switchfoot oxygen free download Drew's Reviews. Music Reviews You Won't Get Anywhere Else – Concert reviews, reviews, sometimes a book review and the occasional artist interview when the timing hits just right. Album Review: – Native Tongue. A year or so ago Switchfoot announced a planned break and went on hiatus. Naturally that meant hearing nothing until say at least 2020, right? After all, the band deserved some rest after every other year since 2009 and seemingly endless touring. It also raised concerns among the faithful that perhaps this was a slow burn to let fans know Switchfoot was over. Most bands don’t last 20 years. But in August, mere weeks (ok, maybe a month) after my request for an interview was denied (sad face) Switchfoot announced a new album. Not intentions to start a new album, mind you, it was clear the band had been at work (they spoon fed fans a taste of their new work in the ensuing months) which culminated in today’s release of their 11th studio album Native Tongue . Switchfoot Native Tongue Album Review. Native Tongue sometimes sounds raw, occasionally aggressive but mostly mixes a mellifluous dance inside a 14 song record. Track wise, Native Tongue is the band’s longest album and feels much longer than the 52 minute running time (not sure yet if that’s a good or bad thing). The album carries a much gentler approach to their song writing than 2016’s Where the Light Shines Through yet with more harmony emanating from Drew Shirley’s guitar work than past records. Switchfoot has never shied away from speaking on touchy subjects – done quite well without preaching – so don’t think they have moved on from that endeavor. Singer said Switchfoot has learned a lot over their past 10 albums and Native Tongue is the band’s attempt to put that journey into words – an album that “celebrates all that we hold in common.” Can’t really argue with that: Let It Happen – A heavy song, takes a few listens but who knew Switchfoot could bust out a rocking guitar solo Native Tongue – Fantastic song. So catchy and love the slow down to finish out the final minute All I Need – Classic Switchfoot, fans will fully embrace Voices – It’s not rap, but kind of, with a much better jingle but still something to experiment maybe every once in a while Dig New Streams – So Beatles like, so un- Switchfoot like Joy Invincible – Great chorus. Let this one sink in for a while Prodigal Soul – A passionate song with Foreman really showing his range The Hardest Art – Love the melody; great vocals between Foreman and Kaela Sinclair Wonderful Feeling – Slow and steady but not a hit single Take My Fire – Loud and brash, back to harder edge rock; a solid anthem for anyone facing adversity The Strength to Let Go – Signature Switchfoot Oxygen – Not a favorite on the first spin but can already feel it settling in We’re Going to be alright – Their trip to Africa a few years ago probably helped shape this song You’re the One I Want – Sweet song, not a bad way to close out the album but it feels unfinished. Switchfoot has come a long way since those early fresh out of college (or is it fresh while still in college) sounds that started their career 20 years ago. Switchfoot has always leaned more towards the spirit of Coldplay and U2 in past albums however they have managed to not only produce their own tone that defines them as a band but now expand their range which keeps them fresh, relevant and a legitimate player in rock music. You can definitely hear the past two decades of Switchfoot on Native Tongue and just when you think the band sounds ready to rip, they roll back the rock chords, slow the pace then release the emotion. The influence of OneRepublic also shows as Brent Kutzle, bassist for that band helped produce. Switchfoot has always been an impassioned group often speaking of love, embracing the now and encouraging the listener thus inciting such an impassioned fan base. Switchfoot probably fills the various dark holes of life with a bit of light for many listeners who without the uplifting nature of the lyrics would remain somewhat in the shadows. Though Switchfoot works best when embracing their rock side (“Stars,” “Oh! Gravity.,” “Dark Horses”) they also know how to tug at your heartstrings very effectively and perhaps better than most (“I Won’t Let You Go,” “Your Love Is a Sound,” “Thrive”). And while past albums have felt equal parts driving melodies countered with their softer withdrawals Native Tongue leans heavily on those compassionate tinged inflections. In many respects, Native Tongue feels like a greater change of direction than their last album. Switchfoot has held on to its core but found a different avenue to drive down. Don’t worry Switchfoot is