Male Sacrifice/Female Revenge in a Godless World: Euripides' Hekabe

Total Page:16

File Type:pdf, Size:1020Kb

Male Sacrifice/Female Revenge in a Godless World: Euripides' Hekabe Colby Quarterly Volume 33 Issue 1 March Article 5 March 1997 Male Sacrifice/Female Revenge in a Godless World: Euripides' Hekabe Karelisa V. Hartigan Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 33, no.1, March 1997, p.26-41 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 1 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 2 Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 3 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 4 Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 5 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 6 Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 7 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 8 Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 9 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 10 Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 11 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 12 Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 13 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 14 Hartigan: Male Sacrifice/Female Revenge in a Godless World: Euripides' Heka Published by Digital Commons @ Colby, 1997 15 Colby Quarterly, Vol. 33, Iss. 1 [1997], Art. 5 https://digitalcommons.colby.edu/cq/vol33/iss1/5 16.
Recommended publications
  • Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
    e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding.
    [Show full text]
  • The Pathologising Effect of TV Revengendas
    University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2015 The bitter taste of payback: the pathologising effect of TV revengendas Cassandra E. Sharp University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Sharp, Cassandra E., "The bitter taste of payback: the pathologising effect of TV revengendas" (2015). Faculty of Law, Humanities and the Arts - Papers. 2422. https://ro.uow.edu.au/lhapapers/2422 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The bitter taste of payback: the pathologising effect of TV revengendas Abstract The thirst for vengeance is a timeless subject in popular entertainment. One need only think of Old Testament scripture; Shakespeare's Hamlet; Quentin Tarantino's Kill Bill or the TV series Revenge, and we immediately conjure up images of a protagonist striving to seek justice to avenge a heinous wrong committed against them. These texts, and others like it, speak to that which is ingrained in our human spirit about not only holding others responsible for their actions, but also about retaliation as payback. This article seeks to problematise the way the popular revenge narrative effectively constructs the vendetta as a guilty pleasure through which the audience can vicariously gain satisfaction, while at the same time perpetuates law's rhetoric that personal desires for vengeance are to be repressed and denied.
    [Show full text]
  • Jastics Delays' Rsveüge
    Jastics Delays’ Rsveüge- . ■ C il 1X1 a i - . : . "Г / с;. Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition A Thesis Submitted to the Faculty of Letters and the Institute of Economics and Social Sciences of Bilkent University in Partial Fulfilment of the Requirements for the Degree of Master of Arts in English Language and Literature ta «4^^ by Erhan Kukner September, 1991 PR. Л.65'4 ' S63 è- 3079 We certify that we have read this thesis and that in our combined opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. Asst.Prof.Dr. Hamit Çalışkan (A d v i s o r ) L y ■'· Prof.Dr. Bülent Bozkurt (Committee Member) ' ^ 1 Dr. Laurence A. Raw Approved for the Institute of Economics and Social Sciences 1 1 Abstract Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition Erhan Kükner M.A. In English Literature Advisor: Asst.Prof-Dr. Hamit Çalışkan September, 1991 The Spanish Tragedv. one of the best examples of English Renaissance drama, contributed towards the establishment of the revenge tragedy genre, which gained popularity in the years to come. Kyd in this play not only indicates that when the law is unjust, man will resort to revenge; but also demonstrates that a citizen should obey the ruler and regard revenge as a revolt against the state. Tl-is play tells the story of Hieronimo, who expects the murderer^ of his son to be punished. However, Hieronimo gradually discovers that the institutions of justice are useless and therefore takes revenge.
    [Show full text]
  • Revenge Season 4 Episode 3 Recap
    Revenge season 4 episode 3 recap After three seasons of sudsy buildup, the highly anticipated reunion of "Emily Thorne" and David Clarke went down on Revenge this Sunday. Tonight on ABC Revenge returns with an all new Sunday October 12, season 4 episode 3 called "Ashes." On this evening's. And now, Revenge Season 4, Episode 3: “Ashes” The Stowaway burns in Montauk. Jack rushes inside and finds Emily. He gets her out as. type: TV Show; Current Status: In Season; seasons: 4; run date: 09/21/11 In last week's episode, Charlotte tried to burn her sister alive, and in. Abe seeks revenge, but Simcoe will be waiting. genre: Drama; run date: 04/06/14; broadcaster: AMC; seasons: 4; Current Status: In Season. Another day, another pearl- clutching episode of 'Revenge' in which we ate our emotions in the form of lobster rolls. But before we get into. Revenge season 4, episode 3, "Ashes," just finished airing. Read our recap to see what happened with our South Hampton residents this week. Revenge season 4, episode 3 recap: 'Ashes.' David tries to kill Emily, Victoria needs money, Charlotte runs scared, Daniel can't get a job. Season chronology. ← Previous Season 3 · List of Revenge episodes. The fourth and final season of the ABC American television drama series Revenge premiered .. Finally abandoning her persona of Emily, Amanda looks to her future, with this episode looking back over her relationships with those around her, her. Watch Revenge Season 4 Episode 3 Online Recap. Jack arrives at the Stowaway to see it in flames.
