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Ontario History

The Games People Played Tavern Amusements and Colonial Social Relations Julia Roberts

Imagining New Worlds in the New World: Entertainment, Agency, Article abstract and Power in Upper Play was serious business. By entertaining themselves in many ways in the Volume 102, Number 2, Fall 2010 many public houses of , tavern-goers defined and enacted the contours of social power in this colonial society. As we see them “throwing URI: https://id.erudit.org/iderudit/1065580ar sticks and stones,” playing “sleight of hand tricks,” dancing jigs and “8 reels,” or DOI: https://doi.org/10.7202/1065580ar “gambling and drinking around a large table,” we see that play was a defining part of a social world linked to the tavern. Play was a means through which tavern-goers bound themselves together, but a means also, and paradoxically, See table of contents through which they could define social distance and cultural space.

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Cite this article Roberts, J. (2010). The Games People Played: Tavern Amusements and Colonial Social Relations. Ontario History, 102(2), 154–174. https://doi.org/10.7202/1065580ar

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by Julia Roberts

n Easter Day in British-occu- in his charge to the jury, the judge called pied Detroit, 1793, at about the men’s amusement “rude” and “coarse 11 o’clock in the morning, four play.” His choice of language suggests his labouringO men named Francis Lalonde, own distance from them, his privileged Felix Mettiz, Antoine Prevost, and Louis ability to place cultural judgement upon Roy “were diverting themselves” both in- what labouring men did for fun, and sug- side Gouin’s tavern and outside it on the gests too that different people, located road. They were “throwing sticks, stones, in different places on the colonial social and mud at each other.” They were drink- spectrum, had different ideas about the ing and perhaps “a little intoxicated.” By best forms of public entertainment. A accident, Roy hit Lalonde on the head game of sticks and stones that did worse with a mis-thrown stone and stood trial than break some bones is a suitably seri- for his “felonious murder.” A jury of Roy’s ous introduction to the subject of colo- peers that included four yeoman (inde- nial tavern amusements. For though this pendent farmers), a cooper, three inn- article catches Upper at their keepers, a joiner (carpenter), a shoemaker, play, it argues that through it historians an armourer (gun maker and repairman) can begin to map the geography of power and a blacksmith, found him “guilty within tavern spaces, how class, gender, of excusable homicide by misfortune.” and race were enacted there spatially. In Roy’s social equals recognized the tav- particular, colonial gentlemen staged ern-based rough play for what it was—a their amusements in the public houses popular entertainment gone awry. So too in ways that asserted privilege, maleness did a handful of his social betters—“gen- and whiteness, although not always suc- tlemen” close enough to see the events of cessfully.1 the day and those called later to court. Yet By wending their way in and out of

1 William Renwick Riddell, Michigan under British Rule: Law and Law Courts, 1760-1796 (Lansing, MI: Michigan Historical Commission, 1926), 345.

Ontario History / Volume CII, No. 2 / Autumn 2010 the games people played 155

published travelogues, two diaries (one of a tav- Abstract ern-keeper, one of a tav- Play was serious business. By entertaining themselves in ern-goer), account books, many ways in the many public houses of Upper Canada, licensing records, and, tavern-goers defined and enacted the contours of social newspaper reports and power in this colonial society. As we see them “throwing sticks and stones,” playing “sleight of hand tricks,” danc- advertisements. Yet, evi- ing jigs and “8 reels,” or “gambling and drinking around dence about the amuse- a large table,” we see that play was a defining part of ments of the colonial tav- a social world linked to the tavern. Play was a means erns is rare, fragmentary, through which tavern-goers bound themselves together, and discoverable more but a means also, and paradoxically, through which they could define social distance and cultural space. through serendipity in the archives than through Résumé: Se divertir était alors une affaire sérieuse. En any rigorous research prenant part aux différentes formes de divertissement plan. As such, some para- public qui leur étaient offertes dans le Haut-Canada, les participants définissaient les contours du pouvoir graphs in what follows social dans cette société coloniale. Jouer aux ‘bâtons et have appeared before: pierres’, faire des tours de prestidigitation, danser des these are the examples of ‘jigs’ et des ‘reels’, jouer à des jeux de hasards ou boire tavern amusements that autour d’une grande table, tous ces divertissements I have and here they are aidaient à déterminer une structure sociale liée à la taverne. Pour ceux qui fréquentaient les tavernes, le examined through a new divertissement était un moyen de fraterniser, mais lens—one that allows us aussi, et paradoxalement, un moyen d’établir des to focus upon the ways distances sociales et de définir un espace culturel. that play defined and enacted the contours of social power in this colo- Gouin’s tavern, from its public room to the nial society.2 Still, some of the sources are public street, four labourers also wended so opaque as to make historical certainty their way, by accident, into a courtroom about what they might mean unreach- and into a legal record that enables us, able, but they encourage us to query their today, to ask questions about public life, meanings. For example, though we know public entertainment, and ownership that in the spring of 1846, a clockmaker over colonial public space. The analy- named Isaac Macdonald called at Sebach’s sis here draws upon such legal records, Tavern on the Huron Road (today, High- as well as other primary sources—those way 8, Mitchell, Ontario) and passed a documents that remain from the colonial Sunday afternoon there “telling some past to tell it’s stories to the present—cor- stories,” drinking a little beer, and playing respondence with government officials, “sleight of hand tricks,” “for amusement,”

2 Julia Roberts, In Mixed Company: Taverns and Public Life in Upper Canada (Vancouver: University of Press, 2009), 80-5. The material appears with the kind permission of the UBC Press. 156 ONTARIO HISTORY

we hardly understand what those tricks consequence: a thorough listing, as far as were. What does it mean that he was the sources will allow, of the many forms “endeavouring to put a ring on a wood- of tavern-based public entertainment in en ramrod which was in Jacob Cramer’s Upper Canada, and, again as the sources hands [and] succeeded in getting the ring allow, an analysis of what access to tavern- on the rod while Cramer held both ends?” based public entertainment tells us about What does it mean that Macdonald then different peoples’ membership in public “performed the feat of lifting a chair by life and public space, be they identifi- the spars?” Why is it important that “no able as or other racialized treats were bet on the outcome”?—that is, identities (including white), be they men, no drinks were wagered—and why does women, or members of particular faiths, the historical record tell us that after all poor or privileged, those opposed to the of this, when Macdonald sat down, Wil- taverns’ ready supply of alcohol, those liam Sebach then “knocked his hat over not, and other colonial permutations of his eyes...in fun?” Everyone there, at Se- ‘identity.’ Historiographically, then, this bach’s in 1846, understood these words, article slips into that space where social these feats, the joke with the hat, and the and cultural history meets alcohol stud- social and cultural context in which they ies, a space which can usefully be called resided. Even the Chief Justice of the the ‘new tavern history.’ The published colony of Upper Canada, John Beverley literature is already enormous and expo- Robinson, once wrote about the “kind nentially growing, international in scope, of sport that people in the bar room of diverse in terms of analysis, but shares a an Inn constantly indulge in.” Even this common preoccupation to read drink and highly privileged, well educated, accom- drink supported amusements for what plished, and successful man, distant from they reveal about, for example, the nature the Isaac Macdonalds of his world, had an of gendered power in a society, or the rela- intrinsic understanding of the contested tionship between “polite” and “popular” cultural and social meanings of public, culture, or the ways in which racialized tavern-based entertainments.3 identities carried the benefits of privilege We lack that. This article, in a spe- or the burdens of discrimination.4 cial “Entertainment in Upper Canada” A tavern in Upper Canada, varied issue of Ontario History has two goals in across time and space. For example, a one