alive and well but had their break continued through 2019 and they returned with this album certainly the shock value of their return could have been more pronounced. Wholly, Native Tongue doesn’t have the quick melodic permeation of songs prevalent on prior albums, instead the record invites you to listen. Then listen again. Perhaps, Switchfoot’s entire point behind making the album. SWITCHFOOT gives moms the gift of music for Mother’s Day. On Mother’s Day, the thank yous are abundant. SWITCHFOOT adds their mom thank you for the gift of music for Mother’s Day. Expressing gratitude and love for mom and mom figures can be hard. Just on a daily basis, many women impact people’s lives in varying ways. From the small gesture to the grand statement, the impact is felt beyond the act itself. SWITCHFOOT, the popular rock band, is giving moms the gift of music this Mother’s Day. Now through midnight on May 14, SWITCHFOOT is offering moms, and fans, a free download “ I Won’t Let You Go .” The song is about unconditional love. A mother’s unconditional love can make the darkest days seem less grim and the most difficult paths seem less treacherous. The acoustic version of this song is a reminder of the great gift of a mother’s unconditional love. The multi-platinum selling rock band, SWITCHFOOT, has long championed philanthropic causes. From its own Bro-Am Foundation, a surf competition and concert, to CURE, a children’s charity, the band supports causes that seek to encourage today’s youth. The band is committed to shedding light on the plight of today’s youth and to praising those people who are making a viable difference. For the past several years, SWITCHFOOT has been growing in popularity. The band first broke through with the hit . Following the success of the Grammy Award-winning , the band has secured its spot both on the charts and on radio playlists. Its most recent release, Where The Light Shines Through , has been popular with both fans and critics. SWITCHFOOT prepares for a summer tour. Early this year, SWITCHFOOT announced a summer tour with LIFEHOUSE. The “Looking for Summer” tour begins on July 23 in Denver, Colorado. The tour will stop in numerous cities throughout the United States. For a complete list of tour dates and locations, please visit www.loookingforsummertour.com. This Mother’s Day, take a minute to express gratitude to all the moms and mom figures in your life. If you can’t find the words to express your unconditional love for those strong, caring women, let the words and music of SWITCHFOOT express them for you. Switchfoot oxygen free download. Nashville, Tenn. (Oct. 19, 2018) - GRAMMY® award-winning rock band SWITCHFOOT expands on their trademark epic soundscapes and explores new themes and textures on Native Tongue , the group’s 11th full-length album set for release on Jan. 18th, 2019 via Fantasy Records. The band also announced the North American leg of the Native Tongue Tour, which kicks off in Asheville, N.C. on Feb. 14th. (Full list of dates below.) Colony House and Tyson Motsenbocker will join SWITCHFOOT as support acts. Public on-sale for the tour begins Oct. 26th. Click HERE for more information. PRE-ORDER NATIVE TONGUE HERE Paste magazine debuted the Native Tongue album art and the YouTube Premiere of the dynamic music video for the title track written by SWITCHFOOT front man Jon Foreman and bassist Tim Foreman with Brent Kutzle of One Republic. The lyrics are a poignant reminder, "Before we learn to hate. Love is our Native Tongue." "These are polarizing times, where the loudest voice is often the voice of anger or fear. This album is an attempt to sing that hope into life. To bring a group of diverse songs under one common banner. Hatred is not your native language. Love is your Native Tongue," expressed Jon Foreman. In the midst of an impressive career spanning more than 20 years, Native Tongue is an inspired work of insight and passion from a band that continues to find strength in our differences and hope in what binds us.? The 14-song project, recorded primarily at Melody League Studios in the band's hometown of San Diego, Calif., includes a wide array of music from the hard-hitting anthemic title-track to more reflective songs such as "Prodigal Soul," "Joy Invincible," and “Voices,” (co-written and produced with their friends in One Republic). The band interlace empathy and introspection, urging us to "use our lungs for love and not the shadows.”