    [Show full text]
  • Judgment, Authority, and the Morality of Justice in Hamlet
    Sugrue 1 Maegan Sugrue Judgment, Authority, and the Morality of Justice in Hamlet Shakespeare’s Hamlet, a complex and moving text, asks difficult questions: Is it right to commit an evil act in order to rid the world of a worse evil? Is it damnation to allow evil to remain because one desires to abstain from committing evil? What is the cost of justice? What knowledge can be trusted when determining when to pursue justice? How does one decide when to act? How does one decide when to hold back? These questions are further complicated by the many variants of the text. Quarto 1 (Q1) from 1603 is notoriously known as the “bad quarto.” Because of the many perceived corruptions that exist in the text, it is thought that Q1 is perhaps a reconstruction of the play from memory by some of the members of Shakespeare’s company. Quarto 2 (Q2) from 1604 was likely prepared from Shakespeare’s own handwritten manuscript, but the folio version from 1623 (F) has been accepted by scholars as the control text because it is likely the most true to how the play would have been performed while Shakespeare was alive and active in the company. Although most scholars agree that both Q2 and F come from Shakespeare himself, the two texts differ in many ways confronting editors with the questions of what to keep and what to cut. Two such instances are in 4.4 and 4.7. At the heart of these scenes specifically lie the following questions: Is justice only attainable at the expense of morals and ethics? If it is only attainable at the expense of morals and ethics, is it still justice? Is it revenge instead? In exploring these questions, one must also consider what knowledge should be trusted in making such important decisions.
    [Show full text]
  • Villarreal Dissertation 04152016 Final
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Drug Violence, Fear of Crime and the Transformation of Everyday Life in the Mexican Metropolis Permalink https://escholarship.org/uc/item/6rc3w8pr Author Villarreal Montemayor, Ana Teresa Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Drug Violence, Fear of Crime and the Transformation of Everyday Life in the Mexican Metropolis By Ana Teresa Villarreal Montemayor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Loic J. Wacquant, Chair Professor Laura J. Enriquez Professor Mara Loveman Professor Teresa Caldeira Professor Javier Auyero Spring 2016 Abstract Drug Violence, Fear of Crime and the Transformation of Everyday Life in the Mexican Metropolis by Ana Teresa Villarreal Montemayor Doctor of Philosophy in Sociology University of California, Berkeley Professor Loïc Wacquant, Chair This dissertation brings sharp social theory, deep history and precise ethnography to illumine the nexus of social and urban structure, human emotions, and power. I draw on Norbert Elias, Emile Durkheim, Marcel Mauss, among other social theorists and historians, to counter dominant views of fear in the social sciences as a sole destroyer of the social fabric with evidence of how and why fear both tears and tightens the social fabric, both destroys and fosters solidarity. Yet with the exception of a few spaces of hope where families of victims of forced disappearances organized to demand justice from the state, this “tightening” of the social fabric did not transcend but rather exacerbated socio-spatial divides.
    [Show full text]
  • The Revenge of Jenji Kohan
    ThThe Reveevengnge of Jenjnji KoKohanan Smart. Funny. Obsessive. Subversive. How the creator of the hit TV shows Weeds and Orange Is the New Black smoked the doubters and got the last laugh By Paul Hond enji Kohan ’91CC is a rare bird among With the latest season of Orange in the can, the television showrunners: blue-haired and building is quiet today, and Kohan is relaxed. Her female, a punkish Jewish earth mother with private offi ce exudes warmth and comfort, as does a darkly comic vision so basic to her nature Kohan herself. Her hair is the vivid indigo of blue that the goblin of political correctness velvet. Her cat-eye glasses could have been teleported Jshrinks in her presence. As a writer, she is fearless. from a 1962 mahjong game. Objects on her desk She will go there, and keep going. attest to a fondness for thrift-shop fl otsam and novelty “I fi nd the funny in everything, especially the inap- doodads: two Magic 8 Balls, a Weeds condom, and a propriate,” she says. “Maybe it’s my survival technique.” beanbag emblazoned with an unprintable four-letter Kohan’s company, Tilted Productions, is based in word starting with the letter C. central Los Angeles, in a Spanish Colonial–style build- Life wasn’t always this good. “I spent the fi rst part of ing of pink stucco, arched windows, and iron grillwork. my life very frustrated, feeling patronized, and fi ghting Built in 1926 as the Masque Playhouse, it was later injustice, and it doesn’t work when you’re young,” renamed the Hayworth Theatre (legend has it that Kohan says, seated in an armchair with her feet tucked Rita Hayworth’s father once ran a dance studio there).
