DOCSLIB.ORG

Pernicious Prisons

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pernicious Prisons OPEN THIS SATURDAY & SUNDAY FROM 10AM TO 6PM Eugene Saturday Market’s 2017 Handcrafted Gifts, Sold by Their Makers International Food Court Live Music Lane Events Center, 13th & Jefferson, Eugene FREE PARKING & FREE ADMISSION More details at www.holidaymarket.org 541-686-8885 DAYS OF HAPPY 31 HOLIDAZE Holiday Trees Are Here! • Shop early for best selection 10 BIG • Height ranges from 24”-7’ $ PLUS TAX PRICE • Oregon Grown trees GRAMS • We also have tiny trees for ON ALL DROP small spaces, or a thoughtful gift TOP SHELF ON ALL FLOWER FLOWER (ORIGINALLY $14) SHELVES LIGHT UP YOUR DAYS DURING THE MONTH OF DECEMBER! 5th & Olive Street 541-342-6820 SAME GREAT QUALITY. Monday-Saturday 10-6 NEW LOWER PRICES. Sunday 10-5 439 W. 1ST AVENUE IN EUGENE (541) 735-3521 downtoeartheugene.com MON. - SAT 10AM TO 10PM SUNDAY 11AM TO 8PM Good December 1 - 31, 2017. Discounts cannot be combined. Veteran, senior citizen, and other dis- counts still available on non-flower products in stock. Do not operate a vehicle or machinery under the influence of this drug. For use by adults 21 years of age and older. Keep out of reach of children. 2 November 30, 2017 • eugeneweekly.com DTE_113017_EW_Ad Buds LLC 3V 11-22-17.indd 1 11/27/17 1:18 PM CONTENTS November 30 - December 7, 2017 fi ne jewelry design 4 Letters come see me at 6 News 9 Slant 2nd & Blair 10 Screenprinting 12 EW Remembers Richard Hunt Studio 13 Calendar 18 Galleries 19 Music 24 Theater Sale 24 Classifieds December 1, 2 & 3 27 Savage Love 12/2 Silent Auction FOO FIGHTERS to Benefit Planned Parenthood Alison Shiboski Custom jewelry 343-4972 th 89 SEASON! The Very Little Theatre presents in STAGE LEFT: WHO YOU GONNA BLAME? editorial Editor Camilla Mortensen Arts Editor Bob Keefer Calendar Editor Meerah Powell News Reporters Corinne Boyer, Kelly Kenoyer by Norman Allen Senior Staff Writer Rick Levin Copy editor Emily Dunnan A heartwarming holiday tale Contributing Editor Anita Johnson set in the California Gold Rush Contributing Writers Blake Andrews, Ester Barkai, Brett Campbell, Rachael Carnes, Tony Corcoran, Jerry Diethelm, Kari Welch, Director Emily Dunnan, Rachel Foster, Mark Harris, Kenny Jacoby, William Kennedy, Jeslyn Lemke, Paul Neevel, Kelsey Anne Rankin, Vanessa Salvia, Carl Segerstrom, Ted Taylor, Molly December 1-3, 7-10 Templeton, David Wagner, Robert Warren 7:30 pm curtain time; Interns Matthew Denis, Hunter McNie, Jordan Rich, Morgan Theophil, Max Thornberry 2 pm Sunday matinees Art department Tix: $12 General Admission Art Director/Production Manager Todd Cooper Box office open 2:00-6:00 pm Technology/Webmaster James Bateman Wed.-Sat., 2350 Hilyard St. Graphic Artists Trask Bedortha, Sarah Decker Contributing Photographer Paul Neevel Tix on-line at TheVLT.com Social Media Athena Delene advertising 541-344-7751 Director of Advertising Rob Weiss Display Marketing Consultants Carrie Mizejewski, David Fried Classified Manager Cecilia Shipley EVERGREEN business Business Manager and HR Dagmar Conventz NUTRITION Circulation Manager Richard Hunt Distributors Bob Becker, Pedaler’s Express, James Kalafus, Trey Longstreth, Mike Goodwin, Quick Draw, Gwen Bailey, Liz 15-20% OFF* Levin, Janet Peitz Printing Signature Graphics CBD OIL how to reach us by e-mail (editor): [email protected] (letters): [email protected] PRODUCTS (nitpicking): [email protected] (advertising): [email protected] IN DECEMBER (classifieds): [email protected] (I saw you): [email protected] Studies show that CBD oil can (calendar listings): [email protected] be helpful for anxiety & stress. (music/clubs/special shows): [email protected] (art/openings/galleries): [email protected] OPTIONS INCLUDE: (performance/theater): [email protected] (literary arts/readings): [email protected] • Capsules • Softgels (movies/film screenings): [email protected] • Oral Sprays • Drops (EW red boxes): [email protected] (food): [email protected] • Topicals • Concentrates (bizbeat): [email protected] For People & For Pets Eugene Weekly office NOW FEATURING 1251 LINCOLN ST. EUGENE, OR 97401 GREEN EARTH MEDICINALS 541-484-0519 • FAX 541-484-4044 OREGON-GROWN CANNABIS EW subscriptions: send name, address and check to *15% OFF NEW GEM CBD & CV SCIENCES; 20% OFF MB SCALAR CBD 1251 Lincoln St., Eugene, OR 97401-3418. $25/3 mos. $45/6 mos. $85/12 mos. Printed on recycled paper. 