3 Stratford Beacon and Perth County Intelligencer, 4 April 1846; Library and Archives Canada (LAC), Upper Canada Sundries, RG 5 C1 Provincial Secretary’s Office. Correspondence Canada West, volume 270, file 1515, J.B. Robinson to Secretary Harrison, 8 May 1843. 4 For�������������������������������������������������� example, for the U.S. see: Sharon V. Salinger, Taverns and Drinking in Early America (Balti- more: Johns Hopkins University Press, 2002); Peter Thompson,Rum Punch and Revolution: Tavern-going and Public Life in Eighteenth-Century Philadelphia, Early American Studies (Philadelphia: University of Pennsylvania Press, 1999); David Conroy, In Public Houses: Drink and the Revolution of Authority in Colo- nial Massachusetts (Chapel Hill: Published for the Institute of Early American History and Culture by the University of North Carolina Press,1995) On the public houses of Europe see Peter Clark, The English the games people played 157

Smith’s Tavern, near Hamilton, 1795. E.G. Guillet, Pioneer Inns and Taverns. Backwoods taverns offered the most basic of accommo- dations. The vast majority of tav- erns in the colony were the minor public houses and they ranged in size and sophistica- or two room log-cabin, located in the tion from small, family affairs in rural are- backwoods and providing only the sim- as, such as Andrew’s Inn, to more substan- plest fare and accommodation (salt pork tial houses such as the beautiful Fairfield and whiskey, for example and the likeli- Tavern, on the shore of Lake Ontario, hood of shared beds), such as Smith’s near Kingston. All minor houses provid- Tavern, above, shaped colonial public life ed far more possibilities for public enter- differently than the solid minor houses tainment: solid and sometimes excellent that numerically dominated in the trade, vernacular fare, a good array of liquor in and the handful of truly principal taverns the bar, and rooms that enabled choices. or hotels that belonged primarily in ur- Every good minor house balanced rooms ban centres. Travellers and colonists alike allowing for relative privacy (a parlour or understood these backwoods taverns upstairs sitting rooms, in particular) with to be temporary affairs, dictated by the those that encouraged full public engage- frontier conditions of settlement, and ment (the barroom especially). hardly ideal as the venues of public life The principal houses, or hotels, were and public entertainment. taverns too. They differed from most by -of

Alehouse A Social History 1200-1830 ( London: Longman, 1983); Thomas Brennan,Public Drinking and Popular Culture in Eighteenth Century Paris (Princeton N.J.: Princeton University Press, 1988); W. Scott Haine, World of the Paris Café: Sociability among the French Working Class, 1789-1914 (Baltimore: Johns Hopkins University Press, 1999); Beverley Ann Tlusty, Bacchus and Civic Order: The Culture of Drink in Early Modern Germany (Charlottesville: University Press of Virginia, 2001); Beat Kümin and B. Ann Tlusty eds., World of the Tavern: Public Houses in Early Modern Europe (Aldershot: Ashgate Publishing, 2002); Adam Smyth, ed., A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England (New York: Boydell and Brewer, 2004); In the medieval period, see Barbara A. Hanawalt, ‘Of Good and Ill Re- pute’: Gender and Social Control in Medieval England (New York: Oxford University Press, 1998). In Canada, Edwin C. Guillet, Pioneer Inns and Taverns (Toronto: The Author, 1954-1962); Marga- ret McBurney and Mary Byers, Tavern in the Town: Early Inns and Taverns of Ontario (Toronto: Univer- sity of Toronto Press, 1987); for more scholarly treatments see, Peter deLottinville, “Joe Beef of Montreal: Working Class Culture and the Tavern, 1869-1889,” Labour/Le Travail 8-9, (Autumn 1981/Spring 1982); Cheryl Krasnick Warsh, ed. Drink in Canada: Historical Essays (Montreal: McGill-Queen’s University Press, 1993); Robert A. Campbell, Sit Down and Drink Your Beer: Regulating Vancouver’s Beer Parlours, 1925-1954 (Toronto: University of Toronto Press, 2001); Craig Heron, Booze: A Distilled History (To- ronto: Between the Lines, 2003), and his, “The Boys and Their Booze: Masculinities and Public Drinking in Working-class Hamilton1890-1946,” Canadian Historical Review, 86:3 (Sept. 2005), 411-52. 158 ONTARIO HISTORY

Left, from top to bottom: Andrew’s Tavern, near Mallory’s Town, 1850. John Bigsby, The Shoe and Ca- noe. Both a family home and a tavern, Andrew’s Inn offered the accommodations typical of a small minor house in the countryside.

Fairfield’s Tavern, outside Kingston on the Bath Road. The tavern was an ex- tremely good minor house, patronized by gentlemen and ladies as well as travellers. It still stands.

James Pattison Cockburn, Pavillion Hotel, Niagara Falls, 1830. E.G. Guillet, Pio- neer Inns and Taverns. At the Pavillion, patrons dressed for dinner and enjoyed the services of a mostly black wait staff.

fering access to fine appointments, fine dining, fine liquors, true pri- vacy if desired, and, their proprie- tors worked hard to craft an air of fashionability and exclusivity. All taverns, despite their material differences in location and size, in elegance and appointments, in the related quality of food and liquor available to patrons, and in the degree of privacy or promiscuity accommodation assumed, shared three primary characteristics: the public had free, almost undis- turbed access to them at almost all hours; taverns were licensed to sell liquor by small measure—(by the glass, gill (4 oz.), half-pint or pint) and they provided refresh- ment and lodging for a charge, though of enormously varying quality as the images reveal.5

5 Roberts, In Mixed Company, 22-28. the games people played 159

And while a black traveller, for exam- John Wallington led the barroom in rounds ple, or working women, or ladies in the of in God Save the King, “ordering hats off company of gentlemen, or First Nations at the chorus of his song.” At Goodwin’s in traders seeking amusement or refresh- Kingston in 1841, two young lawyers sang ment might well find that their terms of together “from dinner ‘till tea.’”6 Song unit- access to the taverns differed from that of ed drinking companions by creating a sense the white men who dominated numeri- of shared conviviality. cally and culturally, colonists and travel- Dancing worked similarly. With lers alike understood the public houses “company a’Dancing and Lester playing as valuable public spaces, an identity spe- the fiddle,” Moore’s tavern rocked in early cific to the context of a colonial and pre- York. “Some itinerant Italian Organists industrial setting. The taverns crucially … played lively tunes in the bar” of a tav- supported the economy, the transporta- ern near Forty Mile Creek, while soldiers tion network, political life and, most im- “danced jigs.” In a backwood’s stage-house, portantly for a discussion of tavern-based patrons assembled for a show “fell to entertainment, they supported public as- dancing” when a fiddler took up his bow. sociation, in any number of forms. We know the fiddler was black because The sheer array of entertainments— as our diarist put it, the company had “a be they organized events, travelling blacky for a musician, who scraped away professional players, commercialized in good style.” Later the fiddler found amusements, or spontaneous group activ- himself in the position of “grumbling and ities—hosted by taverns and tavern keep- wrangling about the smallness of his pay.” ers, defies categorization. Yet they emerge And a country traveller “found a fiddler in the vignettes and analyses that follow at Burwell’s and danced French fours and as defining parts of a social world linked 8 reels until midnight.”7 Music and dance to the tavern: as practices through which created the company in these instances, tavern-goers bound themselves together, created the comradeship and good fel- to be sure, but which stood, paradoxically, lowship that the word implies. Yet, at as practices through which they could de- Wheeler’s, on the Talbot Road, “a black fine social distance and cultural space. man came forward and danced.” Not of Tavern-goers sang together perpetual- the company, but performing for it, the ly. “As usual,” wrote one tavern keeper, “the dancer shows the limits of inclusiveness house was … full of noisy company singing wrought by entertainment in public space in two or three rooms at once.” At Perry’s, and race as a clear barometer of power.8 6 Archives of Ontario, Playter [EIy] Diary [EP], 6 July 1802; RG22-390, 3-3, Macaulay, Western/Gore, July-Oct. 1835, K v John Wallington; Lambton County Archives, Wyoming, Ontario. Henry John Jones Diary [HJ] 6 Dec.1841. 7 EP, 7 July 1802; James Alexander, L’Acadie: Or, Seven Years’ Explorations in British North America, vol. 1(London: Henry Colburn, 1849), 196-97; William Pope Journal, Part 2, Western Ontario History Nuggets, 16 (London, Ont.: Lawson Memorial Library, University of Western Ontario, 1952), 46; HJ 12 Nov. 1834. 8 JamesAlexander, L’Acadie, 135. 160 ONTARIO HISTORY

