DOCSLIB.ORG

Ledger Lines SCHOOL of MUSIC and DANCE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ledger Lines SCHOOL of MUSIC and DANCE LEDGER LINES SCHOOL of MUSIC and DANCE NEWSLETTER for ALUMNI & FRIENDS September, 2008 Vol. XX, No. 2 LEDGER LINES — SPECIAL EVENTS — is the biannual newsletter of the University of Oregon School of Music Homecoming Weekend and Dance. Letters, photos, and contri- butions from alumni, friends, and faculty Friday, Oct. 10: are always welcome. • UO BANDS TO CELEBRATE address correspondence to: 100th ANNIVERSARY LeDGer LiNeS The UO School of Music and Dance School of Music and Dance and the Oregon Alumni Association invite 1225 University of Oregon all former UO band members to attend a eugene Or 97403-1225 special 100th anniversary celebration din- eDiTOr: Scott Barkhurst ner during Homecoming Weekend, Oct. [email protected] 10–11. The Friday dinner, featuring a special aSSiSTaNT: Carol roth program and performances, will be at Val- ley River Inn at 7 p.m., preceded by a 6:30 CONTriBUTOrS: George evano, Bob Keefer, amy Stoddart, DeNel Stoltz reception. The centennial event is open to all former UO band members, including PrOOFreaDerS: the concert bands, jazz bands, and march- Laura Littlejohn, Carol roth ing bands. The evening’s program will feature live performances, band memorabilia, and speakers. Cost is $35 per person. Reception and COVer PhOTO by Scott Barkhurst: registration details are available on-line at the Alumni Association’s Construction on the new Leona Dearmond academic Wing nears completion website: uoalumni.com MuSic & Dance Saturday, Oct. 11: aDMiniSTRaTion • Ducks vs. UCLA at Autzen Stadium. Alumni Band members can register for the DeaN: Brad Foley weekend’s rehearsal and activity schedule [email protected] by going to: www.oregonalumniband.com aSSOCiaTe DeaNS: ann Tedards–Graduate Studies [email protected] Jeffrey Williams–Undergraduate Studies [email protected] School of MuSic & Dance aDVanceMenT council DaNCe DeParTMeNT: Chair: al King, ’76, vice president/ David hilton, Merrill Lynch & Company, Inc.; Jenifer Craig, chair investment officer, RBC Dain Rauscher; Eugene, OR [email protected] Springfield, OR Marilyn Kays, arts patron; Eugene, OR DeVeLOPMeNT STaFF: ViCe-Chair: Niles hanson, NW Stamping & DeNel Stoltz, director Natalie Giustina Newlove, arts patron; Precision Co., Rosen Products Sunvisor [email protected] Eugene, OR amy Salmore, program assistant Systems; Eugene, OR [email protected] Jay O’Leary, M.D., arts patron; Eugene, OR PaST Chair: Mira Frohnmayer, ’60, Main office: professor emerita, Pacific Lutheran Mary Glass O’Leary, ’55, arts patron; University; Eugene, OR Eugene, OR Phone: (541) 346-3761(music) (541) 346-3386 (dance) Jenifer Craig, ’71, ’73, Associate Professor Mia hall Savage, ’72, ’73, Pacific Youth Fax: (541) 346-0723 Choirs; Portland, OR Web: music.uoregon.edu and Chair of Dance, UO; Eugene, OR John Wells, violinist; Springfield, OR Mary ann hanson, President, Eugene Symphony Association Jeffrey Williams, Professor and Associ- and arts patron; Eugene, OR ate Dean of Music; Eugene, OR 1 sound-isolation properties featured FROM THE TOP in those new spaces. ChamberMusic@Beall Brad Foley, Dean As we launch the 41st annual season of the university’s chamber s we approach the beginning music series, you will note that A of a new academic year at the we adopted a new name and have University of Oregon School of Mu- undergone a leadership change. In sic and Dance, we eagerly anticipate March, we saluted Janet Stewart the move into our $19.2 million new for leading the series for the past and renovated MarAbel B. Frohn- fourteen years, continuing the excel- mayer Music Building by the end of lent traditions of Edmund Cykler fall term. and Steve Stone before her. Janet’s Thanks to the generosity of lead leadership was marked by her dedi- donors Lorry Lokey, Bob and Leona cation, love, and passion for music DeArmond, Thelma and Gilbert as she invited the highest quality Schnitzer, and Kathleen Daughterty of performing artists to our series Richards Grubbe as well as numer- over the years. She brought the elite ous others, more than $11 million from the world of chamber music, from private funds and $7.6 million including such groups as the Tokyo, from state bonds have made this Emerson, Juilliard, and Amati ensembles; Christopher Olin, choral project a reality. string quartets. She concluded her music education; Laura Wayte, It has been an exciting process to leadership of the chamber series to voice; and Larry Wayte, music his- observe the day-to-day activities of help with the transition as well as to tory. In the coming year we will the construction crews over the past serve as our music building project launch a search for a new assistant year, and I have enjoyed working manager, prior to retiring next sum- professor in