1653 Willamette Street Eugene Weekly is published every Thursday by What’s Happening Inc. M-F 9-6 • Sat 10-5 • Sun 11-5 Five free copies maximum per person from newsrack. FREE OFF-STREET PARKING Postmaster: Send address changes to Eugene Weekly, 541-485-5100 1251 Lincoln St., Eugene, OR 97401-3418. www.evergreennutrition.com ©2016 What’s Happening Inc. All rights reserved. eugeneweekly.com • November 30, 2017 3 LETTERS CORRECTING NEGLECT one must act in any given situation. Last May, you brought our attention to The implicit assumption is that only the problem of a lack of accountability in strict instruction, codified behavior and our long-term residential centers, which the threat of swift punishment can prevent has led to abuse and neglect of our most abusive relations, as if the degree to which vulnerable citizens. Because you took the we are free is the degree to which we harm time to research, interview, listen and re- others. It is a lie at the heart of mass so- spond, change has occurred (“A System of ciety. Neglect,” 5/4). No matter the problem, mass society’s As your mission statement says, Kelly solution is always greater control; the uto- Kenoyer, you provide a voice for the op- pian vision being pursued requires robot- pressed and dismissed. like behavior governed by finely tuned Thank you so much. algorithms that deny our autonomy. It is a Kim Donahey vision that is hostile to human wellbeing. Eugene It is a breeding ground for abuse and ha- rassment. HEALTH CARE CONCERNS Ian Smith On Wednesday Nov. 8, a contingent Eugene from Health Care for All Oregon and some Eugene-Springfield Solidarity Network KNOW YOUR BOUNDARIES activists joined a newly formed group Sexual abuse can happen to anyone, so called CareWorks. The aim of our get-to- what can we do to help protect our children gether was to talk with administrators of and ourselves from sexual abuse? Take the memory care facility Benicia in Santa martial arts classes? No. Carry a gun? Clara. No. Have firm personal boundaries? Yes. The administrators refused to hear com- Personal boundaries are the physical, plaints levied against them by family mem- emotional and mental limits we establish bers of patients as well as employees, who question arises: Does Janelle McCoy have raries, in small-ensemble, secular works. to protect ourselves from being manipulat- expressed regret with the care facility’s the power to fire musicians? Or do these Christopher Logan ed, used or violated by others. They allow tactic of cutting corners to maximize re- decisions rest within the School of Music? Eugene us to separate who we are, and what we turns. Benicia’s threats and unwillingness This might have a bearing on the confi- think and feel, from the thoughts and feel- to meet in dialogue were very telling. By dence of the OBF supporters as to whether DEMAND NO ON FOREST BILL ings of others. forcing employees to double or triple their the Matthew Halls debacle might be re- Thanks for reporting on Seneca tim- Your personal boundaries speak to you workload, Benicia like many other such peated. ber’s election to the GreenLane board. I in the form of feelings, intuition or logi- facilities, increased their already bloated Norm Purdy have been disappointed by the large adver- cal pattern recognition. Recognize and ac- profits, taking advantage of people’s need Springfield tisements in the Eugene Weekly of Seneca knowledge to yourself when you feel “con- for jobs. The time to complete chores was timber including the word “sustainable” fused” or you sense something is “off.” also divided, further stressing everybody BACH FEST SUCKED and dismayed at the coverage of the 2,452 You can’t pinpoint what’s wrong. But your involved. Eugene Weekly’s pre-Thanksgiving is- acre “Goose Project” that Seneca is log- internal warning system keeps ringing. It is obvious to see how these inad- sue featured the