Still, tavern dance could be put to uproar.” Billed as a “lecture on astronomy explicitly cohesive, if exclusive, purposes. ... the astronomical part of the exhibi- “Professional men, merchants, civil and tion was confined to two or three magic military officers, and members of the Pro- lantern pictures of the most conspicuous vincial Parliament” with women of similar heavenly bodies ... the moon, however, social rank, for example, liked to celebrate very soon gave place to ‘catching a pig by their exclusivity by organizing balls at the the tail,’ Saturn’s ring to ‘the witch’s dance principal public houses. As a gentleman on broomsticks,’ and the sun to (by your who attended described the process: permission Ladies and Gentlemen), Gen- Subscription balls are very prevalent. For this eral Jackson, the whole to conclude with purpose every respectable tavern … is always the much admired comic song ‘Darly provided with an extensive ballroom. Stew- O’Gallagher’ by the Astronomer. The ards … send tickets to the different subscrib- last part of the performance was to me ers, give orders for the accommodations, at- the most annoying ... as it effectually pre- tend to suitable decorations of the house and collect the amount of subscriptions for which vented my sleeping.” In this description of the proprietor of the hotel always considers tavern entertainment penned by an Eng- them accountable. A gentleman’s subscription lish gentleman and Crown Lands Agent, is generally about five dollars: the ladies never is evidence in his choice of tone, and gen- pay anything. For this sum you are entitled to eral snitty disapproval, of the willingness bring with you a partner and servant.9 of some relatively privileged contempo- The description reeks of group privilege raries to place judgement upon popular celebrated in style and depicts the princi- culture and seek distance from it. There is pal taverns in ways gentlemen and ladies also evidence of the power of the popular preferred them—as exclusive clubs, as al- to resist the assertions of privilege. lies in the quest to define a separate gen- Story-telling, which had a natural trified identity—as spaces devoid of their home in the barroom, created group iden- public character. tification of a different sort. It allowed lis- Still, there was no assurance that the teners common entry, as audience, into genteel’s willingness to enact their privi- funny, fascinating or awe-inspiring tales. leged identity in public space would be It also existed as a form of social currency, tolerated by a popular tavern company. accruing at least temporary status to the Imagine this gentleman diarist’s conster- teller. For example, the lone survivor of a nation when he arrived at O’Neil’s tavern steamer wreck on Lake Erie in 1840 be- near London, exhausted from a day on came, in the barroom, “a sort of lion, in the stage coach, seeking drink and dining his way, and told his ‘thrice-told tale’ of all in a good house, and sleep for a 4:30 am the perils and dangers he had escaped.”10 start and found instead: “the house in an In 1835 “a Yorkshireman was entertain-

9 Edward Allen Talbot, Five Years’ Residence in the : Including a Tour Through Part of the United States of America in the Year 1823, vol 2 (London: Longman et al., 1824), 20-1. 10 Morleigh, Life in the West, Backwoods Leaves and Prairie Flowers: Rough Sketches on the Borders of the games people played 161

ing many listeners in the bar-room of the In 1836, at Tesimond’s country tavern hotel .... This character was dressed in his in the Western District William Bâby smock coat, with tight lacing boots and “made a wager with some friends that we leggans as if come from his native coun- could bag a certain number of ducks (25 try a minute before and was telling cock brace) by a certain time.” Two black men and bull stories about his shooting feats “commenced playing dominoes” at the with Lord Liverpool.”11 Conversation Canada Hotel in 1836. A woman played could have the same element of audience “sundry games of backgammon” with her and performance. For example, at the brother at Lawson’s tavern in the West- Exchange, in Detroit (which colonists ern District in 1837. At a tavern near from Windsor and area treated as one of Niagara in 1837, James Stevenson “said their local taverns) the barroom company he would bet he had the heaviest watch “smoked and listened to an animated the- in the room. Jesse Fletcher said he would ological discussion between a christian bet a dollar on it.” At Fairfield’s, outside and a free thinking Yankee which though Kingston in 1841, “Galt and Kelly [were] blasphemous was very amusing.”12 This playing écarté very furiously for immense was not a private conversation, but a pub- sums—… and not too sober—what they lic exchange conducted, in part, for the won or lost remained a mystery particu- appreciation of other tavern-goers. There larly to themselves.” At Robinson’s, in was social power to be had with a witty Prescott, tavern-goers bet treats on a boat turn of phrase, or a well-placed joke. race in 1846. A couple lodging at the St Tavern-goers also convened over Mary’s Hotel in 1856 “played at baga- cards and betting, such as the “boisterous telle in a neighbouring Saloon.” At the crowd who were gambling and drinking time “the young lady, about 17 years of around a large table” in a country tavern in age [was] dressed in male attire ... and co- the Western District in 1809. Ely Playter habiting with a certain individual who “called at Hamilton’s,” met some friends gave his name as J.P. Dopp, a jailbird of “and we agreed for a rubber at whist, we black leg notoriety.” (The last phrase ac- played a long time for beer.” “Gentle- cuses him of being a swindler, perhaps at men,” observed a colonist in 1824, “are horses, perhaps at cards.)13 in the habit of assembling in parties at The trouble with most of this activity taverns where they gamble pretty highly.” was its illegality. In Upper Canada almost

the Picturesque, the Sublime, and the Ridiculous: Extracts from the Notebook of Morleigh in Search of an Es- tate (London: Saunders and Otley, 1842), 228-29. 11 Patrick Shirreff,A Tour Through North America: Together with a Comprehensive View of Canada and the United States as Adapted for Agricultural Emigration (Edinburgh: Oliver and Boyd, 1835), 204-205. 12 HJ, 21 Aug. 1837. 13 Abel Stevens, Life and Times of Nathan Bangs (New York: Carlton and Porter, 1863), 143; EP 23 Dec. 1805; Talbot, Five Years’ Residence, 28 (gentlemen); W.L. Bâby, Souvenirs of the Past, with Illustra- tions: An instructive and amusing work, giving acorrect account of the customs and habits of the pioneers of Canada (Windsor, ON, 1896), 20 (ducks); Canadian Emigrant, 26 July 1836 (dominoes); HJ, 27 Nov. 162 ONTARIO HISTORY