ethnomusicology to with an exemplary team of construc- mer. Janet’s retirement, along with succeed Professor Emerita Anne tion managers whose work will John Evans joining the UO’s Oregon Dhu McLucas, and another assistant culminate in an incredible new and Bach Festival, led me to consider a professor search in dance to replace improved facility for our talented new partnership opportunity and a former Associate Professor Amy students, faculty, and staff. rebranding of the series as Chamber Stoddart, who left us this summer. The true success of the construc- Music@Beall. Across campus, we welcome tion phase of our project is in large We have a great season in store new provost James Bean (former part due to the hard work and perse- for the community, opening with dean of the Lundquist College of verance of Janet Stewart and George the Academy of St. Martin in the Business), Jill Hartz, new director Bleekman from the university, and Fields on October 19. Appearances of the Jordan Schnitzer Museum of Brad Tindall and Shaun Nestle from by pianist Jeffrey Kahane (Nov. 9), Art, and new permanent leadership John Hyland Construction. I appreci- and the Portland Baroque Orchestra in the dean’s offices of the College of ate the great care and attention to (Feb. 22), serve as connections to the Education and College of Arts and every detail that has gone into mak- 2009 Oregon Bach Festival lineup, Sciences. And we await with great ing our project the best it can be. as both will return in the summer as anticipation the outcome of a search We will move into the new a part of next year’s 40th anniversary for a new president of the University spaces in December in time to begin festival. of Oregon. winter term of 2009 in our new facil- Time of Transitions Meanwhile, we begin our ten- ity. We plan to invite our various As we begin the new academic year NASM Self-Study process for constituencies to a grand opening year, the university anticipates a sig- renewal of our music accreditation, celebration during the first week of nificant enrollment surge across the as well as a new assessment plan March in 2009. I hope that many campus and we also expect a larger and campus-wide Strategic Academ- of you will plan to join us for the than usual entering class in music ic Planning process. All in all, we ribbon-cutting ceremony and/or an and dance. have a busy and exciting year ahead open house and tour of the facilities, We anticipate numerous other in addition to our usual myriad of so that you may observe first-hand changes and transitions as we wel- 200-plus concerts and programs. I the caliber of new spaces we are cre- come new faculty: Assistant Profes- hope you will pay us a visit in the ating. Besides the new construction sors Molly Barth, flute; Nicholas coming year. itself, our music students will enjoy Isherwood, voice and opera; and an enriched quality of education due Shannon Mockli, dance; as well as to the state-of-the-art acoustical and Instructors Andiel Brown, gospel 2 B. Frohnmayer Music Building. DEVELOPMENT A schematic of the courtyard and building plans can be viewed at: http://music.uoregon.edu. Click on The Final Bricks “Make a Gift,” then “Buy a Named Brick.” Fundraising shifts to furnishing and equipping Bricks are still available for $250 the new $19 million music building and $1000. The first installation of By DeNel Stoltz, Director of Development bricks will be in fall 2008. The next installation will be in summer 2009. even years of anticipation. All proceeds from our “Buy a Leave a legacy and become a part of Nineteen million dollars from Named Brick/The Last Bricks” ini- UO music history today! u visionS to completion, and $10.4 mil- tiative in the Penny Vanderwicken lion from private sources to make it Duprey Courtyard will be put For more information on making a a reality. The waiting is nearly over toward furnishing and equipping gift, contact DeNel Stoltz at (541) for faculty, staff, students, music the new spaces in the MarAbel 346-5687 or [email protected]. patrons, and community musicians. For some, actually thirty years of anticipation—since 1979—which was when the last additions were constructed for the music facilities. The expanded and renovated MarAbel B. Frohnmayer Music Building will open for classes in January 2009, providing new state- of-the-art, acoustically isolated teaching studios, rehearsal/perfor- mance spaces, classrooms and prac- tice rooms that will add half again The new instrumental as much space as the existing music rehearsal room, part facility. Mark your calendar for the of the new Thelma grand opening celebratory events Schnitzer Performance during the first week in March 2009. Wing at the north end The Oregon Legislature ap- of the music building. proved bonding for $7.6 million of the music building project in 2001 —at the time, half of the expected capital project.
