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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/110900 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications THE BRITISH LIBRARY BRITISH THESIS SERVICE COPYRIGHT Reproduction of this thesis, other than as permitted under the United Kingdom Copyright Designs and Patents Act 1988, or under specific agreement with the copyright holder, is prohibited. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. REPRODUCTION QUALITY NOTICE Th e quality of this reproduction is dependent upon the quality of the original thesis. Whilst every effort has been made to ensure the highest quality of reproduction, some pages which contain small or poor printing may not reproduce well. Previously copyrighted material (journal articles, published texts etc.) is not reproduced. THIS THESIS HAS BEEN REPRODUCED EXACTLY AS RECEIVED FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY-FICTION Mark Fisher Presented for the degree of Doctor of Philosophy Department of Philosophy University of Warwick July 1999 Numerous Originals in Colour Abstract FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY- FICTION Cyberpunk fiction has been called “the supreme literary expression, if not of postmodernism then of late capitalism itself.” (Jameson) This thesis aims to analyse and question this claim by rethinking cyberpunk Action, postmodernism and late capitalism in terms of three - interlocking - themes: cybernetics, the Gothic and fiction. -
Is There a Future for Accelerationism?
Is there a Future for Accelerationism? Abstract Accelerationism emerged from the insatiable market of ideas, a market that it attempts to intensify and ultimately repurpose in its own image. It is, however, an idea with consequences. The logic of accelerationism is not simply to exacerbate an inherent crisis of capitalism, either in order to provide a remedy in a more speedy fashion or consign it to its doom as a merciful gesture – putting it out of its misery, as it were. The process of acceleration underpinning the theory, of speeding up or intensification, is instead an active component of a re-imagined (post-)capitalism. This re-imagining is hyperstitional – a performative fiction invoked to overturn many seldom-questioned assumptions held across the academic spectrum. In attempting to foment the approach it both craves and envisages renders accelerationism almost unrecognisable as a serious contribution to academic debates on organisations and their management, even from critical perspectives. This article is not an attempt to accelerate nor to exemplify accelerationism, but instead contributes to the debate by identifying, examining and connecting core features of the conceptual framework underpinning the different approaches to accelerationism. It will focus in particular on Deleuze and Guattari’s contribution to this framework (desiring production; deterritorialisation; Body Without Organs, etc.) and examine their version of assemblage (agencement) as a way of conceptualising both the transformation of the machinery of capitalism -
Bannon's Long-Game
A Apocalyptic Bannon TEVE BANNON, President Trump’s chief strategist, was removed from the National Security Council in early April. Among the The Furthest ARTICLE Kremlinologists who watch the Trump White House, this has been interpreted as a setback for Sthe man whose neo-reactionary philosophy provides the guid- Exit: Bannon’s ing principles of Trumpism: Islamophobia, misogyny, xenophobia, and excited anticipation of a new American revolution. But Bannon’s ousting has also been called a disguised promotion, as he is restored to his proper role of the mostly unseen puppet-master. Long-Game In the first part of this article in last month’s issue, I put Bannon in the context of the alt-right and drew the connections between him, Gamergate, Milo Yiannopoulos, 4chan and Alexander Dugin. Here I want to continue this profile of Bannon by looking at his political Part 2: Trump’s chief strategist philosophy. Bannon subscribes to an sees history as ‘Turnings’ - esoteric version of history The State in its known as the ‘Fourth Turning’. current decadent The High, The Awakening, The Developed by amateur histori- Unravelling and (drumroll) The ans William Strauss and Neil baby-boomer form Howe in the 1990s, the Fourth must be dismantled. Yet this Crisis; and Neoreaction ushers in Turning applies the logic of cyclical history to the United “deconstruction” (his own the Dark Enlightenment, and exit States. Each turning represents a distinctive atmosphere that term) is simply a prelude to a dominates a generation. Or complete regeneration of the by Paul Eliot-Ennis better yet, to borrow a phrase from ‘True Detective’, a psycho- society to be accomplished sphere, encompassing the through total war social field of possibilities. -
Anti-Fascism/Art/Theory an Introduction to What Hurts Us
