Summary-Infographics

Total Page:16

File Type:pdf, Size:1020Kb

Summary-Infographics LIVE PERFORMANCE INDUSTRY IN 2018 AUSTRALIA THE LIVE PERFORMANCE INDUSTRY GENERATED ALMOST $2.2 BILLION IN REVENUE AND OVER 26 MILLION IN ATTENDANCE REVENUE UP ATTENDANCE UP THAT’S MORE THAN THE COMBINED ATTENDANCES AT AUSTRALIAN FOOTBALL, RUGBY LEAGUE, CRICKET, SOCCER, BASKETBALL, RUGBY UNION, TENNIS, 15% 14% NETBALL AND BASEBALL FROM 2017 FROM 2017 SOURCE: AUSTRALIAN STADIUMS AND SPORT (2019), AUSTRALIAN SPORTING ATTENDANCES 2018 AUSTRALIA SPENT $86 TOTAL REVENUE (TICKET SALES) PER PERSON ON LIVE PERFORMANCE EVENTS $2.16 BILLION FROM 2008-2018 FROM 2008-2018 REVENUE ATTENDANCE INCREASED INCREASED TOTAL ATTENDANCE (TICKETS ISSUED) 104% 66% 26.27 MILLION Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 AUSTRALIA TOTAL REVENUE (2004–2018) 2.5bm 2bn 1.5bn TOP 3 1bn REVENUE 0.5bn 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1. CONTEMPORARY MUSIC TOTAL ATTENDANCE (2004–2018) $1,092,275,549 30m 25m 2. MUSICAL THEATRE 20m $400,199,798 15m 3. COMEDY 10m $124,742,437 5m 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 THE NUMBER OF TICKETS ISSUED, REVENUE GENERATED AND THE AVERAGE TICKET PRICES FOR LIVE PERFORMANCE EVENTS WERE THE HIGHEST RECORDED SINCE LPA TOP 3 BEGAN PUBLISHING DATA IN 2004 ATTENDANCE CONTEMPORARY MUSIC IS THE LARGEST CATEGORY IN THE INDUSTRY, GENERATING 51% OF NATIONWIDE REVENUE AND 1. CONTEMPORARY MUSIC 38% OF NATIONWIDE ATTENDANCE 10,088,329 FOR LIVE PERFORMANCE EVENTS 2. MUSICAL THEATRE SPECIAL EVENTS RECORDED THE HIGHEST 3,917,532 CATEGORY INCREASE IN REVENUE BY 3. FESTIVALS (MULTI CATEGORY) 338%, WHILE COMEDY RECORDED THE 2,577,932 HIGHEST CATEGORY INCREASE IN ATTENDANCE BY 99% Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 AUSTRALIAN CAPITAL TERRITORY ACT GENERATED 1% REVENUE UP ATTENDANCE UP OF NATIONWIDE REVENUE AND ATTENDANCE 12% 13% FROM 2017 FROM 2017 SHARE OF NATIONAL POPULATION TOTAL REVENUE (TICKET SALES) 2% $27,848,747 TOTAL ATTENDANCE (TICKETS ISSUED) ACT SPENT $66 PER PERSON ON LIVE PERFORMANCE EVENTS NATIONAL SPEND PER PERSON $86 405,899 Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 AUSTRALIAN CAPITAL TERRITORY TOTAL REVENUE (2009–2018) 30m 25m 20m 15m TOP 3 10m REVENUE 5m 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1. CONTEMPORARY MUSIC TOTAL ATTENDANCE (2009–2018) $6,704,281 500k 2. FESTIVALS (CONTEMPORARY MUSIC) 400k $6,557,521 300k 200k 3. COMEDY $2,906,314 100k 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 TOP 3 ATTENDANCE 1. CONTEMPORARY MUSIC 103,480 FESTIVALS (MULTI-CATEGORY) INCREASED IN REVENUE BY AND ATTENDANCE BY 2. FESTIVALS (CONTEMPORARY MUSIC) 1185% 1456%, PRIMARILY DRIVEN BY SHOWS 60,016 SUCH AS BLANC DE BLANC, PERFORMED AS 3. CHILDREN’S/FAMILY PART OF SPIEGELTENT CANBERRA 46,642 Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 NEW SOUTH WALES NSW GENERATED 33% REVENUE UP ATTENDANCE UP OF NATIONWIDE REVENUE AND ATTENDANCE 22% 19% FROM 2017 FROM 2017 SHARE OF NATIONAL POPULATION TOTAL REVENUE (TICKET SALES) 32% $753,667,850 TOTAL ATTENDANCE (TICKETS ISSUED) NSW SPENT $94 PER PERSON ON LIVE PERFORMANCE EVENTS NATIONAL SPEND PER PERSON $86 8,230,950 Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 NEW SOUTH WALES TOTAL REVENUE (2009–2018) 800m 700m 600m 500m 400m TOP 3 300m 200m REVENUE 100m 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1. CONTEMPORARY MUSIC TOTAL ATTENDANCE (2009–2018) $340,686,456 10m 2. MUSICAL THEATRE 8m $153,597,132 6m 3. FESTIVALS (CONTEMPORARY MUSIC) 4m $52,212,514 2m 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 NSW RECORDED THE HIGHEST REVENUE AND ATTENDANCE AMONGST ALL THE STATES AND TERRITORIES IN AUSTRALIA NSW GENERATED 71% OF NATIONWIDE OPERA REVENUE TOP 3 AND 66% OF NATIONWIDE ATTENDANCE ATTENDANCE FESTIVALS (MULTI CATEGORY) REVENUE 1. CONTEMPORARY MUSIC INCREASED BY 134% AND ATTENDANCE BY 30%, WITH 3,200,941 MAJOR EVENTS INCLUDING FALLS MUSIC & ARTS FESTIVAL AND 2. MUSICAL THEATRE VIVID FESTIVAL 1,423,492 COMEDY REVENUE INCREASED BY 3. THEATRE 47% AND ATTENDANCE BY 79%, WITH MAJOR EVENTS INCLUDING FOR THE LOVE OF MRS. BROWN, AND 681,994 PERFORMERS SUCH AS KEVIN HART AND JIM JEFFERIES Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 NORTHERN TERRITORY NT GENERATED 0.2% REVENUE DOWN ATTENDANCE UP OF NATIONWIDE REVENUE AND ATTENDANCE 13% 2% FROM 2017 FROM 2017 SHARE OF NATIONAL POPULATION TOTAL REVENUE (TICKET SALES) 1% $2,923,333 NT SPENT $12 PER PERSON ON TOTAL ATTENDANCE (TICKETS ISSUED) LIVE PERFORMANCE EVENTS NATIONAL SPEND PER PERSON $86 67,876 FindFind more more information information on live on performanceLive Performance attendance in 2017 and revenueat reports.liveperformance.com.au at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 NORTHERN TERRITORY TOTAL REVENUE (2009–2018) 3.5m 3m 2.5m 2m 1.5m TOP 3 1m REVENUE 0.5m 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1. CONTEMPORARY MUSIC TOTAL ATTENDANCE (2009–2018) $623,231 120k 100k 2. COMEDY 80k $462,958 60k 40k 3. CHILDREN’S/FAMILY 20k $454,166 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 TOP 3 ATTENDANCE 1. CHILDREN’S/FAMILY BALLET AND DANCE REVENUE INCREASED 16,602 BY 225% AND ATTENDANCE BY 142%, WITH PERFORMANCES 2. CONTEMPORARY MUSIC INCLUDING REGIONAL TOUR: 13,511 COPPELIA, A TASTE OF IRELAND – THE IRISH MUSIC & DANCE SENSATION 3. BALLET AND DANCE AND CINDERELLA 9,481 Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 QUEENSLAND QLD GENERATED 15% REVENUE UP ATTENDANCE UP OF NATIONWIDE REVENUE AND ATTENDANCE 20% 20% FROM 2017 FROM 2017 SHARE OF NATIONAL POPULATION TOTAL REVENUE (TICKET SALES) 20% $317,179,536 TOTAL ATTENDANCE (TICKETS ISSUED) QLD SPENT $63 PER PERSON ON LIVE PERFORMANCE EVENTS NATIONAL SPEND PER PERSON $86 3,840,497 Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 QUEENSLAND TOTAL REVENUE (2009–2018) 350m 300m 250m 200m 150m TOP 3 100m REVENUE 50m 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1. CONTEMPORARY MUSIC TOTAL ATTENDANCE (2009–2018) $157,984,632 4m 2. MUSICAL THEATRE 3.5m 3m $59,055,742 2.5m 