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Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
Convergence Culture Reconsidered. Media – Participation – Environments 2015
Repositorium für die Medienwissenschaft Claudia Georgi, Brigitte Johanna Glaser u.a. (Hg.) Convergence Culture Reconsidered. Media – Participation – Environments 2015 https://doi.org/10.25969/mediarep/3662 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Georgi, Claudia; Glaser, Brigitte Johanna (Hg.): Convergence Culture Reconsidered. Media – Participation – Environments. Göttingen: Universitätsverlag Göttingen 2015 (Göttinger Schriften zur Englischen Philologie 9). DOI: https://doi.org/10.25969/mediarep/3662. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.17875/gup2015-840 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 Attribution - Share Alike 4.0 License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0 finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0 Taking media scholar Henry Jenkins’s concept of ‘convergence culture’ and the related Claudia Georgi and Brigitte Johanna Glaser (eds.) notions of ‘participatory culture’ and ‘transmedia storytelling’ as points of departure, the essays compiled in the present volume provide terminological clarifi cation, offer exemplary case studies, and discuss the broader implications of such developments Convergence Culture Reconsidered for the humanities. Most of the contributions -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
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1. Over 50 Years of American Comic Books [Hardcover]
1. Over 50 Years of American Comic Books [Hardcover] Product details Publisher: Bdd Promotional Book Co Language: English ISBN-13: 978-0792454502 Publication Date: November 1, 1991 A half-century of comic book excitement, color, and fun. The full story of America's liveliest, art form, featuring hundreds of fabulous full-color illustrations. Rare covers, complete pages, panel enlargement The earliest comic books The great superheroes: Superman, Batman, Wonder Woman, and many others "Funny animal" comics Romance, western, jungle and teen comics Those infamous horror and crime comics of the 1950s The great superhero revival of the 1960s New directions, new sophistication in the 1970s, '80s and '90s Inside stories of key Artist, writers, and publishers Chronicles the legendary super heroes, monsters, and caricatures that have told the story of America over the years and the ups and downs of the industry that gave birth to them. This book provides a good general history that is easy to read with lots of colorful pictures. Now, since it was published in 1990, it is a bit dated, but it is still a great overview and history of comic books. Very good condition, dustjacket has a damage on the upper right side. Top and side of the book are discolored. Content completely new 2. Alias the Cat! Product details Publisher: Pantheon Books, New York Language: English ISBN-13: 978-0-375-42431-1 Publication Dates: 2007 Followers of premier underground comics creator Deitch's long career know how hopeless it's been for him to expunge Waldo, the evil blue cat that only he and other deranged characters can see, from his cartooning and his life. -
El Multiverso, Icono Del Diálogo Transdisciplinario: Una Aproximación En Las Obras De Jorge Luis Borges, Yasutaka Tsutsui Y Gr
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Departamento de Filología Española Programa de doctorado en Teoría de la Literatura y Literatura Comparada TESIS DOCTORAL EL MULTIVERSO, ICONO DEL DIÁLOGO TRANSDISCIPLINARIO: UNA APROXIMACIÓN EN LAS OBRAS DE JORGE LUIS BORGES, YASUTAKA TSUTSUI Y GRANT MORRISON Lizbeth Angélica Cabrera Torrecilla Directores de tesis: Antonio Penedo Picos Sara Martín Alegre Universitat Autònoma de Barcelona, 2017 AGRADECIMIENTOS Esta tesis ha sido escrita gracias a la subvención del Consejo Nacional de Ciencia y Tecnología (CONACyT) y la Secretaría de Educación Pública (SEP), México. Agradezco profundamente la inestimable labor de mis directores, el Dr. Antonio Penedo y la Dra. Sara Martín Alegre, sin su asesoramiento, confianza y paciencia, este trabajo no hubiera sido posible. Muchas otras personas también se han visto involucradas en el desarrollo de esta investigación de manera directa o indirecta: el Dr. Manuel Cruz, por sus cátedras, recomendaciones y escucha. Mis queridos Juan y Vero, que con su incondicional apoyo me han acompañado en el duro proceso de adaptación a un nuevo contexto. Especialmente a mi amado Edu, por todas las risas, las maravillosas ideas, desvelos, inspiración y abrazos que dieron forma a este trabajo. -
THE MACHINE ANXIETIES of STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, and FUTURISM Kathe Hicks Albrecht IDSVA
Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2016 THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Albrecht, Kathe Hicks, "THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO- VICTORIAN AESTHETICS, AND FUTURISM" (2016). Academic Research and Dissertations. 16. http://digitalmaine.com/academic/16 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy July, 2016 i Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. ______________________________ Donald R. Wehrs, Ph.D. Doctoral Committee ______________________________ Other member’s name, #1 Ph.D. ______________________________ Other member’s name, #2, Ph.D. July 23, 2016 ii © 2016 Kathe Hicks Albrecht ALL RIGHTS RESERVED iii This work is dedicated to my parents: Dr. Richard Brian Hicks, whose life-long exploration of the human mind and spirit helped to prepare me for my own intellectual journey, and Mafalda Brasile Hicks, artist-philosopher, who originally inspired my deep interest in aesthetics. -
Technofantasies in a Neo-Victorian Retrofuture
University of Alberta The Steampunk Aesthetic: Technofantasies in a Neo-Victorian Retrofuture by Mike Dieter Perschon A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature © Mike Dieter Perschon Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Dedicated to Jenica, Gunnar, and Dacy Abstract Despite its growing popularity in books, film, games, fashion, and décor, a suitable definition for steampunk remains elusive. Debates in online forums seek to arrive at a cogent definition, ranging from narrowly restricting and exclusionary definitions, to uselessly inclusive indefinitions. The difficulty in defining steampunk stems from the evolution of the term as a literary sub-genre of science fiction (SF) to a sub-culture of Goth fashion, Do-It-Yourself (DIY) arts and crafts movements, and more recently, as ideological counter-culture. Accordingly, defining steampunk unilaterally is challenged by what aspect of steampunk culture is being defined. -
League of Extraordinary Gentlemen: Black Dossier Free Download
LEAGUE OF EXTRAORDINARY GENTLEMEN: BLACK DOSSIER FREE DOWNLOAD Alan Moore,Kevin O'Neill | 200 pages | 04 Nov 2008 | DC Comics | 9781401203078 | English | La Jolla, CA, United States League of Extraordinary Gentlemen Black Dossier GN (2008 ABC) 1st Edition comic books No trivia or quizzes yet. It ends with an elaborate scene set in the Blazing World - one of the first imaginary worlds created for literature, making it Moore's alpha and omega, a paradise for fictional creations of all sorts in the League of Extraordinary Gentlemen: Black Dossier, you will see copyright-baiting variations on Charlie Brown and Captain Marvel, and you will also see fairies fucking in midair. It is not a comic or a novel, it is an annual, a scrapbook, an appendix, a sourcebook, a Bible. From a "lost" Shakespeare I have never been made to feel stupid by a book, except maybe a few math textbooks, but this book came very, very close. No was a hoax manufactured by the Americans and that Bond is the man who killed John Night. It is assumed that DC Comics did not include the record due to concerns that the record was too similar to copyrighted material. Some of these experiments work better than others: I find both the Beat novels and Lovecraft's work almost unreadable; combining the two however cleverly didn't help; on the other hand, if Jeeves and Bertie appeared in all of Lovecraft's stories, I'd read them a lot more frequently. Designer Bill Oakley, who had helped design the previous League books up to that point, died in the middle of Black Dossier' s development. -
Finding Nemo: Verne's Antihero As Original Steampunk
Submitted August 25, 2009 Published February 1, 2010 Proposé le 25 août 2009 Publié le 1 février 2010 Finding Nemo: Verne’s Antihero as Original Steampunk Mike Perschon Abstract In the foreword to his annotated translation of Jules Verne’s 20,000 Leagues Under the Sea, Walter James Miller suggests that Verne’s image was in need of rehabilitation due to the plethora of poor English translations his works have suffered. With the emergence of better translations, the same need for rehabilitation has emerged for Captain Nemo, the anti-hero of Verne’s underwater adventure tale. In the updated, post-colonial English translations of The Mysterious Island, Nemo is revealed to be the antithesis of the Caucasian pop-culture iteration made famous by James Mason and most recently continued by Patrick Stewart and Michael Caine: an Indian prince whose real name is Dakkar, a leader of the Sepoy rebellion against colonial rule in 1857. It is this Nemo, Verne’s original character, who embodies the essence of the Steampunk aesthetic of the instability of identity through his repeated death-and-rebirth cycle in both novels. Mixing one part recursive fantasy, one part historical criticism, and one part textual analysis, this paper will demonstrate how Captain Nemo is representative of one of the core elements of the Steampunk aesthetic, namely the redefining of identity. Résumé Dans l’avant-propos de sa traduction annotée de Vingt mille lieues sous les mers de Jules Verne, Walter James Miller suggère que l’image de l’auteur avait besoin de se faire réhabiliter à cause d'une grande quantité de mauvaises traductions dont son œuvre aurait souffert. -
Jess Nevins Strange Tales of the Century Spirit of the Century™ Presents Uncover Hidden Evils