? Native Tongue also features a moving collaboration with Kaela Sinclair on "The Hardest Art." Keep up with SWITCHFOOT on Facebook, YouTube, Instagram, and SWITCHFOOT.com. Native Tongue Track List: 1. Let It Happen 2. Native Tongue 3. All I Need 4. Voices 5. Dig New Streams 6. Joy Invincible 7. Prodigal Soul 8. The Hardest Art (Feat. Kaela Sinclair) 9. Wonderful Feeling 10. Take My Fire 11. The Strength To Let Go 12. Oxygen 13. We're Gonna Be Alright 14. You're The One I Want. Native Tongue Tour Dates: Feb. 14 The Orange Peel - Asheville, N.C. Feb. 15 The Mill & Mine - Knoxville, Tenn.* Feb. 16 Tabernacle - Atlanta, Ga. Feb. 17 Ryman Auditorium - Nashville, Tenn. Feb. 19 The Fillmore Silver Spring - Silver Spring, Md. Feb. 20 The Fillmore - Philadelphia, Pa. Feb. 22 Wellmont Theater - Montclair, N.J. Feb. 23 The Paramount - Huntington, N.Y. Feb. 24 House of Blues - Boston, Mass. Feb. 28 Danforth Music Hall - Toronto, Ontario March 01 House of Blues - Cleveland, Ohio* March 02 20 Monroe Live - Grand Rapids, Mich. March 03 The Fillmore Detroit - Detroit, Mich. March 05 The Pageant - Saint Louis, Mo. March 06 Egyptian Room at Old National Centre - Indianapolis, Ind.* March 08 Park West - Chicago, Ill. March 09 Park West - Chicago, Ill. March 10 The Sylvee - Madison, Wisc. March 13 New Daisy Theatre - Memphis, Tenn. March 14 Club Brady - Tulsa, Okla. March 15 House of Blues - Dallas, Texas March 16 House of Blues - Houston, Texas March 18 Stubb's Waller Creek Amphitheater - Austin, Texas March 19 Aztec Theatre - San Antonio, Texas March 21 Iron City - Birmingham, Ala. March 22 The RITZ Ybor - Tampa, Fla. March 23 House of Blues - Orlando, Fla. March 24 Revolution - Fort Lauderdale, Fla. March 27 State Theatre - Minneapolis, Minn. March 28 Sokol Auditorium - Omaha, Neb.* March 29 Uptown Theater - Kansas City, Mo.* March 30 Fillmore Auditorium - Denver, Colo.* March 31 The Depot - Salt Lake City, Utah* April 03 Rialto Theatre - Tucson, Ariz. April 04 The Van Buren - Phoenix, Ariz. April 05 The Wiltern - Los Angeles, Calif. April 06 Arlington Theatre - Santa Barbara, Calif. April 07 Warfield Theater - San Francisco, Calif. April 09 McDonald Theatre - Eugene, Ore. April 10 Crystal Ballroom - Portland, Ore. April 11 Neptune Theatre - Seattle, Wash. April 12 Neptune Theatre - Seattle, Wash. April 13 Queen Elizabeth Theatre - Vancouver, British Colombia. *Featuring special guests. About SWITCHFOOT: SWITCHFOOT has been unearthing all manner of musical gems since their 1997 debut The Legend of Chin , steadily expanding their global fan base and critical reputation through such releases as (1999), Learning to Breathe (2000), the multi-platinum breakthrough The Beautiful Letdown (2003), (2005), Oh! Gravity (2006), the GRAMMY® award-winning Hello Hurricane (2009), (2011), (2014) and Where The Light Shines Through (2016). Fading West doubled as the soundtrack to the band's documentary of the same name. Along the way, SWITCHFOOT established itself as a world-class live act with a series of sold-out world tours, while racking up a string of radio hits, including "," "," "Stars" and "". Beyond their career achievements, SWITCHFOOT has been active in a variety of philanthropic efforts, raising over two million dollars to aid kids in their community through the band’s own Bro-Am foundation and their annual Bro-Am Beach Fest, a benefit surf contest and concert that’s held every summer in Encinitas, CA. They've also maintained a deep commitment to a variety of humanitarian causes, lending their support to such worthy organizations as DATA, the ONE Campaign, Habitat for Humanity, Invisible Children, Food for the Hungry, CURE and To Write Love on Her Arms. SWITCHFOOT's new album Native Tongue will be released January 18, 2019 on Fantasy Records.? Recommended Tweet: @SWITCHFOOT announce new album #NativeTongue and North American Tour! Watch new video for "Native Tongue" HERE. Switchfoot oxygen free download. 'Before we learn to hate. Love is our Native Tongue.' - Jon Foreman. For their new album Native Tongue, band SWITCHFOOT step beyond their trademark epic soundscapes and explore new textures and themes that genuinely reflect this fraught cultural moment. From the hard-hitting anthemic title-track to more reflective songs such as 'Prodigal Soul,' 'Joy Invincible,' and 'Voices,' co-written and produced with their friends in One Republic, the band interlace empathy and introspection, urging us to 'use our lungs for love and not the shadows.' 