2m 3. COMEDY 1.5m 1m $22,356,424 0.5m 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 QLD EXPERIENCED THE SECOND LARGEST INCREASE IN ATTENDANCE BY 20.1% AND SECOND LARGEST INCREASE IN REVENUE BY 20.2% AMONG ALL TOP 3 STATES AND TERRITORIES ATTENDANCE SPECIAL EVENTS INCREASED IN REVENUE BY 1415% AND ATTENDANCE BY 236%, WITH SPECIAL EVENTS 1. CONTEMPORARY MUSIC INCLUDING THOSE PRESENTED AS PART OF THE GOLD COAST 1,626,621 COMMONWEALTH GAMES 2. MUSICAL THEATRE COMEDY REVENUE INCREASED BY 568,959 154% AND ATTENDANCE BY 177%, WITH SHOWS INCLUDING 3. COMEDY FOR THE LOVE OF MRS. BROWN AND PERFORMANCES FROM RENOWNED 439,544 COMEDIANS SUCH AS KEVIN HART, JIM JEFFERIES AND CARL BARRON FindFind more more information information on live on performanceLive Performance attendance in 2017 and revenueat reports.liveperformance.com.au at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 SOUTH AUSTRALIA SA GENERATED 7% REVENUE UP ATTENDANCE UP OF NATIONWIDE REVENUE AND ATTENDANCE 7% 5% FROM 2017 FROM 2017 SHARE OF NATIONAL POPULATION TOTAL REVENUE (TICKET SALES) 7% $131,560,865 $ SA SPENT $76 PER PERSON ON TOTAL ATTENDANCE (TICKETS ISSUED) LIVE PERFORMANCE EVENTS NATIONAL SPEND PER PERSON $86 2,212,725 Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 SOUTH AUSTRALIA TOTAL REVENUE (2009–2018) 150m 120m 90m TOP 3 60m 30m REVENUE 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1. CONTEMPORARY MUSIC TOTAL ATTENDANCE (2009–2018) $63,691,069 2.5m 2. FESTIVALS (MULTI CATEGORY) 2m $23,606,040 1.5m 1m 3. MUSICAL THEATRE $19,962,343 0.5m 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 SA GENERATED 34% OF NATIONWIDE FESTIVALS (MULTI-CATEGORY) REVENUE AND 37% OF NATIONWIDE ATTENDANCE, WITH MAJOR FESTIVALS INCLUDING ADELAIDE FRINGE FESTIVAL TOP 3 AND WOMADELAIDE ATTENDANCE COMEDY REVENUE INCREASED BY 142% AND ATTENDANCE BY 1. FESTIVALS (MULTI CATEGORY) 246%, WITH MAJOR EVENTS INCLUDING FOR THE LOVE OF MRS. BROWN, AND PERFORMERS SUCH AS 942,968 CARL BARRON AND JIM JEFFERIES 2. CONTEMPORARY MUSIC 658,155 OPERA REVENUE INCREASED BY 115% AND ATTENDANCE BY 57%, 3. MUSICAL THEATRE WITH MAJOR EVENTS INCLUDING THE MERRY WIDOW AND THE 210,103 PEARL FISHERS Find more information on live performance attendance and revenue at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 TASMANIA TAS GENERATED REVENUE UP ATTENDANCE UP 2% OF NATIONWIDE 17% 67% REVENUE AND ATTENDANCE FROM 2017 FROM 2017 SHARE OF NATIONAL POPULATION TOTAL REVENUE (TICKET SALES) 2% $18,965,730 TOTAL ATTENDANCE (TICKETS ISSUED) TAS SPENT $36 PER PERSON ON LIVE PERFORMANCE EVENTS NATIONAL SPEND PER PERSON $86 738,444 FindFind more more information information on live on performanceLive Performance attendance in 2017 and revenueat reports.liveperformance.com.au at reports.liveperformance.com.au LIVE PERFORMANCE INDUSTRY IN 2018 TASMANIA TOTAL REVENUE (2009–2018) 20m 15m TOP 3 10m 5m REVENUE 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 1. FESTIVALS (MULTI CATEGORY) TOTAL ATTENDANCE (2009–2018) 800k $7,773,362 700k 2.