Anti-fascism/Art/Theory An Introduction to What Hurts Us Angela Dimitrakaki and Harry Weeks Three Narratives We will begin by stating the obvious. For reasons explained by many but averted by none, the consolidation of global capitalism executed by neoliberalism has generated such levels of polarisation and discontent as to have apparently raised fascism from the dead, given it – besides electoral purchase – an internet connection and a clickbait farm guaranteeing followers in the millions. That’s how one narrative goes. According to another narrative, it is not spectral, or even zombie, fascism that has entered the political room of the Global North while sweeping very large territories of the Global South, but a new configuration of authoritarianism and social hatred: Enzo Traverso, author of The New Faces of Fascism (2019), speaks of ‘post-fascism’, arguing that many of the authoritarian parties and rulers of the radical right do not claim a connection with fascism: On the one hand, the new far right is no longer fascist; on the other hand, we cannot define it without comparing it with fascism. The new right is a hybrid thing that might return to fascism, or it could turn into a new form of conservative, authoritarian, populist democracy. The concept of post-fascism tries to capture this.1 But at the same time, Traverso admits, ‘the new right is nationalist, racist, and xenophobic’, to which, we would add, that it also tends to be attached to strongman-type, ‘charismatic’ leadership.2 These are pretty solid attributes of fascism, especially when they congeal into a violent discourse identifying as a core cause ‘external’ and ‘internal’ enemies that must be 1 Nicolas Allen and Martín Cortés, ‘Fascisms Old and New: An Interview with Enzo Traverso’, Jacobin, 4 February 2019, https://jacobinmag.com/2019/02/enzo-traverso-post-fascism-ideology-conservatism, accessed 10 January 2019. -
Great Meme War:” the Alt-Right and Its Multifarious Enemies
Angles New Perspectives on the Anglophone World 10 | 2020 Creating the Enemy The “Great Meme War:” the Alt-Right and its Multifarious Enemies Maxime Dafaure Electronic version URL: http://journals.openedition.org/angles/369 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Maxime Dafaure, « The “Great Meme War:” the Alt-Right and its Multifarious Enemies », Angles [Online], 10 | 2020, Online since 01 April 2020, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/369 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. The “Great Meme War:” the Alt-Right and its Multifarious Enemies 1 The “Great Meme War:” the Alt- Right and its Multifarious Enemies Maxime Dafaure Memes and the metapolitics of the alt-right 1 The alt-right has been a major actor of the online culture wars of the past few years. Since it came to prominence during the 2014 Gamergate controversy,1 this loosely- defined, puzzling movement has achieved mainstream recognition and has been the subject of discussion by journalists and scholars alike. Although the movement is notoriously difficult to define, a few overarching themes can be delineated: unequivocal rejections of immigration and multiculturalism among most, if not all, alt- right subgroups; an intense criticism of feminism, in particular within the manosphere community, which itself is divided into several clans with different goals and subcultures (men’s rights activists, Men Going Their Own Way, pick-up artists, incels).2 Demographically speaking, an overwhelming majority of alt-righters are white heterosexual males, one of the major social categories who feel dispossessed and resentful, as pointed out as early as in the mid-20th century by Daniel Bell, and more recently by Michael Kimmel (Angry White Men 2013) and Dick Howard (Les Ombres de l’Amérique 2017). -
UNIVERSITY of BELGRADE FACULTY of POLITICAL SCIENCES Regional Master’S Program in Peace Studies
UNIVERSITY OF BELGRADE FACULTY OF POLITICAL SCIENCES Regional Master’s Program in Peace Studies Master’s Thesis Understanding the rise and the internationalisation of online alt-right’s subculture: how memes are changing political culture worldwide Author: Anesa Omeragić 515/16 Mentor: Professor Marina Simić Belgrade, September 2019 1 Abstract and keywords This paper examines the creation and the development of alt-right subculture, their language and behaviour. Alt-right was mainstreamed in 2016, and it is growing fast in the post-truth environment. Alt-right fights with stigmatisation that usually far-right movement face with the ironic and subtler language, rejection of the political correctness and use of jokes, sarcastic and nihilist approach and dark humour memes to spread their ideology. Alt-right members seem young, smart and exciting. They are gathering in board-based websites and/or forums that have little or no freedom of speech control. Lack of regulation and anonymity give them the opportunity to say what they mean, to spread the message and radicalise more. Alt-right online subculture was somewhat connected with rising of white supremacy’s violence globally in the past couple of years. Alt-right online subculture was especially compared with the four mass shootings or attempted mass shootings in the past six months – In Australia, Norway and the US. There is a danger that this trend of rising alt-right violence will continue. The public is not very- well informed about the alt-right community and its language, and it is essential to educate, especially youth, because of the danger of radicalisation. -
