Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957
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Hearing Nostalgia in the Twilight Zone
JPTV 6 (1) pp. 59–80 Intellect Limited 2018 Journal of Popular Television Volume 6 Number 1 © 2018 Intellect Ltd Article. English language. doi: 10.1386/jptv.6.1.59_1 Reba A. Wissner Montclair State University No time like the past: Hearing nostalgia in The Twilight Zone Abstract Keywords One of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) Twilight Zone is nostalgia, which pervaded many of the episodes of the series. Although Serling Rod Serling himself often looked back upon the past wishing to regain it, he did, however, under- nostalgia stand that we often see things looking back that were not there and that the past is CBS often idealized. Like Serling, many ageing characters in The Twilight Zone often sentimentality look back or travel to the past to reclaim what they had lost. While this is a perva- stock music sive theme in the plots, in these episodes the music which accompanies the scores depict the reality of the past, showing that it is not as wonderful as the charac- ter imagined. Often, music from these various situations is reused within the same context, allowing for a stock music collection of music of nostalgia from the series. This article discusses the music of nostalgia in The Twilight Zone and the ways in which the music depicts the reality of the harshness of the past. By feeding into their own longing for the reclamation of the past, the writers and composers of these episodes remind us that what we remember is not always what was there. -
Twilight Zone Series 4: Science and Superstition Checklist
Twilight Zone Series 4: Science and Superstition Checklist Base Cards # Card Title [ ] 217 The Last Night of a Jockey [ ] 218 The Last Night of a Jockey [ ] 219 The Last Night of a Jockey [ ] 220 The Last Night of a Jockey [ ] 221 The Last Night of a Jockey [ ] 222 The Last Night of a Jockey [ ] 223 Mr. Bevis [ ] 224 Mr. Bevis [ ] 225 Mr. Bevis [ ] 226 Mr. Bevis [ ] 227 Mr. Bevis [ ] 228 Mr. Bevis [ ] 229 The Bard [ ] 230 The Bard [ ] 231 The Bard [ ] 232 The Bard [ ] 233 The Bard [ ] 234 The Bard [ ] 235 The Passersby [ ] 236 The Passersby [ ] 237 The Passersby [ ] 238 The Passersby [ ] 239 The Passersby [ ] 240 The Passersby [ ] 241 Dead Man's Shoes [ ] 242 Dead Man's Shoes [ ] 243 Dead Man's Shoes [ ] 244 Dead Man's Shoes [ ] 245 Dead Man's Shoes [ ] 246 Dead Man's Shoes [ ] 247 Back There [ ] 248 Back There [ ] 249 Back There [ ] 250 Back There [ ] 251 Back There [ ] 252 Back There [ ] 253 The Purple Testament [ ] 254 The Purple Testament [ ] 255 The Purple Testament [ ] 256 The Purple Testament [ ] 257 The Purple Testament [ ] 258 The Purple Testament [ ] 259 A Piano in the House [ ] 260 A Piano in the House [ ] 261 A Piano in the House [ ] 262 A Piano in the House [ ] 263 A Piano in the House [ ] 264 A Piano in the House [ ] 265 Night Call [ ] 266 Night Call [ ] 267 Night Call [ ] 268 Night Call [ ] 269 Night Call [ ] 270 Night Call [ ] 271 A Hundred Yards Over the Rim [ ] 272 A Hundred Yards Over the Rim [ ] 273 A Hundred Yards Over the Rim [ ] 274 A Hundred Yards Over the Rim [ ] 275 A Hundred Yards Over the Rim [ ] 276 A Hundred -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEVENTY-SEVENTH SEASON I 957- I 958 Carnegie Hall, New York Boston Symphony Orchestra (Seventy-seventh Season, 1957-1958) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster Albeit Bernard George Zazofsky Rolland Tapley George Humphrey Contra-Bassoon Norbert Lauga Jerome Lipson Richard Plaster Vladimir Resnikoff Robert Karol Reuben Horns Harry Dickson Green Gottfried Wilfinger Bernard Kadinoff James Stagliano Vincent Charles Yancich Einar Hansen Mauricci Joseph Leibovici John Fiasca Harry Shapiro Earl Hedberg Harold Meek Emil Kornsand Paul Keaney Roger Shermont Violoncellos Osbourne McConathy Minot Beale Samuel Mayes Herman Silberman Alfred Zighera Trumpets Stanley Benson Jacobus Langendoen Leo Panasevich Roger Voisin Mischa Nieland Andr6 Come Sheldon Rotenberg Karl Zeise Armando Ghitalla Fredy Ostrovsky Josef Zimbler Gerard Goguen Clarence Knudson Bernard Parronchi Trombones Pierre Mayer Martin Hoherman Manuel Zung Louis Berger William Gibson Samuel Diamond Richard Kapuscinski William Moyer Kauko Kahila Victor Robert Ripley Manusevitch Josef Orosz James Nagy Winifred Winograd Melvin Bryant Flutes Tuba Lloyd Stonestreet Doriot Anthony Dwyer K. Vinal Smith Saverio Messina James Pappoutsakis William Waterhouse Phillip Kaplan Harps William Marshall Bernard Zighera Leonard Moss Piccolo George Madsen -
Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957, Subscription
