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Elvis Costello and Blondie
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums). -
Elvis Costello Began Writing Songs at the Age of Thirteen. 2017 Marked the 40Th Anniversary of the Release of His First Record Album, My Aim Is True
Elvis Costello began writing songs at the age of thirteen. 2017 marked the 40th anniversary of the release of his first record album, My Aim Is True. He is perhaps best known for the songs, “Alison”, “Pump It Up”, “Everyday I Write The Book” and his rendition of the Nick Lowe song, “(What’s So Funny ‘Bout) Peace Love and Understanding”. His record catalogue of more than thirty albums includes the contrasting pop and rock & roll albums: This Year’s Model, Armed Forces, Imperial Bedroom, Blood and Chocolate and King Of America along with an album of country covers, Almost Blue and two collections of orchestrally accompanied piano ballads, Painted From Memory - with Burt Bacharach and North. He has performed worldwide with his bands, The Attractions, His Confederates - which featured two members of Elvis Presley’s “T.C.B” band - and his current group, The Imposters – Steve Nieve, Pete Thomas and Davey Faragher - as well as solo concerts, most recently his acclaimed solo show, “Detour”. Costello has entered into songwriting collaborations with Paul McCartney, Burt Bacharach, the Brodsky Quartet and with Allen Toussaint for the album The River In Reverse, the first major label recording project to visit New Orleans after Hurricane Katrina and completed there while the city was still under curfew. In 2003, Costello acted as lyrical editor of six songs written with his wife, the jazz pianist and singer Diana Krall for her album, The Girl In The Other Room. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson and musical settings for words by W.B. -
Here Are Things I Needed to Say.” the Album Was Released in the U.S
BURT BACHARACH Biography Six decades into one of songwriting’s most successful and honored careers – marked by 48 Top 10 hits, nine #1 songs, more than 500 compositions and a landmark 49-year run on the charts, Burt Bacharach’s music continues to set industry records and creative standards. “At This Time,” his 2005 album, which won the Grammy for Best Pop Instrumental Album, breaks new ground with Bacharach’s first-ever lyrical collaborations, supplementing the melodies which reflect the pioneering Bacharach sound. He says it is the “most-passionate album” of his career as “At This Time” marks the first time Bacharach takes on social and political issues in his music. Bacharach’s global audiences span several generations, and he is viewed as the unique combination of one of the greatest composers of all time and the ultra-cool cult hero of the contemporary music set who often has several songs on various music charts in many countries simultaneously. His many concerts are SRO, as he tours the United States and the world conducting orchestras and with his own musicians and singers performing his music. Along with Bob Dylan, John Lennon and Paul McCartney and Paul Simon, Bacharach is a legend of popular music. A recipient of three Academy Awards and seven Grammy Awards (including the 1997 Trustees Award with collaborator Hal David), he revolutionized the music of the 1950s and 60s and is regularly bracketed with legendary names, ranging from Cole Porter, to Sir George Martin, as one of a handful of visionaries who pioneered new forms of music from the second half of the 20th Century and into the 21st Century. -
Paintings from the Florene May Schoenborn and Samuel A