pinched face of a woman ging. Run, run now and do not negotiate your equacies and failures affect Alzheimer’s fired from the Oregon Bach Festival on We are at a critical point in human his- boundaries with the aggressor. Know your and dementia patients, who are vulnerable the cover (11/22). About her past activi- tory with global warming and mass species boundaries; they will help keep you safe. and need reasonable staff-patient ratios. ties, and those of Matthew Halls, I have no extinction under way. The public forests Signs of unhealthy boundaries include: Costs for patients range between $3,900 to personal knowledge. But the Bach Festival in western Oregon are one of the top 10 going against personal values or rights in $5,640 per month. itself sucked last year. forests in the world for the carbon they order to please others; giving as much as Also relating to health care, people Only three works by Bach were pre- sequester and provide other important eco- you can for the sake of giving; taking as should vote “Yes” on Measure 101 on Jan. sented: three installments of the massive system services. much as you can for the sake of taking; let- 23. Federal funds will match $15 for ev- St. John Passion; an organ recital; and the A federal bill has passed in the house ting others define you or your feelings; ex- ery dollar our state puts into helping cover St. Matthew Passion, a long choral work titled; “Resilient Federal Forest Act” HR pecting others to fill your needs automati- 95 percent of Oregon’s residents (includ- involving multiple personnel.
Load more

Recommended publications
  • Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002
    Understanding Local Audiences: Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002 by MiJeong Kim Master’s Project Presented to the Arts and Administration Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Science in Arts Management June 2003 ii “Understanding Local Audiences: Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002”, a master’s project prepared by MiJeong Kim in partial fulfillment of the requirements for the Master of Science degree in Arts Management, has been approved and accepted by: __________________________________________________________________________ Dr. Gaylene Carpenter, Arts and Administration Program ______________________________________________ Date iii ABSTRACT This project aimed to advance the knowledge of the Hult Center’s current audiences and the local market, based on the analysis of the previous ticket sales trends. Understanding of the audiences is a crucial basis for arts organizations to strategically plan their activities. The literature reviewed for this project includes issues in audience research and audience development. Taking an audience research initiative at the local level, this project analyzed ticket sales records of the Hult Center for the Performing Arts from 1994 to August 2002. The analysis presents statistics of (1) the local audiences’ attendance behavior by type of performances, show date and time, and ticket price, and (2) overall presentation patterns of different
    [Show full text]
  • Virtual BACH FESTIVAL OREGON BACH FESTIVAL 2021
    LISTENING GUIDE June 25- July 11, 2021 OREGONVirtual BACH FESTIVAL OREGON BACH FESTIVAL 2021 Welcome to the 2021 Oregon Bach Festival In times of uncertainty, music is a constant in our lives. Music offers catharsis. It keeps us entertained, conjures memories, and expresses our deepest emotions.Music is everywhere. And during this divisive and tumultuous moment, we’re grateful that music is a powerful and relentless force that universally connects us. As we continue to fight a world-wide pandemic together, OBF invites you to join the global community of music lovers who will listen and watch the 2021 virtual Festival from the comfort and safety of their own spaces.All events are presented free and on-demand. A new concert is posted every day at noon and, unless otherwise noted, will remain available throughout the Festival. Whether you’re watching at home alone or you’re gathered with a socially distanced group of friends for a watch party, we hope you enjoy the 2021 slate of brilliant works. We’ll see you for a return to live music in 2022! June 25 Bach Listening Room with Matt Haimovitz June 25 Dunedin Consort: Bach’s Brandenburg Concertos 5 & 6 June 26 Paul Jacobs: Handel & Bach Recital June 27 To the Distant Beloved with Tyler Duncan June 28 Visions of the Future Part 1: Miguel Harth-Bedoya (48 hours only) June 29 Dunedin Consort: Lagrime Mie June 30 Visions of the Future Part 2: Eric Jacobsen (48 hours only) July 1 Emerson String Quartet July 2 Visions of the Future Part 3: Julian Wachner (48 hours only) July 3 Lara Downes presents
