DZ Vol 3 Issue 2 Sept 2005
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Special Operations Executive - Wikipedia
12/23/2018 Special Operations Executive - Wikipedia Special Operations Executive The Special Operations Executive (SOE) was a British World War II Special Operations Executive organisation. It was officially formed on 22 July 1940 under Minister of Economic Warfare Hugh Dalton, from the amalgamation of three existing Active 22 July 1940 – 15 secret organisations. Its purpose was to conduct espionage, sabotage and January 1946 reconnaissance in occupied Europe (and later, also in occupied Southeast Asia) Country United against the Axis powers, and to aid local resistance movements. Kingdom Allegiance Allies One of the organisations from which SOE was created was also involved in the formation of the Auxiliary Units, a top secret "stay-behind" resistance Role Espionage; organisation, which would have been activated in the event of a German irregular warfare invasion of Britain. (especially sabotage and Few people were aware of SOE's existence. Those who were part of it or liaised raiding operations); with it are sometimes referred to as the "Baker Street Irregulars", after the special location of its London headquarters. It was also known as "Churchill's Secret reconnaissance. Army" or the "Ministry of Ungentlemanly Warfare". Its various branches, and Size Approximately sometimes the organisation as a whole, were concealed for security purposes 13,000 behind names such as the "Joint Technical Board" or the "Inter-Service Nickname(s) The Baker Street Research Bureau", or fictitious branches of the Air Ministry, Admiralty or War Irregulars Office. Churchill's Secret SOE operated in all territories occupied or attacked by the Axis forces, except Army where demarcation lines were agreed with Britain's principal Allies (the United Ministry of States and the Soviet Union). -
Dropzone Issue 1
HARRINGTON AVIATION MUSEUMS VOLUME 5 ISSUE 5 THE DROPZONE SPRING 2008 Editor: John Harding Publisher: Fred West INSIDE THIS ISSUE: Holmewood Hall Holmewood Hall 1 In the last issue of The Dropzone we humdrum place which deadens the Obituary 3 & published a brief history of OSS Area H spirits'. He remained in East Anglia 16 and the important role in the Carpet- until his death in 1942, his last re- bagger operations played by the per- corded visit to Todmorden being in Food from the sky 4 sonnel of Holme. We now follow on 1910 when, on the death of his mother, with a potted history of the Holmewood he sold his parents' home to the town. Social 8 Hall estate and future developments. Having condemned Todmorden for its Holmewood Hall was built by William lack of society, it seems strange that Editorial 9 Young for Mr William Wells between Fielden spent the rest of his life in a 1873 and 1877. It is constructed of red somewhat solitary state pursuing his brick with terra cotta and limestone much loved sport of shooting and cared GEE 10 dressings and occupies the site of an for by servants. (However, we don’t eighteenth century building that was know anything about his life when he Violette Szabo 13 destroyed by fire. It is described as be- visited London). ing in the Elizabethan or 'Tudoresque' style. In 1900 he bought Debden Hall, near SPECIAL POINTS Saffron Walden, described as a large OF INTEREST: In 1902 Holme Estate, comprising rambling house with a substantial park over 6,000 acres, was sold by Lord de and estate of 4,000 acres. -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Doing a Real Job: The Evolution in Women's Roles in British Society through the Lens of Female Spies, 1914-1945 Danielle Wirsansky Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES “DOING A REAL JOB”: THE EVOLUTION IN WOMEN’S ROLES IN BRITISH SOCIETY THROUGH THE LENS OF FEMALE SPIES, 1914-1945 By DANIELLE WIRSANSKY A Thesis submitted to the Department of History in partial fulfillment of the requirements for the degree of Master of Arts 2018 Danielle Wirsansky defended this thesis on March 6, 2018. The members of the supervisory committee were: Nathan Stoltzfus Professor Directing Thesis Charles Upchurch Committee Member Diane Roberts Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii After the dazzle of day is gone, Only the dark, dark night shows to my eyes the stars; After the clangor of organ majestic, or chorus, or perfect band, Silent, athwart my soul, moves the symphony true. ~Walt Whitman iii ACKNOWLEDGMENTS I am thankful to my major professor, Dr. Nathan Stoltzfus, for his guidance and mentorship the last five years throughout my undergraduate and graduate studies. Without his encouragement, I may never have discovered my passion for history and found myself on the path I am on today. His support has provided me with so many opportunities and the ability to express myself both artistically and academically. -
Aware: Royal Academy of the Arts Art Fashion Identity