The School of Paris : paintings from the Florene May Schoenborn and Samuel A. Marx collection Preface by Alfred H. Barr, Jr., introduction by James Thrall Soby, notes by Lucy R. Lippard Author Museum of Modern Art (New York, N.Y.) Date 1965 Publisher The Museum of Modern Art: Distributed by Doubleday ISBN 087070575X Exhibition URL www.moma.org/calendar/exhibitions/2838 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art 56 pages , 45 illustrations (16 in color) $5.95 The School of Paris Paintings from the Florene May Schoenborn and Samuel A. Marx Collection Foreword by Alfred H. Barr, Jr., Introduction by James Thrall Soby, Notes by Lucy R. Lippard Some twenty-five years ago in Chicago the late Samuel A. Marx and his wife Florene began to form what was to become, as James Thrall Soby states, "a collection of such authority that it would be difficult to think of its rival among pri vate collections of modern art." They were not avant-garde, for they confined themselves to the well-known painters of the School of Paris. Yet, as Alfred H. Barr, Jr. points out, "they were col lectors of courage ... shown in selecting what they felt to be best without regard for conven tional proprieties." They pioneered in being among the first to dare bring into their home paintings that to most collectors at the time would have seemed too big, too aggressive, and too strong to live with— Matisses of the heroic period of 1911 to 1916 culminating in The Mo roccans, Leger's Woman with Cat, an extraordi nary range of Picassos demonstrating many as pects of that protean master's style. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Burt Bacharach Classics Liner Notes
DATE May 19, 2003 TO Vartan/Meire Murakami FROM Adam Abrams EXTENSION 5-9658 SUBJECT Burt Bacharach COPIES Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Charlie Katz; Cliff Feiman; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kristen Burke; Laura Weigand; Lee Lodyga; Lori Froeling; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robert Macasi; Robin Kirby; Romany Barnett; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Stacy Darrow; Stephanie Spring; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; UME Creative Services; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Burt Bacharach TITLES: What The World Needs Now: Burt Bacharach Classics Sel. #: B0000800-02 UPC #: 602498604489 CD Logo: A&M Records 16pg booklet 4/4 4/4 inlay Attached please find all necessary liner notes and credits for this package. Adam Burt Bacharach What The World Needs Now: Burt Bacharach Classics (CD Booklet) Burt Bacharach’s story is by now widely recognized. He’s the songwriter with actor-good looks whose career saw him rise from Brill Building songsmith to songwriting icon. Along the way, he landed dozens of Top 40 chart records and some thousands of cover recordings by just about every imaginable kind of artist over the last 40 years. -
Max's CD Collection
Max's CD Collection (as of Mon Feb 10 18:13:08 CET 2003) 625 records by 298 artists. Pop CDs 607 records by 290 artists. Artist Title Year Notes Location (Various) Le Meilleur du Rock Progressif Européen 1994 Compilation (7,5) Mannerisms 1994 (2,19) The Glory of Gershwin 1994 (1,10) La Yellow 357 1995 Compilation (8,12) Le Meileur du Rock Progressif Instrumental 1995 (7,10) Supper's Ready 1995 (2,15) XTC - A Testimonial Dinner 1995 (2,21) The Cocktail Shaker 1997 Compilation (8,14) Select Hot! 1998 Compilation (4,6) Classic Rock vol. 10 1999 (2,13) Uncut vol. 7 1999 Compilation (2,16) Uncut vol. 9 1999 Compilation (4,9) Uncut 2000 vol. 3 2000 Compilation (4,17) Uncut - September 2001 2001 Compilation (8,15) Rock Save The Queen 2002 Compilation (9,25) Uncut - Neat Neat Neat 2002 Compilation (9,7) 10,000 Maniacs MTV Unplugged 1993 (6,42) 3 Mustaphas 3 Heart of Uncle 1989 (2,11) Soup of The Century 1990 (3,5) 4 Non Blondes Bigger, Better, Faster, More! 1992 (3,9) A A vs. Monkey Kong 1999 (9,27) Exit Stage Right 2000 Live (9,21) Hi-Fi Serious 2002 (9,14) Abel Ganz Gratuitous Flash 1982 (3,20) The Dangers of Strangers 1985 (7,11) Gullibles Travels 1987 (7,10) The Deafening Silence 1994 (7,7) AC/DC High Voltage 1976 (5,14) Let There Be Rock 1977 (3,13) Highway to Hell 1979 (5,15) Back in Black 1980 (6,40) Live 1992 Live (4,15) Alan Parsons Project, The Tales of Mystery and Imagination 1976 (7,11) The Turn of a Friendly Card 1980 (7,11) All About Eve Scarlet and Other Stories 1989 (7,3) Almond, Marc Jacques 1989 (9,4) Amos, Tori Little Earthquakes 1991 (3,14) Boys for Pele 1996 (4,9) From The Choirgirl Hotel 1998 (1,13) From The Glastonbury Hotel 1999 Live, Bootleg (1,16) To Venus And Back 1999 2 CD. -