'Before we learn to hate. Love is our Native Tongue.' - Jon Foreman. For their new album Native Tongue, alternative rock band SWITCHFOOT step beyond their trademark epic soundscapes and explore new textures and themes that genuinely reflect this fraught cultural moment. From the hard-hitting anthemic title-track to more reflective songs such as 'Prodigal Soul,' 'Joy Invincible,' and 'Voices,' co-written and produced with their friends in One Republic, the band interlace empathy and introspection, urging us to 'use our lungs for love and not the shadows.' Switchfoot oxygen free download. The day was December 15th, 2017. Switchfoot announced their first official hiatus in over 20 years of bandhood. Christian music fans (and many of us staff writers here at Jesusfreakhideout) held their breath as we awaited the band's potentially precarious future. It's fairly common for groups to claim hiatus only to never return again. The suspense wasn't held for very long, however, as the San Diegan rockers issued another statement last September: they would be back with new music shortly. This made the gap between Where The Light Shines Through and their newest release, Native Tongue , only about 2 and a half years - pretty standard fare for an album cycle. One might question the need for the initial announcement in the first place, but it certainly heightened the anticipation for their eleventh studio album. Would this feel like a comeback album, more of the same, or something entirely different? In some ways, Native Tongue is in between all of those labels, and it's that quality of inconsistency that serves as its greatest detriment and its greatest prospect. Foreman and company might not be the most inventive or musically diverse group around, but their steady sonic evolution and solid songwriting over the past two decades are what have made them a mainstay. Unfortunately, those strengths show cracks throughout the album. The trendy rock/rap of the title track is the first example of this. The tune simply doesn't fit their musical sensibilities, and although the lyrics work well, the message and delivery is no different from anything else Jon has sung over the past few albums. This tendency to be in vogue is leaned into even more heavily on tracks like "Voices" (as much a weaker Twenty One Pilots track as anything else), "Joy Invincible," and "All I Need." Switchfoot has always had a few tracks per album that feel like trend-bait (a la most of their singles), but this time around, it's a large chunk of the album, noticeably dulling the cutting edge of Jon's songwriting. Outside of the songs that simply don't work, a number of tunes just don't have much staying power. Opener "Let It Happen" is a decent alternative anthem with a particularly fun bridge, but the lyrics and vocals feel a bit forced and hardly memorable. The same can be said for "Prodigal Soul," which feels like an early-era song for the group, but it doesn't leave much impact. This is the album's greatest shortcoming. So many of the tracks merely come and go, providing very little engaging material. As their first post-hiatus release, Native Tongue often feels like a lackluster misstep. After the initial wave of disappointment mixed with exaggerated hype ebbs away, it becomes clear that there are still a few gems here that are definitely worth holding onto. "Dig New Streams" is a strange, mid-era-Beatles-sounding track complete with a drastic tempo change and bassist Tim on lead vocals for one of the verses. This is the type of experimentation that Switchfoot always does well, and it carries over into the second half of the album pretty strongly. "The Hardest Art" is surprisingly electronic, lyrically clever, and a truly risky song that pays off well. The fact that it leads right into the creative piano ballad "Wonderful Feeling" is an added bonus. "Take My Fire" sees the group dive heavily into garage rock mixed with hip hop, while "Oxygen" features the most unique sonic palette on the album, elevating itself over a clear genre through its multiple keys and disorientingly dreamy vibe. If this review comes across as dichotomous, it's only because Native Tongue is quite the tale of two halves. Half of the album is the group at their most banal and desperately fashionable, while the other half is disparately exploratory and generally interesting. Perhaps this contrast is why they made this collection their "return" - they get to maintain commercial vitality while showing that there are still areas of sound they can attempt to traverse. That contrariety may have lead to a divisive album, but there's certainly enough here for everyone to release their breath and acknowledge that as long as these boys stick together, there is still hope for something worthwhile to come out of their unity. - Review date: 1/1/19, written by Mason Haynie of Jesusfreakhideout.com. JFH Staff's Second Opinion. Sometimes an artist taking time off can yield mixed results. The recharging of the artist's (or band's) life batteries may elongate their career and refresh the soul, but it can have tough results on the first material that comes out of that extended period away. This seems to be the case with Switchfoot's Native Tongue . It's a well-meaning album (an attempt to talk about love in our troubled times) that features a few great songs that will make it onto a greatest hit's album someday. But there is also a bit of filler here too. As for the good-to-great songs, there are some true gems here. The title track is a swinging, upbeat song that carries a powerful metaphor. Jon Foreman's piercing lyrics about love (in words and actions) being our natural bent (pre-fall), our "native tongue," so to speak, are powerful ones, and full of C.S. Lewis-like metaphorical twists. It's also the catchiest melody here, and one of the band's finest hours; a song where the melody and message align in a majestic package. "All I Need" is a soaring anthemic number in the vein of "Dare You To Move," and also shares the DNA of the band's recent soundtrack offering from Unbroken: Path To Redemption , "You Found Me" (which is not in this collection of songs). Likewise, "The Hardest Art" (which features a great duet with Kaela Sinclair), "Joy Invincible," "Voices" and "The Strength To Let Go" are great, tuneful offerings. "Dig New Streams" is also notable for its late-period Beatles-like experimentation. Alas, there are a few duds here as well. "We're Gonna Be Alright" is a goofy, if well-meaning, song that should not have seen the light of day. Likewise, "Take My Fire," "Let It Happen," "Wonderful Feeling," and "Oxygen" never really launch into fully formed songs that match what the band has historically done. But a mixed bag album from these veteran rockers is still a welcome thing, and many of these songs may translate well in a live setting. The great songs here are worth the price of admission. - Review date: 1/16/19, Alex Caldwell of Jesusfreakhideout.com. JFH Staff's Additional 2 Cents. After a much publicized break from touring, Switchfoot returns with a passionate fourteen-track 11th studio album, almost 22 years after their debut. Native Tongue once again feels like an amalgam of familiar styles the band has dabbled in before, while venturing out into new territory as well, specifically with the electronic pop duet of "THE HARDEST ART" (feat. Kaela Sinclair), or the heartbreaking-but-hopeful soft pop of "Joy Invincible" (which is especially timely in the wake of member Jerome Fontamillas' recent battle with--and victory over--kidney cancer). The raw pop rock stylings of opener "LET IT HAPPEN," "ALL I NEED" and quirky "DIG NEW STREAMS" make the album feel like a natural bridge between 2006's Oh! Gravity. and 2009's Hello Hurricane , while the fun and funky title track, "VOICES," and "TAKE MY FIRE" (the bass line of the latter of which reminds me, fondly, of the theme to the Bond film Quantum of Solace ) feel like a natural progression following the poppier leanings of Fading West and Where the Light Shines Through . The bottom portion of the album isn't nearly as catching as the top, but at-first unassuming highlights "OXYGEN," "THE STRENGTH TO LET GO" (a beautiful song that is a prayer of this reviewer's heart), and the peppy "WE'RE GONNA BE ALRIGHT" take on a life of their own with each listen. As lovely as the simple piano ballad "YOU'RE THE ONE I WANT" is, it brings the album to a sleepy conclusion (and the song feels more fitting for a Jon Foreman album than a Switchfoot one), which is likely to leave some listeners feeling a bit unsatisfied. Still, Native Tongue remains a strong pop rock album from a long-running band that we're thankful is still in the game, and each consecutive listen to the record is a rewarding one. 2019 is off to a great start with Native Tongue . (And I have to add, the Switchfoot.com preorder bonus track "LET'S GO HIGHER" feels like the anthemic album closer this project deserves.) - 1/13/19 John DiBiase. Switchfoot 's 11th studio album boasts their longest track list to date, yet has the fewest songs that reach the high quality we've come to expect from the band. Aside from the infectious melodies of a couple songs ("Native Tongue," "Voices") and the sonic experimentation on the throwback "Dig New Streams" and electronic "The Hardest Art," there just isn't much here that is noteworthy or impressionable. Commercially, this is a fairly viable output and is certainly worth the money of most Switchfoot fans, but creatively (especially lyrically), it feels like a lesser retread of Hello Hurricane , Vice Verses , and other previous works. - 1/16/19 Christopher Smith. With interviews revealing that Switchfoot sorted through over one hundred songs for inclusion on Native Tongue , it's clear they were not lacking for material during their "hiatus." For the most part, they nailed their "sound" with their newest offering, utilizing enough twists to keep it fresh. The