Recommended publications
  • FX's 'Legit', Jim Jefferies Embraced by Disabled Community
    Follow Like 153k Subscribe Industry Tools Newsletters Daily PDF Register Log in Blocked Plug-in MAR -./$0123$2456782$95:;<5$8=5$&;>?7@6$.A$8=5 22 2 DAYS &73;B?5C$).<<D@78E 8:00 AM PDT 3/22/2013 by Aaron Couch SHARE (/pri 28 Comments (#comments) (3 (http://www.hollywoodreporter.com/node/430325#disqus_thread) )nt/4 0 Like 133303 (=5$:.<5CE23$:>5;8.>3$/.>>75C$783$C73;B?5C$:=;>;:85>3$<76=8 25) .AA5@C$F75/5>3G$BD8$A.D@C$8=.35$H.>8>;E;?3$=;F5$5;>@5C$8=5$3=./$3.<5$.A$783 A75>:538$A;@3I FX From left: Dan Bakkedahl, D.J. Qualls and Jim Jefferies in "Legit" Drugs, prostitution and masturbation are among the topics tackled by FX’s freshman comedy Legit. Despite those edgy plot points, it was the show’s multiple characters with disabilities that had co-creators Jim Jefferies and Peter O’Fallon worried they might offend viewers. From series regular Billy (DJ Qualls), a 30- !"#$%&'(!#$#%)!**%+&, something with muscular dystrophy, to Rodney (Nick Daley), a party hound with an intellectual disability, the world of Legit is full of characters trying to make it no matter their circumstances. 'Legit'(http://www.hollywoodreporter.com/live- Creators Spill Secrets of Theirfeed/legit-creators-spill-secrets-abrasive- Abrasive Yet Kind “We were kind of nervous,” Jefferies, the show’s star, Comedy tells The Hollywood Reporter (http://www.hollywoodreporter.com/live- (http://www.hollywoodreporter.com) . “We know we’re not feed/legit-creators-spill-secrets-abrasive- 417069) being nasty, but maybe people won’t see it the same way we see it.” STORY: 'Legit' Creators Spill Secrets of Their Abrasive Yet Kind Comedy Season(http://www.hollywoodreporter.com/live- Finale Scheduler: Your Guidefeed/2013-season-finale-schedule- to What Ends When (http://www.hollywoodreporter.com/live-feed/legit-creators-spill- 429839) (http://www.hollywoodreporter.com/live- secrets-abrasive-417069) feed/2013-season-finale-schedule-429839) But since premiering in January, it’s the characters with disabilities who have won the show some of its fiercest fans.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Cis Tv & Film Cv 2018-10
    LANA VEENKER CSA & ERYN GOODMAN CSA SELECTED FILM CREDITS “Timmy Failure” Principal Casting (OR) Walt Disney Studios/Fayleure Prods | p. Jim Whitaker “Bad Samaritan” Principal Casting (OR) Electric Entertainment | d. Dean Devlin “Preserve” Principal Casting (OR) Preserve LLC/CineReach | d. Nicole Perlman “Wild” Principal Casting (OR) Fox Searchlight/Pacific Standard | d. Jean-Marc Vallée “Gone” Principal Casting (OR) Lakeshore Entertainment | d. Heitor Dhalia “Twilight” Principal Casting (OR & WA) Summit Entertainment | d. Catherine Hardwicke “Paranoid Park” Principal Casting MK2/Tsetse Fly Film Co. | d. Gus Van Sant “The Burning Plain” Principal Casting (OR) 2929 Productions | d. Guillermo Arriaga “Management” Principal Casting (OR) Sidney Kimmel Entertainment | d. Stephen Belber “The Heretic” Principal Casting (OR) Havoc Films | d. Tim Robbins “Chacun Son Cinéma: First Kiss” Principal Casting ARTE/Canal+/Elzevir | d. Gus Van Sant “Feast of Love” Principal Casting (OR & WA) Lakeshore Entertainment | d. Robert Benton “Into the Wild” Additional Casting (OR) Paramount Vantage | d. Sean Penn SELECTED TV CREDITS Trinkets (S1) Principal Casting (NW) Netflix/Awesomeness TV | e.p. Linda Gase American Vandal (S2) Principal Casting (NW) Netflix/CBS Studios/Funny or Die | d. Tony Yacenda Pretty Little Liars: The Perfectionists (S1) Principal Casting (NW) Warner Horizon/Freeform | d. Marlene King Staties (Pilot) Principal Casting (NW) ABC Studios/Maniac Productions | d. Rob Bowman Angie Tribeca (1 episode) Principal Casting (OR) TBS/Carousel Prods | e.p. Nancy Carell & Steve Carell “Here and Now” (S1) Principal Casting (OR) HBO/Perplexed Production Services | e.p. Alan Ball “The Show” (Pilot) Series Regulars (US Search) BLACKPILLS/Together Media/Vice | e.p. Luc Besson The Wonderland Murders (S1) Principal Casting (OR) American Chainsaws Ent./Baltic Tiger | d.
    [Show full text]
  • COMEDIAN JIM JEFFERIES ANNOUNCES the MOIST TOUR WHICH COMES to the FLORIDA THEATRE on OCTOBER 10, 2021 Tickets on Sale Beginning Friday, June 4 at 12:00 P.M
    COMEDIAN JIM JEFFERIES ANNOUNCES THE MOIST TOUR WHICH COMES TO THE FLORIDA THEATRE ON OCTOBER 10, 2021 Tickets On Sale Beginning Friday, June 4 at 12:00 p.m. Jacksonville, Fla. (June 1, 2021) – Jim Jefferies (Legit, FX; The Jim Jefferies Show, Comedy Central) announced today his new The Moist Tour which kicks off September 23 in New York City. Tickets go on sale to the general public beginning Friday, June 4 at 12:00 p.m. with a fan presale beginning Wednesday, June 2 at 10:00 a.m. For more information and tickets, visit jimjefferies.com. This Sydney native is one of the most popular and respected comedians of his generation, entertaining audiences across the globe with his provocative, belief-challenging, and thought-provoking comedy. Jim was honored as Stand-Up Comedian of the Year at the Just for Laughs Festival in summer 2019. At the end of 2019, he started his Oblivious Tour and toured all around Europe and North America. Jim’s ninth stand up special Intolerant came out on Netflix last year. He currently hosts his own podcast I Don’t Know About That with Jim Jefferies and releases new episodes on Tuesdays with video available on Jim's YouTube channel and audio available everywhere you get podcasts. JIM JEFFERIES: THE MOIST TOUR Friday, July 30, 2021 Las Vegas Nevada The Mirage (on sale now) Saturday, July 31, 2021 Las Vegas Nevada The Mirage (on sale now) Thursday, September 23, 2021 New York, New York Beacon Theatre Saturday, September 25, 2021 Chicago, Illinois Chicago Theatre Sunday, September 26, 2021 Indianapolis, Indiana Clowes Memorial Hall (on sale June 11) Friday, October 8, 2021 Fort Myers, Florida Barbara B.
    [Show full text]
  • Eric Andre Returning to Tour Australia & New Zealand in May 2017 After Selling out His Debut Run of Shows!