ELVIS COSTELLO SET LIST Complice Un Suono Indegno Di Una Band Di , Hanno Convinto a Metà
CRANBERRIES SET LIST M ilano, Palalido, 2 0 A prile 1999 Promises e è vero che il calibro di una rock band si rumore. E quando hanno tentato di riarrangiare Animai Instinct giudica anche dalle esibizioni dal vivo, i i brani - come nel caso di Ode To My Family, la Desperate Andy Cranberries visti a Milano la sera del 20 cui grazia e levità sono state deturpate dal Ode To My Family aprile sono un gruppo di media statura. suono ingombrante del synth della O'Riordan - Sunday ELVIS COSTELLO SET LIST Complice un suono indegno di una band di , hanno convinto a metà. Aggiungete che Unger M ilano, T eatro N u o v o , 2 6 A prile 1999 tale livello - ma il Paialido, si sa, è una specie di nessuno dei musicisti presenti sul palco ha Wanted Salvation Little Triggers calamità naturale per gli appassionati di musica brillato per abilità o per fantasia, e avrete il Saving Grace Accidents Will Happen -, Dolores O'Riordan e compagni hanno offerto ritratto di un concerto facilmente di- I piacere di rivederlo, anche dopo solo un raccontarti una storia, come nel bel mezzo di You And Me Motel Matches una prova minuscola davanti a un pubblico menticabile. Ma potrei sbagliarmi, perché i ; anno, e il dispiacere che non sia insieme a God's Comic, quando finisce a cantare The Daffodil Lament Talking In The Dark entusiasta ed apparentemente incurante della ragazzi del pubblico si sono divertiti, saltando Burt Bacharach. Elvis Costello è uno di quelli Drugs Don't Work dei Verve con la voce di I Can't Be With You Toledo qualità dello show. -
Vol. 49, No. 4, October 23, 1998 University of Michigan Law School
University of Michigan Law School University of Michigan Law School Scholarship Repository Res Gestae Law School History and Publications 1998 Vol. 49, No. 4, October 23, 1998 University of Michigan Law School Follow this and additional works at: http://repository.law.umich.edu/res_gestae Part of the Legal Education Commons Recommended Citation University of Michigan Law School, "Vol. 49, No. 4, October 23, 1998" (1998). Res Gestae. Paper 182. http://repository.law.umich.edu/res_gestae/182 This Article is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Res Gestae by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. C&.estae Vol. 49 No.4 October 23, 1997 [ t' Hallo-ween Party set for October 30 John Amash as Adam (the first RG Contributing Editor man for those of Law students who have set their you not so literate hopes on a quiet weekend of studying this in religious his Halloween may have to think again. On tory). Like the Friday, October 30, the Law and Busi original Adam, ness Schools will co-host their annual Michael wore only Halloween party. As in past years, it a fig leaf as his promises to be a wild night. costume. The Halloween party will be held at In past years, Barnstormer's, a local Ypsilanti bar con the Halloween verted from an old barn. Admission will party has ranked require purchasing a ticket, but once in among the largest side, unlimited drinks are free until the social events of the wee hours of Halloween morning (2 law school student o' clock actually). -
Burt Bacharach – Primary Wave Music
BURT BACHARACH facebook.com/Burt-Bacharach-Legend-583913155035715 instagram.com/burtbacharach twitter.com/BurtBacharach Imageyoutube.com/channel/UC9ytb5oEKF9dpFtB6CiDOFw not found or type unknown burtbacharachofficial.com en.wikipedia.org/wiki/Burt_Bacharach open.spotify.com/artist/35y7CZMg7jbG8Q96JY7dyC One of the most important composers of popular music in the second half of the 20th century, Burt Bacharach’s sophisticated yet breezy creations borrow from cool jazz, soul, Brazilian bossa nova, and traditional pop. After having his first Top 20 hit in 1957 with “The Story of My Life,” performed by Marty Robbins, his lush, poignant songs virtually defined and ultimately transcended the Brill Building pop of the 1960s. Bacharach went on to appear on the Billboard Hot 100 chart over 80 times, the vast majority of which were the product of his long-running partnership with lyricist Hal David. Together, they