Betrayal, Rejection, Revenge, and Forgiveness: an Interpersonal Script Approach
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Cross Disciplinary Issues in Workplace Bullying
Answering workplace bullying’s key questions 1 Answering Five Key Questions about Workplace Bullying: How Communication Scholarship Provides Thought Leadership for Transforming Abuse at Work Pamela Lutgen-Sandvik (Ph.D., Arizona State University) is an Associate Professor in the Department of Communication & Journalism at the University of New Mexico, USA. She researches destructive communication in organizations and the communicative processes associated with positive organizing. Email: [email protected] Telephone: 505-331-4724 Fax: 505-277-2068 Mailing: Department of Communication & Journalism University of New Mexico MSC03 2240; 1 University of New Mexico Albuquerque, NM 87131-0001 Sarah H. Tracy (Ph.D., University of Colorado, Boulder) is an Associate Professor and Director of The Project for Wellness and Work-Life in the Hugh Downs School of Human Communication at Arizona State University, USA. She studies emotion and work-life wellness. Email: [email protected] Telephone: 480-965-7709 FAX: 480-965-4291 Mailing: Hugh Downs School of Human Communication Arizona State University PO Box 871205 Tempe, AZ 87287-1205 Management Communication Quarterly Answering workplace bullying’s key questions 2 Abstract: Organizational communication research is vital for understanding and addressing workplace bullying, a problem that affects nearly half of working adults and has devastating results on employee well-being and organizational productivity. A communication approach illustrates the toxic complexity of workplace bullying, as it is condoned through societal discourses, sustained by receptive workplace cultures, and perpetuated through local interactions. Examining these (macro, meso, and micro) communicative elements addresses the most pressing questions about workplace bullying including: 1) how abuse manifests, 2) how employees respond, 3) why it is so harmful, 4) why resolution is so difficult, and 5) how it might be resolved. -
The Pathologising Effect of TV Revengendas
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2015 The bitter taste of payback: the pathologising effect of TV revengendas Cassandra E. Sharp University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Sharp, Cassandra E., "The bitter taste of payback: the pathologising effect of TV revengendas" (2015). Faculty of Law, Humanities and the Arts - Papers. 2422. https://ro.uow.edu.au/lhapapers/2422 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The bitter taste of payback: the pathologising effect of TV revengendas Abstract The thirst for vengeance is a timeless subject in popular entertainment. One need only think of Old Testament scripture; Shakespeare's Hamlet; Quentin Tarantino's Kill Bill or the TV series Revenge, and we immediately conjure up images of a protagonist striving to seek justice to avenge a heinous wrong committed against them. These texts, and others like it, speak to that which is ingrained in our human spirit about not only holding others responsible for their actions, but also about retaliation as payback. This article seeks to problematise the way the popular revenge narrative effectively constructs the vendetta as a guilty pleasure through which the audience can vicariously gain satisfaction, while at the same time perpetuates law's rhetoric that personal desires for vengeance are to be repressed and denied. -
Jastics Delays' Rsveüge
Jastics Delays’ Rsveüge- . ■ C il 1X1 a i - . : . "Г / с;. Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition A Thesis Submitted to the Faculty of Letters and the Institute of Economics and Social Sciences of Bilkent University in Partial Fulfilment of the Requirements for the Degree of Master of Arts in English Language and Literature ta «4^^ by Erhan Kukner September, 1991 PR. Л.65'4 ' S63 è- 3079 We certify that we have read this thesis and that in our combined opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. Asst.Prof.Dr. Hamit Çalışkan (A d v i s o r ) L y ■'· Prof.Dr. Bülent Bozkurt (Committee Member) ' ^ 1 Dr. Laurence A. Raw Approved for the Institute of Economics and Social Sciences 1 1 Abstract Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition Erhan Kükner M.A. In English Literature Advisor: Asst.Prof-Dr. Hamit Çalışkan September, 1991 The Spanish Tragedv. one of the best examples of English Renaissance drama, contributed towards the establishment of the revenge tragedy genre, which gained popularity in the years to come. Kyd in this play not only indicates that when the law is unjust, man will resort to revenge; but also demonstrates that a citizen should obey the ruler and regard revenge as a revolt against the state. Tl-is play tells the story of Hieronimo, who expects the murderer^ of his son to be punished. However, Hieronimo gradually discovers that the institutions of justice are useless and therefore takes revenge. -