all games played for money stakes in taverns Kenzie, wrote in 1834, of “the haunts of were unlawful.14 And tavern keepers’ licens- the worthless and dissipated” that “af- es, from the 1790s, barred them from per- forded place and room for gambling & mitting “unlawfull games to be used in the vice in its blackest shapes, which, if not house.”15 (One could get a separate license checked would leave Toronto with “lit- for billiards.) It is debatable how seriously tle to boast in point of manners over tavern keepers took these rules. Still, Dan- New Orleans,”17 he was referring to un- iel Haskell lost his license over gaming— licensed, illegal, drinking houses in “ob- though the circumstances are suspicious, at scure parts of the city,” not to taverns, least as he told it: Rufus Pooler came to his licensed by definition. Licensed facilities Niagara tavern in 1825 “and spoke to some were orderly he argued, precisely because of his intention of Gambling.” Haskell they stood open and accessible to public “took their cards … showed them where to view and regulation. That this public eye sleep … went to bed and after about 2 or 3 often winked at orderly transgressions hours of sleep awoke and heard some talk- of the gaming ban is apparent. Indeed, ing in the Barroom … found they had a new those uniting in an illegal hand of cards supply of implements for their Sport—im- for money stakes joined through it in tav- mediately showed them their beds again ern ritual conducive to mutuality. which was the end of their Naughtiness.” Sport brought men and women to the In this version, Pooler turned Haskell in to taverns, as participants and fans. The Union the authorities out of spite, and Haskell was Cricket Club used Robinson’s at Prescott as successfully prosecuted.16 its clubhouse. His fields hosted their match- Other evidence clearly suggests a es, for in August 1845 he received payment tolerance for gambling reasonably con- from the Port Wellington Club “on ac- ducted. In fact, taverns were regarded, if count of expenses of their match game of not exactly as bastions of respectability Cricket.” His house supported their cele- in this regard, then at least as under ap- brations—the players and their supporters propriate control. For example, when the drank “2 gallons of beer” and “20 glasses” Mayor of Toronto, William Lyon Mac- of other liquor after one game.18

1837 (backgammon); RG22-390, 4-1, Macaulay, Niagara, 1837, Q v James Stevenson and John Milton (watch); HJ, 28-9 Aug. 1841(ecarte); Upper Canada Village Archives, Thomas Robinson Account Book, 1843-58, p110 (boat race); Stratford and Perth County Intelligencer, 27 July, 1855 (bagatelle). 14 British legislation dating from the reign of George II (30 George II, C.24) was in force in Upper Canada, within a piece of colonial legislation referred to as the ‘Tavern Act,’ 59 Geo. III, C.2 (1818). It banned in any house ‘licensed to sell any sorts of liquors … any gaming with cards, dice, draughts, shuffle boards, mississippi or billiard tables, skittles, nine pins.....’ 15 For example, ‘Rules and Regulations,’ Huron District, 1849, Canadian Institute for Historical Mi- croreproductions, no. 52535. 16 NA, RG5 A1, Vol. 74, p.39488-90, Petition of Daniel Haskell, nd, inserted with Sept.-Oct. 1825. 17 NA, RG5 A1, Vol 141, p.76923-9, Toronto, 5 May 1834, W.L. Mackenzie, Mayor’s Office 18 Upper����������������������������������������������������������������������������������������� Canada Village Archives, Thomas Robinson Account Book, 69, 106, 144, 148, 189, 224. the games people played 163

Men wrestled and boxed in taverns. the taverns of England, where it tended At Playter’s, before “a barroom full of peo- to be associated with particular venues.20 ple, A. Galloway and a McBride [were] It was legal until 1835, although subject wrestling—the latter strained his leg to increasing condemnation. In Upper and that ended the matter.” At Waugh’s, Canada, some taverns continued the Cooper and another regular “wrestled tradition. For example, in 1830 a group in play,” they “often wrestled together, of about twenty Irishmen usually seen but not in anger.” Their roughhousing about the wharf and the canal gathered was different than real conflict, even if at Fraser’s tavern in the Midland District, the line could be thin. At Playter’s tavern ostensibly for a dog fight, though they in February 1802 for instance: “We had denied knowing anything about it. David a high caper with J. Thorn who being in Clendenning had “never heard of a dog Liquor and getting offended at Orton fight.” McGuire insisted, “there was no would Box him. Orton humouring the cockfight or dogfight that he knew of.” joke in great earnest made the company And in his denial is the suggestion that very merry and all subsided very well in a battling cocks were a tavern phenome- short time.” In the boxing match between non in the colony as in the old country.21 Thorn and Orton—which actually didn’t In the apparent social composition of amount to much in the end—the tavern- this group—Irish canallers—is also the keeper’s anxiety that all might not, in fact, suggestion that bloodsport was the prop- “subside well” is palpable. But evident erty of the labouring ranks, although we too is Orton’s co-operation in maintain- do not know who else may have been ing good order by “humouring” the in- there. There is no evidence of bear-bait- ebriated Thorn.19 Though roughhousing ing in Upper Canadian taverns, although raised the spectre of disruption to good one might expect to find it, given its ties order and potential property damage, it to the public houses of Great Britain. had more in common with story-telling Bear-baiting took place in a theatre-like than with real violence. It was a generally outdoor setting, a pit specially designed orderly form of social display, that show- for the purpose, usually in tavern yards. cased, before the assembled public, ad- The bear was chained to a stake, some- mired masculine traits, such as strength, times declawed, and set upon by trained skill, and agility, and it also brought so- dogs, until either the bear or the dogs cial rewards for this prowess. were killed. It attracted a very mixed Bloodsport, such as cock and dog crowd, from labourers to the aristocra- fighting, enjoyed centuries-old links to cy. Despite the lack of positive evidence

19 EP, 19 Feb., 1802; RG22-390, 21-1, Robinson, Home District, 1832, Waugh v Cooper and Under- hill v Cooper et al. 20 Robert Malcolmson, Popular Recreations in English Society, 1700-1850 (Cambridge: University Press, 1973), 40-50, 46. 21 RG22-390, 1-8, Macaulay, Midland District, 1830, K v William O’Brien, Hugh Alynne, Patrick Killette, Hanrington. 164 ONTARIO HISTORY

