LAZARUS UNDER the HOOD Executive Summary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Advanced Persistent Threats
THREAT RESEARCH Defending Against Advanced Persistent Threats Introduction As the name “Advanced” suggests, APT (advanced persistent threat) is one of the most sophisticated and organized forms of network attacks that keep cybersecurity professionals up at night. Unlike many hit & run traditional cyberattacks, an APT is carried out over a prolonged period of time by skilled threat actors who strategize multi-staged campaigns against their targets, employing clandestine tools & techniques such as Remote Administration Tools (RAT), Toolkits, Backdoor Trojans, Social Engineering, DNS Tunneling etc. These experienced cybercriminals are mostly backed & well-funded by nation states and corporation-backed organizations to specifi cally target high value organizations with the following objectives in mind: a Theft of Intellectual Property & classifi ed data i.e. Cyber Espionage a Access to critical & sensitive communications a Access to credentials of critical systems a Sabotage or exfi ltration of databases a Theft of Personal Identifi able Information (PII) a Access to critical infrastructure to perform internal reconnaissance To achieve the above goals, APT Groups use novel techniques to obfuscate their actions and easily bypass traditional security barriers that are not advancing at the same rate as the sophisticated attack patterns of cybercriminals. To understand the evolved behavioral pattern of APT Groups in the year 2020, a review of their latest activities revealed interesting developments and a few groundbreaking events¹: a Southeast Asia -
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
PARK JIN HYOK, Also Known As ("Aka") "Jin Hyok Park," Aka "Pak Jin Hek," Case Fl·J 18 - 1 4 79
AO 91 (Rev. 11/11) Criminal Complaint UNITED STATES DISTRICT COURT for the RLED Central District of California CLERK U.S. DIS RICT United States ofAmerica JUN - 8 ?018 [ --- .. ~- ·~".... ~-~,..,. v. CENT\:y'\ l i\:,: ffl1G1 OF__ CAUFORN! BY .·-. ....-~- - ____D=E--..... PARK JIN HYOK, also known as ("aka") "Jin Hyok Park," aka "Pak Jin Hek," Case fl·J 18 - 1 4 79 Defendant. CRIMINAL COMPLAINT I, the complainant in this case, state that the following is true to the best ofmy knowledge and belief. Beginning no later than September 2, 2014 and continuing through at least August 3, 2017, in the county ofLos Angeles in the Central District of California, the defendant violated: Code Section Offense Description 18 U.S.C. § 371 Conspiracy 18 u.s.c. § 1349 Conspiracy to Commit Wire Fraud This criminal complaint is based on these facts: Please see attached affidavit. IBJ Continued on the attached sheet. Isl Complainant's signature Nathan P. Shields, Special Agent, FBI Printed name and title Sworn to before ~e and signed in my presence. Date: ROZELLA A OLIVER Judge's signature City and state: Los Angeles, California Hon. Rozella A. Oliver, U.S. Magistrate Judge Printed name and title -:"'~~ ,4G'L--- A-SA AUSAs: Stephanie S. Christensen, x3756; Anthony J. Lewis, x1786; & Anil J. Antony, x6579 REC: Detention Contents I. INTRODUCTION .....................................................................................1 II. PURPOSE OF AFFIDAVIT ......................................................................1 III. SUMMARY................................................................................................3 -
Council Decision (Cfsp)
L 246/12 EN Offi cial Jour nal of the European Union 30.7.2020 COUNCIL DECISION (CFSP) 2020/1127 of 30 July 2020 amending Decision (CFSP) 2019/797 concerning restrictive measures against cyber-attacks threatening the Union or its Member States THE COUNCIL OF THE EUROPEAN UNION, Having regard to the Treaty on European Union, and in particular Article 29 thereof, Having regard to the proposal from the High Representative of the Union for Foreign Affairs and Security Policy, Whereas: (1) On 17 May 2019 the Council adopted Decision (CFSP) 2019/797 (1). (2) Targeted restrictive measures against cyber-attacks with a significant effect which constitute an external