The Faceless Old Woman Who Secretly Lives in Your Home: a Welcome to Night Vale Novel Pdf, Epub, Ebook
THE FACELESS OLD WOMAN WHO SECRETLY LIVES IN YOUR HOME: A WELCOME TO NIGHT VALE NOVEL PDF, EPUB, EBOOK Joseph Fink | 384 pages | 26 Mar 2020 | Little, Brown Book Group | 9780356515076 | English | London, United Kingdom The Faceless Old Woman Who Secretly Lives in Your Home: A Welcome to Night Vale Novel PDF Book This is not a spooky, creepy ghost story. In the end, her current day dealings with Craig and her swashbuckling history in nineteenth century Europe will come together in the most unexpected and horrifying way. Transformed to a state somewhere between life and death, she is connected in emotional and metaphysical ways to men, watching them live and die. We use cookies to enhance your visit to us. This novel, like the town called Night Vale, is sinister and foreboding. Powered by My Must Reads. She and Edmond survive the violence, and while he settles in Barcelona, she begins a life of pirating that spans decades and is fueled by the loss of her father and thoughts of vengeance. Skip to main content. Thank you for taking the time to comment, I appreciate it and will make the time to come and visit your blog, maybe not today but soon as I am always behind! Publisher Description. In the end, her current day dealings with Craig and her swashbuckling history in nineteenth century Europe will come together in the most unexpected and horrifying way. Judy Krueger 15 January at January February Newsletter. How these stories converge and how the narrator becomes immortal are merciless in their ingenuity and immensely satisfying. -
EMDR Protocol Anger, Resentment and Revenge June 2014
EMDR Protocol Anger, Resentment and Revenge June 2014 Prologue In order to carry out the protocol in a responsible way, it is above all very important to have a thorough knowledge of the target group. Secondly, it is recommended to have participated in a workshop practising the protocol. And thirdly, one need knowledge of applying cognitive interweaves (as taught in an accredited EMDR training), because the presented procedure can also be used as cognitive interweave within the EMDR Standard protocol. Applying the protocol as a cognitive interweave: see addendum. Introduction The rationale of coping with Anger, Resentment and Revenge can be explained as follows: When people are reminded of disturbing memories or certain persons, it can lead to fierce emotions; sometimes “ the bucket will even overflow”. There are two kinds of emotions which can still be triggered by thinking of those negative experiences or persons. Therefore, there are also two buckets which can overflow. draw a bucket titled “Powerlessness and Fear” draw another bucket titled “Anger, Resentment and Revenge” One bucket contains all emotions concerning powerlessness, grief, fear and fright; all vulnerable, internalized emotions. The other bucket is filled with emotions like anger, resentment and sometimes even revenge; all ‘external directed’ emotions. When we look at the Powerlessness and Fear bucket, how full is it at this moment? When we look at the Anger bucket, how full is it at this moment? draw the levels indicated by the patient or let the patient draw the indicated levels Emptying which bucket would give the most relief? if the patient chooses the Powerlessness and Fear bucket, use the standard EMDR protocol if the patient chooses the Anger bucket, follow the next procedure Inventory To empty the bucket, we will not discuss the disturbing experiences you had, but we will focus on the persons who have treated you wrongly or who have damaged you. -
Ransom Is a Story of Vengeance Clashing with Grief.’ Discuss