London College of Fashion Aware: Royal Academy of the Arts Art Fashion Identity International Symposium London College of Fashion is delighted London College of Fashion is committed This two-day symposium is exemplary to be a partner in this exciting and to extending the influence of fashion, of the relationship that the college challenging exhibition, and to be able be it economically, socially or politically, continuously strives to develop between to provide contributions from some of and we explore fashion in many its own internally mandated activities the college’s leading researchers, artists contexts. This exhibition encapsulates and programs with broader discourses and designers. vital characteristics of today’s fashion and practices within the fields of art and education, and it supports my belief that design. With the recent appointment The relationship between art and fashion has the potential to bring about of London College of Fashion Curator, fashion, through conceptual and practical social change when considered in contexts Magdalene Keaney, and significant expression, is at the London College of of identity, individuality, technology and developments to the Fashion Space Fashion’s core. We were immensely proud the environment. Gallery at London College of Fashion to endorse the development of ‘Aware’ we now intend to increase public from its original concept by Lucy Orta, We see this in the work of Professor awareness of how fashion has, is, and London College of Fashion Professor of Helen Storey, whose ‘Wonderland’ project will continue to permeate new territories. Art, Fashion and Environment, together brings together art and science to find real The opportunity to work with the Royal with curator Gabi Scardi. -
Violette Szabo G.C
L W Herefordshire The Violette Szabo G.C. Museum, Wormelow is B There are few places in Britain whicHh can still offer situated in the south of the county of Herefordshire, just off the A49 – within easy reach of the City of Violette Szabo, G.C. the rich variety of scenery or the tranquillity to be A Hereford, Ross-on-Wye and Monmouth. found in Herefordshire. This beautifuEl county bordering Wales presents a landscape still dominated Rosemary E. Rigby MBE MUSEUM B M by agriculture and is a haven of peace for the walker. CartreMf House, Wormelow, Hereford HR2 8HN Tel: 01981 540477 Herefordshire has orchards laden with fruit giving M on Lugg Burghill Pychard a hint of the major cider industry located in the City Bishopstone W Y Credenhill E V Stretton Stretton and rich, rolling countryside is certainly the rule ALL Riv EY WA Sugwas Grandison H er W LK rather than the exception. ye Litt A Weston Tarrington Lugwardine Beggard Eaton Breinton The County is steeped in history and this ensures Bishop HEREFORD Bartestree Ruckhall Dormington a basis for much enjoyment for the visitor - historic E Madley N Common Hampton Bishop churches in town and village, interesting buildings Mordiford Putley E V Woolhope and a variety of landscapes. A B Dinedor L BIG APPLE L Kingstone Allensmore E CO Y Fownhope S s Holme Lacy M Little Dewchurch Brockhampton R ton i v e Much Kingsthorne r Dewchurch Ballingham D Carey Abbey o Much How Caple r Dore e Kilpeck WORMELOW Birch Hole-in- Ewyas King’s the-Wall ye Harold Pontrilas Hoarwithy Caple W Llanwarne er U Sellack -
Utility Futility: Why the Board of Trade's Second World War Clothing Scheme Failed to Become a Fashion Statement Amanda Durfee Dartmouth College
Penn History Review Volume 25 | Issue 2 Article 4 4-5-2019 Utility Futility: Why the Board of Trade's Second World War Clothing Scheme Failed to Become a Fashion Statement Amanda Durfee Dartmouth College This paper is posted at ScholarlyCommons. https://repository.upenn.edu/phr/vol25/iss2/4 For more information, please contact [email protected]. Second World War Clothing Scheme Utility Futility: Why the Board of Trade's Second World War Clothing Scheme Failed to Become a Fashion Statement Amanda Durfee Dartmouth College If one were to interview a survivor of the Second World War British home front, they would almost certainly mention the Utility clothing scheme. Along with well-known propaganda campaigns like “Make Do and Mend” and “Mrs. Sew and Sew,” the Utility scheme is one of the most prominent and enduring features of the collective memory of the British home front experience.1 An unprecedented program of economic regulation, Utility was a system of price and quality controls imposed by the Board of Trade - a legislative body that governed British commerce - on every stage of production in the clothing industry, from the price and type of cloth produced by textile mills to the price of a finished garment on the sales floor. The foremost intent of the program was to keep prices down and quality consistent to ensure that middle- and working-class wartime British citizens could afford good quality clothing. Every garment produced through the scheme bore a distinct label: twin CC’s paired with the number 41, nicknamed “the double cheeses.”2 This label became one of the most prominent trademarks of the British home front. -
Thursday Talks and the Saturday Sessions at Tullie House