threat to the Union or its Member States are among the measures included in the Union’s framework for a joint diplomatic response to malicious cyber-activities (the cyber diplomacy toolbox) and are a vital instrument to deter and respond to such activities. Restrictive measures can also be applied in response to cyber-attacks with a significant effect against third States or international organisations, where deemed necessary to achieve common foreign and security policy objectives set out in the relevant provisions of Article 21 of the Treaty on European Union. (3) On 16 April 2018 the Council adopted conclusions in which it firmly condemned the malicious use of information and communications technologies, including in the cyber-attacks publicly known as ‘WannaCry’ and ‘NotPetya’, which caused significant damage and economic loss in the Union and beyond. On 4 October 2018 the Presidents of the European Council and of the European Commission and the High Representative of the Union for Foreign Affairs and Security Policy (the ‘High Representative’) expressed serious concerns in a joint statement about an attempted cyber-attack to undermine the integrity of the Organisation for the Prohibition of Chemical Weapons (OPCW) in the Netherlands, an aggressive act which demonstrated contempt for the solemn purpose of the OPCW. -
View Final Report (PDF)
TABLE OF CONTENTS TABLE OF CONTENTS I EXECUTIVE SUMMARY III INTRODUCTION 1 GENESIS OF THE PROJECT 1 RESEARCH QUESTIONS 1 INDUSTRY SITUATION 2 METHODOLOGY 3 GENERAL COMMENTS ON INTERVIEWS 5 APT1 (CHINA) 6 SUMMARY 7 THE GROUP 7 TIMELINE 7 TYPOLOGY OF ATTACKS 9 DISCLOSURE EVENTS 9 APT10 (CHINA) 13 INTRODUCTION 14 THE GROUP 14 TIMELINE 15 TYPOLOGY OF ATTACKS 16 DISCLOSURE EVENTS 18 COBALT (CRIMINAL GROUP) 22 INTRODUCTION 23 THE GROUP 23 TIMELINE 25 TYPOLOGY OF ATTACKS 27 DISCLOSURE EVENTS 30 APT33 (IRAN) 33 INTRODUCTION 34 THE GROUP 34 TIMELINE 35 TYPOLOGY OF ATTACKS 37 DISCLOSURE EVENTS 38 APT34 (IRAN) 41 INTRODUCTION 42 THE GROUP 42 SIPA Capstone 2020 i The Impact of Information Disclosures on APT Operations TIMELINE 43 TYPOLOGY OF ATTACKS 44 DISCLOSURE EVENTS 48 APT38 (NORTH KOREA) 52 INTRODUCTION 53 THE GROUP 53 TIMELINE 55 TYPOLOGY OF ATTACKS 59 DISCLOSURE EVENTS 61 APT28 (RUSSIA) 65 INTRODUCTION 66 THE GROUP 66 TIMELINE 66 TYPOLOGY OF ATTACKS 69 DISCLOSURE EVENTS 71 APT29 (RUSSIA) 74 INTRODUCTION 75 THE GROUP 75 TIMELINE 76 TYPOLOGY OF ATTACKS 79 DISCLOSURE EVENTS 81 COMPARISON AND ANALYSIS 84 DIFFERENCES BETWEEN ACTOR RESPONSE 84 CONTRIBUTING FACTORS TO SIMILARITIES AND DIFFERENCES 86 MEASURING THE SUCCESS OF DISCLOSURES 90 IMPLICATIONS OF OUR RESEARCH 92 FOR PERSISTENT ENGAGEMENT AND FORWARD DEFENSE 92 FOR PRIVATE CYBERSECURITY VENDORS 96 FOR THE FINANCIAL SECTOR 96 ROOM FOR FURTHER RESEARCH 97 ACKNOWLEDGEMENTS 98 ABOUT THE TEAM 99 SIPA Capstone 2020 ii The Impact of Information Disclosures on APT Operations EXECUTIVE SUMMARY This project was completed to fulfill the including the scope of the disclosure and capstone requirement for Columbia Uni- the disclosing actor. -
Forces Shaping the Cyber Threat Landscape for Financial Institutions
SWIFT INSTITUTE SWIFT INSTITUTE WORKING PAPER NO. 2016-004 FORCES SHAPING THE CYBER THREAT LANDSCAPE FOR FINANCIAL INSTITUTIONS WILLIAM A. CARTER PUBLICATION DATE: OCTOBER 2, 2017 The views and opinions expressed in this paper are those of the authors. SWIFT and the SWIFT Institute have not made any editorial review of this paper, therefore the views and opinions do not necessarily reflect those of either SWIFT or the SWIFT Institute. 