‘Ransom is a story of vengeance clashing with grief.’ Discuss. In his lyrical novel, Ransom, David Malouf reimagines the final book of The Iliad, and in doing so, highlights the futility of countering grief with vengeance. He asserts the pointlessness of such vengeful actions, examines the role of the ‘rough world of men’ in creating it, and notes its cyclic nature, leaving many readers disheartened. However, Malouf also demonstrates how grief can be overcome with honourable actions. Malouf demonstrates to readers the uselessness of trying to assuage grief with acts of revenge. He introduces this concept right from the outset of the novel through his characterisation of Achilles. Malouf moves away from the traditional portrayal of Achilles as the most formidable of the Greeks and instead describes him as hollow and like a dead man. This new perspective of Achilles depicts him as lacking balance and feeling trapped in a clogging grey web due to his grief over the death of his soulmate Patroclus. Once Malouf describes Achilles’ barbaric actions in dragging around the corpse of Patroclus’ killer, Hector, it becomes clear to readers that Achilles is attempting to assuage his grief with violence and brutal, callous actions. Malouf uses imagery to depict Achilles as already dead himself as he continues to desecrate Hector’s body, by describing him as caked with dust like a man who has walked out of his grave. Thus, Malouf asserts how Achilles’ act of revenge has only wasted his spirit and left him feeling that it was never enough; being unable to overcome his pain at the loss of his friend. -
Tips for Survivors: COPING with GRIEF AFTER COMMUNITY VIOLENCE
∙ Tips for Survivors: COPING WITH GRIEF AFTER COMMUNITY VIOLENCE It is not uncommon for individuals and communities as year. It’s different for each person depending on his or her a whole to experience grief reactions and anger after an health, coping styles, culture, family supports, and other life incident of community violence. Grief is the normal response experiences. How long people grieve may also depend on the of sorrow, emotion, and confusion that comes from losing resilience of the community and the ability of its members to someone or something important to you. Most people will take on roles and responsibilities that will help restore the basic experience a natural occurrence of grief after the death of needs of the community, such as getting children back to a loved one, but grief and anger can be the result of other school and businesses back to working again. types of losses. In situations of community violence, people may experience the loss of their sense of safety, their trust Reactions to Community Violence in Children in those who live in their neighborhood, or their trust in local government. The trauma and grief of community violence Witnessing community violence and death can be traumatic can be experienced by all involved. experiences that cause negative mental health outcomes, particularly for children. Close relationships are important to This tip sheet contains information about some of the signs children’s development, and the loss of family or a community of grief and anger and provides useful information about member can represent the loss of social capital—the emotional how to cope with grief. -
The Understandings of Revenge Through Discussions with University Students
The understandings of revenge through discussions with University students Elise McKenna Honours Thesis in Legal Studies Murdoch University, 2016 Declaration: “I declare this thesis is my own account of my research and contains as its main content work which has not been previously submitted for a degree at any tertiary education institution” (Elise May McKenna) Abstract: The goal of this study was to examine how revenge is understood by a sample of university students using a grounded theory approach. Desires and acts of revenge were found to be more prevalent in interpersonal relationships than stranger to stranger. Revenge was also shown to be a behaviour made through a costs benefit analysis to the victim rather than an act of irrationality. In addition to this, the understanding and concepts of revenge by the students were at times to be influenced by how the media had portrayed it to them. Lastly, it was shown that acts of revenge were used in all different groups of victims and types of harms through indirect and direct behaviours. Acknowledgments: This research was initially supported by Dr Courtney Field and I would like to thank him for initiating my interest in the topic of revenge and providing me with his insight. I would also, however, like to express my sincere gratitude to my Supervisor- Associate Professor Guy Hall. Supervision for this thesis has been complicated and when I needed someone to step in he did not hesitate to take on this role. I am very grateful for the time, effort and encouragement Guy has provided me over this year and previous years. -
Revenge Season 4 Episode 3 Recap