    [Show full text]
  • Oregon Bach Festival Breaks Ground for New Multi-Purpose Home on the University of Oregon Campus
    Matthew Halls Artistic Director Janelle McCoy Executive Director MEDIA RELEASE CONTACT Josh Gren, Director of Marketing & Communications 458-210-6631 or [email protected] Edward McNally, Above the Fold Arts PR 404-281-6419 or [email protected] Oregon Bach Festival Breaks Ground for New Multi-Purpose Home on the University of Oregon Campus EUGENE, OR – A new artistic director in 2014. A new executive director earlier this year. Now, just six days before the opening night concert of its highly anticipated 47th season, the internationally acclaimed Oregon Bach Festival (OBF) will break ground on their new permanent home on the University of Oregon campus. The 10,000 square foot, 2-story building, designed by Portland-based Hacker Architects, will provide space for Festival program rehearsals, recitals, lectures, and receptions. The space will house OBF’s administrative offices and support space and give OBF a prominent presence on campus and in the city. The multi-purpose facility, which is scheduled to open in June 2017, will face 18th Avenue adjacent to the University’s School of Music and Dance (SOMD). OBF staff, board members and major donors will join more than fifty University and Eugene community leaders and elected officials for a VIP luncheon and groundbreaking at 12:30 pm, Friday, June 17. The proposed name, Berwick Hall, is in honor of UO alumni Phyllis and Andrew Berwick, whose $6.5 million gift to OBF funded the largest part of the $8.7 million budget for the building’s design and construction. In addition to accommodating OBF’s administrative offices, the building will be a gathering place for OBF’s community programming and for other arts organizations on campus.
    [Show full text]
  • Beethoven 2020 Concert Program
    Chamber Music Amici Creating Community Through Great Music 2019/20 Klein Susan Susan by Brian’s Violin Brian’s Baroque Friendships Wildish Community Theater Monday, October 7, 2019 Amici Guests Jessica Lambert violin Kathryn Brunhaver cello Lillie Manis viola Colin Pip Dixon violin Sharon Schuman violin Margret Gries harpsichord October 7, 2019 Tonight’s concert is sponsored by The Wildish Families & Wildish Companies Guest Musician Sponsor Peter and Josephine von Hippel Kathryn Brunhaver, Colin Pip Dixon, Margret Gries Season Sponsor Estate of Gerald Webking Season Supporters Cascade Manor Classic Pianos Melinda Handy CPA Isler CPA Rainbow Valley Design and Construction Volunteers Bill & Christie Aspegren, Ray Bates & Rosemary Barr, Pam Brills & Chris Wesely, Fred Crafts & Marti Gerdes, Dianna Eickhoff, Beate Galda, Carolyn Flatley-Gilkey, Heather Gabbert, Laura Gansel, David Guy, Margaret Hadaway, Jan Halvorsen, Carolyn Hannah, John Heintz, Beverly Henderson, Don & Lin Hirst, Kelsey Irvine, Deb Jones, Marie Keith, Anne Korn & Terry Way, Laurene Larson, Kathy Lieberman, Bonnie Lindberg, Patricia Moore, John & Susan Moseley, Ron Norberg, Laura Ohanian, Gail Pioso, Mike Ponichtera, Ruth Romoser, Heidi Sachet, David Sonnichsen & Betsy Steffensen, Jonathan Stafford, Ginny Starling, Marion Sweeney _________________________________________________________________________Chamber Music Amici Welcome and thank you for joining us for our opening concert of the season! We are delighted to share with you this concert celebrating the wonderful friendships
    [Show full text]
  • The 2018 Guide Festivals
    April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.
