Finding Aid for the Tina Mayfield Collection (MUM01758)

Total Page:16

File Type:pdf, Size:1020Kb

Finding Aid for the Tina Mayfield Collection (MUM01758) University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Tina Mayfield Collection (MUM01758) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Tina Mayfield Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Tina Mayfield Collection (MUM01758) Questions? Contact us! The Tina Mayfield Collection is open for research. Finding Aid for the Tina Mayfield Collection Table of Contents Descriptive Summary Administrative Information Subject Terms Biographical Note Scope and Content Note User Information Related Material Separated Material Arrangement Container List Descriptive Summary Title: Tina Mayfield Collection Dates: 1970-2000 Collector: Mayfield, Tina Physical Extent: 3 boxes (1.6 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM01758 Location: Blues Archive Language of Material: English Abstract: The collection contains materials related to Percy Mayfield, Lowell Fulson, and Tina Mayfield. Administrative Information Acquisition Information Purchased for the Blues Archive by Mick and Molli Kolassa Processing Information Collection processed by Greg Johnson, 2011. Finding aid encoded by Kathryn Michaelis, January 2012. Additions No further additions are expected to this collection. Subject Terms Mayfield, Percy, 1920-1984 Fulson, Lowell Mayfield, Tina Blues (Music) Blues musicians Formats correspondence clippings (information artifacts) photographs obituaries ephemera Biographical Note Tina Mayfield (b. Earnestine Jermany 17 October 1929, d. 14 December 2006) ran a music agency called Mayfield Productions. She was widowed by Percy Mayfield and managed a number of artists, including Lowell Fulson. Percy Mayfield (b. 12 August 1920, Minden, La., d. 11 August 1984, Los Angeles, Calif.) was a talented songwriter and singer. Known as the "Poet Laureate of the Blues," he wrote and arranged many works for Ray Charles, of which "Hit the Road Jack" is probably the most famous. His "Please Send Me Someone to Love" has been covered by a number of artists. Lowell Fulson (b. 31 March 1921, Tulsa, OK, d. 7 March 1999, Long Beach, CA) was one of the most influential west coast blues guitarists. His song “Three O’Clock Blues” became B. B. King’s first number one hit, and his “Reconsider Baby” was covered by Elvis Presley. Scope and Content Note This collection contains photographs, correspondence, lyrics, and business documents related to the lives and careers of Percy Mayfield, Lowell Fulson, and Tina Mayfield and the musicians marketed through Mayfield Productions. User Information Preferred Citation Tina Mayfield Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Access Restrictions The Tina Mayfield Collection is open for research. Copyright Restrictions The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. Reproducing items in folders 2.10-2.13 is prohibited. Related Material Resources at the University of Mississippi Percy Mayfield Collection, Archives and Special Collections, J.D. Williams Library Separated Material The following items have been cataloged: Jones, Fernando. I Was There When the Blues Was Red Hot. Chicago: Fernando Jones Publishing, 1991. Call number: ML3521.J65 1989. (Inscribed to Tina Mayfield) Mayfield, Percy. New Released Music All Written & Performed by Percy Mayfield. Maytone Records, 2005. (Compact disc) Fulson, Lowell. "Walk On / Kansas City Bound." Hollywood, CA: Granite Records, 1976. (45 rpm sound disc) Anderson, Blue. "You Can’t Make Nobody Love You / Economic Blues." Los Angeles, CA: White Records Enterprises, undated. (45 rpm sound disc) Arrangement This collection is arranged in two series. Series I. Papers, 1970-2000 Series II. Photographs Container List Series I. Papers, 1970-2000 Scope: Correspondence, lyrics, and business documents Folder 1.1 Percy Mayfield handwritten lyrics Folder 1.2 Percy Mayfield typed lyrics Folder 1.3 Percy Mayfield correspondence Folder 1.4 Percy Mayfield contracts Folder 1.5 Percy Mayfield funeral condolences and obituary Folder 1.6 Essay on Percy Mayfield by Dick Shurman Folder 1.7 Percy Mayfield clippings Folder 1.8 Percy Mayfield flyers Folder 1.9 Percy Mayfield airline tickets Folder Percy Mayfield royalty statements 1.10 Folder Percy Mayfield catalogue and related documents 1.11 Folder Percy