    ERIC ANDRE RETURNING TO TOUR AUSTRALIA & NEW ZEALAND IN MAY 2017 AFTER SELLING OUT HIS DEBUT RUN OF SHOWS! Currently in Australia for his sold-out run of debut shows, Frontier Comedy are thrilled to announce that Eric Andre will return to our shores in May 2017 for his biggest Australian ​ shows to date and first ever Auckland shows. Fans Down Under cannot get enough of Eric; his debut tour sold out in just days with an extra Sydney show added to meet massive demand and record-breaking attendances in Melbourne. Both Comic’s Lounge shows saw Eric pull the biggest crowds the venue had ever seen - breaking the attendance record previously held by Jim Jefferies in 2012 - with audiences treated to a special surprise appearance from The Eric Andre Show co-host ​​ Hannibal Buress. ★★★★½ ‘Anyone looking for a night of chaotic and disorderly comedy ​ ​ ​ need look no further. Andre has every surprise up his sleeve and then some when it comes to the ultimate showing of weird and wonderful.’ - The Music ‘One of the most off-kilter and versatile comedians on planet earth.’ - VICE ​ ​ Boundary-pushing comedian and the world’s most unstable talk show host Eric Andre has been perplexing and provoking audiences with late night cult hit The Eric Andre ​ Show since 2012, where he’s made Tyler The Creator cry, exposed himself to Seth ​ ​ ​ Rogen, and covered Ariel Pink in toilet water. But he's been bringing the laughs long ​ ​ ​ before then with his daring and inventive approach to stand-up. Every bit as uproarious as he is bizarre, Andre's unyielding enthusiasm, infectious energy and surrealist humour have him consistently selling out venues across the US and Canada.
    [Show full text]
  • Television Quotes Contact
    Nick Cody has headlined comedy of Australian’s to perform on Conon clubs all over Australia, performed at O’Brian’s late show Conan in the US. the Montreal Just For Laughs Festival, 2015 Nick performed on the Melbourne the New York Comedy Festival, the Comedy Festival Opening Night Johannesburg International Comedy Allstar Supershow (Ch 10), sell out his Festival, sold out numerous solo Australian solo stand-up tour “Beard shows at the Melbourne International Game Strong” and return as a main Comedy Festival & Sydney Comedy cast member on the second series of Festival and has toured the country TV sketch comedy hit Kinne (7Mate). with some of the biggest names in comedy, such as international In 2014, he starred in all six episodes superstars Jim Jefferies and Anthony of the smash-hit TV-sketch show Jeselnik. He was even personally Kinne on 7Mate, guest starred on Josh selected by US comedy legend Bill Thomas’ award-winning comedy/ Burr, to support him at the Sydney drama Please Like Me on ABC2 and Opera House, as part of Just For performed at the invite only Just For Laughs (Sydney) and make his debut Laughs festival in Montreal. performance on Conan O’Brien’s late This follows an action packed 2013, night talk show. where Nick was invited by the Nick’s spent 2017 touring “On Fire” Australian Defence Force to perform in around Australia’s Comedy Festivals, Afghanistan for the troops and on top Europe’s major cities and hitting up of that, became one of only a handful London’s Soho Theatre to wrap it all up.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Jim Jefferies Biography Jim Jefferies Is One of the Most Popular and Respected Comedians of His Generation, Entertaining Audienc
    Jim Jefferies Biography Jim Jefferies is one of the most popular and respected comedians of his generation, entertaining audiences across the globe with his provocative, belief-challenging, and thought-provoking comedy. He was recently named one of the top 5 touring comedians in the world. After receiving rave reviews for his 2018 international stand up tour, The Unusual Punishment Tour, Jim is back on the road with an entirely new routine for his The Night Talker Tour, which he’ll be performing internationally and nationally through November 2019. Jim recently signed a first look deal with Comedy Central for content development in television and digital media. Additionally, Jim’s eponymous Comedy Central series, The Jim Jefferies Show debuted its third season on March 19, 2019 at 10:30pm ET / PT. As a strong voice in late night, the weekly series features Jim traveling across the globe to tackle the top news stories and controversial issues of the day. In addition to the series, Jim also continues to head up the weekly podcast series, The Jim Jefferies Show Podcast, co-hosted by Forrest Shaw. The podcast, from Comedy Central's Podcast Network includes interviews and discussions with a variety of guests discussing current news and politics, as well as providing a more in-depth focus on the topics and opinions featured on the television series - with less filters. In 2018, Jim starred in his third Netflix comedy special Jim Jefferies: This Is Me Now. Performing at the Eventim Apollo in London, he unapologetically kept it real opening up the challenges of being a single father, as well as, the weirdest gig he ever played.