Load more

Recommended publications
  • Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002
    Understanding Local Audiences: Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002 by MiJeong Kim Master’s Project Presented to the Arts and Administration Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Science in Arts Management June 2003 ii “Understanding Local Audiences: Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002”, a master’s project prepared by MiJeong Kim in partial fulfillment of the requirements for the Master of Science degree in Arts Management, has been approved and accepted by: __________________________________________________________________________ Dr. Gaylene Carpenter, Arts and Administration Program ______________________________________________ Date iii ABSTRACT This project aimed to advance the knowledge of the Hult Center’s current audiences and the local market, based on the analysis of the previous ticket sales trends. Understanding of the audiences is a crucial basis for arts organizations to strategically plan their activities. The literature reviewed for this project includes issues in audience research and audience development. Taking an audience research initiative at the local level, this project analyzed ticket sales records of the Hult Center for the Performing Arts from 1994 to August 2002. The analysis presents statistics of (1) the local audiences’ attendance behavior by type of performances, show date and time, and ticket price, and (2) overall presentation patterns of different
    [Show full text]
  • Virtual BACH FESTIVAL OREGON BACH FESTIVAL 2021
    LISTENING GUIDE June 25- July 11, 2021 OREGONVirtual BACH FESTIVAL OREGON BACH FESTIVAL 2021 Welcome to the 2021 Oregon Bach Festival In times of uncertainty, music is a constant in our lives. Music offers catharsis. It keeps us entertained, conjures memories, and expresses our deepest emotions.Music is everywhere. And during this divisive and tumultuous moment, we’re grateful that music is a powerful and relentless force that universally connects us. As we continue to fight a world-wide pandemic together, OBF invites you to join the global community of music lovers who will listen and watch the 2021 virtual Festival from the comfort and safety of their own spaces.All events are presented free and on-demand. A new concert is posted every day at noon and, unless otherwise noted, will remain available throughout the Festival. Whether you’re watching at home alone or you’re gathered with a socially distanced group of friends for a watch party, we hope you enjoy the 2021 slate of brilliant works. We’ll see you for a return to live music in 2022! June 25 Bach Listening Room with Matt Haimovitz June 25 Dunedin Consort: Bach’s Brandenburg Concertos 5 & 6 June 26 Paul Jacobs: Handel & Bach Recital June 27 To the Distant Beloved with Tyler Duncan June 28 Visions of the Future Part 1: Miguel Harth-Bedoya (48 hours only) June 29 Dunedin Consort: Lagrime Mie June 30 Visions of the Future Part 2: Eric Jacobsen (48 hours only) July 1 Emerson String Quartet July 2 Visions of the Future Part 3: Julian Wachner (48 hours only) July 3 Lara Downes presents
    [Show full text]
  • Oregon Bach Festival Breaks Ground for New Multi-Purpose Home on the University of Oregon Campus