THURSDAY TALKS AND THE SATURDAY SESSIONS AT TULLIE HOUSE An exciting new programme of lectures, discussions and workshops inspired by Tullie House and its fascinating collection. OCTOBER 2013 – APRIL 2014 THURSDAY TALKS Join us at Tullie House for a new series of lectures and workshops on Thursdays featuring a range of fantastic speakers. Discuss, debate and explore the Tullie House collection and its temporary exhibitions, and dig deeper into the history of Carlisle and the county of Cumbria. Barry Cunliffe: “Britain Begins” The Notorious Thursday 3 October Netherby Hall Robbers 7.30pm, Lecture Theatre Thursday 10 October 2pm, Lecture Theatre Leading archaeologist Sir Barry Cunliffe will be discussing his major new work “Britain Begins”, Join local historian Leo Holden for a the story of the origins of the British and the fascinating lecture and discussion on the Irish peoples from around 10,000BC to the eve infamous Netherby Hall Robbery. Discover of the Norman Conquest. the details behind Rudge, Martin, & Baker’s daring raid that ended in tragedy and made Sir Barry will discuss “Britain Begins” followed them local history legends. by a question and answer session and a book signing. Tickets for the event are £5 (includes Tickets: £5, £4 concessions £5 off purchase of Britain Begins on the night) and are available from Bookends and Bookcase. Please contact Lucy Matthews on 01228 529067 for more information. Prehistory Study Afternoon Thursday 7 November 2 – 4pm, Community Room Our Curator of Archaeology Tim Padley invites anyone with an interest in prehistoric archaeology to join him for this fascinating afternoon. Handle genuine artefacts from the museum collection, including stone axes, flint tools and pottery, take a gallery tour and join in with lively discussion and debate. -
Bob Maloubier 2015 April 21
! Wednesday 22nd April 2015 Bob Maloubier, SOE agent - obituary French agent recruited into the Special Operations Executive whose daring missions included blowing up a German supply vessel and a factory ! Bob Maloubier, who has died aged 92, was one of the last surviving French agents of the Special Operations Executive; twice parachuted into his native land, he carried out a series of daring sabotage missions with fellow agents including Violette Szabo, whom he attempted to rescue from the hands of the Gestapo. After the war he was a founder member of France’s special forces. Robert Maloubier (always known as Bobby, or Bob) was born on February 2 1923 in Neuilly, on the outskirts of Paris. His father, Eugène, and mother, Henriette, were both former teachers who had lived and worked around the world, notably in America and England. Languages were a family gift, and later in life Bob Maloubier would speak English almost without accent. A keen sportsman, Eugène Maloubier encouraged Bob and his elder brother Jacques to pursue all forms of athletic activity, notably cycling. With the German invasion Jacques was called up into the artillery. Bob’s father, then working as a press attaché for a car manufacturer, was offered two places by his company in a vehicle fleeing Paris. Bob’s mother refused to leave her son behind, but the young man convinced her that he would be able to cycle out of the city quicker than they could drive. Several days later, after 400 miles, the family was reunited at Saintes, north of Bordeaux. There his father gave Bob 1,250 francs, half of what he had managed to save, and told him to flee to England and take up arms against the Germans from there. -
Savile-Row-Inside-Out.Pdf
Savile Row: Inside Out 1 Savile Row BeSpoke aSSociation he Savile Row Bespoke Association is dedicated to protecting and promoting Tthe practices and traditions that have made Savile Row the acknowledged home of the best bespoke tailoring and a byword for unequalled quality around the world. The SRBA comprises of fifteen member and associate houses, who work together to protect and champion the understanding of bespoke tailoring and to promote the ingenious craftsmen that comprise the community of Savile Row. The SRBA sets the standards that define a Savile Row bespoke tailor, and all members of the Association must conform to the key agreed definitions of a bespoke suit and much more besides. A Master Cutter must oversee the work of every tailor employed by a member house and all garments must be constructed within a one hundred yard radius of Savile Row. Likewise, every member must offer the customer a choice of at least 2,000 cloths and rigorous technical requirements are expected. For example, jacket foreparts must be entirely hand canvassed, buttonholes sewn, sleeves attached and linings felled all by hand. It takes an average 50 plus hours to produce a suit in our Savile Row cutting rooms and workshops. #savilerowbespoke www.savilerowbespoke.com 2 1 Savile Row: inSide out Savile Row: Inside Out looks inside the extraordinary world of bespoke tailoring; an exclusive opportunity to step behind the scenes and celebrate the tailor’s art, the finest cloth and the unequalled expertise that is British Bespoke. A real cutter will be making a real suit in our pop-up cutting room in front of a collection of the work – both ‘before’ and ‘after’ to show the astonishing level of craftsmanship you can expect to find at Savile Row’s leading houses. -
