William Henry Harris
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Choral Evensong
CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day. -
NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
16 November 2018 Page 1 of 12
Radio 3 Listings for 10 – 16 November 2018 Page 1 of 12 SATURDAY 10 NOVEMBER 2018 Aufforderung zum Tanz : rondo brillant for piano Op.65 of Lent, settings of texts from the Old Testament Book of Artur Schnabel (Piano) Lamentations. SAT 01:00 Through the Night (m000127l) Rhapsodie espagnole 05:18 AM Although modestly scored for one and two voices and organ, Music for two pianos by Debussy, Ravel & Bartok performed Wolfgang Amadeus Mozart (1756-1791) the music makes a deeply expressive and satisfying sequence, by Yuka Oechslin & Anton Kernjak. Presented by John Shea. Mentre ti lascio, o figlia - aria for bass and orchestra (K.513) by turns meditative, dramatic and contemplative as it deals with Robert Holl (Bass), Netherlands Radio Philharmonic Orchestra, the captivity of the Jews and the destruction of the temple of 01:01 AM Kenneth Montgomery (Conductor) Jerusalem in 587 BC and demands top-flight singers. Claude Debussy (1862-1918) En Blanc et Noir 05:26 AM 10.20am New Releases Yuka Oechslin (Piano), Anton Kernjak (Piano) Erik Satie (1866-1925), Darius Milhaud (Arranger) Jack-in-the-box pantomime (Prelude; Entr'acte; Finale) Mozart: ‘Les Trois Derniers Symphonies’ 01:18 AM CBC Vancouver Orchestra, Mario Bernardi (Conductor) Ensemble Appassionata Maurice Ravel (1875-1937) Mathieu Herzog (conductor) La Valse 05:33 AM NAÏVE V 5457 (2CDs) Yuka Oechslin (Piano), Anton Kernjak (Piano) Jean-Philippe Rameau (1683-1764) Les Indes Galantes (excerpts) Mozart: ‘Sonatas for fortepiano & violin’ Vol.1 01:33 AM Norwegian Chamber Orchestra, Terje Tønnesen -
Historic Downtown Sarasota
CHURCH OF THE REDEEMER 2020 Historic Downtown Sarasota CONCERTS CHORAL EVENSONG SPECIAL EVENTS Church of the Redeemer Great Music Series 27 Jan 11 Feb 7:30pm 7:30pm CHOPIN BRITISH NIGHT Chamber Orchestra PROJECT of Sarasota Pianist Renana Gutman Dr. Robert Vodnoy Conductor 19 Jan 9 Feb 4:30pm 4pm MUSICA SACRA requiem Mass KENT TRITLE in d minor Organ Concert W.A. Mozart Sunday, 19 Jan Monday, 27 Jan Sunday, 9 Feb Tuesday, 11 Feb KENT TRITLE CHOPIN PROJECT MUSICA SACRA CONCERT Organ Recital Pianist Requiem mass British Night Evensong Renana Gutman in d minor W.A. Mozart Chamber Orchestra the Redeemer Choirs of Sarasota 4:30pm 7:30pm 4pm 7:30pm Kent Tritle is a choral conductor Pianist Renana Gutman will be Musica Sacra of Sarasota is the Carmen Bannon – Flute and organist in New York City. He is “Chasing Chopin” as she presents Florida Gulf Coast’s only Nicholas Arbolino – Oboe the current director of the works by the Polish master and concert ensemble dedicated to Robert Vodnoy – Conductor professional chorus Musica Sacra composers he influenced including the performances and promotion Masterpieces by British composers, and the Oratorio Society of New Gabriel Fauré, Claude Debussy, of choral/orchestral music based and music inspired by the plays of York. He is also the director of Alexander Scriabin and others, on sacred texts. Mozart’s last William Shakespeare, performed in cathedral music and organist at the with elegant commentary that major choral work, left collaboration with Urbanite Theatre. Cathedral of St. John the Divine, weaves their music and their incomplete at the time of his Music by Elgar, Handel, Holst, Kent Tritle is the organist for the stories. -
View/Download Liner Notes
