750Th Anniversary Celebrations 2014
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Programme of Events
Programme www.alumniweekend.ox.ac.uk of events Alumni Weekend in Oxford 19–21 September 2014 How to book 1 Browse the brochure and use the handy pull-out planner to help decide which sessions to attend. You can now search for programme content by college and subject division (see pp37–47). 2 Book online at www.alumniweekend.ox.ac.uk OR complete the booking form and return it by Friday 12 September. We recommend that you book early, as some sessions sell out quickly. 3 We’ll send you a booking confirmation as soon as your registration has been processed. Final event details will be sent in early September. Booking opens: 7 July 2014 Booking closes: 12 September 2014 Cover art inspired by the Penrose Paving at the Maths Institute Rob Judges/Oxford University Images Welcome Contents Booking your place 2 Now in its eighth year, our annual Meeting Our main venue this year will be the recently- Minds event continues to showcase the best opened Mathematical Institute – the Andrew Friday 19 September 5 and brightest of Oxford – past, present and Wiles Building - on the Radcliffe Observatory Saturday 20 September 13 future. Quarter off Woodstock Road and within easy reach of the city centre and most colleges. Sunday 21 September 29 All of our Meeting Minds events (and you The building’s design demonstrates how can now enjoy these occasions in Asia, Europe Family-friendly events 35 mathematical ideas are part of everyday life and North America as well as in Oxford) shine from the paving, featuring patterns dreamt up Colleges 37 a spotlight on the real-world impact of University by Oxford mathematician Sir Roger Penrose research, through a programme of lectures Subjects 45 (one of our featured speakers), to the crystal- and panel discussions. -
Oxfordshire County Music Service
Oxfordshire County Music Service School Music Opportunities Brochure 2018/19 Welcome and Introduction All the latest details of dates, times, venues and special offers will be regularly updated on our website and through social media. I am pleased to present our annual brochure If you would like to discuss any of the packed full of wonderful music opportunities. While offers contained within this catalogue, or if instrumental and vocal lessons remain a core service, there is a service you would like to discuss with us we organise many ensembles, events and other which is not listed, please call us on 01865 816990 opportunities. We’d like young musicians to feel part or email [email protected]. We look of a wider team, to make friends and to have fun! forward to receiving your order as soon as possible. You’ll find something for everyone - the very young, Angela Turton children, sixth formers and adults. Head of Oxfordshire County Music Service Index Key 3 First Access (sometimes known as Whole Class Tuition /WCET) 4 Play On, Curriculum Delivery, Music Advisory Service 5 Instrumental and Vocal Tuition in Schools 6 School Purchased Weekly Ensembles 7 Vocal Opportunities for your Pupils 8 – 9 Vocal Opportunities for your School 10-11 Early Years 12 Key Stage One including Stringbabies® 13 JamPod Suite / Music Technology lessons 14 Schools’ Concert / Advanced Musicianship Programme 15 Instrumental Events for your Pupils 16-17 Continuing Professional Development 18-19 Music Hub Partnership Breakfast / Music Mark Membership / -
We Are TEN – in This Issue
RVW No.31 NEW 2004 Final 6/10/04 10:36 Page 1 Journal of the No.31 October 2004 EDITOR Stephen Connock RVW (see address below) Society We are TEN – In this issue... and still growing! G What RVW means to me Testimonials by sixteen The RVW Society celebrated its 10th anniversary this July – just as we signed up our 1000 th new members member to mark a decade of growth and achievement. When John Bishop (still much missed), Robin Barber and I (Stephen Connock) came together to form the Society our aim was to widen from page 4 appreciation of RVW’s music, particularly through recordings of neglected but high quality music. Looking back, we feel proud of what we have achieved. G 49th Parallel World premieres Through our involvement with Richard Hickox, and Chandos, we have stimulated many fine world by Richard Young premiere recordings, including The Poisoned Kiss, A Cotswold Romance, Norfolk Rhapsody No.2, page 14 The Death of Tintagiles and the original version of A London Symphony. Our work on The Poisoned Kiss represents a special contribution as we worked closely with Ursula Vaughan Williams on shaping the libretto for the recording. And what beautiful music there is! G Index to Journals 11-29 Medal of Honour The Trustees sought to mark our Tenth Anniversary in a special way and decided to award an International Medal of Honour to people who have made a remarkable contribution to RVW’s music. The first such Award was given to Richard Hickox during the concert in Gloucester and more . -
