An Analysis on Students' Errors in Descriptive Writing
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The Humour of Greyson Chance (To Mark the Third Anniversary of the Beginning of His Career)
1 The Humour Of Greyson Chance (to mark the third anniversary of the beginning of his career) 28 April 2010, when he posted his cover of Paparazzi and his own song Broken Hearts to YouTube, is usually regarded as the beginning of his career. A year ago (on 30 April 2012), during a private function in Hongkong, he recounted that his fans had tweeted to him two days previously ’Two years, two years, two years’ and that he had wondered ‘What’s two years?’ which provoked merriment among the audience. Upon this, he performed a liberally modified version of his cover of Lady Gaga’s Paparazzi, originally the commencement of his career: http://www.youtube.com/watch?v=WNZFilwkfvU It is reassuring that his fans remind him of this anniversary when he himself fails to remember it! This was the time that followed his (band-accompanied) first concert tour in South-East Asia, when he stayed on for a few weeks to perform solo and give interviews. His most frequently varied song, Waiting Outside The Lines, he often interpreted in an exuberant manner, winding up by repeating the ‘wo-o’ for up to forty seconds. Unfortunately, the videos are often of a bad quality: 24 April in Taiwan: http://www.youtube.com/watch?v=iL2Qa_6XGZg 20 April in Hongkong: http://www.youtube.com/watch?v=fnsZkuCKwUs 4 May in Bangkok: http://www.youtube.com/watch?v=LHI65bMUj9o These videos show clearly that he entertains not only his fans, but also himself, and that it is one of his basic characteristics to vary the songs from each perfomance to the next. -
Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A. -
The Korean Wave in the Middle East: Past and Present
Article The Korean Wave in the Middle East: Past and Present Mohamed Elaskary Department of Arabic Interpretation, Hankuk University of Foreign Studies, Seoul 17035, South Korea; [email protected]; Tel. +821054312809 Received: 01 October 2018; Accepted: 22 October 2018; Published: 25 October 2018 Abstract: The Korean Wave—otherwise known as Hallyu or Neo-Hallyu—has a particularly strong influence on the Middle East but scholarly attention has not reflected this occurrence. In this article I provide a brief history of Hallyu, noting its mix of cultural and economic characteristics, and then analyse the reception of the phenomenon in the Arab Middle East by considering fan activity on social media platforms. I then conclude by discussing the cultural, political and economic benefits of Hallyu to Korea and indeed the wider world. For the sake of convenience, I will be using the term Hallyu (or Neo-Hallyu) rather than the Korean Wave throughout my paper. Keywords: Hallyu; Korean Wave; K-drama; K-pop; media; Middle East; “Gangnam Style”; Psy; Turkish drama 1. Introduction My first encounter with Korean culture was in 2010 when I was invited to present a paper at a conference on the Korean Wave that was held in Seoul in October 2010. In that presentation, I highlighted that Korean drama had been well received in the Arab world because most Korean drama themes (social, historical and familial) appeal to Arab viewers. In addition, the lack of nudity in these dramas as opposed to that of Western dramas made them more appealing to Arab viewers. The number of research papers and books focused on Hallyu at that time was minimal. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Hit Makers Greyson Chance and Emblem3 Join All Star Line up at T.J
FOR IMMEDIATE RELEASE PRESS CONTACTS: Kristin Loretta Ketchum [email protected] Kate Fitzpatrick T.J. Martell Foundation, Communication Consultant [email protected] HIT MAKERS GREYSON CHANCE AND EMBLEM3 JOIN ALL STAR LINE UP AT T.J. MARTELL FOUNDATION’S 14TH ANNUAL FAMILY DAY HONORING PARADIGM’S MARTY DIAMOND AND FAMILY Greyson Chance and Emblem3 to perform along with Jason Mraz, Ed Sheeran and Austin Mahone at Family Day Event on September 15, 2013 in NYC New York, NY – (August 1, 2013) – The T.J. Martell Foundation is proud to announce the addition of Greyson Chance and Emblem3 to their impressive lineup of artists for its 14th Annual Family Day on Sunday, September 15th, 2013 at Roseland Ballroom in New York City. "I am honored and excited to be performing for an organization that truly helps our society," says Greyson Chance who, at fifteen years old, has already had a number one single, performed live on Ellen and Good Morning America and has shared stages with iCarly’s Miranda Cosgrove and Big Time Rush, previous Family Day honorees. As the breakout band on the hit show X Factor, amassing over 15 million YouTube views, Emblem3 is another amazing addition to this year’s event. According to the band members, "We are so excited to be performing at this year's Family Day with such an incredible lineup of artists supporting the T.J. Martell Foundation. We are stoked to be able to do our part to help in the fight against leukemia, cancer and AIDS." Joining Chance and Emblem3 at Family Day is multi Grammy-award winning singer Jason Mraz who will perform live along with Ed Sheeran and rising pop star Austin Mahone. -