Review Article Spirit in the Crypt Negarestani Vs Land
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 REVIEW ARTICLE SPIRIT IN THE CRYPT NEGARESTANI VS LAND Vincent Le ABSTRACT: Iranian philosopher Reza Negarestani’s first 2008 book Cyclonopedia was written under the influence of Nick Land’s nihilistic and antihumanist philosophy which seeks to critique anthropomorphism by confronting us with our coming extinction beyond which our concepts of reason cannot reach. Since Cyclonopedia’s publication, however, Negarestani has left behind Landian nihilism to develop in his 2018 book Intelligence and Spirit a neorationalist philosophy of mind whose primary influences are Sellars, Brandom, and Hegel. At 579 clearly written yet dense pages, it is difficult even for a review article to encapsulate the book in its entirety. The first half of this article instead aims to provide a sense of the book’s overall project by focusing on how Negarestani outlines and develops his neorationalist philosophy through a critique of Land’s antihumanism. Never one to remain silent whilst others seek to resurrect Hegel from the dead, since December 2018, Land has been releasing a draft on his blog Urban Futures 2.1 of his new monograph Crypto- Current: Bitcoin and Philosophy, which proffers the most up to date articulation of his main antihumanist tenets. Having organized Intelligence and Spirit around Negarestani’s objections to Land, this article’s second half turns to Crypto-Current to see how Land is able to provide convincing responses to each of Negarestani’s objections, showing some to be based on strawman characterizations, others to stem from misunderstandings of Land’s position, and still others to lack traction at all. -
Friendship on Fascism, Consensus & the Politics of Philosophy
FRIENDSHIP ON FASCISM, CONSENSUS & THE POLITICS OF PHILOSOPHY 0. When the political right declares the political left to be the “true fascists” in the midst of our contemporary culture wars, they are perhaps recognising their own aptitude for producing an internal consensus in contrast to the left’s inability to agree & its readiness to eject everything which does not wholly coincide with itself. This is, of course, to suggest that fascists can’t agree. The truth is that they must. Here, already, the fi rst of our paradoxes emerges. This essay will attempt to grapple with many. 1. What defi nes the popular conception of fascism today is itself largely in contention. Generally speaking, fascism seems to be defi ned by an indeterminate intolerance & the forced suppression of any opposition. Whilst this is indeed a central tendency at the heart of any fascism, the nature of the suppression at hand – which underpins all such accusations, knocked back & forth across the political divide – is often vague & underdefi ned. At the very least, we can say that perceptions of power are central. The left’s ability to set the cultural agenda, arguably underappreciated within its own ranks, is seen as tyrannical by a right which nonetheless has a fi rmer grip on state power than it often likes to admit. Nonetheless, the ground from which both accusations of fascism are thrown is worth taking note of. Holding these two perspectives together – with no comment made on the validity of the arguments which constitute them – we begin to see a picture of two opposing forces which give shape to our contemporary status quo; of two opposing sides which constitute the internal borders of that which is, warring over how far they can shift the Overton Window which frames our present moment. -
Downloaded Cc-By License from Brill.Com09/30/2021At the Time of 05:35:12PM Publication
Fascism 10 (2021) 166-185 ‘The Girl Who Was Chased by Fire’: Violence and Passion in Contemporary Swedish Fascist Fiction Mattias Gardell Centre for Multidisciplinary Studies of Racism, Uppsala University, Uppsala, Sweden [email protected] Abstract Fascism invites its adherents to be part of something greater than themselves, invoking their longing for honor and glory, passion and heroism. An important avenue for articulating its affective dimension is cultural production. This article investigates the role of violence and passion in contemporary Swedish-language fascist fiction. The protagonist is typically a young white man or woman who wakes up to the realities of the ongoing white genocide through being exposed to violent crime committed by racialized aliens protected by the System. Seeking revenge, the protagonist learns how to be a man or meets her hero, and is introduced to fascist ideology and the art of killing. Fascist literature