Postmaster and the Merton Record 2019
Postmaster & The Merton Record 2019 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 www.merton.ox.ac.uk Contents College News Edited by Timothy Foot (2011), Claire Spence-Parsons, Dr Duncan From the Acting Warden......................................................................4 Barker and Philippa Logan. JCR News .................................................................................................6 Front cover image MCR News ...............................................................................................8 St Alban’s Quad from the JCR, during the Merton Merton Sport ........................................................................................10 Society Garden Party 2019. Photograph by John Cairns. Hockey, Rugby, Tennis, Men’s Rowing, Women’s Rowing, Athletics, Cricket, Sports Overview, Blues & Haigh Awards Additional images (unless credited) 4: Ian Wallman Clubs & Societies ................................................................................22 8, 33: Valerian Chen (2016) Halsbury Society, History Society, Roger Bacon Society, 10, 13, 36, 37, 40, 86, 95, 116: John Cairns (www. Neave Society, Christian Union, Bodley Club, Mathematics Society, johncairns.co.uk) Tinbergen Society 12: Callum Schafer (Mansfield, 2017) 14, 15: Maria Salaru (St Antony’s, 2011) Interdisciplinary Groups ....................................................................32 16, 22, 23, 24, 80: Joseph Rhee (2018) Ockham Lectures, History of the Book Group 28, 32, 99, 103, 104, 108, 109: Timothy Foot -
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N. -
Postmaster & the Merton Record 2017
Postmaster & The Merton Record 2017 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 www.merton.ox.ac.uk Contents College News Features Records Edited by Merton in Numbers ...............................................................................4 A long road to a busy year ..............................................................60 The Warden & Fellows 2016-17 .....................................................108 Claire Spence-Parsons, Duncan Barker, The College year in photos Dr Vic James (1992) reflects on her most productive year yet Bethany Pedder and Philippa Logan. Elections, Honours & Appointments ..............................................111 From the Warden ..................................................................................6 Mertonians in… Media ........................................................................64 Six Merton alumni reflect on their careers in the media New Students 2016 ............................................................................ 113 Front cover image Flemish astrolabe in the Upper Library. JCR News .................................................................................................8 Merton Cities: Singapore ...................................................................72 Undergraduate Leavers 2017 ............................................................ 115 Photograph by Claire Spence-Parsons. With MCR News .............................................................................................10 Kenneth Tan (1986) on his -
The Building of the Tower of Five Orders III the Schools' Quadrangle at Oxford
The Building of the Tower of Five Orders III the Schools' Quadrangle at Oxford By CATHERINE COLE N the summer of 1612, John Chamberlain, the Tudor gossip writer, de I scribed, in a letter to Sir Dudley Carleton, a visit he had lately paid to Oxford, in the course of which he had viewed the three important buildings recently erected there. In an interesting passage he thus records his im press.ions: , ... Sir Thomas Bodley's addition to the library is a fair and substantial building, suitable on the outside to the Divinity Schools, Mrs. Wadham's new College would have been a fine handsome fabric, if it had been as well placed and contrived as it might easily have been, but the most pleasing thing I saw was the new quadrangle at Merton College, a graceful work and one that may stand for a second foundation .. ." Chamberlain had two old friends in Oxford, William Gent and Thomas Allen, both active members of the small committee