1 Contents I. Executive Summary II. Introduction III. Consumer fraud: New defenses and mobile banking are transforming the landscape a) New defenses are transforming consumer fraud and carding b) As consumer bank fraud becomes harder, business customers are being targeted c) Mobile malware is the new frontier of consumer bank fraud d) ICT4C: Financial inclusion is creating new threats in the developing world IV. Targeted Attacks on Bank Networks: What is changing? a) Attackers are becoming more sophisticated, persistent b) Law enforcement still struggling to keep up c) Banks in Asia are top targets d) Vectors of compromise – new twists on old themes. e) Attacks are changing V. Conclusion: More Threats, More Complexity, More Sophistication 2 I. Executive Summary Financial institutions have long been the leading targets for cybercrime, but the tools and tactics used are changing. New technologies are increasingly incorporated into financial networks and the broader internet, transforming the attack surface that adversaries can exploit. The incentives for attackers are also shifting, forcing banks to face more numerous and sophisticated adversaries. And as cyber awareness grows in the financial sector and firms continue to invest billions in new defenses, attackers are changing their approaches to stay one step ahead. -
Persona, Narrative, and Late Style in the Mourning of David Bowie on Reddit
Persona Studies 2020, vol. 6, no. 1 THE BLACKSTAR: PERSONA, NARRATIVE, AND LATE STYLE IN THE MOURNING OF DAVID BOWIE ON REDDIT SAMIRAN CULBERT NEWCASTLE UNIVERSITY ABSTRACT This article considers how David Bowie’s last persona, The Blackstar, framed his death through the narratives of mourning it provoked on the social media site Reddit. The official media narratives of death and the unofficial fan narratives of death can contradict each other, with fans usually bringing their own lived experiences to the mourning process. David Bowie is a performer of personas. While Bowie died in 2016, his personas have continued to live on, informing his legacy, his work, and his death reception. Through the concepts of persona, narrative, authenticity, late style, and mourning, this article finds that Bowie’s Blackstar persona actively constructs fan’s interaction with Bowie’s death. Instead of separate and contradicting narratives, this article finds that users on Reddit underpin and extend the media narrative of his death, using Bowie’s persona as a way to construct and establish their own mourning. As such, Bowie’s last persona is further entrenched as one of authentic mourning, of a genius constructing his own passing. With these narratives, fans construct their own personas, informing how they too would like to die: artistically and with grace. KEY WORDS Persona; Mourning; David Bowie; Late Style; Narrative; Reddit INTRODUCTION The Blackstar persona presented by Bowie in his last album and singles helped structure his fans’ mourning process. These last acts of artistry offered fans something to attach their mourning onto, allowing for them to work through their own mourning via Bowie’s presentation of his own death. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Using Pop Soundtrack As Narrative Counterpoint Or Complement Margaret Dudasik Honors College, Pace University
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-1-2013 Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement Margaret Dudasik Honors College, Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons Recommended Citation Dudasik, Margaret, "Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement" (2013). Honors College Theses. Paper 127. http://digitalcommons.pace.edu/honorscollege_theses/127 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement By: Margaret Dudasik May 15, 2013 BA Film & Screen Studies/ BFA Musical Theatre Dr. Ruth Johnston Film & Screen Studies, Dyson College of Arts and Sciences 1 Abstract There is much argument against using pre-existing music in film, Ian Garwood noting three potential problems with the pop song: obtrusiveness, cultural relevance, and distance from the narrative (103-106). It is believed that lyrics and cultural connotations can distract from the action, but it is my belief that these elements only aid narrative. By examining the cinematic functions of the soundtracks of O Brother Where Are Thou? (2000) and Marie Antoinette (2006), I will argue that using pre-existing music in film is actually more effective than a score composed specifically for a film. Film theorist Claudia Gorbman notes that film scores have “temporal, spatial, dramatic, structural, denotative, [and] connotative” abilities” (22), and it is my belief that pop music is just as economical in forming character, conveying setting, and furthering plot. -