of this ‘sport’ in Upper Canada, bears advertisements to ‘sportsmen’ wishing were kept captive in some barrooms. Joe to encourage horse racing called them Beef ’s tavern in industrializing Montreal ‘gentlemen’ and asked them to attend at is the best-known example. It suggests a James Wilson’s Hotel, also in Niagara, link between animal amusements and and though the sport was one of the a specifically working-class clientele. ‘principal amusements’ of the gentry, it However, earlier, in the 1830s, in To- is unlikely that any exclusivity was main- ronto, it was the British Coffee House, tained. The very publicness of the taverns patronized by the gentry and members worked against it. Nor were there ever of provincial parliament, as much as by enough ‘gentlemen’ in early Niagara to farmers and local residents, that housed fill Gilbert’s to capacity. Indeed, as late as “the bear, which with the black squirrel 1876, when a developing class structure and turtle was very well.”22 There is no was part of social relations, a small town hint that these bears were intended for horse race attracted a very mixed crowd baiting, but certainly Upper Canadians to a tavern. The “bar-room swarmed,” had few qualms about blooding animals the stairs “were blocked with people,” for sport. For example, the tavern keep- and the “sitting room was full of lads and ers at Niagara Falls, about 1824, in a lasses looking out.”24 bid “to attract customers and amuse the The assortment of events and- or public,” clubbed together and bought an ganized amusements hosted by tavern old schooner, herded “a number of wild keepers, defies categorization. In 1820s animals on board, two bears, some foxes, Kingston, Moore’s Coffee House hosted and a buffalo, cats, dogs, geese, &c.,” con- a circus in its yard. A Mr Rowley gave ducted it “to the head of the rapids and “an entertainment … at Mrs. Darley’s Inn then left [it] to be carried down by the consisting of Slack Wire Performance, current.” Nine thousand spectators lined Tumbling &c.” At York a “Grand Cara- the sides of the river. 23 van of Living Animals,” such as tigers, li- Horse-racing was similarly popular. ons, a camel, a lama and a leopard exhib- At Gilbert’s tavern in Niagara, in 1805, ited at Howard’s Steamboat Hotel. One “there was great bantering on horse rac- could also listen to the “grand musics ma- ing toward the evening,” a mile and half chine from Germany.” Forty people came sprint between two horses, and a bar- to a ‘mountebank’s’ show at a tavern near room so crowded that the tavern keeper St Thomas. ‘Siamese Twin Brothers’ were asked for help behind the bar. Though displayed at Allen’s Steam Boat Hotel’ in 22 Peter de Lottinville, ‘Joe Beef of Montreal: Working Class Culture and the Tavern, 1869-89,’ La- bour / Le Travail 8/9 (Autumn/Spring 1981/2), 9-40; HJ, 11 July 1834. 23 Joseph Pickering, Enquiries of an Emigrant: Being the Narrative of an English Farmer from the Years 1824 to 1830 (London: Effingham Wilson, 1831), 99. 24 EP, 2 Sept. 1805; Niagara Herald, 18 July 1801; Talbot, Five Years’ Residence, 28; David Kennedy Jr., Kennedy’s Colonial Travel: A Narrative of Four Years’ Tour through Australia, New Zealand, Canada, &c (London: Simpkin Marshall 1876), 386-87. the games people played 165

Sandwich in 1834. A tavern in Chatham a small town tavern, the forty people at hosted an “exhibition of wax figures” in the mountebank’s show, the ‘uproar’ at 1834, which one attendee described as O’Neill’s and the eagerness of the Kelsey “a most miserable affair: Sir W. Wallace boys to see the minstrel show, all attest to in ‘genuine’ highland costume looked the substantial audiences who came to the rogue enough ... Lady Helen Mar in a taverns attracted by professional players fly cap and modern cook maid’s costume and travelling exhibits. The crowds affirm looked very little better than she should.” the presumption of publicness that char- Everybody knew who they were: the acterized tavern space. Seemingly anyone famous Scottish rebel, executed by the with the price of a drink or a ticket to the King of England and a fictional hero- show could get in and stay for a time. ine, from Jane Porter’s 1810, The Scottish Not only the array of entertainments, Chiefs, who adulterously fell in love with but the array of people attending them Wallace and married him secretly on the in tavern space is remarkably heteroge- eve of his execution. A ‘Yankee show’ in neous. The list includes: Lester, a black 1831 in a tavern on the road to Ancas- musician and the mixed company for ter celebrated “the glorious victory over whom he played; gentlemen and ladies the British at New Orleans,” which at inscribing a classed identity on a public least one British traveller called a ‘public space and more “Ladies and Gentlemen” insult.’ The theatre at the City Hotel in inscribing something rather different at Toronto staged Hunter of the Alps and the raucous O’Neil’s; a Christian and a Perfection in 1840. According to a law- Yankee; two black men playing domi- yer who attended there was “very toler- noes; a woman playing backgammon; able acting by an English Company.” In women among the forty people watching 1854 a music and dance show toured the a mountebank; co-joined male twins; an- Niagara peninsula. A white man in black other black fiddler; gentlemen on a hunt- face “played the tambourine and danced.” ing trip; Italians, soldiers; a black dancer; The show stopped at Ben Diffin’s tavern a cross-dressing woman; a small time in Pelham, O’Stronger’s in Bayham, at crook; and “lads and lasses” innumer- Walden’s and at John Latimore’s in Cal- able. It is tempting to celebrate the list edonia. John Kelsey (who drove a thresh- for its seeming inclusivity, to interpret it ing machine) said that when it stopped as evidence of a nascent multi-cultural- at Clark’s in Canboro “my boys were ism, as tentatively expressed by a colonial very anxious to go.”25 The crowd watch- populace later destined to create a nation ing the horse race from the windows of premised upon it. Yet, and for example,

25 Edwin E. Horsey, Kingston: A Century Ago (Kingston: Kingston Historical Society, 1938), 11, 12; Kingston Chronicle, 29 Sept. 1829; Canadian Freeman, 19 June 1828; William Pope Journal, Part 2, 45; HJ, 24 July 1834; Canadian Emigrant, 27 July 1833; Alexander, L’Acadie, 196-7; HJ, 6 Aug.1834; Pick- ering, Enquiries of an Emigrant, 45; Mary Larratt Smith, ed., Young Mr Smith in Upper Canada (UTP, 1980), 40; ‘Trial of William Townsend … at Merrittsville, Canada West,’ 1854, from the Hamilton Specta- tor, Canadian Institute of Historical Microreproductions, #63556, 8, 16, 19. 166 ONTARIO HISTORY

several of the black men on the list (there Talbot Settlement, its “public room con- are no black women) appear as entertain- tained a wonderful medley of persons ers, the ‘entertainment,’ not as those with ... drinking, talking, smoking, swearing, access to the tavern company cohering and spitting promiscuously.” He em- through public amusements. And by the phasized publicity and the amusements time the minstrel show toured Niagara in entwined with drink. Similarly, three the 1850s, the black community in Up- male friends met “drank a horn and had per Canada had long articulated a strong a long confab. in the evening in Larned’s critique of blackface, its racist underpin- barroom.”27 Tavern-goers used drinking nings, especially what we would call, in ritual and custom to forge social bonds. today’s language, blackface’s ‘cultural Because tavern-going, and especially appropriation.’ And the two men at the drinking in tavern company granted Canada Hotel, playing dominoes, got feelings of membership, the space could called “impudent” and “provoking” and become contested on any number of the tavern-keeper violently showed them grounds. Drinking customs, sing-songs, the door. The a-typical (the co-joined gaming, and barroom sport worked to brothers) are exploitable, commercial- include many only because they exclud- ized property. Women appear exclusively ed others. And drink itself symbolized in the company of men. And the young much. Tavern-goers treated by buying it woman bold enough to toy with gendered for each other at the bar. There are hints propriety got her just deserts: a later edi- that women treated. Patrick Roach has tion of the same newspaper that regaled left a tavern account book from the mid- readers with her tale added that she was 1850s, for his Railway Inn, in what is now “far advanced in pregnancy and has been downtown Toronto, in the port district. sent home to her parents.”26 Apparent Even then it was a working-class district. heterogeneity, then, translates into noth- Women’s names mingle on its pages, with ing like certain membership in a tavern the more numerous male patrons and company seeking its entertainment. many charged drink to their accounts. Not to be overlooked in the tavern en- In one absolutely clear instance, we can vironment is drinking as a form of public see a woman buying drink to treat: Mary entertainment. Indeed, the licensed pro- Haron charged twelve glasses of liquor to vision of drink in small measure, to sus- her account in September 1855, debiting tain sociability was unique to the taverns it by a full 2 shillings (or 2d a glass). The and largely defined them and the nature account book does not let us “see” who of the public space within. When John her companions were, but the amount Howison, for example, found a “tavern she bought, in single shots, is too much, crowded with people” in 1821, near the even for a spree drinker, and indicates,