identifies aggression and ethnical cleansing as altruistic acts of love. With its passionate celebration of violence, fascism hails the productivity of destructivity, and the life-bequeathing aspects of death, which is at the core of fascism’s urge for national rebirth. Keywords Sweden – fascist culture – fascist fiction – violence – heroism – death – love – radical nationalism Fascism – here used in its Griffian sense as a generic term for revolutionary nationalisms centered on a mythic core of national rebirth – has a discernible affective dimension. It offers its adherents to be part of something greater than themselves, invoking their longing for glory, honor, and beauty, and inducing their capacities for hate, love, self-sacrifice, and violence. An important avenue © Mattias Gardell, 2021 | doi:10.1163/22116257-10010004 This is an open access article distributed under the terms of the prevailingDownloaded cc-by license from Brill.com09/30/2021at the time of 05:35:12PM publication. -
Nietzsche and Modern German Thought
Nietzsche and Modern German Thought Edited by Keith Ansell-Pearson London and New York First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 © 1991 Keith Ansell-Pearson for selection and editorial matter. Individual chapters © 1990 the respective contributors. All rights reserved. No part of this book may be reprinted, or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Catagloguing in Publication Data Nietzsche and modern German thought. 1. German philosophy. Nietzsche, Friedrich 1844–1900 I. Ansell-Pearson. Keith 193 Library of Congress Cataloging in Publication Data Nietzsche and modern German thought/[edited by] Keith Ansell-Pearson p. cm. Includes bibliographical references and index. 1. Nietzsche. Friedrich Wilhelm. 1844–1900—Contributions in modern German philosophy. 2. Philosophy, German—19th century. 3. Philosophy, German—20th century. I. Ansell-Pearson, Keith. B3317.N485 1991 193–dc20 90–48665 CIP ISBN 0-415-04442-1 (Print Edition) ISBN 0-203-00397-7 Master e-book ISBN ISBN 0-203-21078-6 (Glassbook Format) Contents Notes on contributors v Introduction 1 Keith Ansell-Pearson 1 Nietzsche, -
On the Necessity of Art's Exit from Contemporary
URBANOMIC 2014–2015 3 Since 2006 Urbanomic have played a crucial role in fostering new movements in contemporary thought and introducing them to a wider audience—including Speculative Realism, Object-Oriented Philosophy, Non-Philosophy, and Accelerationism. Since the publication of the rst volume of our acclaimed Collapse series, a rm commitment to cross-disciplinary thinking outside the academy has propelled Urbanomic beyond a traditional theory/philosophy readership, attracting a dedicated following.* We continue to publish Contact: works that assemble new audiences and forge Louise McDermott +44 (0)203 691 2791 new alliances in thought. [email protected] Urbanomic Media Ltd As well as Collapse, our catalogue includes the The Old Lemonade Factory Windsor Quarry groundbreaking series of publications produced Falmouth collaboratively since 2010 with Sequence Press TR11 3EX UK in New York; MONO, a new series of works by www.urbanomic.com emerging contemporary thinkers; and the new Distributor (UK, EU): Central Books, London. REDACTIONS series documenting and extending www.centralbooks.com the ‘research-in-progress’ ethos of Urbanomic’s + 44 (0)845 458 9911 US: Contact Katherine Pickard (Sequence Press) events programme. [email protected] 212.995.1774 Urbanomic is a trading name of Urbanomic Media Ltd, a limited company incorporated * Special thanks to our readers for the in England and Wales with registration number 8928468. Registered office: The Old Lemonade Factory, Windsor Quarry, Falmouth, TR11 3EX, UK. photographs featured in this catalogue. HIGHLIGHTS HIGHLIGHTS Exploring the political heresy of accelerationism, Object-Oriented Philosophy—beyond the hype: from Marx to the contemporary scene. Realist revolution or metaphysical regression? #Accelerate Object-Oriented The Accelerationist Reader Philosophy Ed. -
The Tragic Sublime: Libidinal Pessimism and the Problem
THE TRAGIC SUBLIME: LIBIDINAL PESSIMISM AND THE PROBLEM OF EXISTENCE By Sean G. Elbourne A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The Faculty of Arts The University of New South Wales 2005 Originality Statement I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged. (Signed)…………………………………………………………….. iii ABSTRACT In this thesis I explore the attempt by Arthur Schopenhauer, Friedrich Nietzsche and Georges Bataille to confront the problem of the meaning and value of existence. I consider each of these philosophers as involved in the development of a stream of post-Kantian thought that, following Nick Land, I call libidinal pessimism. Libidinal pessimism is both the metaphysical principle of the primacy of willing as the fundamental reality, and the moral principle that the greatest value to our existence is to be found in liberating willing from the small-scale concern of the good of individual beings.