Bronwyn Kidd
BRONWYN KIDD Bronwyn Kidd (born 1969) is an Australian photographer known for fashion and portraiture. After completing a Bachelor of Arts at RMIT University, Bronwyn moved to London where she ventured into the larger universe of the commercial scene and shot exclusively for Savile Row’s seasonal collections and magazine advertising. Her style is nostalgic for the greats of haute couture photography, and delivers vivid evocations to to the glamour of the fashion world. Ripping the seamless backdrop she uncovers a witty iconoclasm that recalls the work of Cecil Beaton of the 1930s. Kidd has exhibited her work internationally at the National Portrait Gallery, London as well as nationally at the National Gallery of Victoria, Monash Gallery of Art and Living Arts Space Bendigo. Her work is included in numerous collections including Hardy Amies, London, The National Portrait Gallery, London and the Condé Nast Archives. In 2016 she co-created, with long-time collaborator the creative director Virginia Dowzer, an historical photomontage to promote the National Gallery of Victoria’s 200 Years of Australian Fashion exhibition. She has also been published in The National Portrait Gallery’s (London) ‘100 Fashion Icons’; one hundred portraits of key fashion figures from their collection. Homage to John French No.1 1995 Selenium Toned Gelatin Silver Print 135 x 120 cm Unique Edition 42.6 x 40.4 cm Edition of 6 + 2AP Edition 1 available Hardy Amies, Mercy and Matthew 1993 Pigment Inkjet Print 45.5 x 35.5 cm Edition of 6 + 2AP Edition 1 available Beauty -
London Home of Menswear
LONDON IS THE HOME OF MENSWEAR TEN ICONIC STYLES BRITAIN GAVE THE WORLD TEN ICONIC STYLES BRITAIN GAVE THE WORLD The home of the world’s oldest milliner and the birthplace of THE THREE PIECE SUIT DANDY the brogue shoe; London has evolved into the leading centre of innovation and craftsmanship in men’s fashion. We have given the In October 1666, Charles II introduced a ‘new At the beginning of the 19th century George world the three-piece suit, the trench coat and the bowler hat. fashion’. He adopted a long waistcoat to be worn (Beau) Brummell established a new mode of with a knee-length coat and similar-length shirt. dress for men that observed a sartorial code Since 1666, the areas of Mayfair, Piccadilly and St. James have Samuel Pepys, the son of a tailor recorded in his that advocated a simplified form of tailcoat, a become synonymous with quality, refinement and craftsmanship diary that Charles had adopted ‘a long cassocke linen shirt, an elaborately knotted cravat and full after being colonised by generations of hatters, shoemakers, shirt- close to the body, of black cloth, and pinked with length ‘pantaloons’ rather than knee breeches and makers, jewellers and perfumers. white silk under it, and a coat over it’. This marked stockings. An arbiter of fashion and a close friend the birth of the English suiting tradition and over of the Prince Regent, Brummell had high standards Today the influence of this exclusive enclave of quality menswear time the waistcoat lost its sleeves and got shorter of cleanliness and it is claimed that he took five has spread across London and beyond. -
Women in a Man's War: the Employment of Female Agents in the Special Operations Executive, 1940-1946
Chapman University Chapman University Digital Commons War and Society (MA) Theses Dissertations and Theses Spring 5-2019 Women in a Man's War: The Employment of Female Agents in the Special Operations Executive, 1940-1946 Cameron Carlomagno Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/war_and_society_theses Recommended Citation Carlomagno, Cameron. Women in a Man's War: The Employment of Female Agents in the Special Operations Executive, 1940-1946. 2019. Chapman University, MA Thesis. Chapman University Digital Commons, https://doi.org/10.36837/chapman.000075 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in War and Society (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Women in a Man’s War: The Employment of Female Agents in the Special Operations Executive, 1940-1946 A Thesis by Cameron Davis Carlomagno Chapman University Orange, California Wilkinson College of Arts, Humanities, and Social Sciences Submitted in partial fulfillment of the requirements for the degree of Masters of Arts in War and Society May 2019 Committee in charge: Jennifer Keene, Ph.D., Chair Charissa Threat, Ph.D. Kathryn Statler, Ph.D. This thesis of Cameron Davis Carlomagno is approved. April 2019 Women in a Man’s War: The Employment of Female Agents in the Special Operations Executive, 1940-1946 Copyright © 2019 by Cameron Davis Carlomagno iii ACKNOWLEDGEMENTS This thesis has been the culmination of a few years of thought, research, and discussion, all of which would not have been possible without the support of my dedicated professors and friends.