    Matthew Halls Artistic Director Janelle McCoy Executive Director MEDIA RELEASE CONTACT Josh Gren, Director of Marketing & Communications 458-210-6631 or [email protected] Edward McNally, Above the Fold Arts PR 404-281-6419 or [email protected] Oregon Bach Festival Breaks Ground for New Multi-Purpose Home on the University of Oregon Campus EUGENE, OR – A new artistic director in 2014. A new executive director earlier this year. Now, just six days before the opening night concert of its highly anticipated 47th season, the internationally acclaimed Oregon Bach Festival (OBF) will break ground on their new permanent home on the University of Oregon campus. The 10,000 square foot, 2-story building, designed by Portland-based Hacker Architects, will provide space for Festival program rehearsals, recitals, lectures, and receptions. The space will house OBF’s administrative offices and support space and give OBF a prominent presence on campus and in the city. The multi-purpose facility, which is scheduled to open in June 2017, will face 18th Avenue adjacent to the University’s School of Music and Dance (SOMD). OBF staff, board members and major donors will join more than fifty University and Eugene community leaders and elected officials for a VIP luncheon and groundbreaking at 12:30 pm, Friday, June 17. The proposed name, Berwick Hall, is in honor of UO alumni Phyllis and Andrew Berwick, whose $6.5 million gift to OBF funded the largest part of the $8.7 million budget for the building’s design and construction. In addition to accommodating OBF’s administrative offices, the building will be a gathering place for OBF’s community programming and for other arts organizations on campus.
    [Show full text]
  • Beethoven 2020 Concert Program
    Chamber Music Amici Creating Community Through Great Music 2019/20 Klein Susan Susan by Brian’s Violin Brian’s Baroque Friendships Wildish Community Theater Monday, October 7, 2019 Amici Guests Jessica Lambert violin Kathryn Brunhaver cello Lillie Manis viola Colin Pip Dixon violin Sharon Schuman violin Margret Gries harpsichord October 7, 2019 Tonight’s concert is sponsored by The Wildish Families & Wildish Companies Guest Musician Sponsor Peter and Josephine von Hippel Kathryn Brunhaver, Colin Pip Dixon, Margret Gries Season Sponsor Estate of Gerald Webking Season Supporters Cascade Manor Classic Pianos Melinda Handy CPA Isler CPA Rainbow Valley Design and Construction Volunteers Bill & Christie Aspegren, Ray Bates & Rosemary Barr, Pam Brills & Chris Wesely, Fred Crafts & Marti Gerdes, Dianna Eickhoff, Beate Galda, Carolyn Flatley-Gilkey, Heather Gabbert, Laura Gansel, David Guy, Margaret Hadaway, Jan Halvorsen, Carolyn Hannah, John Heintz, Beverly Henderson, Don & Lin Hirst, Kelsey Irvine, Deb Jones, Marie Keith, Anne Korn & Terry Way, Laurene Larson, Kathy Lieberman, Bonnie Lindberg, Patricia Moore, John & Susan Moseley, Ron Norberg, Laura Ohanian, Gail Pioso, Mike Ponichtera, Ruth Romoser, Heidi Sachet, David Sonnichsen & Betsy Steffensen, Jonathan Stafford, Ginny Starling, Marion Sweeney _________________________________________________________________________Chamber Music Amici Welcome and thank you for joining us for our opening concert of the season! We are delighted to share with you this concert celebrating the wonderful friendships
    [Show full text]
  • The 2018 Guide Festivals
    April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.