Mayfield miscellaneous 1.12 Folder Lowell Fulson song lyrics 1.13 Folder Lowell Fulson articles and profiles 1.14 Folder Lowell Fulson contracts 1.15 Folder Lowell Fulson copyright renewals 1.16 Folder Lowell Fulson miscellaneous 1.17 Folder Tina Mayfield certificates 1.18 Folder Tina Mayfield appointment books 1.19 Folder Tina Mayfield personal correspondence 1.20 Folder Tina Mayfield department of corrections visitations forms 1.21 Folder Tina Mayfield notebook 1.22 Folder Tina Mayfield miscellaneous 1.23 Folder General flyers 1.24 Folder Tony Coleman public relations material 1.25 Folder Terry Evans public relations material 1.26 Folder Leonard Gill public relations material 1.27 Folder Russell Jackson public relations material 1.28 Folder Sam Frazier Jr. public relations material 1.29 Folder Slidin’ Stevie Davis public relations material 1.30 Folder Brian E. Young public relations material 1.31 Folder Dahle Scott public relations material 1.32 Folder Rich Harper Blues Band public relations material 1.33 Folder Lady Holleman public relations material 1.34 Folder Robert A. Johnson music portfolio 1.35 Folder Martin Feldmann article 1.36 Folder Various funeral programs and pamphlets 1.37 Folder 2.1 Miscellaneous clippings Folder 2.2 Documents of Freedom reproductions Folder 2.3 The True Gospel Church of God by-laws Folder 2.4 James Glover – various business documents Folder 2.5 James Glover – mortuary/cemetery documents Folder 2.6 Various blues festival programs Folder 2.7 BMI Newsletters Folder 2.8 Black American Cinema Society’s awards program Folder 2.9 Miscellaneous Folder Percy Mayfield deed, mortgage, and loan information 2.10 Restrictions: Copying, scanning, or photographing prohibited Folder Percy Mayfield receipts for 1985 taxes 2.11 Restrictions: Copying, scanning, or photographing prohibited Folder Percy Mayfield various receipts and checks 2.12 Restrictions: Copying, scanning, or photographing prohibited Folder Tina Mayfield tax documents 2.13 Restrictions: Copying, scanning, or photographing prohibited Folder Lowell Fulson – Pioneer Award from the Rhythm and Blues Foundation, 1993 2.14 Folder Guitar Shorty and Sam Frazier Jr. posters 2.15 Series II. Photographs Folder 3.1 Percy Mayfield photographs Folder 3.2 Lowell Fulson PR photographs Folder 3.3 Lowell Fulson photographs Folder 3.4 Tina Mayfield photographs Folder 3.5 Lowell Fulson and others from Blues & Cues, Toronto, Canada, May 1990 Scope: Removed from photo album sent to Lowell Fulson from Therese [?] on 8 June 1990 Folder 3.6 Lowell Fulson signed photograph Folder 3.7 O. B. Wright signed photograph Folder 3.8 Tina Mayfield photographs Folder 3.9 Dena’s graduation photographs from LAPD Academy and first day at new job, April 1988 Scope: Removed from photo album Folder Photographs from scrapbook 3.10 Scope: Removed from photo album called "Grandma’s Brag Book" Folder Fats Domino signed photograph 3.11 Folder Backroads Blues Band signed photograph 3.12 Folder Shirley Dixon signed photograph 3.13 Folder Sly Williams signed photograph 3.14 Folder Fernando Jones signed photograph 3.15 Folder Bobby Warren signed photograph 3.16 Folder Joe Campbell photographs 3.17 Folder Bo Diddley photograph 3.18 Folder Junior Wells photograph 3.19 Folder Bob Nelson photograph 3.20 Folder The Marvelettes photograph 3.21 Folder Rich Harper Blues Band photograph 3.22 Folder Slo Leak photograph 3.23 Folder Terry Evans photograph 3.24 Folder Buddy Guy photograph 3.25 Folder Harmonica Slim and Hosea Leavy photograph 3.26 Folder Lady Holleman photograph 3.27 Folder Nadine A. photograph 3.28 Folder Big Jay McNeely photograph 3.29 Folder Koko Taylor photograph 3.30 Folder Louisiana "Guitar" Red photograph 3.31 Folder Papa John Creach photograph 3.32 Folder Floyd Dixon and Port Barlow photograph 3.33 Folder Smokey Wilson photograph 3.34 Folder Sir Stan and the Counts photograph 3.35 Folder Jimmy Rogers photograph 3.36 Folder Guitar Shorty photograph 3.37 Folder Ester Jones photograph 3.38 Folder Sam Lay photograph 3.39 Folder A Band Called Sam photograph 3.40 Folder Fenton Robinson photographs 3.41 Folder Harmonica Fats photographs 3.42 Folder B. B. King and Big Daddy Carl photograph 3.43 Folder Guitar Shorty and Bernie Pearl photograph 3.44 Folder Lil Ed photograph 3.45 Folder John Lee Hooker photograph 3.46 Folder Doug MacLeod photograph 3.47 Folder Miscellaneous photographs 3.48.