SYMPHONY HALL, BOSTON Telephone, Commonwealth 6-1492 ' SEVENTY-SIXTH SEASON, 1956-1957 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1957, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks, Jr. E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Edward A. Taft C. D. Jackson Raymond S. Wilkins • Oliver Wolcott . TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe 1 j N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager G. W. Rector | Assistant J. J. Brosnahan, Assistant Treasurer N. S. Shirk Managers Rosario Mazzeo, Personnel Manager [1285] - » . THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists. Because of this, more and more men and women, with capital to invest and estates to manage, are turning to the Living Trust. WHAT IT IS The Living Trust is a Trust which you establish to go into effect during your lifetime, as part of your overall estate plan, and for the purpose of receiving professional management for a specified portion of your property. It can be arranged for the benefit of yourself, members of your family, or other individuals or charities —and can be large or small. -
Universiv Micrcsilms International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. Tlie sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Download Finding
National Federation of Music Clubs Records This finding aid was produced using the Archivists' Toolkit April 05, 2018 Describing Archives: A Content Standard National Federation of Music Clubs Indianapolis, Indiana National Federation of Music Clubs Records Table of Contents Summary Information ................................................................................................................................. 3 Collection Inventory...................................................................................................................................... 5 History and Governance.......................................................................................................................... 5 Proceedings, Minutes, Reports, Programs.............................................................................................17 Financial/Legal/Administrative..............................................................................................................34 NFMC Publications............................................................................................................................... 59 Presidential papers................................................................................................................................. 78 Activities/Projects/Programs..................................................................................................................82 Scrapbooks.......................................................................................................................................... -
Boston Symphony Orchestra Concert Programs, Season 68, 1948-1949
-4£2ttttj£fe, SYMPHONY HALL, BOSTON SIXTY-EIGHTH SEASON, 1948-1949*! CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1948, BY BOSTON SYMPHONY ORCHESTRA, ItlC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Roger I. Lee Alvan T. Fuller Lewis Perry Jerome D. Greene Henry B. Sawyer N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager [529] Only 3& you can @ decide © © © © © Whether your property is large or small, it rep- © resents the security for your family's future. Its ulti- © mate disposition is a matter of vital concern to those you love. © © To assist you in considering that future, the Shaw- © mut Bank has a booklet: ''Should I Make a Will?" © It outlines facts that everyone with property should © © know, and explains the many services provided by this Bank as Executor and Trustee. Call at any of our 2 J convenient offices, write or telephone © for our booklet: "Should I Make a WHIP" © © © Zj&KAonal c/KMdt z/jefotwitment © © Optional © The © © Shawmut Bank © 40 IVater Street^ Boston © Member Federal Deposit Insurance Corporation © © Capital and Surplus $30,000,000 © "Outstanding Strength 'for 112 Years © © [530] PB BB SYMPHONIANA The American Festival of 1939 One Always Returns THE AMERICAN FESTIVAL OF 1939 The review of American music at the symphony concerts of this week and next brings to mind two special concerts in October, 1939. -
Fade In: Int. Art Gallery – Day