KIVU THREAT INTELLIGENCE Cyber Threat Intelligence Insights for Claims and Underwriting Professionals
KIVU THREAT INTELLIGENCE Cyber Threat Intelligence Insights for Claims and Underwriting Professionals Volume XIX-1 February 1, 2019 Purpose To share cyber threat intelligence and aid in Kivu Myth Busters: Ryuk vs. North Korea protecting digital assets globally I. Executive Summary Sources Several media outlets misleadingly This publication incorporates reported that the Ryuk ransomware publicly-available and Kivu variant may have been developed and internally-developed Cyber Threat Intelligence operated by North Korean state- sponsored actors. Kivu conducted its own proprietary and confidential analysis of Subscription/Questions the malware variant and concludes with Click HERE to request being a high degree of confidence that the added to this product’s Ryuk (aka Hermes v2.1) ransomware distribution list variant was not developed by North Korean state-sponsored actors and that Ryuk usage by itself is not indicative of North Korea being behind a particular attack. II. Background Over the last few years, North Korea has continued to develop its Cyber Operations capabilities, and currently has an army of approximately 6,000 hackers, some of which were trained in Russia and China1. Unlike typical state-sponsored cyber operations programs that generally focus on intelligence gathering, influence and/or information operations and offensive capabilities, the North Korean regime also dedicates significant amount of resources toward operations for financial gain. According to research by The New York Times, North Korea’s for-profit cyber operations may earn over US$1 billion a year for the regime, which would account for roughly 1/3rd of North Korea’s annual exports2. While North Korea was able to pull off several successful cyber-heists, the primary Contact Us goal of this report is to examine whether the Ryuk (aka Hermes v2.1) ransomware www.kivuconsulting.com variant has been improperly attributed to this regime. -
Lazarus Under the Hood Kaspersky Lab Global Research and Analysis Team Executive Summary
Lazarus Under The Hood Kaspersky Lab Global Research and Analysis Team Executive Summary The Lazarus Group’s activity spans multiple years, going back as far as 2009. Its malware has been found in many serious cyberattacks, such as the massive data leak and file wiper attack on Sony Pictures Entertainment in 2014; the cyberespionage campaign in South Korea, dubbed Operation Troy, in 2013; and Operation DarkSeoul, which attacked South Korean media and financial companies in 2013. There have been several attempts to attribute one of the biggest cyberheists, in Bangladesh in 2016, to Lazarus Group. Researchers discovered a similarity between the backdoor used in Bangladesh and code in one of the Lazarus wiper tools. This was the first attempt to link the attack back to Lazarus. However, as new facts emerged in the media, claiming that there were at least three independent attackers in Bangladesh, any certainty about who exactly attacked the SWIFT systems, and was behind one of the biggest ever bank heists in history, vanished. The only thing that was certain was that Lazarus malware was used in Bangladesh. However, considering that we had previously found Lazarus in dozens of different countries, including multiple infections in Bangladesh, this was not very convincing evidence and many security researchers expressed skepticism abound this attribution link. This paper is the result of forensic investigations by Kaspersky Lab at banks in two countries far apart. It reveals new modules used by Lazarus group and strongly links the SWIFT system attacking tools to the Lazarus Group’s arsenal of lateral movement tools. Considering that Lazarus Group is still active in various cyberespionage and cybersabotage activities, we have segregated its subdivision focusing on attacks on banks and financial manipulations into a separate group which we call Bluenoroff (after one of the tools they used). -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE