Lazarus Group is still active in various cyberespionage and cybersabotage activities, we have segregated its subdivision focusing on attacks on banks and financial manipulations into a separate group which we call Bluenoroff (after one of the tools they used). -
Nicodemus Encounters Life (John 3)
Nicodemus Encounters Life (John 3) Synopsis Jesus tells Nicodemus he (and everyone) must be born again to enter into the kingdom of God. He’s giving instructions on how to live into the new Jesus-life that he establishes through his ministry and resurrection. This new kingdom isn’t like the Jewish faith where you have to be born into Judaism; all can enter into the family of God by being born again. The marks being born again are entering into the community of believers (symbolized by water baptism) and receiving the Spirit and letting it work in you. And when you receive that Spirit, you will, as a result, begin to see the ways that you live in darkness and step into the light that comes in Jesus. In other words, the Spirit will begin to reveal all the ways that God wants to prepare you for life in the kingdom forever, to make you new. The passage for this week is John 3:1-21, where a guy named Nicodemus comes to Jesus in the night. The win this week: 1) Emphasize that being born again isn’t just about personal salvation. It’s about becoming part of a community of believers, receiving the Spirit, and letting your life be transformed. 2) Think practically about how you live in “darkness” and how to “step into the light.” “How can a man be born again?” Read John 3:1-21 Commentary Nicodemus visiting Jesus in the night immediately stands out as sort of odd. But understanding why he did so will help understand this scene. -
John 3:1-21 (NIV)
John 3:1-21 (NIV) Now there was a Pharisee, a man named Nicodemus who was a member of the Jewish ruling coun- cil. 2 He came to Jesus at night and said, “Rabbi, we know that you are a teacher who has come from God. For no one could perform the signs you are doing if God were not with him.” 3 Jesus replied, “Very truly I tell you, no one can see the kingdom of God unless they are born again.” 4 “How can someone be born when they are old?” Nicodemus asked. “Surely they cannot enter a second time into their mother’s womb to be born!” 5 Jesus answered, “Very truly I tell you, no one can enter the kingdom of God unless they are born of water and the Spirit. 6 Flesh gives birth to flesh, but the Spirit gives birth to spirit. 7You should not be surprised at my saying, ‘You must be born again.’ 8 The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going. So it is with everyone born of the Spirit.” 9 “How can this be?” Nicodemus asked. 10 “You are Israel’s teacher,” said Jesus, “and do you not understand these things? 11 Very truly I tell you, we speak of what we know, and we testify to what we have seen, but still you people do not accept our testimony. 12 I have spoken to you of earthly things and you do not believe; how then will you believe if I speak of heavenly things? 13 No one has ever gone into heaven except the one who came from heaven —the Son of Man. -
John 3 “Jesus: Savior of the World”
John 3 “Jesus: Savior of the World” Scripture: John 3 Memory Verse: John 3:36 “He who believes in the Son has everlasting life; and he who does not believe the Son shall not see life, but the wrath of God abides on him.” Lesson Focus: This is a big chapter and while we will not study every verse, we will touch on all of the major sections. We will spend the most time on John 3:14-21 which captures the essence of the gospel and challenge the kids to respond. Activities and Crafts: Coloring Picture of Jesus Baptism, Word Search of different terms from lesson, Make It Real Discussion for 3rd – 5th. Craft for 1st & 2nd: New Life Starter Activity: Jesus and Nicodemus Skit Before we get into the skit, have some brief discussion to set the stage. Read John 2:23. Jesus is now in Jerusalem, the ancient capital of Israel and HQ of the Jewish religious leaders. We saw Him perform His first miracle last week by changing water into wine. He is continuing to perform other signs here and it appears others are starting to believe in Him. Read John 3:1. One person who appears to be fascinated was Nicodemus, a Pharisee. Q: Who knows who the Pharisees were? A: They were the religious leaders at this time and did not like Jesus at all! Q: It says in John 3:2 that “Nick” came to meet with Jesus privately by night. Why do you think he came by night? A: Probably because he was embarrassed to be seen with Jesus. -
Teaching the Scriptural Emphasis on the Crucifixion of Jesus Christ
Brigham Young University BYU ScholarsArchive Faculty Publications 2019 Teaching the Scriptural Emphasis on the Crucifixion of Jesus Christ John Hilton III Brigham Young University - Provo, [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Christianity Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Hilton, John III, "Teaching the Scriptural Emphasis on the Crucifixion of Jesus Christ" (2019). Faculty Publications. 3255. https://scholarsarchive.byu.edu/facpub/3255 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. This article was provided courtesy of the Religious Educator, a journal published by the Religious Studies Center at Brigham Young University Click here to subscribe and learn more The scriptures consistently emphasize the importance of the Savior’s CrucifixionintheAtonement. theimportance consistentlyemphasize The scriptures oftheSavior’s Harry Anderson, The Crucifixion. © Intellectual Reserve, Inc. Teaching the Scriptural Emphasis on the Crucifixion of Jesus Christ john hilton iii John Hilton III ([email protected]) is an associate professor of ancient scripture at Brigham Young University. colleague recently shared with me how, when teaching missionary A preparation classes, he would role-play with students. When students pretending to be missionaries would ask him (acting as an investigator) if he knew about Christ’s Atonement, he would say, “Yes, I saw that Mel Gibson movie about Christ dying for our sins on the cross.” At least half of his students would correct him, stating that Christ atoned for our sins in Gethsemane, but not on the cross. -