Revenge season 4 episode 3 recap After three seasons of sudsy buildup, the highly anticipated reunion of "Emily Thorne" and David Clarke went down on Revenge this Sunday. Tonight on ABC Revenge returns with an all new Sunday October 12, season 4 episode 3 called "Ashes." On this evening's. And now, Revenge Season 4, Episode 3: “Ashes” The Stowaway burns in Montauk. Jack rushes inside and finds Emily. He gets her out as. type: TV Show; Current Status: In Season; seasons: 4; run date: 09/21/11 In last week's episode, Charlotte tried to burn her sister alive, and in. Abe seeks revenge, but Simcoe will be waiting. genre: Drama; run date: 04/06/14; broadcaster: AMC; seasons: 4; Current Status: In Season. Another day, another pearl- clutching episode of 'Revenge' in which we ate our emotions in the form of lobster rolls. But before we get into. Revenge season 4, episode 3, "Ashes," just finished airing. Read our recap to see what happened with our South Hampton residents this week. Revenge season 4, episode 3 recap: 'Ashes.' David tries to kill Emily, Victoria needs money, Charlotte runs scared, Daniel can't get a job. Season chronology. ← Previous Season 3 · List of Revenge episodes. The fourth and final season of the ABC American television drama series Revenge premiered .. Finally abandoning her persona of Emily, Amanda looks to her future, with this episode looking back over her relationships with those around her, her. Watch Revenge Season 4 Episode 3 Online Recap. Jack arrives at the Stowaway to see it in flames. -
Judgment, Authority, and the Morality of Justice in Hamlet
Sugrue 1 Maegan Sugrue Judgment, Authority, and the Morality of Justice in Hamlet Shakespeare’s Hamlet, a complex and moving text, asks difficult questions: Is it right to commit an evil act in order to rid the world of a worse evil? Is it damnation to allow evil to remain because one desires to abstain from committing evil? What is the cost of justice? What knowledge can be trusted when determining when to pursue justice? How does one decide when to act? How does one decide when to hold back? These questions are further complicated by the many variants of the text. Quarto 1 (Q1) from 1603 is notoriously known as the “bad quarto.” Because of the many perceived corruptions that exist in the text, it is thought that Q1 is perhaps a reconstruction of the play from memory by some of the members of Shakespeare’s company. Quarto 2 (Q2) from 1604 was likely prepared from Shakespeare’s own handwritten manuscript, but the folio version from 1623 (F) has been accepted by scholars as the control text because it is likely the most true to how the play would have been performed while Shakespeare was alive and active in the company. Although most scholars agree that both Q2 and F come from Shakespeare himself, the two texts differ in many ways confronting editors with the questions of what to keep and what to cut. Two such instances are in 4.4 and 4.7. At the heart of these scenes specifically lie the following questions: Is justice only attainable at the expense of morals and ethics? If it is only attainable at the expense of morals and ethics, is it still justice? Is it revenge instead? In exploring these questions, one must also consider what knowledge should be trusted in making such important decisions. -
Seek, Trust, Love Intro: People Are Prone to Extremes - for Some People, God Is Little More Than the Cosmic Vending Machine
Matthew 7:7-12 – Seek, Trust, Love Intro: People are prone to extremes - For some people, God is little more than the cosmic vending machine o i.e. if I just put in the right prayers or say the right words of faith and then believe hard enough, God will give me whatever prosperity, success, health, etc. I ask for o It might be a little more personal than a vending machine…more like an indulgent Santa Claus who expects us to be good little people, but is mostly there to fulfill our wish list ▪ Either way, prayer is treated almost as a “blank check” you can use to get God to make your every dream come true ▪ The passage that we’re looking at this morning is sometimes used to justify this view of God, but does no such thing when considered in context - On the other extreme, there are people who see God as perpetually angry & disapproving (and maybe a bit sadistic)… “he loved me enough to save me, but I don’t think he really likes me” o Maybe he is like Zeus with his lightning bolts just looking for an excuse to smite people o Or maybe he is like a malevolent genie who will grant a person’s request literally to the letter but in such a way that it is unhelpful or even harmful o In today’s passage Jesus absolutely demolishes this view of God as he emphasizes how loving and approachable God is (7-8) Seek - At first glance, Jesus seems to be shifting the topic somewhat randomly from 7:1-6 o Jesus is starting his wrap-up – Over the last 85 verses, he has shown what it looks like to live as a citizen of his kingdom, ▪ 5:3-11 – the values of the