Recommended publications
  • &Blues GUITAR SHORTY
    september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974.
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER FREDDIE KING TITEL Texas Flyer, 1974 - 1976 LABEL Bear Family Records KATALOG # BCD 16778 PREIS-CODE EK EAN-CODE ÆxAKABMRy167781z ISBN-CODE 978-3-89916-550-0 FORMAT 5 CD-Box (LP-Format) mit 80-seitigem geb. Buch GENRE R&B / Rock Instrumental ANZAHL TITEL 64 SPIELDAUER 363:47 G Diese Box komplettiert die Freddie-King-Story: alle RSO-Studioaufnahmen von 1974/75 (einige mit Label- Kumpel Eric Clapton) sowie vier randvolle CDs mit Live-Tracks aus den Mittsiebzigern. G Unsere erste Freddie-King-Box gehörte zu den bestverkauften und am besten rezensierten, die wir je hatten! Dies ist die aufregende Fortsetzung. G Enthält das aufregende 'Burglar'-Album (in England von Mike Vernon produziert) sowie Raritäten und eine unveröffentlichte Version von That's All Right. G Viele der krachenden Livemitschnitte in dieser mächtigen Box hat es nie zuvor gegeben – alle sind in klarem, knackigen Stereo aufgenommen. Auch nicht der Hauch von Bootleg-Qualität! G Das optisch sehr gelungene Begleitbuch enthält viele Fotos, eine Komplett-Discographie und einen umfang- reichen Text mit neuen Interviews, u.a. mit Mike Vernon, dem Trompeter Darrell Leonard (er produzierte sechs der Live-Titel) und einem der bekanntesten King-Bandmusiker aus den 70ern, dem Pianisten David Maxwell. INFORMATIONEN Diese 5-CD-Ausgabe schließt nahtlos an BEAR FAMILYserste, umfangreiche und hochgelobte Freddie-King-Box 'Taking Care Of Business 1956-1973' an; sie dokumentiert die letzten Jahre des großen texanischen Bluesgitarristen für RSO RECORDS, bei denen auch Eric Clapton unter Vertrag stand.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Ed 366 968 Author Title Institution Report No Pub
    DOCUMENT RESUME ED 366 968 CS 214 219 AUTHOR Reynolds, Mark, Ed. TITLE Two-Year College English: Essays for a New Century. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-5541-3 PUB DATE 94 NOTE 246p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 55413-3050; $14.95 members, $19.95 nonmembers). PUB TYPE .Collected Works General (020) Books (010) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *College English; *English Instruction; Faculty Development; Instructional Effectiveness; *Nontraditional Students; *Two Year Colleges; Undergraduate Students; *Writing Instruction IDENTIFIERS Curriculum Emphases; Educational Issues; Faculty Attitudes; Technical Communication; Writing Development ABSTRACT Noting that the nearly 1,400 two-year colleges in the United States enroll almost half of all students in highereducation, this collection of essays discusses the students, thecurriculum, and the faculty at these colleges. In essence, the collectionsurveys what is "on the minds" of two-year college Englishteachers. The essays and their authors are:(1) "Introduction" (Mark Reynolds); (2) "I Am Not the Look in Your Eyes" (Janice M. Albert);(3) "This New Breed of College Students" (Mary L. Needham); (4) "'TheOld Lady in the Student Lounge': Integrating the Adult Female Studentinto the College Classroom" (Mary Kay Morrison);(5) "What Happened to Darleen? Reconstructing the Life and Schooling ofan Underprepared Learner" (Smokey Wilson);(6) "Latina/o College Writing Students: Linguistic, Cultural, and Gender Issues" (Kate Mangelsdorf); (7) "Aliteracy among Community College Students" (Raelyn AugustinJoyce); (8) "Today for Tomorrow: Program and Pedagogy for 21-stCentury College Students" (Claudia M.