FADE IN: INT. ART GALLERY – DAY Exhibition Guide FADE IN: INT. ART GALLERY – DAY March 03 – May 08, 2016 Works by Danai Anesiadou, Nairy Baghramian, Michael Bell-Smith, Dora Budor, Heman Chong, Mike Cooter, Brice Dellsperger, GALA Committee, Mathis Gasser, Jamian Juliano-Villani, Bertrand Lavier, William Leavitt, Christian Marclay, Rodrigo Matheus, Allan McCollum, Henrique Medina, Carissa Rodriguez, Cindy Sherman, Amie Siegel, Scott Stark, and Albert Whitlock; performances and public programs by Casey Jane Ellison, Mario García Torres, Alex Israel, Thirteen Black Cats, and more. Recasting the gallery as a set for dramatic scenes, FADE IN: INT. ART GALLERY – DAY explores the role that art plays in narrative film and television. FADE IN features the work of 25 artists and considers a history of art as seen in classic movies, soap operas, science fiction, pornography and musicals. These works have been sourced, reproduced and created in response to artworks that have been made to appear on-screen, whether as props, set dressings, plot devices, or character cues. The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does. Certain preoccupations with artworks are established early on in cinematic history: the preciousness of art objects anchors their roles as plot drivers, and anxieties intensify regarding the vitality of artworks and their perceived abilities to wield power over viewers or to capture spirits. Such themes were famously explored in the 1945 film adaptation of Oscar Wilde’s The Picture of Dorian Gray, from which Cindy Sherman has sourced the original portrait painted for the production. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957
fa' mi i 4 f 1 BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON X 'Wll Kim/i/ f) H SEVENTY-SEVENTH SEASON 1 957" I 958 Tuesday Evening Series BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mass. LA layette 3-5700 SEV ENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer * Talcott M. Banks E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Raymond S. Wilkins C. D. Jackson Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. -
BENNY GOLSON NEA Jazz Master (1996)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BENNY GOLSON NEA Jazz Master (1996) Interviewee: Benny Golson (January 25, 1929 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 8-9, 2009 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 119 pp. Brown: Today is January 8th, 2009. My name is Anthony Brown, and with Ken Kimery we are conducting the Smithsonian National Endowment for the Arts Oral History Program interview with Mr. Benny Golson, arranger, composer, elder statesman, tenor saxophonist. I should say probably the sterling example of integrity. How else can I preface my remarks about one of my heroes in this music, Benny Golson, in his house in Los Angeles? Good afternoon, Mr. Benny Golson. How are you today? Golson: Good afternoon. Brown: We’d like to start – this is the oral history interview that we will attempt to capture your life and music. As an oral history, we’re going to begin from the very beginning. So if you could start by telling us your first – your full name (given at birth), your birthplace, and birthdate. Golson: My full name is Benny Golson, Jr. Born in Philadelphia, Pennsylvania. The year is 1929. Brown: Did you want to give the exact date? Golson: January 25th. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Brown: That date has been – I’ve seen several different references. Even the Grove Dictionary of Jazz had a disclaimer saying, we originally published it as January 26th. -
ETHEL LEGINSKA: PIANIST, FEMINIST, CONDUCTOR Extraordinalre, and COMPOSER
CHRISTOPHER NEWPORT UNIVERSITY ETHEL LEGINSKA: PIANIST, FEMINIST, CONDUCTOR EXTRAORDINAlRE, AND COMPOSER FALK SEMINAR RESEARCH PAPER MUSIC 490 BY MELODIE LOVE GRIFFIN NEWPORT NEWS, VIRGINIA DECEMBER 1993 ACKNOWLEDGMENTS The author wishes to thank, first, the Minnesota Historical Society for providing rare, dated material essential to the completion of this paper, namely, articles from the Minneapolis Journal and the Duluth Herald. Second, her mother, who patiently endured nearly a year of irritability, frustration, stubborn persistence, and long midnight hours the author experienced in the completion of this paper, not to mention a day's trip to Washington, D.C. on short notice. Third, the Library of Congress, for providing several of Ethel Leginska's pUblished works. Fourth, the Falk Seminar Professor/Advisor, Dr. Brockett, for his assistance in gathering articles, contributing a title, and for his insistence on perfection, motivating the author of this paper to strive for perfection in all of her coursework and other undertakings, eschewing mediocrity. Last, but most importantly, the author gives thanks to the Lord Jesus Christ, for supplying all her needs along the way, including the strength to persevere when it seemed, at times, that this project was too much to handle and should have been dropped. Ethel Leginska (1886-1970) was widely acclaimed as a concert pianist and, later, as a conductor at a time when women were considered by some to be no fitting match for men as concert pianists, and it was preposterous to think a woman could take up the baton for a major orchestra. However, very little seems to have been said about her as a composer, and her compositions have been basically overlooked for close scrutiny. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.