set up by the University to oversee the progress of the library,' and both residents of Gloucester Hall, whose young principal, Dr. Hawley, was also one of Bodley's chief assistants. Dr. Hawley had lately been affronted by Mrs. Wadham's refusal to build her college on the site of Gloucester Hall and to make him its first Warden.3 It therefore seems extremely probable that Chamberlain is here quoting the views and information imparted to him by these two friends, in whose company he doubtless viewed the buildings. If tlus is so, the statement that the addition to the library was suitable on the outside to the Divinity School, is of interest, since it implies a deliberate intention on Bodley's part to design his building in conformity with a GotlUc predecessor. -
Michaelmas Term 2019 Chapel Services and Music MAGDALEN
Michaelmas Term 2019 Chapel Services and Music MAGDALEN COLLEGE OXFORD COVER IMAGE: DETAIL FROM MAGDALEN COLLEGE MS LAT 223, GOSPEL LECTIONARY COMMISSIONED BY CARDINAL WOLSEY (1529, LONDON) THE FEAST OF SAINT ANDREW, 30 NOVEMBER SAINT STANDING, RED CLOAK OVER A BLUE GOWN, HIS CROSS UNDER HIS RIGHT ARM, AND BOOK IN HIS LEFT HAND, A LANDSCAPE WITH BUILDINGS IN THE BACKGROUND, ALL WITHIN A DOUBLE ARCH WWW.WOLSEYMANUSCRIPTS.AC.UK We welcome you to our worshipping community at Magdalen. Prayer and praise have been offered to God in this place since the fifteenth century, when the College was founded by William of Waynflete, Bishop of Winchester. The statutes of 1480 make provision for a Choir comprising sixteen boy Choristers and a number of adult Clerks, ‘that the worship of God, from whom all good things come, might be increased more widely and better sustained’. That tradition continues unchanged today. The Choirmaster at Magdalen retains the ancient Latin title Informator Choristarum, and among those who have held the post over the centuries are John Sheppard, Daniel Purcell, Sir John Stainer, Sir William McKie, and, in more recent years, Dr Bernard Rose. It is the aim of the Dean of Divinity and the Informator Choristarum that all our services here should be dedicated to the glory of God. Our music is not an end in itself but part of a larger whole. We hope that in the singing and in the silence, in the spoken word and in the beauty of this house of God, you will feel that greater presence, and be blessed by the peace that passes all understanding. -
On the Late, Or Debased, Gothic Buildings of Oxford
Archaeological Journal ISSN: 0066-5983 (Print) 2373-2288 (Online) Journal homepage: http://www.tandfonline.com/loi/raij20 On the Late, or Debased, Gothic Buildings of Oxford O. Jewitt To cite this article: O. Jewitt (1851) On the Late, or Debased, Gothic Buildings of Oxford, Archaeological Journal, 8:1, 382-396, DOI: 10.1080/00665983.1851.10850831 To link to this article: http://dx.doi.org/10.1080/00665983.1851.10850831 Published online: 10 Jul 2014. Submit your article to this journal Article views: 4 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=raij20 Download by: [University of California, San Diego] Date: 23 June 2016, At: 21:48 382 ON THE LATE, OE DEBASED, " acl valli marginem," and therefore the words " duplici vallo," or double ditch, imply to my mind that the work was two- fold, enceinte and envelope; moreover, the introduction of the plate in 1674, shows that it was intended to represent the fortifications that were really made, not merely such as were suggested. The difference between the Latin translation and Wood's own manuscript, appears to have arisen from the following cause : the Latin translation is not from Wood's own pen, it wras made by one Richard Peers, a student of Christ Church, who offended Anthony a Wood by permitting Dr. Pell to insert passages not in the original; but where one can detect no motive for alteration, save a regard for the preservation of facts, I am ready to receive and acknowledge him as worthy of credit, and believe the works at Oxford to have been such as are represented in the plan which he has given,—such as never before or since were constructed in England, or, as far as I am aware, in any other country. -
The Wellesley Prelude