    [Show full text]
  • The 2021 Guide
    FestivalsThe 2021 Guide April 2021 Editor’s Note Spring is in the air, vaccinations are in (many) arms, and our hardy crop of mountain, lakeside, and pastorally sited music-makers appear to be in major recovery mode from a very long, dark year. Our 2021 Festival Guide lists 100-plus entries, some still in the throes of program planning, others with their schedules nailed down, one or two strictly online, and most a combination of all of the above. We’ve asked each about their COVID-19 safety protocols, along with their usual dates, places, artists, and assorted platforms. Many are equipped to head outside: Aspen Music Festival, Tanglewood, and Caramoor Music Center already have outdoor venues. Those that don’t are finding them: Central City Opera Festival is taking Carousel and Rigoletto to a nearby Garden Center and staging Dido & Aeneas in its backyard; the Bay Chamber Concerts Screen Door Festival is headed to the Camden (ME) Amphitheater. Still others are busy constructing their own pavilions: “Glimmerglass on the Grass” is one, with 90-minute re- imagined performances of The Magic Flute, Il Trovatore, and the premiere of The Passion of Mary Cardwell Dawson. The Virginia Arts Festival has also built a new open-air facility called the Bank Street Stage, a large tent area with pod seating options. Repertoire range is as broad as ever, with the Cabrillo Festival priding itself on being “America’s longest-running festival of new orchestral music”; Bang on a Can will make as much avant-garde noise as humanly possible with its “Loud Weekend” at Mass MOCA and its composer trainings later in the summer.
    [Show full text]
  • 2021 Season Announcement
    CONTACT: Jonathan Eifert, [email protected], 347.741.1913 Oregon Bach Festival Announces 2021 Virtual Concert Lineup, June 25 - July 11 Featured artists include the legendary Emerson String Quartet, superstar cellist Matt Haimovitz, vocalists Lawrence Brownlee and Tyler Duncan, Grammy-winning organist Paul Jacobs, activist-pianist Lara Downes, and Scottish baroque ensemble, Dunedin Consort. Plus, watch three special events showcasing finalists from the OBF artistic director search, conductors Miguel Harth Bedoya, Eric Jacobsen, and Julian Wachner. High-resolution artist photos can be downloaded here. EUGENE, OR – As previously announced, ongoing precautions surrounding COVID-19 have led the University of Oregon School of Music and Dance to convert the 2021 Oregon Bach Festival (OBF) to a series of virtual events. OBF remains resilient during this year of global crisis, and is proud to announce a slate of more than 15 virtual events over three weeks, from June 25 through July 11, 2021. The Festival offers numerous critically acclaimed musicians in a variety of pre-recorded concerts and original productions. With this robust digital programming schedule, OBF reaffirms to the world that it is a leading musical source, showcasing the splendor of classical music from the Pacific Northwest and beyond. OBF 2021 is headlined by one of the world’s premier chamber music ensembles and nine time Grammy Award-winner, Emerson String Quartet, as well as a selection of Bach’s Cello Suites from “remarkable virtuoso” (The New Yorker) Matt Haimovitz, and two programs from director John Butt and Scotland’s leading baroque ensemble, Dunedin Consort. The Festival also includes two highly sought-after male vocalists.
    [Show full text]
  • Ledger Lines SCHOOL of MUSIC and DANCE