    [Show full text]
  • Betrayal, Rejection, Revenge, and Forgiveness: an Interpersonal Script Approach
    Betrayal, Rejection, Revenge, and Forgiveness: An Interpersonal Script Approach Julie Fitness Macquarie University Email: [email protected] In: Leary, M. (Ed.) (2001) Interpersonal rejection (pp. 73-103). New York: Oxford University Press. Acknowledgement: The author acknowledges the support of a Large ARC grant A79601552 in the writing of this chapter. 2 Introduction Throughout recorded human history, treachery and betrayal have been considered amongst the very worst offences people could commit against their kith and kin. Dante, for example, relegated traitors to the lowest and coldest regions of Hell, to be forever frozen up to their necks in a lake of ice with blizzards storming all about them, as punishment for having acted so coldly toward others. Even today, the crime of treason merits the most severe penalties, including capital punishment. However, betrayals need not involve issues of national security to be regarded as serious. From sexual infidelity to disclosing a friend’s secrets, betraying another person or group of people implies unspeakable disloyalty, a breach of trust, and a violation of what is good and proper. Moreover, all of us will suffer both minor and major betrayals throughout our lives, and most of us will, if only unwittingly, betray others (Jones & Burdette, 1994). The Macquarie Dictionary (1991) lists a number of different, though closely related, meanings of the term “to betray,” including to deliver up to an enemy, to be disloyal or unfaithful, to deceive or mislead, to reveal secrets, to seduce and desert, and to disappoint the hopes or expectations of another. Implicit in a number of these definitions is the rejection or discounting of one person by another; however, the nature of the relationship between interpersonal betrayal and rejection has not been explicitly addressed in the social psychological literature.
    [Show full text]
  • Power Struggles in Aeschylus' Oresteia
    ILCEA Revue de l’Institut des langues et cultures d'Europe, Amérique, Afrique, Asie et Australie 40 | 2020 English for Specific Purposes (ESP) and the Underlying Dynamics of Power, Empowerment and Disempowerment Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tragedy Luttes de pouvoir dans l’Orestie d’Eschyle : anglais de spécialité, droit et littérature et tragédie grecque Malcolm Harvey Electronic version URL: http://journals.openedition.org/ilcea/10741 DOI: 10.4000/ilcea.10741 ISSN: 2101-0609 Publisher UGA Éditions/Université Grenoble Alpes Printed version ISBN: 978-2-37747-204-8 ISSN: 1639-6073 Electronic reference Malcolm Harvey, « Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tragedy », ILCEA [Online], 40 | 2020, Online since 04 June 2020, connection on 06 September 2020. URL : http://journals.openedition.org/ilcea/10741 ; DOI : https://doi.org/10.4000/ilcea.10741 This text was automatically generated on 6 September 2020. © ILCEA Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tra... 1 Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tragedy Luttes de pouvoir dans l’Orestie d’Eschyle : anglais de spécialité, droit et littérature et tragédie grecque Malcolm Harvey Introduction 1 In a departure from mainstream ELP1 studies and their primary focus on the language of the law, this paper is situated in the broader perspective of French ESP studies, which reflects the dominantly academic background of ESP in France and other Continental European countries. While the use of contemporary specialised popular fiction (novels, films, TV series, video games, etc.) in LSP2 has attracted considerable research interest in France and elsewhere since the identification and codification of a relatively new genre known as fiction à substrat professionnel (FASP),3 this paper seeks to go a step further, exploring possible convergences between ESP and the Law and Literature (L&L) movement.
    [Show full text]
  • “Messengers of Justice and of Wrath”: the Captivity
    ―Messengers of Justice and of Wrath‖: The Captivity-Revenge Cycle in the American Frontier Romance A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Brian P. Elliott June 2011 © 2011 Brian P. Elliott. All Rights Reserved. 2 This dissertation titled ―Messengers of Justice and of Wrath‖: The Captivity-Revenge Cycle in the American Frontier Romance by BRIAN P. ELLIOTT has been approved for the Department of English and the College of Arts and Sciences by Paul C. Jones Associate Professor of English Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT ELLIOTT, BRIAN P., Ph.D., June 2011, English ―Messengers of Justice and of Wrath‖: The Captivity-Revenge Cycle in the American Frontier Romance Director of Dissertation: Paul C. Jones This project explores the central importance of captivity and revenge to four novels in the genre of frontier romance: Charles Brockden Brown‘s Edgar Huntly (1799), James Fenimore Cooper‘s Last of the Mohicans (1826), Catharine Maria Sedgwick‘s Hope Leslie (1827), and Robert Montgomery Bird‘s Nick of the Woods (1837). Although a fundamental plot aspect of nearly every work in the genre, the threat of captivity and the necessity of revenge are rarely approached as topics of inquiry, despite their deep connection to the structure and action of the texts. Perhaps most importantly, as critics Jeremy Engels and Greg Goodale note, these twin tropes serve as a way of unifying disparate social groups and creating order; in essence, such depictions function as a form of what Michel Foucault terms ―governmentality,‖ logics of control that originate from non-governmental sources but promote systems of governance.