HUBERT PARRY SONGS OF FAREWELL British Choral Music remarkable for its harmonic warmth and melodic simplicity. Gustav Holst (1874-1934) composed The Evening- 1 The Evening-Watch Op.43 No.1 Gustav Holst [4.59] Watch, subtitled ‘Dialogue between the Body Herbert Howells (1892-1983) composed his Soloists: Matthew Long, Clare Wilkinson and the Soul’ in 1924, and conducted its first memorial anthem Take him, earth, for cherishing 2 A Good-Night Richard Rodney Bennett [2.58] performance at the 1925 Three Choirs Festival in late 1963 as a tribute to the assassinated 3 Take him, earth, for cherishing Herbert Howells [9.02] in Gloucester Cathedral. A setting of Henry President John F Kennedy, an event that had moved Vaughan, it was planned as the first of a series him deeply. The text, translated by Helen Waddell, 4 Funeral Ikos John Tavener [7.41] of motets for unaccompanied double chorus, is from a 4th-century poem by Aurelius Clemens Songs of Farewell Hubert Parry but only one other was composed. ‘The Body’ Prudentius. There is a continual suggestion in 5 My soul, there is a country [3.52] is represented by two solo voices, a tenor and the poem of a move or transition from Earth to 6 I know my soul hath power to know all things [2.04] an alto – singing in a metrically free, senza Paradise, and Howells enacts this by the way 7 Never weather-beaten sail [3.22] misura manner – and ‘The Soul’ by the full his music moves from unison melody to very rich 8 There is an old belief [4.52] choir. -
Brookland Road Poem by Rudyard Kipling
1 Brookland road Poem by Rudyard Kipling Song for Solo Voice & Piano by H. Walford Davies VOCAL SCORE 2 This score is in the Public Domain and has No Copyright under United States law. Anyone is welcome to make use of it for any purpose. Decorative images on this score are also in the Public Domain and have No Copyright under United States law. No determination was made as to the copyright status of these materials under the copyright laws of other countries. They may not be in the Public Domain under the laws of other countries. EHMS makes no warranties about the materials and cannot guarantee the accuracy of this Rights Statement. You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material. You are responsible for your own use. http://rightsstatements.org/vocab/NoC-US/1.0/ Text written for this score, including project information and descriptions of individual works does have a new copyright, but is shared for public reuse under a Creative Commons Attribution NonCommercial (CC BY-NC 4.0 International) license. https://creativecommons.org/licenses/by-nc/4.0/ Cover Image: “The Vale of Dedham” by John Constable, 1828 3 The “renaissance” in English music is generally agreed to have started in the late Victorian period, beginning roughly in 1880. Public demand for major works in support of the annual choral festivals held throughout England at that time was considerable which led to the creation of many large scale works for orchestra with soloists and chorus. -
Vol. 13, No. 5 July 2004
Chantant • Reminiscences • Harmony Music • Promena Evesham Andante • Rosemary (That's for Remembran Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenad Capricieuse • Serenadeournal • The Black Knight • Sursum Corda Snow • Fly, Singing Bird • From the Bavarian Highlands • The L Life • King Olaf • Imperial March • The Banner of St George • Te and Benedictus • Caractacus • Variations on an Original T (Enigma) • Sea Pictures • Chanson de Nuit • Chanson de Matin • Characteristic Pieces • The Dream of Gerontius • Serenade Ly Pomp and Circumstance • Cockaigne (In London Town) • C Allegro • Grania and Diarmid • May Song • Dream Chil Coronation Ode • Weary Wind of the West • Skizze • Offertoire Apostles • In The South (Alassio) • Introduction and Allegro • Ev Scene • In Smyrna • The Kingdom • Wand of Youth • How Calm Evening • Pleading • Go, Song of Mine • Elegy • Violin Concer minor • Romance • Symphony No 2 • O Hearken Thou • Coro March • Crown of India • Great is the Lord • Cantique • The Makers • Falstaff • Carissima • Sospiri • The Birthright • The Win • Death on the Hills • Give Unto the Lord • Carillon • Polonia • Un dans le Desert • The Starlight Express • Le Drapeau Belge • The of England • The Fringes of the Fleet • The Sanguine Fan • SonataJULY in E 2004minor Vol.13, • String No .5Quartet in E minor • Piano Quint minor • Cello Concerto in E minor • King Arthur • The Wand E i M h Th H ld B B l -
Songs of Farewell and Other Choral Works Choir of New College Oxford Robert Quinney