    [Show full text]
  • The 2021 Guide
    FestivalsThe 2021 Guide April 2021 Editor’s Note Spring is in the air, vaccinations are in (many) arms, and our hardy crop of mountain, lakeside, and pastorally sited music-makers appear to be in major recovery mode from a very long, dark year. Our 2021 Festival Guide lists 100-plus entries, some still in the throes of program planning, others with their schedules nailed down, one or two strictly online, and most a combination of all of the above. We’ve asked each about their COVID-19 safety protocols, along with their usual dates, places, artists, and assorted platforms. Many are equipped to head outside: Aspen Music Festival, Tanglewood, and Caramoor Music Center already have outdoor venues. Those that don’t are finding them: Central City Opera Festival is taking Carousel and Rigoletto to a nearby Garden Center and staging Dido & Aeneas in its backyard; the Bay Chamber Concerts Screen Door Festival is headed to the Camden (ME) Amphitheater. Still others are busy constructing their own pavilions: “Glimmerglass on the Grass” is one, with 90-minute re- imagined performances of The Magic Flute, Il Trovatore, and the premiere of The Passion of Mary Cardwell Dawson. The Virginia Arts Festival has also built a new open-air facility called the Bank Street Stage, a large tent area with pod seating options. Repertoire range is as broad as ever, with the Cabrillo Festival priding itself on being “America’s longest-running festival of new orchestral music”; Bang on a Can will make as much avant-garde noise as humanly possible with its “Loud Weekend” at Mass MOCA and its composer trainings later in the summer.
    [Show full text]
  • 2021 Season Announcement
    CONTACT: Jonathan Eifert, [email protected], 347.741.1913 Oregon Bach Festival Announces 2021 Virtual Concert Lineup, June 25 - July 11 Featured artists include the legendary Emerson String Quartet, superstar cellist Matt Haimovitz, vocalists Lawrence Brownlee and Tyler Duncan, Grammy-winning organist Paul Jacobs, activist-pianist Lara Downes, and Scottish baroque ensemble, Dunedin Consort. Plus, watch three special events showcasing finalists from the OBF artistic director search, conductors Miguel Harth Bedoya, Eric Jacobsen, and Julian Wachner. High-resolution artist photos can be downloaded here. EUGENE, OR – As previously announced, ongoing precautions surrounding COVID-19 have led the University of Oregon School of Music and Dance to convert the 2021 Oregon Bach Festival (OBF) to a series of virtual events. OBF remains resilient during this year of global crisis, and is proud to announce a slate of more than 15 virtual events over three weeks, from June 25 through July 11, 2021. The Festival offers numerous critically acclaimed musicians in a variety of pre-recorded concerts and original productions. With this robust digital programming schedule, OBF reaffirms to the world that it is a leading musical source, showcasing the splendor of classical music from the Pacific Northwest and beyond. OBF 2021 is headlined by one of the world’s premier chamber music ensembles and nine time Grammy Award-winner, Emerson String Quartet, as well as a selection of Bach’s Cello Suites from “remarkable virtuoso” (The New Yorker) Matt Haimovitz, and two programs from director John Butt and Scotland’s leading baroque ensemble, Dunedin Consort. The Festival also includes two highly sought-after male vocalists.