    [Show full text]
  • THE MASKED SINGER – S1 – S5 the VOICE Off Stage Scenery – S2
    2009 primetime emmy award WINNER: outstanding art direction for a variety, music or nonfiction program 2008, 2012 – 2019 emmy award nominee: outstanding production design for a variety, nonfiction, reality or reality-competition series 2009, 2012- 2017 art director’s guild award nominee: excellence in production design for a variety or competition series 2014-2020 telly award winner: outstanding achievement in art direction and set design for television, internet / online program 2020 daytime emmy winner: outstanding production design for a variety, nonfiction, reality or reality-competition series 2021 art director’s guild award nominee: excellence in production design for a variety or competition series THE MASKED SINGER – S1 – S5 fox THE VOICE off stage scenery – S2 – S20 m. burnett / talpa / nbc HOLEY MOLEY S1 eureka / abc BILL NYE SAVES THE WORLD – S1 – S3 bunim murray / netflix POOCH PERFECT abc UNICORN HUNTERS smart dog media MAKING IT WITH AMY POEHLER & NICK OFFERMAN – S1 – S3 nbc THE NETFLIX AFTERPARTY netflix RUPAUL’S DRAG RACE - S13 vh1 SMALL FORTUNE nbc EXPOSURE hulu CELEB SHOW OFF tbs CHRISSY'S COURT quibi Q TALKS quibi HAUTE DOG hbo max HOLIDAYS WITH THE HOUGHS nbc NAILED IT! – S1 – S5 magical elves/ netflix THE WORLD'S BEST warner verizon / cbs RED TABLE TALKS – S1 – S2 facebook watch PROJECT RUNWAY – S17, S18 magical elves / bravo CAKE MY DAY nickelodeon CELEBRITY ESCAPE ROOM nbc CRAFTOPIA - S1 - S2 hbo max BAKETOPIA hbo max JIM JEFFRIES PODCAST jim jeffries LOVE AND MARRIAGE: HUNTSVILLE REUNION own AFTER THE MASK fox INSTANT
    [Show full text]
  • Tracking Software Found on 7 Fairhope Employees' Computers
    COMMUNITY CALENDAR: Ongoing and Upcoming Events, PAGE 25 Making Margaritaville New Buffet book explores the place, the man, and the history behind it all The Courier PAGE 4 INSIDE JUNE 7, 2017 | GulfCoastNewsToday.com | 75¢ Tracking software found on 7 Fairhope employees’ computers By CLIFF McCOLLUM Gulf Coast Media has partment Buyer Randy without notification to the website stated. [email protected] seen screenshots from Weaver, Water and Sewer seven employees. SentryPC is a com- a credible source taken Superintendent Dan Mc- The spyware, SentryPC, pletely cloud-based Software that tracks from these employees’ Crory, Gas Superinten- allows a user to monitor computer monitoring sys- employee computer usage computers that confirm dent Robert Rohm and and control what is done tem, which raised some and key strokes was the presence of the soft- recently retired Electrical on computer upon which concerns among sources placed on the computers ware there. Superintendent Jimmy the software is installed. about the information of at least seven City of Those screenshots Cluster. “Every activity your being logged from some of Fairhope employees, al- showed the software was According to confiden- users perform on the the Fairhope employees’ Winner, winner legedly at the direction placed on the computers tial sources, the spyware computer and internet is computers. Fairhope Rotary Club of Mayor Karin Wilson. of Human Resources Di- was placed on the PCs by recorded in real-time and “The city has no control Those employees were not recognizes winners of rector Pandora Heathcoe, a member of Fairhope’s in full detail for viewing over it,” a source said.