    [Show full text]
  • OBHOF INDUCTEES Why We Honor Them 2104
    OBHOF INDUCTEES 2104 Why We HonorThem: Dr. Harold Aldridge March 3, 2014 Aldridge sings the blues Dr. Harold Aldridge is a retired professor of psychology at NSU in Tahlequah. Tahlequah Daily Press By RENEE FITE Special Writer TAHLEQUAH — The gray is beginning to cover his once-black hair, and it shows when the tall, lanky musician adjusts his black felt cowboy hat. He’s admits to being a little nervous. To keep his hands busy and mind occupied before the show begins, he tunes his guitar, glancing around the room, waving or nodding to friends. “An Evening of Blues Music,” presented at Webb Tower by Dr. Harold Aldridge, professor emeritus of psychology at Northeastern State University, was in observance of Black History month. After a brief introduction and enthusiastic applause, Aldridge began with a joke. “As the milk cow said to the dairy man, ‘Thanks for the warm hand,’” he said. For the next hour, the audience was taken on a journey through black history via the blues, from deep in the Mississippi Delta, to Alabama, the East Coast, Kansas City, Oklahoma, Texas and California. “I’m going to tell you the history of blues, and hopefully, it will be entertaining,” Aldridge said. “I stick with the old stuff, from Memphis, Mississippi, Alabama, and Tennessee.” According to Aldridge, blues music is evolving. “It’s almost like rock in some places; I guess next we’ll have rap blues,” he said. As his story unfolded, the audience learned the blues has changed with varying locations and situations. “The blues originated in West Africa and came here as a feeling, the soul of it, the spirit of high John the Conqueror,” said the Aldridge.
    [Show full text]
  • Mark Hummel Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8r216s6 No online items Guide to the Mark Hummel Papers Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Mark Hummel MS 223 1 Papers Guide to the Mark Hummel Papers Collection number: MS 223 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 2018-04-27 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Mark Hummel papers Dates: 1978-2012 Collection number: MS 223 Creator: Hummel, Mark Collection Size: .25 linear feet(1 box) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Mark Hummel Papers consist of photographs, blues show flyers, blues music publications, audio recordings, and newspaper clippings documenting the career of blues musician Mark Hummel and the San Francisco Bay Area blues scene in the 1970s-1990s. Languages: Languages represented in the collection: English Access No access restrictions. Collection is open to the public. Access Restrictions Materials are for use in-library only, non-circulating. Publication Rights Permission to publish from the Mark Hummel Papers must be obtained from the African American Museum & Library at Oakland. Preferred Citation Mark Hummel papers, MS 223, African American Museum & Library at Oakland, Oakland Public Library. Oakland, California. Acquisition Information Donated by blues musician Mark Hummel to the African American Museum & Library at Oakland on March 30, 2018.
    [Show full text]
  • To Read/Download
    1 President’s Column groups to attend our shows (with their membership cards) at SBS By Brandon Bentz, President member prices. My view is that we are one big community of Blues As we approach the New Year, it is time to lovers, and we need to be open-armed to each other. I also targeted sponsored shows at higher visibility venues, such as the Harmonica reflect on the past year. It is a useful exercise to undertake each year to critically evaluate Slapdown at the Harris Center. The Harris Center sends out their where you have been and where you want to seasonal mailers to 100,000+ members, and the advertising power go.I think this has been a great year, and could not be denied. In addition, their membership is a very affluent, I'd like to share with you how I became your educated, and involved group. We signed up 35 new individual and President. family memberships at that show. Our next show to be held there will be the Summer Soulstice 2019 with Wee Willie Walker, Terri I took over the Presidency a little less than a year ago, when Renee Odabi, and the Anthony Paule Soul Orchestra. Hope to see you Erickson was suddenly faced with a serious health problem. I had there. taken the Vice Presidency over just a few months earlier when the former VP stepped down. The Board voted me into the VP spot, to Next was the Board membership crisis. If we fell below a critical fill the vacancy and introduce new blood and new ideas.
