DOCSLIB.ORG

The Faceless Old Woman Who Secretly Lives in Your Home: a Welcome to Night Vale Novel Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Faceless Old Woman Who Secretly Lives in Your Home: a Welcome to Night Vale Novel Pdf, Epub, Ebook THE FACELESS OLD WOMAN WHO SECRETLY LIVES IN YOUR HOME: A WELCOME TO NIGHT VALE NOVEL PDF, EPUB, EBOOK Joseph Fink | 384 pages | 26 Mar 2020 | Little, Brown Book Group | 9780356515076 | English | London, United Kingdom The Faceless Old Woman Who Secretly Lives in Your Home: A Welcome to Night Vale Novel PDF Book This is not a spooky, creepy ghost story. In the end, her current day dealings with Craig and her swashbuckling history in nineteenth century Europe will come together in the most unexpected and horrifying way. Transformed to a state somewhere between life and death, she is connected in emotional and metaphysical ways to men, watching them live and die. We use cookies to enhance your visit to us. This novel, like the town called Night Vale, is sinister and foreboding. Powered by My Must Reads. She and Edmond survive the violence, and while he settles in Barcelona, she begins a life of pirating that spans decades and is fueled by the loss of her father and thoughts of vengeance. Skip to main content. Thank you for taking the time to comment, I appreciate it and will make the time to come and visit your blog, maybe not today but soon as I am always behind! Publisher Description. In the end, her current day dealings with Craig and her swashbuckling history in nineteenth century Europe will come together in the most unexpected and horrifying way. Judy Krueger 15 January at January February Newsletter. How these stories converge and how the narrator becomes immortal are merciless in their ingenuity and immensely satisfying. We follow her across the seas from port to city, acquiring friends and seeking closure on the horror from her childhood. On a grand scale, very few of us are aware — as we have an experience — if it will be the last time we have that experience. Related Reads. Reviewed by Sarah Rachel Egelman on April 3, A cinematic tale full of endless twists. While the side characters in The Faceless Old Woman still feel real, their voices are largely absent from the story. Kids Indie Next List. Search eBooks. Welcome to Night Vale: A Novel. For Email Marketing you can trust. In the end, her dealings with Craig and her history in nineteenth century Europe will come together in the most unexpected and horrifying way. Please call us. Fill in your details below or click an icon to log in:. Indie Bestsellers. Sorry due to lots of Spam I am moderating all comments - no spammers I don't want to buy whatever it is you are selling! A marvellous book. Joseph Fink lives in the Hudson River Valley with his wife. And it all starts on the day that her perfect childhood ended. The Faceless Old Woman Who Secretly Lives in Your Home: A Welcome to Night Vale Novel Writer PixelatedGeek is an independently-owned website that tackles the latest news on movies, video games, books, comic books, science and tech, and just about everything geeky. Want another way to support our store? Reviews Clever, twisted, beautiful, strange, wonderful and sweet. Still, Fink and Cranor do a terrific job bringing the Woman to life no pun intended and giving Night Vale fans her backstory. Skip to content. Signed Books at BN. Events January. Her best friend is a neighbor boy named Albert, and as they grow up together, their feelings for each other mature as well. Skip to main content. When she became a became a pirate in her teenage years yes, she fled from her home as a teenager to become a pirate. A funny, terrifying, and unpredictable slice of Night Vale's macabre history. Joseph Fink lives in the Hudson River Valley with his wife. But her origin story, the one she narrates starting with her idyllic childhood on a wealthy estate on the Mediterranean more than two hundred years ago, is in many ways much, much darker. A funny, terrifying, and unpredictable slice of Night Vale's macabre history. Entering the Silence: Becoming a Monk and a. Told in first-person singular, this novel is terrifying, thrilling, humorous, well-paced and completely unpredictable. I'm packing up and moving to Night Vale! In the end, her dealings with Craig and her history in nineteenth century Europe will come together in the most unexpected and horrifying way. Search for Your Next Book Search. We use cookies to enhance your visit to us. Interspersed throughout is a present-day story in Night Vale, as The Faceless Old Woman guides, haunts, and sabotages a man named Craig. Her story was amazing love it. Learn how to enable JavaScript on your browser. Interspersed throughout is a present-day story in Night Vale, as The Faceless Old Woman guides, haunts, and sabotages a man named Craig. Donec in tortor in lectus iaculis vulputate. They have a clear vision in mind, and every element of the book builds toward it, with emotionally devastating, sometimes brutally funny, results. Indie Bestsellers. For Email Marketing you can trust. Skip to main content. Unabridged Audiobook. Integer elementum tempor libero sit amet iaculis. Reviews Nichole P. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early nineteenth century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath, as her spirit travels the world for decades until settling in modern-day Night Vale. And she knows it. We have updated our Privacy Policy Please take a moment to review it. Binary System Podcast Six years in, still no plan! As years pass, she grows impatient, leading her to accidentally stumble upon a vast conspiracy with herself at its center. The protagonist's matter-of-fact descriptions of the strange and horrible, meanwhile, will draw in readers. It is filled with treachery, duplicity, love, passion, and resounding, pulse-pounding dramatic license. What happens to her is tragic, but how she deals with it is worse, because she decides that the most important thing in her life is her revenge. In the end, her current day dealings with Craig and her swashbuckling history in nineteenth century Europe will come together in the most unexpected and horrifying way. They live in New York. It is filled with treachery, duplicity, love, passion, and resounding, pulse-pounding dramatic license. Perfect for fans of Raina Telgemeier and Jennifer L. Indie Next List. The second volume of Thomas Merton's gusty, passionate journals Thomas Moore chronicles Merton's advancements to priesthood and emergence as a bestselling author with the surprise success of his autobiography, The Seven Storey Mountain. Oswego, NY She and her friends do whatever they can to try to prevent or undo some of the damage. When her father becomes a victim of the shady dealings in which he has been involved, she loses not just him but her home and Albert as well. A new page-turning mystery about science, faith, love and belonging, set in a friendly desert community where ghosts, angels, aliens, and government conspiracies are commonplace parts of everyday life. The Faceless Old Woman Who Secretly Lives in Your Home: A Welcome to Night Vale Novel Reviews A funny, terrifying, and unpredictable slice of Night Vale's macabre history. Sorry due to lots of Spam I am moderating all comments - no spammers I don't want to buy whatever it is you are selling! How these stories converge and how the narrator becomes immortal are merciless in their ingenuity and immensely satisfying. Close Reset Password. Unabridged Audiobook. Nullam malesuada egestas tincidunt. Processing Please Don't Refresh the Page. The Halloween Moon. In these decades of crime and piracy, the Woman is usually accompanied by her three closest friends: the distractingly handsome Andre; Rebekah, a master of disguise; and the amazingly strong Lora. Please Log in and add this title to your wishlist. If I Die Tonight. If you have wondered about this Woman, where she comes from and why she haunts Night Vale, many, but not all, of your questions are about to be answered. While the side characters in The Faceless Old Woman still feel real, their voices are largely absent from the story. Popular Posts. This title is due for release on March 24, By Joseph Fink , Jeffrey Cranor. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early nineteenth century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath, as her spirit travels the world for decades until settling in modern-day Night Vale. If a faceless old woman lives in your home, never seen but injecting an almost imperceptible sense of unease into your life, you're probably a resident of the little desert town of Night Vale. Skip to main content. Dancing in the Water of Life. Halloween Moon is his first novel for children. A funny. For Email Marketing you can trust. If only she could infiltrate the Order of the Labyrinth, she could make them pay for his murder. Told in a series of eerie flashbacks, the story of The Woman is revealed, as she guides, haunts and sabotages an unfortunate Night Vale resident named Craig.
Load more

Recommended publications
  • Jastics Delays' Rsveüge
    Jastics Delays’ Rsveüge- . ■ C il 1X1 a i - . : . "Г / с;. Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition A Thesis Submitted to the Faculty of Letters and the Institute of Economics and Social Sciences of Bilkent University in Partial Fulfilment of the Requirements for the Degree of Master of Arts in English Language and Literature ta «4^^ by Erhan Kukner September, 1991 PR. Л.65'4 ' S63 è- 3079 We certify that we have read this thesis and that in our combined opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. Asst.Prof.Dr. Hamit Çalışkan (A d v i s o r ) L y ■'· Prof.Dr. Bülent Bozkurt (Committee Member) ' ^ 1 Dr. Laurence A. Raw Approved for the Institute of Economics and Social Sciences 1 1 Abstract Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition Erhan Kükner M.A. In English Literature Advisor: Asst.Prof-Dr. Hamit Çalışkan September, 1991 The Spanish Tragedv. one of the best examples of English Renaissance drama, contributed towards the establishment of the revenge tragedy genre, which gained popularity in the years to come. Kyd in this play not only indicates that when the law is unjust, man will resort to revenge; but also demonstrates that a citizen should obey the ruler and regard revenge as a revolt against the state. Tl-is play tells the story of Hieronimo, who expects the murderer^ of his son to be punished. However, Hieronimo gradually discovers that the institutions of justice are useless and therefore takes revenge.