    [Show full text]
  • Rape Jokes Aren't Funny: the Mainstreaming of Rape Jokes In
    Rape Jokes aren’t funny: The mainstreaming of Rape Jokes in contemporary newspaper discourse Forthcoming in Feminist Media Studies (accepted 29th Jan, 2019) Sharon Lockyer Department of Social and Political Sciences College of Business, Arts and Social Sciences Brunel University London [email protected] Heather Savigny (corresponding author) Leicester Media School De Montfort University Leicester LE1 9BH [email protected] 1 Biographical Note Heather Savigny is Professor of Gender, Media and Politics at Leicester Media School, de Montfort University, UK. She is author of over 40 articles and book chapters and her work has appeared in journals such as Gender, Work & Organisation; Media, Culture & Society and Feminist Media Studies. She is author/editor of 7 books and is currently working on an interdisciplinary monograph ‘Cultural Sexism’ (Bristol University Press). She is currently PI on a Leverhulme/BA grant for her research in to depictions of male sexual violence in popular culture. Sharon Lockyer is the founding director of the Centre for Comedy Studies Research (CCSR) and a Senior Lecturer in Sociology and Communications in the Department of Social and Political Sciences at Brunel University London, UK. Her research interests include critical comedy studies, identity politics and comic media representations and the sociology of popular culture. She is editor of Reading Little Britain: Comedy Matters on Contemporary Television (I.B.Tauris 2010), co-editor of Beyond a Joke: The Limits of Humour (Palgrave Macmillan 2005, 2009), Controversial Images: Media Representations on the Edge (Palgrave Macmillan 2013) and Screening the Undead: Vampires and Zombies in Film and Television (I.B.Tauris 2014) and has published in a range of academic journals.
    [Show full text]
  • Factors and Conditions That Influence the Perception
    TANULMÁNYOK 2020/1. Bölcsészettudományi Kar, Újvidék STUDIJE 2020/1. Filozofski fakultet, Novi Sad STUDIES 2020/1. Faculty of Philosophy, Novi Sad ETO: 81’23 ORIGINAL SCIENTIFIC PAPER 616.89-008.444.7 DOI: 10.19090/tm.2020.1.47-63 Submitted: 21 January, 2020 Accepted for publishing: 1 April, 2020 Roland-Attila SZABÓ Partium Christian University Department of Languages and Literatures Oradea, Romania [email protected] FACTORS AND CONDITIONS THAT INFLUENCE THE PERCEPTION OF OFFENSIVE HUMOR Faktori i uslovi koji utiču na percepciju uvredljivog humora A sértő humor értelmezését befolyásoló tényezők és feltételek The study is derived from a larger study, namely the author’s PhD dissertation, and it gives an overview of and illustrates the most essential factors that maneuver utterances into being perceived as humorous and/or offensive in the context of performed, edgy stand-up comedy. The paper introduces basic humor and offensive humor theories as well as certain pragmatic mechanisms that lie beneath the process which starts with the utterance and ends with the perlocutionary effect on the audience. The study elaborates on offensive humor theories, conventions of stand-up comedy, pragmatic concepts, the contrast between offensiveness and immorality, which is all complemented by a brief psychological perspective, linking people’s reactions to the notion of harm and one’s level of self-esteem. The pragmatic insight into the factors that make offensive humor function points at the necessity of strong, non-conventional, and complex stimuli, perceived and comprehended by the audience, based on which the offensive layer can be constructed. Keywords: offensive humor, stand-up comedy, pragmatics Introduction The role of humor from a social point of view is generally thought to induce laughter, arouse good mood, and – an important point in stand-up comedy – lighten certain situations.
    [Show full text]