    [Show full text]
  • Ledger Lines SCHOOL of MUSIC and DANCE
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank LEDGER LINES SCHOOL of MUSIC and DANCE The KUM Dance Company visits UO. See story, page 7. NEWSLETTER for ALUMNI & FRIENDS September, 2007 Vol. XIX, No. 2 LEDGER LINES — SPECIAL EVENTS — is the biannual newsletter of the University of Oregon School of Music Saturday, Oct. 13: and Dance. Letters, photos, and contri- butions from alumni, friends, and faculty Homecoming are always welcome. • Ducks vs. WSU at Autzen Stadium. Alumni address correspondence to: Band members can register for the weekend’s LeDGer LiNeS rehearsal and activity schedule by going to: School of Music and Dance www.oregonalumniband.com 1225 University of Oregon eugene Or 97403-1225 Sunday, Nov. 4 • 4 p.m. eDiTOr: Scott Barkhurst [email protected] Music & Dance at the Hult aSSiSTaNT: Carol roth The University of Oregon School of Music and Dance joins Eugene’s celebration of the Hult Center for the Performing Arts CONTriBUTOrS: Christina elmore, th George evano, Walter Kennedy, amy 25 Anniversary by presenting a wonderful program featur- Stoddart, DeNel Stoltz ing our premiere ensembles: the UO Chamber Choir, Repertory Dance Company, UO Symphony, PrOOFreaDerS: Laura Littlejohn, Carol roth University Singers, and the Oregon Wind Ensemble. General admission COVer PhOTO by Michael Brinkerhoff; tickets are $10, $5 for KUM Dance Company story on page 7. students, available at the door. MuSic & Dance aDMiniSTRaTion (For more events, see back cover,
    [Show full text]
  • House Concurrent Resolution 21 Sponsored by Representative BARNHART; Representatives LIVELY, NATHANSON, Senators EDWARDS, PROZANSKI
    77th OREGON LEGISLATIVE ASSEMBLY--2013 Regular Session Enrolled House Concurrent Resolution 21 Sponsored by Representative BARNHART; Representatives LIVELY, NATHANSON, Senators EDWARDS, PROZANSKI Whereas Helmuth Rilling is recognized worldwide as one of the preeminent conductors of the choral-orchestral repertoire and interpreters of the music of Johann Sebastian Bach; and Whereas Helmuth Rilling has come to Eugene, Oregon, from his native Germany every summer for 43 years to teach young conductors how to communicate and to illuminate for audiences new ways to listen and understand; and Whereas Helmuth Rilling’s career has included guest appearances with virtually all of the world’s important music institutions, including the Chicago, Cleveland, Washington, D.C., Tokyo and Toronto Symphony Orchestras and the New York, Vienna and Berlin Philharmonics; and Whereas Helmuth Rilling’s career has been dedicated to building bridges and furthering coop- eration, peace and understanding through music; and Whereas Helmuth Rilling and H. Royce Saltzman, on a bond of friendship and a commitment to education and excellence, cofounded the Oregon Bach Festival in the summer of 1970 on the Uni- versity of Oregon campus; and Whereas the Oregon Bach Festival has grown from a single concert and a $2,500 budget into a statewide, internationally acclaimed arts festival with 60 events over a three-week period that hosts as many as 35,000 audience members and more than 500 musicians, with a current annual budget of $2.8 million and an economic impact of more
    [Show full text]
  • Ledger Lines SCHOOL of MUSIC and DANCE
    LEDGER LINES SCHOOL of MUSIC and DANCE NEWSLETTER for ALUMNI & FRIENDS September, 2008 Vol. XX, No. 2 LEDGER LINES — SPECIAL EVENTS — is the biannual newsletter of the University of Oregon School of Music Homecoming Weekend and Dance. Letters, photos, and contri- butions from alumni, friends, and faculty Friday, Oct. 10: are always welcome. • UO BANDS TO CELEBRATE address correspondence to: 100th ANNIVERSARY LeDGer LiNeS The UO School of Music and Dance School of Music and Dance and the Oregon Alumni Association invite 1225 University of Oregon all former UO band members to attend a eugene Or 97403-1225 special 100th anniversary celebration din- eDiTOr: Scott Barkhurst ner during Homecoming Weekend, Oct. [email protected] 10–11. The Friday dinner, featuring a