    [Show full text]
  • Turkomans Between Two Empires
    TURKOMANS BETWEEN TWO EMPIRES: THE ORIGINS OF THE QIZILBASH IDENTITY IN ANATOLIA (1447-1514) A Ph.D. Dissertation by RIZA YILDIRIM Department of History Bilkent University Ankara February 2008 To Sufis of Lāhijan TURKOMANS BETWEEN TWO EMPIRES: THE ORIGINS OF THE QIZILBASH IDENTITY IN ANATOLIA (1447-1514) The Institute of Economics and Social Sciences of Bilkent University by RIZA YILDIRIM In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in THE DEPARTMENT OF HISTORY BILKENT UNIVERSITY ANKARA February 2008 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Assist. Prof. Oktay Özel Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Prof. Dr. Halil Đnalcık Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Prof. Dr. Ahmet Yaşar Ocak Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History. …………………….. Assist. Prof. Evgeni Radushev Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Doctor of Philosophy in History.
    [Show full text]
  • The Tragedie of Hamlet, Prince of Denmarke (Open Library) 4/18/12 3:12 PM
    The tragedie of Hamlet, Prince of Denmarke (Open Library) 4/18/12 3:12 PM Log in / Sign Up SUBJECTS AUTHORS ADD A BOOK Search LISTS RECENTLY ABOUT US One web page for every book. Show only eBooks More search options Last edited anonymously The tragedie of Hamlet, Prince of Denmarke: a March 28, 2012 | History Edit study with the text of the folio of 1623 661 editions By William Shakespeare About the Book The play, set in the Kingdom of Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius for murdering the old King Hamlet, Claudius's own brother and Prince Hamlet's father, and then succeeding to the throne and marrying Gertrude, the King Hamlet's widow and mother of Prince Hamlet. The play vividly charts the course of real and feigned madness—from overwhelming grief to seething rage—and explores themes of treachery, revenge, incest, and moral corruption. - Wikipedia SUBJECTS Drama, Princes, Hamlet (Legendary character), Revenge, Murder victims' families, Kings and rulers, Death, Fathers, Succession, Bibliography, Textual Criticism, Quartos, Plays, Regicides, Stage history, English literature, Sources, Juvenile drama, History and criticism, Motion pictures, Hamlet (Motion picture: 1948), Juvenile literature, Criticism and interpretation, Study and teaching, Production and direction, Tragedy, Adaptations, Translations into Russian, Translating into Russian, Collections, Inheritance and succession, Britons, Translations into French, Paper toy making, English Plays, Aging Manage Covers parents, Outlines, syllabi, Scripts,
    [Show full text]
  • Betrayal, Rejection, Revenge, and Forgiveness: an Interpersonal Script Approach
    Betrayal, Rejection, Revenge, and Forgiveness: An Interpersonal Script Approach Julie Fitness Macquarie University Email: [email protected] In: Leary, M. (Ed.) (2001) Interpersonal rejection (pp. 73-103). New York: Oxford University Press. Acknowledgement: The author acknowledges the support of a Large ARC grant A79601552 in the writing of this chapter. 2 Introduction Throughout recorded human history, treachery and betrayal have been considered amongst the very worst offences people could commit against their kith and kin. Dante, for example, relegated traitors to the lowest and coldest regions of Hell, to be forever frozen up to their necks in a lake of ice with blizzards storming all about them, as punishment for having acted so coldly toward others. Even today, the crime of treason merits the most severe penalties, including capital punishment. However, betrayals need not involve issues of national security to be regarded as serious. From sexual infidelity to disclosing a friend’s secrets, betraying another person or group of people implies unspeakable disloyalty, a breach of trust, and a violation of what is good and proper. Moreover, all of us will suffer both minor and major betrayals throughout our lives, and most of us will, if only unwittingly, betray others (Jones & Burdette, 1994). The Macquarie Dictionary (1991) lists a number of different, though closely related, meanings of the term “to betray,” including to deliver up to an enemy, to be disloyal or unfaithful, to deceive or mislead, to reveal secrets, to seduce and desert, and to disappoint the hopes or expectations of another. Implicit in a number of these definitions is the rejection or discounting of one person by another; however, the nature of the relationship between interpersonal betrayal and rejection has not been explicitly addressed in the social psychological literature.