reached the Top Five with tracks like “Magic Moments” (Perry Como, 1958), “Only Love Can Break a Heart” (Gene Pitney, 1962), “I Say a Little Prayer” (Dionne Warwick, 1967), and “Raindrops Keep Fallin’ on My Head” (B.J. Thomas) from the soundtrack to 1969’s Butch Cassidy and the Sundance Kid. Bacharach’s work on that film resulted in two Academy Awards: best song and best score. In the ’80s, he teamed up with Carole Bayer Sager for a run of successful songs that included the number ones “Arthur’s Theme” (Christopher Cross, 1981, also with Peter Allen), and “On My Own” (Patti Labelle and Michael McDonald, 1986). “Arthur’s Theme” won Bacharach a third Oscar. In 1998, the album Painted from Memory, a collaboration with Elvis Costello, launched another recurring partnership. -
Elviscostello 031815.Pdf
March 9, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center 954.765.5814 AEG LIVE AND THE BROWARD CENTER FOR THE PERFORMING ARTS PRESENT AN EVENING WITH ELVIS COSTELLO FORT LAUDERDALE – AEG Live and the Broward Center for the Performing Arts present An Evening with Elvis Costello on Wednesday, March 18 at 8 p.m. in the Au-Rene Theater at the Broward Center. Sister duo Larkin Poe will open the show. A consummate performer and prolific singer-songwriter, Costello mixes and matches genres and styles with effortless aplomb—from punk rock and country to pop, soul, jazz and hip-hop. He will perform favorites solo with selections from his extensive catalog of 30-plus albums including classics such as “Alison,” “Accidents Will Happen,” “Radio Radio” and “Watching the Detectives.” The New York Times remarked of his solo tour, “Costello offered a continuing, challenging, intimate engagement with his songs, old and new.” Costello has followed his musical curiosity in a career spanning more than 35 years. He is perhaps best known for his performances with The Attractions, The Imposters and for concert appearances with pianist Steve Nieve. He has also entered into acclaimed collaborations with Burt Bacharach, The Brodsky Quartet, Paul McCartney, Swedish mezzo-soprano Anne Sofie von Otter, guitarist Bill Frisell, composer Roy Nathanson, The Charles Mingus Orchestra, record producer and songwriter T Bone Burnett, Allen Toussaint and the Roots. Elvis Costello and The Attractions were inducted into the Rock and Roll Hall of Fame in 2003. During the same year he was awarded ASCAP’s prestigious Founder’s Award. -
ELVIS COSTELLO Di Emanuele Sacchi
01/09/2016 diffusione:9000 Pag. 26 N.296 - settembre 2016 La proprietà intellettuale è riconducibile alla fonte specificata in testa pagina. Il ritaglio stampa da intendersi per uso privato « « 01/09/2016 diffusione:9000 Pag. 26 N.296 - settembre 2016 La proprietà intellettuale è riconducibile alla fonte specificata in testa pagina. Il ritaglio stampa da intendersi per uso privato ELVIS COSTELLO di Emanuele Sacchi usica infedele e inchiostro simpatico. E chissà quanti Che ha scelto di raccontare, senza il narcisismo di un Keith Richards o il free giochi di parole si sarebbe inventato il quattrocchi più form di Neil Young, se stesso e, insieme a lui, un pezzo di storia. famoso del rock, se solo avesse saputo che in italiano l'inchiostro che scompare si chiama "simpatico". Con i Inevitabile partire dalla tua autobiografia e dall'occasione di un simile calembour Elvis Costello ha sempre avuto un rapporto excursus sulla tua carriera. Quando nasce l'esigenza di fermarsi e privilegiato e il titolo della sua autobiografia - infine approdata in Italia per rivolgere lo sguardo indietro, cercando di ricostruire quanto avvenuto Baldini & Castoldi - non si smentisce. Quarant'anni di carriera affrontati e il suo senso? con la penna di un musicista che è anche intellettuale e umorista, oltre che "Probabilmente volevo scrivere una autobiografia già quando avevo 24 anni - "lavoratore", come orgogliosamente si autodefinisce. spiega Costello - benché fosse molto sciocco, visto che di vita a quell'età non "Job" è un termine che ricorre spesso quando Costello parla, e per ragioni ne hai ancora effettivamente vissuta una. Negli ultimi dieci anni ho pensato molteplici.