PARRY Songs of Farewell and other choral works Choir of New College Oxford Robert Quinney 1 Acknowledgements The Choir of New College Oxford gratefully acknowledges the generous support of Eugene Ludwig, which made this recording possible. The work of the choir is also supported by the Friends of New College Choir: see www.newcollegechoir.com for information on how to join. The edition of the Songs of Farewell used in the recording was edited by Robert Quinney from the autograph manuscripts in the Bodleian Library. It is published by Oxford University Press, ISBN: 9780193518469 Robert Quinney gratefully acknowledges the assistance and advice of Martin Holmes, Alfred Brendel Curator of Music at the Bodleian Libraries. Images Cover: Friedrich, Caspar David (1774-1840), Wanderer über den Nebelmeer, 1818 (oil on canvas) © Bridgeman Images Design: Larisa Afric Producer and Engineer: Adrian Hunter Recorded in the chapel of New College, Oxford, 10-14 July 2017 s a New College Oxford 2018 www.newcollegechoir.com NCR 1394 2 PARRY Songs of Farewell and other choral works Choir of New College Oxford Robert Quinney 3 PARRY Songs of Farewell and other choral works Choir of New College Oxford|Robert Quinney 1. Parry: Hear my words, ye people 14.27 Solo quartet: Oscar Bennett (treble), Edward Beswick (alto), Andrew Bennett (tenor), George Robarts (bass) Baritone: Daniel Tate, Organ: Timothy Wakerell Mendelssohn: Sechs Sprüche 2. i Weihnachten 01.32 3. ii Am Neujahrstage 02.31 4. iii Am Himmelfahrtstage 01.37 5. iv In der Passionszeit 01.28 6. v Im Advent 01.40 7. vi Am Karfreitag 01.50 Parry: Songs of Farewell 8. -
Oxfordshire County Music Service
Oxfordshire County Music Service School Music Opportunities Brochure 2018/19 Welcome and Introduction All the latest details of dates, times, venues and special offers will be regularly updated on our website and through social media. I am pleased to present our annual brochure If you would like to discuss any of the packed full of wonderful music opportunities. While offers contained within this catalogue, or if instrumental and vocal lessons remain a core service, there is a service you would like to discuss with us we organise many ensembles, events and other which is not listed, please call us on 01865 816990 opportunities. We’d like young musicians to feel part or email [email protected]. We look of a wider team, to make friends and to have fun! forward to receiving your order as soon as possible. You’ll find something for everyone - the very young, Angela Turton children, sixth formers and adults. Head of Oxfordshire County Music Service Index Key 3 First Access (sometimes known as Whole Class Tuition /WCET) 4 Play On, Curriculum Delivery, Music Advisory Service 5 Instrumental and Vocal Tuition in Schools 6 School Purchased Weekly Ensembles 7 Vocal Opportunities for your Pupils 8 – 9 Vocal Opportunities for your School 10-11 Early Years 12 Key Stage One including Stringbabies® 13 JamPod Suite / Music Technology lessons 14 Schools’ Concert / Advanced Musicianship Programme 15 Instrumental Events for your Pupils 16-17 Continuing Professional Development 18-19 Music Hub Partnership Breakfast / Music Mark Membership / -
750Th Anniversary Celebrations 2014
celebrating 750 years | merton ANNIVERSARY CELEBRATIONS 1264 2014 1 celebrating 750 years | merton celebrating 750 years | merton 2014 CALENDAR OF EVENTS contents 4 Birthday Weekend JAN 5 Birthday Weekend Timetable TH 11th - 17th 15th 17th - 24th 19th MERTON COLLEGE’S 750 ANNIVERSARY Warden’s visit to Merton Warden’s visit to Epiphany Hong Kong (p.24) Conversation in Japan (p.24) Carol Service (p.21) 6 Birthday Weekend speakers Hong Kong (p.10) 2014 IS ALMOST HERE 8 Birthday Weekend Dinner & Birthday Party FEB MAR 28th 1st 9 Birthday Weekend family events Merton The Dream of Conversation Gerontius in Oxford (p.11) The Sheldonian 10 Merton Conversations Theatre (p. 20) Hong Kong - with Sir Callum McCarthy, Charles Li and Alejandro Reyes APRIL 4th – 6th 9th - 21st 12th 26th 11 Oxford – with Professor Dame Jessica Rawson Passiontide Choir in the USA Merton Inaugural Organ at Merton (p.20) 11th - 13th Conversation and Concert by and Lord Patten of Barnes MC3 Weekend MC3 Weekend in John Scott (p. 19) (p.24) New York (p. 12) 12 New York - with Sir Howard Stringer and Mark Thompson MAY 15th 24th 31st 13 Royal Society, London – with Stephen Fry, Merton Organ Concert by Summer After years of planning, we are and fireworks and will culminate on Conversation at James O’Donnell Eights Dinner (p.22) Professor Brian Cox and Lord May of Oxford the Sunday with a Family Garden Party. the Royal Society, (p. 19) incredibly proud to present a calendar London (p. 13) of events that will bring together the Mertonians are warmly invited to come back 14 BAFTA, London - with the Rt Hon Sir Brian Merton College community for the to the College for this unique celebration. -
We Are TEN – in This Issue
RVW No.31 NEW 2004 Final 6/10/04 10:36 Page 1 Journal of the No.31 October 2004 EDITOR Stephen Connock RVW (see address below) Society We are TEN – In this issue... and still growing! G What RVW means to me Testimonials by sixteen The RVW Society celebrated its 10th anniversary this July – just as we signed up our 1000 th new members member to mark a decade of growth and achievement. When John Bishop (still much missed), Robin Barber and I (Stephen Connock) came together to form the Society our aim was to widen from page 4 appreciation of RVW’s music, particularly through recordings of neglected but high quality music. Looking back, we feel proud of what we have achieved. G 49th Parallel World premieres Through our involvement with Richard Hickox, and Chandos, we have stimulated many fine world by Richard Young premiere recordings, including The Poisoned Kiss, A Cotswold Romance, Norfolk Rhapsody No.2, page 14 The Death of Tintagiles and the original version of A London Symphony. Our work on The Poisoned Kiss represents a special contribution as we worked closely with Ursula Vaughan Williams on shaping the libretto for the recording. And what beautiful music there is! G Index to Journals 11-29 Medal of Honour The Trustees sought to mark our Tenth Anniversary in a special way and decided to award an International Medal of Honour to people who have made a remarkable contribution to RVW’s music. The first such Award was given to Richard Hickox during the concert in Gloucester and more . -
Postmaster and the Merton Record 2019
Postmaster & The Merton Record 2019 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 www.merton.ox.ac.uk Contents College News Edited by Timothy Foot (2011), Claire Spence-Parsons, Dr Duncan From the Acting Warden......................................................................4 Barker and Philippa Logan. JCR News .................................................................................................6 Front cover image MCR News ...............................................................................................8 St Alban’s Quad from the JCR, during the Merton Merton Sport ........................................................................................10 Society Garden Party 2019. Photograph by John Cairns. Hockey, Rugby, Tennis, Men’s Rowing, Women’s Rowing, Athletics, Cricket, Sports Overview, Blues & Haigh Awards Additional images (unless credited) 4: Ian Wallman Clubs & Societies ................................................................................22 8, 33: Valerian Chen (2016) Halsbury Society, History Society, Roger Bacon Society, 10, 13, 36, 37, 40, 86, 95, 116: John Cairns (www. Neave Society, Christian Union, Bodley Club, Mathematics Society, johncairns.co.uk) Tinbergen Society 12: Callum Schafer (Mansfield, 2017) 14, 15: Maria Salaru (St Antony’s, 2011) Interdisciplinary Groups ....................................................................32 16, 22, 23, 24, 80: Joseph Rhee (2018) Ockham Lectures, History of the Book Group 28, 32, 99, 103, 104, 108, 109: Timothy Foot