    [Show full text]
  • “Messengers of Justice and of Wrath”: the Captivity
    ―Messengers of Justice and of Wrath‖: The Captivity-Revenge Cycle in the American Frontier Romance A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Brian P. Elliott June 2011 © 2011 Brian P. Elliott. All Rights Reserved. 2 This dissertation titled ―Messengers of Justice and of Wrath‖: The Captivity-Revenge Cycle in the American Frontier Romance by BRIAN P. ELLIOTT has been approved for the Department of English and the College of Arts and Sciences by Paul C. Jones Associate Professor of English Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT ELLIOTT, BRIAN P., Ph.D., June 2011, English ―Messengers of Justice and of Wrath‖: The Captivity-Revenge Cycle in the American Frontier Romance Director of Dissertation: Paul C. Jones This project explores the central importance of captivity and revenge to four novels in the genre of frontier romance: Charles Brockden Brown‘s Edgar Huntly (1799), James Fenimore Cooper‘s Last of the Mohicans (1826), Catharine Maria Sedgwick‘s Hope Leslie (1827), and Robert Montgomery Bird‘s Nick of the Woods (1837). Although a fundamental plot aspect of nearly every work in the genre, the threat of captivity and the necessity of revenge are rarely approached as topics of inquiry, despite their deep connection to the structure and action of the texts. Perhaps most importantly, as critics Jeremy Engels and Greg Goodale note, these twin tropes serve as a way of unifying disparate social groups and creating order; in essence, such depictions function as a form of what Michel Foucault terms ―governmentality,‖ logics of control that originate from non-governmental sources but promote systems of governance.
    [Show full text]
  • Princeton/Stanford Working Papers in Classics
    Princeton/Stanford Working Papers in Classics Fictions of Cultural Authority Version 1.0 January 2012 Susan Stephens Stanford University Abstract: The interactions between Greece and the East in fictional narrative remains problematic, because however scrupulous our attempts to disambiguate the ‘Greece’ interacting with the East, or to insist on Greek regional and temporal pluralities, the simple fact of one language versus many undercuts good intentions. Anyone writing in Greek (whatever his native language, cultural traditions, or time of composition) must have had a Greek education. This means exposure to and de facto absorption of the same but quite limited number of texts and the values thus encoded. As a result, a more or less unified set of assumptions are attached to writing a narrative in Greek—whether we want to imagine this as a full-blown paideia, or simply an inevitable cultural shorthand. If we shift our focus to a non-Greek perspective, a more useful question might be: what aspects of our non-Greek partners within the contact zone appear in Greek narratives (writ large), and to what extent are these narratives typical of the narrative fictions of that partner? In what follows I pursue this line of thought with focus on one ‘East’—Egypt—by considering first how Egyptians represent themselves in their own fictions before discussing the intricate levels of reception of these Egyptians within the milieux of Greek writing from Herodotus to the novels. © [email protected] 1 Fictions of Cultural Authority Greece’s literary fascination with Egypt began well before novel writing commenced. As early as the fifth century BCE, Herodotus devoted the second book of his Histories to Egypt, and in his presentation of native priests as the repositories of otherwise inaccessible historical and sacred knowledge and by his inclusion of picaresque tales like those about the pharaoh Rhampsinitus,1 he replicates salient features of Egyptian self-representation.
    [Show full text]
  • The Paradox of Elizabethan Revenge
    THE PARADOX OF ELIZABETHAN REVENGE FROM HORESTES TO HAMLET ANTON CHARLES ARULANANDAM MASTER OF ARTS - HONOURS 1995 THE UNVERSITY OF NEW SOUTH WALES THE PARADOX OF ELIZABETHAN REVENGE FROM HORESTES TO HAMLET CONTENTS Acknowledgement Page 2 List ofIllustrations Page 3 Abstract Page 4 Introduction Page 5 Chapter One Page 33 Chapter Two Page 55 Chapter Three Page 75 Chapter Four · Page 93 Chapter Five Page 112 Conclusion Page 142 ACKNOWLEDGMENT I gratefully acknowledge my indebtedness to my Supervisor, Dr. Richard Medelaine, and Co-Supervisor, Professor Mary Chan, who not only awakened my serious interest in the drama of the English Renaissance, but tolerated and encouraged this graduate student in the preparation of this thesis. I also wish to express my gratitude to Dr. Bruce Johnson, Professor Michael Hollington, Associate Professor Roslyn Haynes and Associate Professor Peter Alexander, Head, School of English, the staff of the School of English and my colleagues, Pauline Byrnes and Brian Couch, and my wife, Edith, for their assistance and encouragement. A significant debt is owed to the numerous critics mentioned in the footnotes and Bibliography for their scholarly discourse on the revenge genre. Anton C. Arulanandam 2 December 1995. LIST OF ILLUSTRATIONS Gratefully Acknowledged The Revenge of Orestes From Boccaccio's De Mulieribus Claris, Ulm, 1473, fol.xxxv verso, p. 32. The Murder of Horatio in The Spanish Tragedie From the edition of 1633, p. 54. The Revenge of Titus Andronicus From The Lamentable and Tragical History of Titus Andronicus, a ballad ( British Museum, Huth 50 - 69). p. 74. ( By kind courtesy of Willard Farnham, The Medieval Heritage ofElizabethan Tragedy, Basil Blackwell, Oxford, 1963, ps.