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank LEDGER LINES SCHOOL of MUSIC and DANCE The KUM Dance Company visits UO. See story, page 7. NEWSLETTER for ALUMNI & FRIENDS September, 2007 Vol. XIX, No. 2 LEDGER LINES — SPECIAL EVENTS — is the biannual newsletter of the University of Oregon School of Music Saturday, Oct. 13: and Dance. Letters, photos, and contri- butions from alumni, friends, and faculty Homecoming are always welcome. • Ducks vs. WSU at Autzen Stadium. Alumni address correspondence to: Band members can register for the weekend’s LeDGer LiNeS rehearsal and activity schedule by going to: School of Music and Dance www.oregonalumniband.com 1225 University of Oregon eugene Or 97403-1225 Sunday, Nov. 4 • 4 p.m. eDiTOr: Scott Barkhurst [email protected] Music & Dance at the Hult aSSiSTaNT: Carol roth The University of Oregon School of Music and Dance joins Eugene’s celebration of the Hult Center for the Performing Arts CONTriBUTOrS: Christina elmore, th George evano, Walter Kennedy, amy 25 Anniversary by presenting a wonderful program featur- Stoddart, DeNel Stoltz ing our premiere ensembles: the UO Chamber Choir, Repertory Dance Company, UO Symphony, PrOOFreaDerS: Laura Littlejohn, Carol roth University Singers, and the Oregon Wind Ensemble. General admission COVer PhOTO by Michael Brinkerhoff; tickets are $10, $5 for KUM Dance Company story on page 7. students, available at the door. MuSic & Dance aDMiniSTRaTion (For more events, see back cover,
    [Show full text]
  • House Concurrent Resolution 21 Sponsored by Representative BARNHART; Representatives LIVELY, NATHANSON, Senators EDWARDS, PROZANSKI
    77th OREGON LEGISLATIVE ASSEMBLY--2013 Regular Session Enrolled House Concurrent Resolution 21 Sponsored by Representative BARNHART; Representatives LIVELY, NATHANSON, Senators EDWARDS, PROZANSKI Whereas Helmuth Rilling is recognized worldwide as one of the preeminent conductors of the choral-orchestral repertoire and interpreters of the music of Johann Sebastian Bach; and Whereas Helmuth Rilling has come to Eugene, Oregon, from his native Germany every summer for 43 years to teach young conductors how to communicate and to illuminate for audiences new ways to listen and understand; and Whereas Helmuth Rilling’s career has included guest appearances with virtually all of the world’s important music institutions, including the Chicago, Cleveland, Washington, D.C., Tokyo and Toronto Symphony Orchestras and the New York, Vienna and Berlin Philharmonics; and Whereas Helmuth Rilling’s career has been dedicated to building bridges and furthering coop- eration, peace and understanding through music; and Whereas Helmuth Rilling and H. Royce Saltzman, on a bond of friendship and a commitment to education and excellence, cofounded the Oregon Bach Festival in the summer of 1970 on the Uni- versity of Oregon campus; and Whereas the Oregon Bach Festival has grown from a single concert and a $2,500 budget into a statewide, internationally acclaimed arts festival with 60 events over a three-week period that hosts as many as 35,000 audience members and more than 500 musicians, with a current annual budget of $2.8 million and an economic impact of more
    [Show full text]
  • Jake Heggie – Songfest 2011 Distinguished Faculty Jake Heggie – Composer-In-Residence
    PEPPERDINE UNIVERSITY PRESENTS ROSEMARY HYLER RITTER Director MELANIE EMELIO Director, Apprentice Program in Malibu California “Bright is the ring of words when the right man rings them.” – Robert Lewis Stevenson THE COMPLETE RECITALIST JUNE – 1-27, 2011 The Stern Program for Singers and Pianists has generously been funded by The Marc and Eva Stern Foundation. We gratefully acknowledge and thank the Stern family! Welcome to SongFest 2011 “Whatever you can do, or dream you can do, you can. Boldness has a genius, magic and power to it.” – Goethe SongFest 2011 is supported by grants from The Marc and Eva Stern Foundation, The Aaron Copland Fund for Music, The Louise K. Smith Family Foundation and the generosity of many individuals. Photos by Ron Hall Photography ©2010 SongFest is a 501(c)3 non profit corporation. All donations are 100% tax-deductible to the full extent permitted by law. JAKE HEGGIE – SONGFEST 2011 DISTINGUISHED