    [Show full text]
  • For Immediate Release Contact:Marnie Klein [email protected]
    For Immediate Release Contact:Marnie Klein [email protected] Oceanside Theatre Company at The Brooks kicks off its 2018 Music Series on Sunday, April 22, with two American blues treasures: The Rick Holmstrom Band and Nathan James and The Rhythm Scratchers. The Brooks Theatre is located at 217 North Coast Highway, Oceanside, California. Doors open at 6:30 p.m. for happy hour. The show starts at 7:30 p.m. All seats are $25 and tickets are available online at www.oceansidetheatre.org. Holmstrom is an electric blues and rhythm and blues guitarist, singer and songwriter who has worked with musical legends such as Jimmy Rogers, Billy Boy Arnold, R.L. Burnside, Smokey Wilson, Johnny Dyer, William Clarke and Rod Piazza. Holmstrom is currently the bandleader for the great Mavis Staples and can be heard on her Grammy-winning album “You Are Not Alone.” Holmstrom has numerous studio recordings to his credit with his groundbreaking third album “Hydraulic Groove” peaking at No. 9 on the Billboard Top Blues Albums chart. Internationally acclaimed blues guitarist and Oceanside resident Nathan James is a well respected and experienced guitarist in his field, having created a musical identity with his handcrafted washboard guitar, mastery of the Piedmont finger style and passion for blues and American roots music. James has worked with such well known artists as Jamie Wood, Johnny Dyer, Kim Wilson, Pinetop Perkins, Janiva Magness, Rick Holmstrom, Mark Hummel, Gary Primich and blues veteran James Harman. With his trio, The Rhythm Scratchers, James forges a distinct sound that combines elements of 1920's acoustic blues, amplified juke joint hill country, and 1950's uptown blues mixed with 1960's soulful R&B.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON ERIC TRACK LISTING Blues all day long “The Mississippi Delta” StandingStanding aroundaround cryingcrying “The giants” Forty-four It hurts me too “So much emotion” Early in the morning “Like breaking glass” Five long years THE BLUES BUT NOTHING Crossroads “The black James Dean” Malted milk “Chop the cotton” Motherless child How long “Shuffl es” Reconsider baby In late November 1994, movie director and blues music fan Martin Scorcese fi lmed a Sinner’s prayer documentary on guitarist Eric Clapton, who was touring the United States with his “Vibrato” “Nothing but the blues” show. Scorcese recorded interviews with the musician on why the blues genre had infl uenced him so much, as well as two complete shows from the tour Everyday I have the blues at The Fillmore in San Francisco. Someday after a while “Make it sing like a voice” The results of Scorcese’s work were aired once on PBS television stations in the United States, but have never been seen since. Until now. Now on DVD, with visuals taken from Have you ever loved a woman a rare Warner Music promotional video and remastered concert sound from the original Tore down pre-FM master tapes, this fi lm provides a lasting chronicle of one of Clapton’s most “A more vibrant tone” critically-acclaimed tours. Groaning the blues MARTIN SCORCESE PRESENTS A WARNER BROS MUSIC/REPRISE PRODUCTION “I always come back” ERIC CLAPTON “NOTHING BUT THE BLUES” Ain’t nobody’s business ERIC CLAPTON, ANDY FAIRWEATHER-LOW, CHRIS STAINTON, DAVE BRONZE, JERRY PORTNOY, ANDY NEWMARK, Driftin’ SIMON CLARKE, TIM SANDERS & RODDY LORIMER WITH JIMMY ROGERS, BUDDY GUY & BB KING LIVE RECORDING TOUR PRODUCTION TOUR GUITAR SUPERVISION RUSS TITELMAN MANAGER MICK DOUBLE CO -ORDINATION PETER JACKSON TECHNICIAN LEE DICKSON WRITING & EXECUTIVE PRODUC TION STEPHEN “SCOOTER” WEINTRAUB PRODUCER MARTIN SCORCESE DVD MENUS DOLBY 2.0 DVD COVER Running time 1h 46m & AUTHORING GEETARZ, BUTTON PRODUCTIONS REMASTER ING JOEY JAY ARTWORK BLACK MOUSE ERIC CLAPTON NOTHING BUT THE BLUES A FILM BY MARTIN SCORCESE.
    [Show full text]
  • Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
    HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution.
    [Show full text]
  • Complete John Lee Hooker Session Discography
    The Complete John Lee Hooker Discography: from The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info The Great R&B Files (# 2 of 12) PaRT i Updated July 8, 2019 The John Lee Hooker Session Discography - compiled by Claus Röhnisch The R&B Pioneers Series – Volume Two of twelve The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info page 1 (94) 1 The World’s Greatest Blues Singer The Complete John Lee Hooker Discography: from The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info The John Lee Hooker Session Discography - compiled by Claus Röhnisch John Lee Hooker – The World’s Greatest Blues Singer / The R&B Pioneers Series – Volume Two of twelve Below: Hooker’s first record, his JVB single of 1953, and the famous “Boom Boom”. The “Hooker” Box, Vee-Jay’s version of the Hooker classic, the original “The Healer” album on Chameleon. BluesWay 1968 single “Mr. Lucky”, the Craft Recordings album of March 2017, and the French version of the Crown LP “The Blues”. Right: Hooker in his prime. Two images from Hooker’s grave in the Chapel of The Chimes, Oakland, California; and a Mississippi Blues Trail Marker on Hwy. 3 in Quitman County (Vance, Missisippi memorial stone - note birth date c. 1917). 2 The World’s Greatest Blues Singer The Complete John Lee Hooker Discography: from The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info . December 31, 1948 (probably not, but possibly early 1949) - very rare (and very early) publicity photo of the new-found Blues Star (playin’ his Gibson ES 175).
    [Show full text]