    [Show full text]
  • Revenge and the Rule of Law in Nineteenth-Century American Literature
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Exceptional Vengeance: Revenge and the Rule of Law in Nineteenth-Century American Literature A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Lisa M. Thomas Committee in charge: Professor Nicole Tonkovich, Chair Professor John Blanco Professor Michael Davidson Professor Rachel Klein Professor Shelley Streeby 2012 Copyright Lisa M. Thomas, 2012 All rights reserved. The Dissertation of Lisa M. Thomas is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii DEDICATION To my family, friends, and committee for their endless encouragement, support, and patience. Whatever happens next, thanks for coming along (and putting up) with me. iv TABLE OF CONTENTS Signature Page…………………………………………………………………........ iii Dedication…………………………………………………………………………. iv Table of Contents………………………………………………………………….. v Acknowledgments ………………………………………………………………… vi Vita ………………………………………………………………………………… vii Abstract ……………………………………………………………………………. viii Introduction: Revenge, Justice, and Exceptionalist Rhetoric in the Nineteenth-Century United States………………………………………….. 1 Chapter 1: Reluctant Warriors: Community and Conflict in William Gilmore Simms’s The Yemassee ……………………………………………………… 51 Chapter 2: Unlikely Killers: Justifying Violence against Native Americans through Hannah Duston’s Captivity and Nick of the Woods ……………….. 125 Chapter 3: Revenge and Regret on the Texas
    [Show full text]
  • Literature's Loyalty to Betrayal
    AIC nr. 21 1/2018 Literature’s Loyalty to Betrayal ©2018 AIC DRAGOŞ AVĂDANEI Universitatea „Alexandru Ioan Cuza” din Iaşi This idiosyncratically titled paper is motivated by an attempt to answer the unexpectedly difficult question about betrayal as a fun- Keywords damental theme or motif in literature—literature in general, from the first known such work, Gilgamesh, through Greek and Roman betrayal; identity; mythology, fairy tales and folk tales, medieval romances, Dante, communication; Cervantes and Shakespeare, to Goethe, Tolstoy and Joyce, to evil; conflict; Anne Sexton and Philip Levine. Our tentative answers: betrayal cognitive may represent the fundamental human conflict, as it undermines dissonance. two of man’s essential claims to existence—identity and commu- nication; evil is more powerful than good; betrayal is a prominent form of cognitive dissonance; and all of these are “illustrated” in five betrayal poems by William Stafford, Anthony Hecht, Frank O’Hara, Anne Sexton, and Philip Levine. Betrayal seeps through literature like a dark stain… (Karin Altenberg) Altenberg’s statement is chosen as an epigraph here both because of its relevance to the topic and because “seeps” and “dark stain” are not—as our text will most likely prove—quite appro- priate. That betrayal and/or treason is part of the human condition can be sustained with another quote: “Throughout recorded human history, treachery and betrayal have been considered among the very worst offences people could commit against their kith and kin” (Julie Fitness); while the “dark stain” part may be argued for through the authority of Malcolm X/Little (Alex Haley— “the thing that is worse than death is betrayal… I could conceive of death, but I could not con- ceive of betrayal”).