    [Show full text]
  • October 2015
    Walpole Public Library “SIGHTS & SOUNDS” (NEW AUDIO/VISUAL) OCTOBER 2015 DVDs 005.8 RIS Rise of the hackers GOS SEAS.6 Gossip Girl : season 6 Poltergeists : real-life 133.1 POL GRE SEAS.11 Grey’s Anatomy : season 11 hauntings 305.3 GRO Growing up Trans HEL SEAS.1 Helix : season 1 359.83 DES The Destroyers HEL SEAS.4 Hell on wheels : season 4 363.19 MOB Mobilize HOM SEAS.4 Homeland : season 4 364.1323 SEV The Seven Five JAC Jackie & Ryan 551.44 SIN Sinkholes : buried alive LIT NR Little accidents 613.7046 JIL Jillian Michaels Yoga Inferno LOV Love & mercy 639.2 WIC Wicket Tuna : season 4 MAD Mad Max : fury road 781.66 REV Revenge of the Mekons NCI SEAS.12 N.C.I.S. : season 12 791.45 IAM I am Chris Farley ONC SEAS.4 Once upon a time : season 4 Harper Lee : from 813 HAR ORP SEAS.3 Orphan Black : season 3 Mockingbird to Watchman AFF SEAS.1 The affair : season 1 POL Poltergeist ALO Aloha POL SEAS.1 Poldark : season 1 BAT Battleground RES Results BIG SEAS.8 Big bang theory : season 8 REV SEAS.4 Revenge : season 4 [final] BLU SEAS.5 Blue bloods : season 5 ROA The road warrior [1981] BOU Boulevard SCA SEAS.4 Scandal : season 4 BOY The boy next door STI Stir of echoes BRO Broken horses STR SEAS.3 Strike back : season 3 BUR Buried TWO NR Two days, one night CIT City of angels WAL SEAS.5 The walking dead : season 5 CLO NR Closer to the moon GOO SEAS.6 The good wife : season 6 CRI SEAS.10 Criminal minds : season 10 GOS SEAS.5 Gossip Girl : season 5 DVD SET NR Set fire to the stars GOS SEAS.6 Gossip Girl : season 6 EVE Every secret thing GRE SEAS.11 Grey’s Anatomy : season 11 EXT Extinction HEL SEAS.1 Helix : season 1 FAR Far from the madding crowd HEL SEAS.4 Hell on wheels : season 4 FUR7 Furious 7 HOM SEAS.4 Homeland : season 4 GOO SEAS.6 The good wife : season 6 JAC Jackie & Ryan GOS SEAS.5 Gossip Girl : season 5 LIT NR Little accidents Books on CD CASTLE Siren’s call .
    [Show full text]
  • Love and Intrigue. a Bourgeois Tragedy 9 Act One 13 Act Two 33 Act Three 55 Act Four 75 Act Five 91
    Open Book Classics Friedrich Schiller Friedrich Schiller Love and Intrigue Friedrich Schiller Translated by Flora Kimmich Introduction by Roger Paulin Schiller’s play Kabale und Liebe, usually translated into English as Love and Intrigue, represents the disastrous consequences that follow when social constraint, youthful passion, and ruthless scheming collide in a narrow se� ng. Wri� en between 1782 and 1784, the play bears the marks of life at the court of the despo� c Duke of Wür� emberg, from which Schiller had just fl ed, and of a fraught liaison he entered shortly a� er his fl ight. It tells the tale of a love aff air that crosses the boundaries of class, between a fi ery and rebellious young nobleman and the beau� ful and du� ful daughter of a musician. Their aff air becomes entangled in the compe� ng purposes of malign and not-so-malign fi gures present at an obscure and sordid princely court somewhere in Germany. It all leads to a climac� c murder-suicide. Love and Intrigue, the third of Schiller’s canonical plays (a� er The Robbers and Fiesco’s Conspiracy at Genoa), belongs to the genre of domes� c tragedy, with a small cast and an Love and Intrigue ac� on indoors. It takes place as the highly conven� onal world of the late eighteenth century stands poised to erupt, and these tensions pervade its se� ng and emerge in its ac� on. This lively play brims with comedy and tragedy expressed in a colorful, highly colloquial, some� mes scandalous prose well captured in Flora Kimmich’s skilled and informed transla� on.
    [Show full text]