front half of the album--with "Let It Happen," "Native Tongue," "Voices," and "Dig New Streams"--is the most immediately accessible musically, but repeat listens of the aforementioned songs lack lyrical staying power. It took more time for the EDM tinged "Hardest Art," the piano ballad "Wonderful Feeling," and "spacey" "Oxygen" to connect with this reviewer, but now there are album favorites. A trimmer track list would have benefited the album (with the final two songs getting the axe), though overall, it is still a strong Switchfoot album falling somewhere in the middle of their catalog if I were ranking it today. - 1/16/19 Josh Balogh. Following a well-earned break from the road, the San-Diego natives (pun intended!) have returned with an exciting follow-up to 2016's excellent Where The Light Shines Through . Native Tongue sees the band both experimenting with new styles and sticking to what they know best which, admittedly, tends to feel somewhat safe and uncharacteristically vanilla at certain points. In some respects then, Native Tongue harkens back to the Oh! Gravity era of the band: a season of testing the waters to see what works and what can be left off the next time around. The only difference is that what works here works exceptionally well. - 1/16/19 Lucas Munachen. You can always expect some surprises with each Switchfoot album, and Native Tongue certainly qualifies as a unique project for the audiophile. Switchfoot couldn�t have picked a better opener than �Let it Happen,� a nice solid rock anthem with the message of not letting things overwhelm you. (" I don�t know what the future holds / but I know you are my future ") The title track is very captivating with its rhythmic drums, and will likely remain a requested song for years to come. �All I Need� is a typical Switchfoot ballad and there�s nothing wrong with that, as they usually strike a chord with fans and are easily relatable to life experiences. �Voices� is a change from the typical sound we are accustomed to with Switchfoot in almost the same manner as 30 Seconds to Mars' "Hail to the Victor" generated in 2018. The biggest surprise is �The Hardest Art� as it's unlike any previous style performed by Switchfoot, yet, for some reason, it�s easy to appreciate this tune with its could-be- a-pinnacle-experience-in-a-movie-soundtrack feel. �The Strength to Let Go� is a great ballad that touches on the topic of relinquishing whatever is bringing us down. The rest of the album might take some time to grow, because it�s not lively and doesn�t share the same experience felt with the first half of Native Tongue . The beginning of this album is so powerful that it more than makes up for this flaw and is a very welcome addition to the Switchfoot or rock music library. 2019 has just begun and we already have an impressive album to listen to for the weeks and months ahead. - 1/17/19 Wayne Myatt. Switchfoot 's latest album focusing on love requires multiple listens. Initially, you might think it's a bland album, a second listen might reveal more layers, while a third may give a deeper appreciation. There is some excess here that could've been trimmed down, and some of the themes don't feel like they land quite right, but overall, Native Tongue is an enjoyable album worth visiting. - 1/16/19 John Underdown. Eleven records and a recently terminated hiatus haven't slowed down Christian pop rock staple Switchfoot . Boasting an impressive degree of collaboration with some of the top names in the industry, the band's latest outing, Native Tongue , proves to be one of the most diverse and varied Switchfoot offerings to date. The influence of OneRepublic's Ryan Tedder and Brent Kutzle truly come to light on tracks such as "Voices" and title track "Native Tongue," one of the album highlights. The innovation of tracks such as "Dig New Streams" and "The Hardest Art (feat. Kaela Sinclair)" reveal that the band still has plenty of golden tricks left up the sleeve. While the act had many fans scared with 2017's announcement of an open-ended hiatus, we can be thankful that Jon Foreman and company have decided to return to the stage (at least) once more. - 1/17/19 David Craft. : 2019 Fantasy Records, a division of Concord Music Group, Inc. Album length: 14 tracks: 52 minutes, 19 seconds Street Date: January 18, 2019 Buy It: Switchfoot.com (Preorder Packages) Buy It: AmazonMP3. LET IT HAPPEN (4:41) NATIVE TONGUE (4:38) ALL I NEED (3:08) VOICES (2:58) DIG NEW STREAMS (3:45) JOY INVINCIBLE (3:42) PRODIGAL SOUL (3:51) THE HARDEST ART (feat. Kaela Sinclair) (4:13) WONDERFUL FEELING (4:06) TAKE MY FIRE (3:45) THE STRENGTH TO LET GO (4:18) OXYGEN (4:14) WE'RE GONNA BE ALRIGHT (2:55) YOU'RE THE ONE I WANT (2:05)