MORENOW APES! WITH TRAVEL THE GLOBE... OF THE CENTURY JESS NEVINS STRANGE TALES SPIRIT OF THE CENTURY™ PRESENTS UNCOVER HIDDEN EVILS... THEN PUNCH THEM! Join superstar pulp historian Jess Nevins as he takes you on a wild tour through the early decades of the Spirit of the Century world... and our own! Inside this book you’ll f nd the condensed history of the world, 1935-1951, with story hooks for high-f ying global adventure at every turn. Across the world and through the years, you’ll discover a rogue’s gallery of pulp hero archetypes ripe for populating your own worlds of imagination — from the Brain in a Jar to the Übermensch and everything in between. Then round it out with dozens of new stunts to add to your Spirit of the Century or Fate Core games. Wheels up, folks—it’s time to tell your own strange tale ... of adventure! AN EXPLORATION OF PULP ACROSS THE GLOBE EHP2011 AND THROUGH THE DECADES WITH EHP2011 • ISBN 978-1-61317-064-9 • $40.00 US www.evilhat.com • @EvilHatOf cial JESSNEVINS facebook.com/EvilHatProductions TRAVEL THE GLOBE... UNCOVER HIDDEN EVILS... THEN PUNCH THEM! Join superstar pulp historian Jess Nevins as he takes you on a wild tour through the early decades of the Spirit of the Century world... and our own! Inside this book you’ll f nd the condensed history of the world, 1935-1951, with story hooks for high-f ying global adventure at every turn. Across the world and through the years, you’ll discover a rogue’s gallery of pulp hero archetypes ripe for populating your own worlds of imagination — from the Brain in a Jar to the Übermensch and everything in between. -
THE SCIENTIFIC ROMANCE ROLE PLAYING GAME by Marcus L
FFoorrggootttteenn FFuuttuurreess TThhee SScciieennttiiffiicc RRoommaannccee RRoollee PPllaayyiinngg GGaammee BByy MMaarrccuuss LL.. RRoowwllaanndd FFoorrggootttteenn FFuuttuurreess THE SCIENTIFIC ROMANCE ROLE PLAYING GAME By Marcus L. Rowland Copyright © 2006, portions Copyright © 1993-2006 This document is copyright, but you are encouraged to make copies and print-outs as needed. You may make modifications for your own use, but modified versions MUST NOT be distributed. Art comes from a variety of copyright-expired sources, or has been created by the author. Larger versions of most pictures can be found on the Forgotten Futures CD-ROM or on line as part of the resources available for this game. This PDF has been published as a free download – if you are asked to pay for it please contact the author! Introduction 1 Role Playing 38 About This Release 1 Running Adventures 39 Example of Play 2 Setting The Scene 39 Game Requirements 4 Plot 41 Game Terms 4 Non-Player Characters 43 Acknowledgements 5 Props 47 Characters And Rules 6 Game Worlds 49 Character Record 7 The Real World 51 Character Points 8 Currency, Wages and Prices 51 Equipment and Notes, Weapons, etc. 10 Timeline 1890-1914 54 Characteristics 12 World Leaders 1890-1914 56 Using Characteristics 12 Improving The Odds 14 Common Characteristics Rolls 15 APPENDIX - Units and Dates 57 Skills 15 APPENDIX - Children and Animals 58 Using Skills 16 Children as Adventurers 58 Temporary Skills 17 Dogs as Adventurers 59 Projects 17 APPENDIX - Adding Melodrama 60 Improving Skills 18 Heroes 61 Adding Skills 18 Anti-Heroes 63 Free Skills 20 Romantic Leads 64 Skill list 20 Villains 66 Wounds 23 Everybody Else 70 Medical Skills, Recovery, and Death 24 Acting the Part 74 Combat 25 APPENDIX - It's a Kind of MAGIC.. -
Bibliography of the Grand Canyon and the Lower Colorado River by Earle E
EXTRACT FROM . the grand canon A WORLDWIDE BIBLIOGRAPHY OF THE GRAND CANYON AND LOWER COLORADO RIVER REGIONS in the United States and Mexico 1535–2018 90, 0 0 0 CATEGORIZED AND AUGM ENTED CITATIONS OF PUBLICATIONS FROM AROUND THE WORLD IN 95 LANGUAGES WITH EXTENSIVE BACKGROUND AND SUPPORTING INFORMATION EARLE E. SPAMER RAVEN’S PERCH MEDIA PHILADELPHIA 2019 1535 The Grand Canon 2018 Copyright © 2019 Earle E. Spamer Raven’s Perch Media Philadelphia, Pennsylvania EXTRACT RETRIEVED FROM https://ravensperch.org A Raven’s Perch Digital Production PDF USERS TAKE NOTE : HYPERLINKS TO OTHER SECTIONS OR CITATIONS WITHIN THIS EXTRACT ARE ACTIVE HYPERLINKS TO EXTERNAL SOURCES (ON THE WEB) ARE ACTIVE HYPERLINKS TO OTHER PARTS OF The Grand Canon COMPLETE VOLUME ARE NOT ACTIVE BECAUSE YOU ARE USING ONLY AN EXTRACTED PART (use the complete PDF volume to utilize these links) THE BIBLIOGRAPHY ALSO CONTAINS A FEW PUBLICATIONS DATED 2019 THAT WERE AVAILABLE IN DECEMBER 2018–JANUARY 2019 The Grand Canon, produced in digital format, renews and updates the monographic presentation of out-of-print inkprint editions of the Bibliography of the Grand Canyon and the Lower Colorado River by Earle E. Spamer (Grand Canyon Natural History Association, 1981, 1990, 1993). It complements but significantly elaborates upon on the online, searchable database (www.grandcanyonbiblio.org) sponsored by the Grand Canyon Association 2000–2019 (since 2018 the Grand Canyon Conservancy). The bibliography presented in The Grand Canon is the definitive version. This is not a commercial product and is not distributed by sale. The author receives no remuneration or services for the preparation or distribution of this product.