VOLUME I.—No. ^. CONTENTS. PAGE. PAGE. - Leader, Sarah M. Bock, '90 - - - 3fc. 65 College Notes, Theodora Kyle, '91 - - - 75 Love's Largess.—Poem, Louise ManiiingHodgkins 66 Auld Acquaintance, Edith S. Tufts, '84 - - 75 A Bird Calendar, A. C. Chapin - - - 66 Inter-Collegiate News, Mary W. Bates, '92 - 76 Jack, Rosa Dean, '90 - - - - - 67 Our Outlook, Mary Barrows, '90 - - - 76 The Greek Play at Smith, J. S. R. - - 68 Waban Ripples 77 Oxford Letter, S. Lilian Burlingame '85 - - 70 Magazines and Reviews, Mary Barrows, '90 - 77 Our Letter from Athens, Emily Norcross, 'So - 72 Book Reviews, Sarah M. Bock, '90 - - 78 The Week, Emily I. Meader, '91 ... 73 Wellesley, Mass., October 19, 1S89. Willis F. Stevens, Publisher, Wellesley, Mass. Wl^^^ rme^ (Formerly exclusively wholesale.) HIGH CLASS NOVELTIES A SPECIALTY. Direct Importations and their Own Celebrated Make. SPRINGER BROTHERS' POPULAR CLOAK ESTABLISHMENTS- RETAIL BUILDING, WHOLESALE AND RETAIL, 500 Washington St., cor. Bedford St. Essex St., from Chauncy to Harrison Ave BOSTON. To all students of Wellesley College, as well as other educational institu- tions, Springer Brothers offer a discount of six per cent, on any purchases the} may make at either establishment. Please mention this advertisement. The Wellesley Prelude. Vol. I. WELLESLEY COLLEGE, OCTOBER 19, 1889. No. 5. something entirely different. Neither is it a loss of The Wellesley Prelude. time. Those who do it, eventually accomplish Edited by the Students of Wellesley College and published more than those who habitually allow their work to weekly during the college year. Price, )f3.oo a year, in advance. Single copies, 10 cents. crowd into their rest time. -
William Henry Harris
William Henry Harris (1883 – 1973) The following is reproduced with kind permisson of Naxos. Sir William Henry Harris was born in Fulham on 28th March 1883 and was named after his father. His mother was Alice Mary (neé) Clapp. Theirs was a musical family, and at fourteen the boy’s exceptional gifts had attracted enough local attention to generate sufficient financial help to send him to St David’s Cathedral, South Wales, to assist its somewhat easy-going organist, Herbert Morris. He was soon quite content to let Harris take over at times, certainly when he preferred to sleep in during a weekday Matins. A scholarship at sixteen to the Royal College of Music, not to mention an FRCO, soon drew Harris to the attention of its Director, Sir Hubert Parry. His long association with St George’s Chapel, Windsor, dates back to this time, since its organist Sir Walter Parratt became his organ teacher. Composition was encouraged by Stanford and Charles Wood, and by Walford Davies, whom Harris would sometimes help out at the console of the organ in the Temple church London. Appointed assistant organist at Lichfield Cathedral(1911) which he then combined as Master of Music at St. Augustine's Edgbaston following the death of Alfred Gaul. With encouragement from Sir Granville Bantock, he took on some teaching at the Birmingham and Midland Institute. A surprise appointment to succeed Sir Hugh Allen at New College Oxford (1919) gave Harris his first taste of being in charge, but only just, since his powerful predecessor did not find letting go at all easy. -
5.0 What Is Special About the Conservation Area?
5.0 What is special about the conservation area? 5.1 What makes the centre of Oxford special? 5.2 Themes 5.0 What is special about the conservation area? 5.1 What makes the centre of Oxford special? Few places in the world can claim so much outstanding architecture and townscape in such a concentrated space as the historic centre of Oxford. One of the masterpieces of European architectural heritage, it is also a major regional commercial centre and one of the most celebrated and loved places in Britain: its history, its architecture, its townscape and its flood plains combine in glorious, often spectacular fashion. The causes of this brilliance are many and complex. Preserving and better still enhancing the conservation area requires that the subtle fusion of many factors is understood and applied: Contrasts and continuity. Oxford city centre is a townscape of harmonious contrast and notable historical continuity: of private colleges and Saxon streets, education and commerce, medieval and modern, golden limestone and brightly painted render, monumental institutional buildings cheek by jowl with picturesque town houses, broad green space and intimate streets, thronging thoroughfares and tranquil passages. These contrasts create juxtapositions that are of exceptional picturesque quality and express the richness and diversity of the city’s history and its economy. Continuity of function and layout are a direct lineage through hundreds of years of history. Land ownership. Long-term institutional ownership makes Oxford’s townscape distinctive. It has endowed the city with architecture of international importance – worthy of a capital city as Geoffrey Tyack says – of which an exceptionally and unusually high proportion is pre-Victorian.