Persona, Narrative, and Late Style in the Mourning of David Bowie on Reddit
Persona Studies 2020, vol. 6, no. 1 THE BLACKSTAR: PERSONA, NARRATIVE, AND LATE STYLE IN THE MOURNING OF DAVID BOWIE ON REDDIT SAMIRAN CULBERT NEWCASTLE UNIVERSITY ABSTRACT This article considers how David Bowie’s last persona, The Blackstar, framed his death through the narratives of mourning it provoked on the social media site Reddit. The official media narratives of death and the unofficial fan narratives of death can contradict each other, with fans usually bringing their own lived experiences to the mourning process. David Bowie is a performer of personas. While Bowie died in 2016, his personas have continued to live on, informing his legacy, his work, and his death reception. Through the concepts of persona, narrative, authenticity, late style, and mourning, this article finds that Bowie’s Blackstar persona actively constructs fan’s interaction with Bowie’s death. Instead of separate and contradicting narratives, this article finds that users on Reddit underpin and extend the media narrative of his death, using Bowie’s persona as a way to construct and establish their own mourning. As such, Bowie’s last persona is further entrenched as one of authentic mourning, of a genius constructing his own passing. With these narratives, fans construct their own personas, informing how they too would like to die: artistically and with grace. KEY WORDS Persona; Mourning; David Bowie; Late Style; Narrative; Reddit INTRODUCTION The Blackstar persona presented by Bowie in his last album and singles helped structure his fans’ mourning process. These last acts of artistry offered fans something to attach their mourning onto, allowing for them to work through their own mourning via Bowie’s presentation of his own death. -
Dear Aebi: "Are John 3:31-36 the Words of John the Baptist, of John the Apostle, Or of Jesus?
Dear Aebi: "Are John 3:31-36 the words of John the Baptist, of John the Apostle, or of Jesus? Commentators and translators are divided in their views about this and it is not easy to decide, since the only guide we have in the original Greek text is the context (There were no quotation marks). The New King James Version, the New American Standard Version, and the New International Version all put verses 27-36 in quotation marks so as to ascribe all of it to John the Baptist, though the NIV says in a footnote that some end the quotation after verse 30. The Revised Standard Version and the New RSV end the quotation marks after verse 30, but include footnotes saying some interpreters continue the quotation through verse 36. The King James Version and the American Standard Version (1901) use no quotation marks, so they leave it up to the reader to decide. Commentators are also divided, though a majority favor verses 31-36 being the words of John the Baptist. Jamieson, Faussset, and Brown; Macleod, Dummelow, McGarvey, Barnes, Butler, and Hen¬driksen think verses 27-36 are all the words of John the Baptist. Pack, Meyer, Johnson, and Westcott think verses 31-36 are the words of John the Apostle. It doesn't really matter since we hold it all to be inspired by God. When the apostle wrote the fourth Gospel, he was either reporting John's words or commenting on them. Both Johns were guided by the Holy Spirit in what they said, and the verses in question affirm that the words of Jesus were God's by the guidance of the Spirit without measure. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Using Pop Soundtrack As Narrative Counterpoint Or Complement Margaret Dudasik Honors College, Pace University
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-1-2013 Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement Margaret Dudasik Honors College, Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons Recommended Citation Dudasik, Margaret, "Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement" (2013). Honors College Theses. Paper 127. http://digitalcommons.pace.edu/honorscollege_theses/127 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement By: Margaret Dudasik May 15, 2013 BA Film & Screen Studies/ BFA Musical Theatre Dr. Ruth Johnston Film & Screen Studies, Dyson College of Arts and Sciences 1 Abstract There is much argument against using pre-existing music in film, Ian Garwood noting three potential problems with the pop song: obtrusiveness, cultural relevance, and distance from the narrative (103-106). It is believed that lyrics and cultural connotations can distract from the action, but it is my belief that these elements only aid narrative. By examining the cinematic functions of the soundtracks of O Brother Where Are Thou? (2000) and Marie Antoinette (2006), I will argue that using pre-existing music in film is actually more effective than a score composed specifically for a film. Film theorist Claudia Gorbman notes that film scores have “temporal, spatial, dramatic, structural, denotative, [and] connotative” abilities” (22), and it is my belief that pop music is just as economical in forming character, conveying setting, and furthering plot.