special aSSiSTaNT: Carol roth program and performances, will be at Val- ley River Inn at 7 p.m., preceded by a 6:30 CONTriBUTOrS: George evano, Bob Keefer, amy Stoddart, DeNel Stoltz reception. The centennial event is open to all former UO band members, including PrOOFreaDerS: the concert bands, jazz bands, and march- Laura Littlejohn, Carol roth ing bands. The evening’s program will feature live performances, band memorabilia, and speakers. Cost is $35 per person. Reception and COVer PhOTO by Scott Barkhurst: registration details are available on-line at the Alumni Association’s Construction on the new Leona Dearmond academic Wing nears completion website: uoalumni.com MuSic & Dance Saturday, Oct. 11: aDMiniSTRaTion • Ducks vs. UCLA at Autzen Stadium. Alumni Band members can register
    [Show full text]
  • Jake Heggie – Songfest 2011 Distinguished Faculty Jake Heggie – Composer-In-Residence
    PEPPERDINE UNIVERSITY PRESENTS ROSEMARY HYLER RITTER Director MELANIE EMELIO Director, Apprentice Program in Malibu California “Bright is the ring of words when the right man rings them.” – Robert Lewis Stevenson THE COMPLETE RECITALIST JUNE – 1-27, 2011 The Stern Program for Singers and Pianists has generously been funded by The Marc and Eva Stern Foundation. We gratefully acknowledge and thank the Stern family! Welcome to SongFest 2011 “Whatever you can do, or dream you can do, you can. Boldness has a genius, magic and power to it.” – Goethe SongFest 2011 is supported by grants from The Marc and Eva Stern Foundation, The Aaron Copland Fund for Music, The Louise K. Smith Family Foundation and the generosity of many individuals. Photos by Ron Hall Photography ©2010 SongFest is a 501(c)3 non profit corporation. All donations are 100% tax-deductible to the full extent permitted by law. JAKE HEGGIE – SONGFEST 2011 DISTINGUISHED FACULTY JAKE HEGGIE – COMPOSER-IN-RESIDENCE SongFest 2011 • Pepperdine University • Biography Jake Heggie Composer, Pianist JAKE HEGGIE is the Jake Heggie’s operas have been performed to American composer of tremendous acclaim internationally in Australia, the operas Moby-Dick Canada, Denmark, Germany, Sweden, Ireland, Austria, (libretto: Gene Scheer), South Africa and by more than a dozen American opera Dead Man Walking companies. The composer’s numerous songs and cycles, (libretto: Terrence including The Deepest Desire, Statuesque, Here & Gone, McNally), Three Rise & Fall, Songs & Sonnets to Ophelia, Facing Decembers
    [Show full text]
  • LEDGER LINES SCHOOL of MUSIC and DANCE
    LEDGER LINES SCHOOL of MUSIC and DANCE UO dancers perform Ghost String, choreography by Walter Kennedy, original music by Jeffrey Stolet. Photo by Jack Liu. NEWSLETTER for ALUMNI & FRIENDS February, 2006 Vol. XVIII, No. 1 LEDGER LINES UO High School is the biannual newsletter of the University of Oregon School of Music and Dance. Letters, photos, Summer Music Camps and contributions from alumni, friends, and faculty are always welcome. JULY 9–15: th Address correspondence to: 59 Annual Concert Band Camp LEDGER LINES School of Music and Dance 1225 University of Oregon JULY 16–22: Eugene OR 97403-1225 Marching Band Camp EDITOR: Scott Barkhurst [email protected] (Drum Major, Section Leader, CONTRIBUTORS: George Evano, Paul Colorguard, Percussion) Omundson, Jennifer Squires, DeNel Stoltz. JULY 23–28: PROOFREADERS: Laura Littlejohn, Carol Roth Jazz Improvisation Camp COVER PHOTO: The Dance Department provided two dramatic numbers in the FOR BROCHURE OR MORE INFORMATION, CONTACT: School of Music and Dance’s “Collage Concert” at the Hult Center on Nov. 13. Sarah Turley Summer Camp Coordinator 1225 University of Oregon SCHOOL OF MUSIC STAFF Eugene OR 97403-1225 DEAN: Brad Foley Phone: (541) 346-2138 [email protected] E-mail: [email protected] ASSOCIATE DEANS: Ann Tedards–Graduate Studies [email protected] Jeffrey Williams–Undergraduate Studies SCHOOL OF MUSIC & DANCE ADVANCEMENT COUNCIL [email protected] CHAIR: Mira Frohnmayer, ’60, Sue Keene, ’72, UO Foundation Trustee; DEVELOPMENT STAFF: Pacific Lutheran University emeritus Eugene, OR
    [Show full text]