Korean Webtoons' Transmedia Storytelling
International Journal of Communication 13(2019), 2094–2115 1932–8036/20190005 Snack Culture’s Dream of Big-Screen Culture: Korean Webtoons’ Transmedia Storytelling DAL YONG JIN1 Simon Fraser University, Canada The sociocultural reasons for the growth of webtoons as snack culture and snack culture’s influence in big-screen culture have received little scholarly attention. By employing media convergence supported by transmedia storytelling as a theoretical framework alongside historical and textual analyses, this article historicizes the emergence of snack culture. It divides the evolution of snack culture—in particular, webtoon culture—to big-screen culture into three periods according to the surrounding new media ecology. Then it examines the ways in which webtoons have become a resource for transmedia storytelling. Finally, it addresses the reasons why small snack culture becomes big-screen culture with the case of Along With the Gods: The Two Worlds, which has transformed from a popular webtoon to a successful big-screen movie. Keywords: snack culture, webtoon, transmedia storytelling, big-screen culture, media convergence Snack culture—the habit of consuming information and cultural resources quickly rather than engaging at a deeper level—is becoming representative of the Korean cultural scene. It is easy to find Koreans reading news articles or watching films or dramas on their smartphones on a subway. To cater to this increasing number of mobile users whose tastes are changing, web-based cultural content is churning out diverse subgenres from conventional formats of movies, dramas, cartoons, and novels (Chung, 2014, para. 1). The term snack culture was coined by Wired in 2007 to explain a modern tendency to look for convenient culture that is indulged in within a short duration of time, similar to how people eat snacks such as cookies within a few minutes. -
An Analysis of Speech Disfluency on the Ellen Degeneres Show
AN ANALYSIS OF SPEECH DISFLUENCY ON THE ELLEN DEGENERES SHOW A THESIS BY SUCI AZLINA REG. NO.120705039 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2016 UNIVERSITAS SUMATERA UTARA AN ANALYSIS OF SPEECH DISFLUENCY ON THE ELLEN DEGENERES SHOW A THESIS BY SUCI AZLINA REG. NO. 120705039 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2016 UNIVERSITAS SUMATERA UTARA AN ANALYSIS OF SPEECH DISFLUENCY ON THE ELLEN DEGENERES SHOW A THESIS BY SUCI AZLINA REG. NO. 120705039 SUPERVISOR CO-SUPERVISOR Dr. H. Muhizar Muchtar, M.S. Drs. Bahagia Tarigan, M.A. NIP. 195411171980031002 NIP. 195810171986011000 Submitted to Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfillment of the requirements for the degree of Sarjana Sastra From Department English. DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2016 i UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination. Head, Secretary, Dr. H. Muhizar Muchtar, M.S. Rahmadsyah Rangkuti, M.A., Ph.D NIP. 19541117198003 1 002 NIP. 19750209 200812 1 002 ii UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on 29 June 2016 Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, M.S. -
Worldcharts TOP 200 Vom 13.06.2016
CHARTSSERVICE – WORLDCHARTS – TOP 200 NO. 860 – 13.06.2016 PL VW WO PK ARTIST SONG 1 1 6 1 JUSTIN TIMBERLAKE can't stop the feeling! 2 2 7 1 CALVIN HARRIS ft. RIHANNA this is what you came for 3 3 10 1 DRAKE ft. WIZKID & KYLA one dance 4 4 22 1 SIA ft. SEAN PAUL cheap thrills 5 5 24 2 ALAN WALKER faded 6 6 16 3 FIFTH HARMONY ft. TY DOLLA $IGN work from home 7 7 33 4 MIKE POSNER i took a pill in ibiza 8 11 8 8 PINK just like fire 9 15 8 9 KUNGS vs. COOKIN' ON 3 BURNERS this girl 10 9 17 9 CHAINSMOKERS ft. DAYA don't let me down 11 8 34 8 DNCE cake by the ocean 12 17 4 12 DAVID GUETTA ft. ZARA LARSSON this one's for you 13 14 27 7 COLDPLAY ft. BEYONCÉ hymn for the weekend 14 10 36 4 LUKAS GRAHAM 7 years 15 18 10 15 GALANTIS no money 16 12 14 5 MEGHAN TRAINOR no 17 13 30 4 TWENTY ONE PILOTS stressed out 18 16 8 16 ENRIQUE IGLESIAS ft. WISIN duele el corazón 19 26 11 19 ADELE send my love (to your new lover) 20 19 25 7 JONAS BLUE ft. DAKOTA fast car 21 27 5 21 ARIANA GRANDE into you 22 20 20 1 RIHANNA ft. DRAKE work 23 24 11 20 DESIIGNER panda 24 22 31 1 JUSTIN BIEBER love yourself 25 30 15 20 TINIE TEMPAH ft. ZARA LARSSON girls like 26 29 5 26 DRAKE ft. -
Worldcharts TOP 200 Vom 15.08.2016
CHARTSSERVICE – WORLDCHARTS – TOP 200 NO. 869 – 15.08.2016 PL VW WO PK ARTIST SONG 1 2 4 1 MAJOR LAZER ft. JUSTIN BIEBER & MØ cold water 2 1 15 1 JUSTIN TIMBERLAKE can't stop the feeling! 3 3 16 1 CALVIN HARRIS ft. RIHANNA this is what you came for 4 4 17 3 KUNGS vs. COOKIN' ON 3 BURNERS this girl 5 7 10 5 SHAWN MENDES treat you better 6 5 19 1 DRAKE ft. WIZKID & KYLA one dance 7 6 31 1 SIA ft. SEAN PAUL cheap thrills 8 8 20 7 ADELE send my love (to your new lover) 9 13 9 9 JONAS BLUE ft. JP COOPER perfect strangers 10 11 26 7 CHAINSMOKERS ft. DAYA don't let me down 11 10 17 10 ENRIQUE IGLESIAS ft. WISIN duele el corazón 12 12 5 12 KATY PERRY rise 13 9 13 4 DAVID GUETTA ft. ZARA LARSSON this one's for you 14 15 14 11 ARIANA GRANDE into you 15 16 15 15 SELENA GOMEZ kill 'em with kindness 16 14 19 12 GALANTIS no money 17 19 10 17 KENT JONES don't mind 18 28 8 18 TWENTY ONE PILOTS heathens 19 17 17 15 TWENTY ONE PILOTS ride 20 26 5 20 BRITNEY SPEARS ft. G-EAZY make me… 21 24 29 21 CHARLIE PUTH ft. SELENA GOMEZ we don't talk anymore 22 20 14 20 DRAKE ft. RIHANNA too good 23 18 33 2 ALAN WALKER faded 24 22 13 15 ONEREPUBLIC wherever i go 25 23 36 7 COLDPLAY ft. -
Korea's Economy
2014 Overview and Macroeconomic Issues Lessons from the Economic Development Experience of South Korea Danny Leipziger The Role of Aid in Korea's Development Lee Kye Woo Future Prospects for the Korean Economy Jung Kyu-Chul Building a Creative Economy The Creative Economy of the Park Geun-hye Administration Cha Doo-won The Real Korean Innovation Challenge: Services and Small Businesses KOREA Robert D. Atkinson Spurring the Development of Venture Capital in Korea Randall Jones ’S ECONOMY VOLUME 30 Economic Relations with Europe KOREA’S ECONOMY Korea’s Economic Relations with the EU and the Korea-EU FTA apublicationoftheKoreaEconomicInstituteof America Kang Yoo-duk VOLUME 30 and theKoreaInstituteforInternationalEconomicPolicy 130 years between Korea and Italy: Evaluation and Prospect Oh Tae Hyun 2014: 130 Years of Diplomatic Relations between Korea and Italy Angelo Gioe 130th Anniversary of Korea’s Economic Relations with Russia Jeong Yeo-cheon North Korea The Costs of Korean Unification: Realistic Lessons from the German Case Rudiger Frank President Park Geun-hye’s Unification Vision and Policy Jo Dongho Kor ea Economic Institute of America Korea Economic Institute of America 1800 K Street, NW Suite 1010 Washington, DC 20006 KEI EDITORIAL BOARD KEI Editor: Troy Stangarone Contract Editor: Gimga Group The Korea Economic Institute of America is registered under the Foreign Agents Registration Act as an agent of the Korea Institute for International Economic Policy, a public corporation established by the Government of the Republic of Korea. This material is filed with the Department of Justice, where the required registration statement is available for public inspection. Registration does not indicate U.S. -
Superstars Describe Why They're Appearing on Mda Labor Day Telethon
Contact: Jim Brown MDA Vice President – Public Relations 702-797-8535 (MDA Labor Day Telethon Office) or 520-903-8556 (cell) or [email protected] SUPERSTARS DESCRIBE WHY THEY’RE APPEARING ON MDA LABOR DAY TELETHON LAS VEGAS, Nev., Sept. 1, 2011 ― As the finishing touches are being finessed for the 46th annual Muscular Dystrophy Association Labor Day Telethon that will be broadcast nationwide from 6 p.m. to midnight in every U.S. time zone on Sunday, Sept. 4, mega star Celine Dion aptly described why the iconic show consistently attracts outstanding talent. “It’s always a privilege to be part of the MDA Labor Day Telethon,” said Celine, who’ll be performing in the 2011 Telethon’s opening hour. “I hope by taking part in this great cause, I can help MDA in its mission to make life better for families who are fighting muscle diseases. From supporting scientists who are searching for treatments and cures, to helping children go to MDA summer camp, MDA provides love and care in so many ways.” Celine’s motivation is shared by several artists who just confirmed their participation in Sunday’s primetime Telethon being broadcast by more than 150 television stations nationwide. For example, in a group message so typical of their harmonious sound, Boyz II Men members Shawn Stockton, Nathan and Wanya Morris said, "we’re excited to be part of the MDA Labor Day Telethon this year and lend our voices to a such a good cause. We remember watching it growing up and it's great to be a part of something so historic that benefits so many people everyday.