FACULTY JAKE HEGGIE – COMPOSER-IN-RESIDENCE SongFest 2011 • Pepperdine University • Biography Jake Heggie Composer, Pianist JAKE HEGGIE is the Jake Heggie’s operas have been performed to American composer of tremendous acclaim internationally in Australia, the operas Moby-Dick Canada, Denmark, Germany, Sweden, Ireland, Austria, (libretto: Gene Scheer), South Africa and by more than a dozen American opera Dead Man Walking companies. The composer’s numerous songs and cycles, (libretto: Terrence including The Deepest Desire, Statuesque, Here & Gone, McNally), Three Rise & Fall, Songs & Sonnets to Ophelia, Facing Decembers
    [Show full text]
  • Pernicious Prisons
    OPEN THIS SATURDAY & SUNDAY FROM 10AM TO 6PM Eugene Saturday Market’s 2017 Handcrafted Gifts, Sold by Their Makers International Food Court Live Music Lane Events Center, 13th & Jefferson, Eugene FREE PARKING & FREE ADMISSION More details at www.holidaymarket.org 541-686-8885 DAYS OF HAPPY 31 HOLIDAZE Holiday Trees Are Here! • Shop early for best selection 10 BIG • Height ranges from 24”-7’ $ PLUS TAX PRICE • Oregon Grown trees GRAMS • We also have tiny trees for ON ALL DROP small spaces, or a thoughtful gift TOP SHELF ON ALL FLOWER FLOWER (ORIGINALLY $14) SHELVES LIGHT UP YOUR DAYS DURING THE MONTH OF DECEMBER! 5th & Olive Street 541-342-6820 SAME GREAT QUALITY. Monday-Saturday 10-6 NEW LOWER PRICES. Sunday 10-5 439 W. 1ST AVENUE IN EUGENE (541) 735-3521 downtoeartheugene.com MON. - SAT 10AM TO 10PM SUNDAY 11AM TO 8PM Good December 1 - 31, 2017. Discounts cannot be combined. Veteran, senior citizen, and other dis- counts still available on non-flower products in stock. Do not operate a vehicle or machinery under the influence of this drug. For use by adults 21 years of age and older. Keep out of reach of children. 2 November 30, 2017 • eugeneweekly.com DTE_113017_EW_Ad Buds LLC 3V 11-22-17.indd 1 11/27/17 1:18 PM CONTENTS November 30 - December 7, 2017 fi ne jewelry design 4 Letters come see me at 6 News 9 Slant 2nd & Blair 10 Screenprinting 12 EW Remembers Richard Hunt Studio 13 Calendar 18 Galleries 19 Music 24 Theater Sale 24 Classifieds December 1, 2 & 3 27 Savage Love 12/2 Silent Auction FOO FIGHTERS to Benefit Planned Parenthood
    [Show full text]
  • LEDGER LINES SCHOOL of MUSIC and DANCE
    LEDGER LINES SCHOOL of MUSIC and DANCE UO dancers perform Ghost String, choreography by Walter Kennedy, original music by Jeffrey Stolet. Photo by Jack Liu. NEWSLETTER for ALUMNI & FRIENDS February, 2006 Vol. XVIII, No. 1 LEDGER LINES UO High School is the biannual newsletter of the University of Oregon School of Music and Dance. Letters, photos, Summer Music Camps and contributions from alumni, friends, and faculty are always welcome. JULY 9–15: th Address correspondence to: 59 Annual Concert Band Camp LEDGER LINES School of Music and Dance 1225 University of Oregon JULY 16–22: Eugene OR 97403-1225 Marching Band Camp EDITOR: Scott Barkhurst [email protected] (Drum Major, Section Leader, CONTRIBUTORS: George Evano, Paul Colorguard, Percussion) Omundson, Jennifer Squires, DeNel Stoltz. JULY 23–28: PROOFREADERS: Laura Littlejohn, Carol Roth Jazz Improvisation Camp COVER PHOTO: The Dance Department provided two dramatic numbers in the FOR BROCHURE OR MORE INFORMATION, CONTACT: School of Music and Dance’s “Collage Concert” at the Hult Center on Nov. 13. Sarah Turley Summer Camp Coordinator 1225 University of Oregon SCHOOL OF MUSIC STAFF Eugene OR 97403-1225 DEAN: Brad Foley Phone: (541) 346-2138 [email protected] E-mail: [email protected] ASSOCIATE DEANS: Ann Tedards–Graduate Studies [email protected] Jeffrey Williams–Undergraduate Studies SCHOOL OF MUSIC & DANCE ADVANCEMENT COUNCIL [email protected] CHAIR: Mira Frohnmayer, ’60, Sue Keene, ’72, UO Foundation Trustee; DEVELOPMENT STAFF: Pacific Lutheran University emeritus Eugene, OR
    [Show full text]