    [Show full text]
  • The Theatricality of Revenge and How It Shapes Identity
    1 Masques and Metamorphosis: The Theatricality of Revenge and How It Shapes Identity Nicholas Keough English There are numerous features characteristic of the revenge tragedy genre, including the Machiavellian villain, the supernatural, and madness. It is the distinct play-within-the- play feature, however, that figures most prominently—and most crucially—in the dénouement of revenge narratives. In each example of revenge tragedy, a corrupt political leadership victimizes the story’s protagonist. Because the protagonist suffers at the hands of a sovereign entity, he cannot seek recourse through traditional modes of justice. Rather than endure an impotent role within the perverted political landscape, the protagonist seizes dramaturgical authority, creating a performative space that allows him to recast the self into a position of power. Thomas Kyd’s The Spanish Tragedy, Thomas Middleton’s The Revenger’s Tragedy, and George R. R. Martin’s novel series A Song of Ice and Fire, as well as David Benioff and D.B. Weiss’ television adaptation of Martin’s work, Game of Thrones, each demonstrate the necessity for theatricality and performance as it relates to the revenger’s ability to secure private vengeance. Furthermore, despite the apparent successes of these revengers, each work reveals the degenerative moral effects of role- playing, ultimately calling into question the validity and usefulness of revenge. Oftentimes revenge tragedies begin when a political superior uses his position of authority to violently exploit a non-noble character. This action—traditionally murder, 2 rape, or mutilation1—highlights the hierarchal system of power to which the characters in these fictional societies are subject.
    [Show full text]
  • Ethics, Sovereignty, and Subjectivity in English Revenge Tragedy
    At the Limit: Ethics, Sovereignty, and Subjectivity in English Revenge Tragedy A dissertation submitted by Emily L. King in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English TUFTS UNIVERSITY August 2012 2012, Emily L. King Advisors: Lee Edelman & Judith Haber ii Abstract At the Limit: Ethics, Sovereignty, and Subjectivity in English Revenge Tragedy At the Limit offers a new way of conceptualizing the so-called revenge tragedy genre by examining a group of 16th- and 17th-century English “traditional” revenge plays, chronicle plays, dark comedies, epic poems, and elegiac verse. The current understanding of early modern revenge tragedy is indebted to Fredson Bowers who most recently identified the dramatic texts that comprise this genre in 1940. Subsequently, the term “revenge tragedy” has denoted Elizabethan and Jacobean plays that include either a vengeance- driven narrative or spectacular acts of violence. In contrast, my dissertation challenges the boundaries of revenge tragedy as I investigate how the structure of revenge animates early modern literature. By expanding the generic limits, one can better assess how revenge influences early modern culture. I argue that revenge – in its characteristic excess, its disruptive qualities, and its possibility of perverse enjoyment – destabilizes. But it is not simply that revenge engages in subversion; rather, revenge simultaneously undermines and constitutes concepts of early modern culture. In particular, I examine how the structure of revenge informs
    [Show full text]
  • Traps & Treachery II
    Requires the use of the Dungeons & Dragons® Player's Handbook, Third Edition, published by Wizards of the Coast® Traps & Treachery II Credits LEAD DEVELOPER Wil Upchurch MANAGING DEVELOPER Greg Benage WRITING Ed Bourelle, Kurt Brown, Shaun Cashman, Mark Chance, Catten Ely, Lizard, Brian Patterson, Scott Stoecker, Paul Sudlow, William Timmins, Bree Zastrow INTERIOR ILLUSTRATIONS Toren Macbin Atkinson, Paul Butler, David Griffith, Kenneth Kay, Brian Schomburg, Chris Seaman, Tyler Walpole GRAPHIC & COVER DESIGN Brian Schomburg d20 System and the d20 System logo are Trademarks owned by Wizards of the Coast and are used according to the terms of the d20 EDITING System License version 1.0. A copy of this License can be found at Greg Benage & Wil Upchurch www.wizards.com. ART DIRECTION Dungeons & Dragons® and Wizards of the Coast® are Registered Trademarks of Wizards of the Coast and are used with permission. Wil Upchurch LAYOUT Wil Upchurch PUBLISHER Christian T. Petersen PRINTING Bang Printing FANTASY FLIGHT GAMES 1975 W. County Rd. B2 Roseville, MN 55113 651.639.1905 www.fantasyflightgames.com Traps & Treachery II Contents CHAPTER ONE New Traps: CR 1-5 5 CHAPTER TWO New Traps: CR 6+ 78 CHAPTER THREE New Poisons 133 CHAPTER FOUR Puzzles & Challenges 154 poisons and the effects this can have on the game. Introduction Chapter 4 presents tricks, puzzles, and chal- lenges aplenty, providing hours of thought-pro- Emile Zola once said that the artist is nothing voking fun for both players and DMs. These without the gift, but the gift is nothing without situations offer characters a chance to highlight work.
    [Show full text]