26 Stratford and Perth County Intelligencer, 24 Aug. 1855. 27 John Howison, Sketches of Upper Canada: Domestic, Local and Characteristic (Edinburgh: Oliver and Boyd, 1821), 207-208; HJ, 31 March 1838. the games people played 167 instead, a working woman’s integration with the power to disrupt the very so- into the treating ritual and its meanings.28 cial ties tavern-goers hoped to forge. Be- Still, far more often treating functioned cause nobody wanted a liquor-induced to bind men together by simultaneously ‘quarrel,’ tavern-goers deployed informal emphasizing their social power to exclude rules and regulations that worked against a range of ‘others’ that included women. violent eruptions. For instance, an early The offer of a treat and its acceptance (or tavern-keeper noted that: “we had some refusal) carried meanings of reciprocity trouble with two American soldiers … and mutuality, or, could affirm hierar- they had a great drunken bout & got chy between the parties (as when a man Quarrelling in the Barroom—with some treated his wife in the barroom.) Drink’s difficulty we got them parted and put power lay in its ability to support multi- to bed.”29 The tavern-keeper was worried ple social bonds, both of the temporary about the orderliness of his house—as bar-buddy sort, or more intimate associa- were his patrons—there is active co-op- tions of longer standing, which need not eration in quelling the disorder caused be understood as equitable. It also earned by the soldiers. As a result, occurrences appreciation and respect as a substance. of tavern violence were isolated, ritual- Patrons and keeps alike were only ized, and well contained. Strong words too well aware of the dangers of liquor. always predicated blows. When a man They had a nuanced understanding of it took off his coat he showed he was ready effects. They knew it could affect bodies, to fight. In the event, tavern companions feelings, and minds. They knew that dif- monitored any exchange of blows closely, ferent people reacted differently to drink. actively intervening as necessary. What In response, barroom companions co-op- they meant to ensure was a fair fight and erated with each other and with tavern- never really questioned the use of violence keepers to keep the use of alcohol within itself, properly conducted, as a legitimate community norms (which were different means of social negotiation. As a result, than ours.) As a result drinking was sur- precisely because of their stature as pub- prisingly controlled in these spaces. Of lic space, taverns served, at times, as sites course people got drunk, some were ha- for planned confrontations. These could bitual drunkards (what we call alcohol- be group occurrences that expressed on- ics), but tavern-goers and keepers agreed going social tensions, between, for exam- with licensing regulations that good or- ple, competing nationalities, ethnicities, der had to be maintained, even if it was ‘races,’ or political opponents. Far more not always. Upper Canadian tavern-goers often individuals used the taverns’ public- never drank more than anyone else in the ness to stage a violent defence of personal North Atlantic world of their day. honour and reputation. This suggests that Still, drink stood also as a substance an understanding of the place of violence

28 OA, Toronto tavern keeper daybook, 1855-59, F 4296, 12 September 1855 (Haron on p. 31). 29 EP, 29 June 1802. 168 ONTARIO HISTORY

within masculinity in the colonial era humbler citizens of the place collected round needs to acknowledge the intense value the windows to view the revelry within....30 men placed on their social networks, and The sense in which consumption acted as the standing of their ‘good names’ within a literal stage for the performance of mas- them. Yet every tavern brawl that made the culine elite identity is enhanced in this news, or the rounds of gossip, or ended up depiction by the presence of an audience in court, took place within a context that of ‘humbler’ folk. The passage points too, worked against it. What is striking about to the powerfully gendered freedoms tavern drinking and brawling is the suc- elite men had to define classed masculine cess of keepers’ and goers’ self-regulation identities in public, through such pageants in maintaining taverns, overwhelmingly, of consumption. This evidence challenges a as sites of good order. prevailing historiography that sorts out the Which is not to say that tolerance sites of nineteenth-century public sociabil- ruled the day. Because tavern-based ritu- ity: placing rough culture in the taverns and als brought a sense of belonging, tavern respectable culture in the churches and vol- space could be contested in many ways. untary associations. Instead we have a ver- Classist, racialized and gendered respons- sion of ‘white-male-middle class’ history that es to ‘others’ all affected the formation of includes taverns as integral parts of everyday tavern companies. For example, highly life. The colonial male elite gathered in so- privileged white men of education, good cially exclusive groupings for entertainment salaries and abundant leisure used the over food and drink in these expensive set- better taverns to sustain a distinct and se- tings, where their patterns of consumption lective identity premised on their degrees contravened the values of moderation, self- of separation from the majority of tav- restraint, responsibility and seriousness of ern patrons. Novelist John Richardson purpose at the core of early Victorian mascu- recognized the place of such public con- linity. That they did so often amongst them- sumption in elite sociability in his 1840 selves—absent the company of women—is Canadian Brothers. of note. They illustrate the profoundly wider The room in which the dinner was given was parameters that surrounded male decisions on the ground floor [of the hotel].... Sounds to transgress gendered ideals of comport- of loud revelry, mixed with laughter and the ment—indeed their freedom to construct, in strains of music...attesting that the banquet public, a display of masculinity at odds with was at its height, and the wine fast tak- ing its effect.... he caught an indistinct and the moral certainties of Victorian respect- confused view of the company within, most ability. They suggest uniquely male freedoms of whom glittered in the gay trappings of and privileges to escape, on occasion, the military uniforms...there were crowds of the constraints of gender.31

30 John Richardson, The Canadian Brothers, or the Prophecy Fulfilled: a Tale of the late American War (Montreal: Armour, 1840), 196-97. 31 See also, Mike J. Huggins, “More Sinful Pleasures? Leisure, Respectability and the Male Middle Classes in Victorian England,” Journal of Social History 33:3 (Spring 2000), 585-600. the games people played 169

Taverns show how ‘race’ (or racial- than he could speak, and enough to make me ized identities), shaped ordinary human enjoy his company very much.32 encounters in the colony. Ties of good fel- There is no judgement here about the ‘au- lowship, generated in a tavern company, thenticity’ of Captain Thomas’ tastes: as sometimes included racialized ‘others.’ an affluent First Nations man he may well Unpredictably these same ties became have used the taverns to extend the hospi- barriers that closed against a multi-racial tality and sharing central to many indig- public life. Taverns, contrarily, supported enous cultures. Yet the terms of Native mixed sociability at the same time that patronage demanded accommodation to some tavern companions protected the the Anglo-American languages and ritu- ‘whiteness’ of public life. Especially ear- als that governed interaction there, as in ly in the century, First Nations peoples this exchange over the dining table. Such frequented the taverns, making Native- cultural exchanges suggest not as a mutu- white association part of everyday life in ality but the reinforcement of newcomer these public spaces. For example, a suc- ways of understanding entertainment in cessful Native fur trader, named Captain public space. Thomas joined a travelling English gen- For the colony’s black population tleman for a tavern dinner, suggesting public life in the taverns contained oppos- his willingness to participate and find ing possibilities. Though recognized legal- entertainment in the Westernized rituals ly and constitutionally as equal citizens, of dinner. racialized antagonism imposed a second- I sent him my compliments [wrote Camp- class status. Racialized constructions of bell], and if agreeable made offer to join identity made challenges to black access a him; his answer was that he would be happy reality, and the potential for racialized con- at it. After I joined him he asked me very frontations and violence a reality. We saw politely what I would choose to drink; I this at the Canada Hotel, when the white answered whatever was agreeable to him. He then called for a small bowl of punch, keep and patrons within ejected two men of which he took but very little, excused expecting to play dominoes. Moreover, in himself by saying he had dined in a private glimpses of black fiddlers and dancers are family, and drank too freely after dinner. We glimpses of the niche black colonists ‘le- slept in the same room. He was a tall hand- gitimately’ occupied in Upper Canadian some man, extremely well dressed in the public space: as entertainers, not enter- English fashion, and had nothing particular tained, as the support staff for expressions about him but a string of small silver buckles of elite identity. This is particularly appar- hung down on his breast, fastened to his long lank black hair, from each side of his head. ent in descriptions of the principal houses. He spoke French fluently but not English For example at the Clifton House, in To- enough to enable us to converse freely in that ronto, English gentlewoman and settler, language; however he understood it better Susanna Moodie wrote:

32 Patrick Campbell, Travels in the Interior Parts of North America (Edinburgh: John Guthrie, 1793), 157. 170 ONTARIO HISTORY

It would have done Mrs. Stowe’s heart good who was black, wrote to his local magistrates to have seen the fine corps of well dressed in 1840, asking to have his tavern license negro waiters who served the tables, most of back. His argument was that “with regard to whom were runaway slaves from the States. there being one tavern already kept by a co- The perfect ease and dexterity with which they supplied the guests, without making a loured man in the place, yr. humble petition- single mistake out of a variety of dishes, was er wishes their forbearance to state that it is well worthy of notice. It gave me pleasure to attended principally by Europeans so that watch the quickness of all their motions, the the Coloured population of this town and politeness with which they received so many vicinity have not a publick house that they complicated orders, and the noiseless celerity can resort to.”35 From the black perspective with which they were performed. This cost them no effort, but seemed natural to them. one just never knew. A moment of peaceful There were a dozen of these blacks in attend- sociability could be transformed, without ance, all of them young, and some, in spite of warning, into a dangerous challenge. The their dark colouring, handsome, intelligent evidence is spotty, and contradictory, but the looking men.33 glimpses we have of blacks engaged in pub- The passage is all about colonialist re- lic house entertainments suggest that where sponses to racialized identity. Moodie belonging could be challenged on the basis might think she is expressing ‘tolerance’ of white whims, those defined by the major- but more apparent are racialized assump- ity as racialized others, lacked the ability, in tions: the sense of the rightness, indeed practice, to exercise their citizenship. naturalness, of the racial hierarchy and the Understanding tavern-based enter- certainness of a racialized prerogative to ob- tainment, both as imbricated with drink jectify and rate black male physicality. Tav- and not, is also a way of doing women’s ern entertainment, here the property of the history. Gendered identity limited wom- privileged at the Clifton, emerges as a site en’s membership in the public. It did so where racialized encounter worked to bol- more sharply by the middle of the nine- ster the whiteness of elite identities through teenth-century than it had at the begin- the act of public consumption. Contrarily ning. By then, temperance activists had there were also opportunities for mixed so- redefined the meaning of drink and Vic- ciability, as many taverns opened to a mixed torian gender norms held increasing sway, clientele.34 Still, a black colonial voice sug- theoretically, or ideologically, redefining gests the fragility of mixed, tavern-based en- the meaning of ‘public’ for women and tertainment: Nero Lyons of Amherstburg, placing it beyond their proper sphere.36

33 Susanna Moodie, Life in the Clearings versus the Bush (London: R. Bentley, 1853), 348-49. 34 See�������������������������������������������������������������������������������������������� Julia Roberts, “‘A Mixed Assemblage of Persons’: Race and Tavern Space in Upper Canada,” Canadian Historical Review 83:1 (March 2002), 1-28 35 AO, Court of General Quarter Sessions of the Peace. Tavern- and shop-licensing records, Essex County, Windsor (formerly within Hiram Walker Collection), MS 205 Reel 6. Petition of Nero Lyons, Windsor licensing records, 1840, p. 5490. 36 Jan Noel, Canada Dry: Temperance Crusades before Confederation (Toronto: University of Toronto Press, 1995), 97-102; Craig Heron, Booze: A Distilled History (Toronto: Between the Lines, 2003), 121- the games people played 171

Taverns, which combined drink and course there were those who continued to public space, were a deadly combination, drink in public, together with men. Here, one that threatened the superior moral- for example, is an 1837 diarist’s account of ity and purity at the essence of woman- mixed public drinking: hood. Yet, not only did women continue Met an old lady at Lawson’s, named Lizar’s, to keep taverns, work, lodge, and live at the mother of the famous Edinborough them, there is indisputable evidence that Professor of that name. She has several other they went there to drink and socialize. sons one equally famous as an engraver. She is Historical writing cannot account for very Scotchy and has one great failing—that this. Perhaps we have taken Victorian of getting drunk—dead drunk—after dinner. Queer habit. Mrs Lawson who is notorious in ideologues too seriously as accurate ba- 37 rometers of women’s mid-century lives. that line herself was very severe on her. The tavern evidence shows that women On the other hand, these gendered terms and men negotiated for themselves the of access and spatial use clearly privileged meaning of public life and the terms of men. access to it. This does not mean they ne- Men stood as the gatekeepers to gotiated on an even playing field, but it public space in the taverns. The need of does mess up our tidy picture of women male chaperonage reveals women’s lack outside and men inside the taverns. of free and equitable access in both lit- Gender worked powerfully to contain eral and symbolic ways. The presence of women’s autonomy in public space in rela- male company meant women remained tion to men’s. Custom dictated the need carefully contained by the same hierar- of a male chaperone. On the one hand, chical gendered authority that structured this could be lightly borne. Wives, moth- household, community, political, and ers, and sisters enjoyed tavern-going with economic relations. In the context of husbands, sons, and brothers: we saw this close male companionship, women posed in the forty people at the mountebank’s no threat to the composition of the colo- show at the beginning of this paper, and nial public itself, despite their frequently in the lads and lasses watching a horserace. welcome presence within it. Despite this Women enjoyed female-only or female- dependence and lack of autonomy in pub- centred gatherings in areas like parlours, lic space, women included taverns within or balconies, separate from the bar. Fe- their social worlds. Some really did only male travellers appreciated the ladies-only frequent them in male company or for waiting rooms, and ‘family wings’ in larger festive community or family gatherings. hotels that catered to gender and class spe- Others felt free enough to charge drinks cific cultural groups by the 1840s. And of on their own account. That any of them

28; Cheryl Krasnick-Warsh, “‘Oh Lord Pour a Cordial on Her Wounded Heart’: The Drinking Woman in Victorian and Edwardian Canada,” in Drink in Canada: Historical Essays, ed. Krasnick-Warsh (Montreal and Kingston: McGill-Queen’s University Press, 1993) 570-91. 37 HJ, 5 June 1834 . 172 ONTARIO HISTORY

did so warns us about taking the new, Vic- reshaped separate spheres as an interpre- torian, ideologies defining women too se- tive paradigm. My point is that despite a riously as indicators of actual behaviour. plethora of challenges,38 somehow sepa- Taverns are less meaningfully understood rate spheres reigns supreme and this ar- as male space than they are as sites where ticle participates in its critique. This is gendered power relations played out in because, within the historiographical defining membership in the public. context of separate spheres, it is virtually There is a myth that men and wom- impossible to elucidate the activities of en lived in separate existential spheres women in public (or in public houses!) for much of the Nineteenth-Century. because we are focussed upon their ab- That myth is encapsulated in the - text sence.39 books that we hand our undergraduate Yet one striking image makes the students to read. The one I am currently non-absence of women evident, as drink- using, Francis and Smith’s Origins, puts ers, seeking their public entertainment it this way: in the nineteenth-century over drink, clear. Here is Mary Macdon- “women [were] restricted essentially to ald’s tavern bill at Roach’s in Toronto the private sphere of the home and fam- in 1855. It shows regular patronage for ily.” The Bumsted survey has women drink (there are charges for beer, rum, who “withdrew into the privacy of the whiskey and wine) and suggests, together home,” and Conrad & Finkel write of with Mary Haron’s tab in the same tav- women “relegated to the private sphere ern, as noted above, that women, like of domesticity.” Textbooks cannot con- men, could centre drink-based entertain- vey the nuanced historiography that has ment and the sociability it sustained, developed over the past decade and more within the public space of the taverns. In as feminist scholars have critiqued and other words even though the historiog-

38 Kathy�������������������������������������������������������������������������� Peiss, “Going Public: Women in Nineteenth-Century Cultural History,” American Liter- ary History 3:4 (1991), 817; In Upper Canada, see the Introductions to: Cecilia Morgan, Public Men and Virtuous Women: The Gendered Languages of Religion and Politics in Upper Canada, 1791-1850 (Toronto: University of Toronto Press, 1996) and Elizabeth Jane Errington, Wives and Mothers, School- mistresses and Scullery Maids: Working Women in Upper Canada, 1790-1840 (Montreal & Kingston: McGill Queen’s University Press, 1995). Julie������������������������������������������������������������ Roy Jeffrey, “Permeable Boundaries: Abolitionist Women and Separate Spheres,” Journal of the Early Republic, 21:1 (Spring 2001), 80, 88, 92; Mary Kelley, “Beyond the Boundaries,” Journal of the Early Republic, 21:1 (Spring 2001), 75, 78; Sarah Wilson, “Melville and the Architecture of Antebellum Masculinity,” American Literature, 76:1 (2004), 60, 80; Laura McCall and Donald Yacavone, eds., “Introduction,” Shared Experience: Men, Women, and the History of Gender (New York: New York University Press, 1998), 1-2; Carol Lasser, “Beyond Separate Spheres: The Power of Pub- lic Opinion,” Journal of the Early Republic, 21:1 (Spring 2001), 116, 121; see also, Mary Louise Roberts, “True Womanhood Revisited,” Journal of Women’s History, 14:1 (2002), 150-55. 39 J.M. Bumsted, Peoples of Canada: A Pre-Confederation History, 2nd ed. (Don Mills, ON: Oxford University Press, 2003), 322; R. Douglas Francis, Richard Jones, Donald B. Smith, Origins: Canadian History to Confederation, 5th ed. (Scarborough, ON: Thomson Nelson, 2004), 282; Margaret Conrad and Alvin Finkel, History of the Canadian Peoples: Beginnings to 1867, 4th ed. (Toronto: Pearson Longman, 2006), 383. the games people played 173 raphy leaves no room to explain how, at pretation. The evidence makes clear than Roach’s tavern in 1850s Toronto, Mrs. an ideology—a set of ideas- was powerful Macdonald ran a regular tab, here she is enough to shape tavern interiors through on the books:40 the introduction of ladies’ parlours and ladies’ waiting rooms in ho- tels, principal houses, and substantial minor houses. This means that ideology affected actual patterns of female behaviour in public. For instance, Purdy’s Saloon and Eating House, in 1854, in central Toronto, prom- ised a “distinct entrance for parties of ladies and gentle- men,” inviting mixed patron- age, all the while separating it from the presumably male- Mrs. McDonald’s running tab at Roach’s Tavern. It includes beer by only congress beyond other the glass and pint, whiskey (including a quart measure for treating doors.41 or taking off-site), some gin and some wine. Archives of Ontario.

Historiographically, it is difficult to account for Mary McDonald. There, women join temperance societies, haul husbands home from the tavern, or im- bibe themselves, sometimes at home in shameful secrecy, sometimes in raucous disorder on the streets. Even though the evidence of the colonial taverns agrees with these narratives in some ways, it also provides another, alternative, set of An ad for Purdy’s Saloon in the Toronto Globe, em- stories about women’s relationships with phasizing its openness to mixed gender patronage. public drinking. The evidence of the colonial taverns This differs from the assumption of mixed presents a paradox regarding the paradigm access in an earlier time to be sure. But it of separate spheres and its critical re-inter- differs even more from the assumption of

40 Toronto tavern keeper daybook, 3 Dec. 1855. 41 Toronto Globe, 20 February 1854. 174 ONTARIO HISTORY

female absence that permeates separate by its spars during a beery afternoon. spheres discourse. And while the evidence of the colonial Probably the most powerful implica- taverns suggests the presence of every- tion of the separate spheres paradigm is one in the taverns’ public spaces, it does that space beyond the clearly private was so in ways which question the easiness in reality “exclusively male anti-domestic of heterogeneity. A Judge, for example, S space.”42 When historians write of mid- called the labourers “coarse” and “rude.” nineteenth-century Canadian taverns, Gentlemanly confabs, especially in the they certainly present them as such. They principal houses were staged in ways that were “male-only,” “world[s] of male as- asserted privilege, maleness, and white- sociation and privilege,” that offered “es- ness in distinction to those excluded and D cape from the confinement of the family,” those waiting at table. When dancing “male establishment[s]” where a “male broke out in tavern space, we know that subculture flourished” and an “absence the fiddler was often black. We know of women” set the tone.43 The evidence of that gentlemen about their “confabula- women’s entertainments in the colonial tion” often consciously excluded wom- taverns, both over drink and not, does en. And women’s access to tavern-based nothing to undermine the precedence entertainment, especially as linked to men enjoyed there, but it does call the ide- drink, frequently depended upon male ology of separate spheres into doubt as a gatekeepers. Thus, while we can clearly descriptor of real life and complicates his- read in an early tavern-keeper’s account torians’ willingness to see this particular book that “Tobias Indian” took a gill of tavern-based public as particularly male. rum with his breakfast at Dolsen’s Tavern Tavern entertainment ranged from on the Thames River in 1798,44 what we labouring men “throwing sticks, stones, have simultaneously read about the sta- and mud at each other,” to gentlemen en- tus of racialized others in particular, in gaged in “confabulations” over drink, to tavern entertainments, and the uncertain moments when a tavern company all “fell participation of women, warns us not to to dancing,” to working women treating read Matthew Dolsen’s account book as in a working-class tavern in mid-century evidence of anything like an early multi- Toronto, to the “the feat” of lifting a chair cultural Canada.

42 Sarah Wilson, “Melville and the Architecture of Antebellum Masculinity,” American Literature 76:1 (2004), 79. 43 Heron, Booze, 36; Bryan D. Palmer, Working Class Experience: Rethinking the History of Canadian Labour, 1800-1991 2nd ed. (Toronto: McClelland and Stewart, 1992), 102; Krasnick-Warsh, “Introduc- tion,” Drink in Canada, 5, 8, 12. 44 Chatham-Kent Museum Archives, Chatham, Ontario, Matthew Dolsen journal, 2 March 1798.