Max's CD Collection
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Slipstream Radio with Dwb on Monday, April 18, 2016
Playlist: SlipStream Radio with dwb on Monday, April 18, 2016 Show Notes: listening to the berkeley and nyc record haul (literally, hauled home) Time Artist Song Title Album Label Year 6:04 am robert fripp & brian eno “evening star” evening star opal 2014 6:14 am john lindberg ensemble “four fathers” a tree frog tonality between the lines 2000 6:23 am umar bin hassan “a.m.” to the last baraka fundation 2001 6:34 am dave douglas & keystone “creature” spark of being greenleaf 2010 6:40 am the tony williams lifetime “to whom it may ConCern: us/them” turn it over (bill laswell mix translation) 6:50 am jack bruce “mektoub” middle passage island 1990 6:58 am john coltrane quintet “intro > the inChworm” 2.16.62 birdland 7:06 am diga rhythm band “magnifiCent sevens” diga rounder 1976 7:17 am sacred system “driftwork” sacred system pan musiC 1998 7:27 am the awakening “jupiter” hear, sense and feel black jazz 1972 7:43 am sleater-kinney “the ballad of a ladyman” all hands on the bad one kill roCk stars 2000 7:44 am gorillaz “re-hash” gorillaz virgin 2001 7:47 am dj shadow “lesson 5” the 4-track era (best of the original reconstruction 2010 productions 1990-1992) 7:52 am bongwater “psyChedeliC sewing room” so muc hsleep shimmy disC 7:54 am tom waits “everything you can think of” alice anti 2002 8:03 am lou reed, laurie anderson, “tr 2” 1.10.08, the stone, nyc is it live or is it john zorn memorex? 8:18 am dave douglas & high risk “let's get one thing straight” dark territory greenleaf 2016 8:26 am henry kaiser “let's drink 100% healthy milk and it's a wonderful life metalanguage 1984 study hard” 8:41 am the out louds (mary “black garliC” the out louds relative pitch 2016 halverson trio) Time Artist Song Title Album Label Year 8:41 am brian eno “little fishes” another green world island 1975 8:46 am matthew shipp & miChael “where is the love?” live in seattle arena musiC 2016 bisio production 8:50 am starvue “body fusion (dj spinna remix)” strange games & funky things vol 5 bbe 8:59 am john zorn's dreamers “onCe upon a time” pellucidar tzadik 2015 . -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
De Rothschild' Convicted, Faces up to Eight Years in Prison
NASty boys (and girls) £~ The local NAS chapter elected J.D. Barber and eight others to its board of directors. See page 3 THE CHRONICLE for the run down. K7^3§i&&-:^& THURSDAY, NOVEMBER 15. 1990 DUKE UNIVERSITY DURHAM. NORTH CAROUNA CIRCULATION: 15.000 VOL. 86. NO. 58 'De Rothschild' convicted, faces up to eight years in prison By BEAU DURE The jury deliberated for little case," said Matthew Martin, University Federal Credit Union, born on Nov. 1, 1952, in El Paso, GREENSBORO — The man more than an hour before return Rothschild's attorney. "I think two to obtain a line of credit one Texas. who posed as a member of the ing with the verdict shortly after Maurice has some things to say to obtain a credit card, and one Two additional charges involv French nobility at Duke was noon. Rothschild, barely recog that were worth saying." instance of providing false infor ing credit card applications were found guilty of fraud on Wednes nizable through his dark glasses, Rothschild is expected later to mation to Wachovia Bank and dropped during Tuesday's day. had no noticeable reaction to the stand trial in Durham County for Trust Co. for a line of credit. In proceedings. Maur Jeffrey Locke announcement ofthe verdict. charges of embezzlement from each instance, Rothschild was ac Rothschild testified on Tues Rothschild, formerly Mauro Cor Testimony began and ended on the Duke-Rinaldi fund, a private cused of stating his name of "M. day, claiming he suffered from tez, alias Baron Maurice de Tuesday. Both sides presented charity fund established on be de Rothschild" or "Baron M. -
Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle. -
June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices. -
Body in the Lyrics of Tori Amos
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 3-2014 "Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos Megim A. Parks California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Parks, Megim A., ""Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos" (2014). Electronic Theses, Projects, and Dissertations. 5. https://scholarworks.lib.csusb.edu/etd/5 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition ______________________ by Megim Alexi Parks March 2014 “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ by Megim Alexi Parks March 2014 ______________________ Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Dr. Mary Boland, Graduate Coordinator © 2014 Megim Alexi Parks ABSTRACT The notion of a “feminine” style has been staunchly resisted by third-wave feminists who argue that to posit a “feminine” style is essentialist. -
1^ Date Rape Survivor Speaks at Colby
1^ Date ra pe survivor speaks at Colby get up to throw away his trash, she BY BROOKE subtly maneuvered over to the FITZSIMMONS same garbage barrel. They struck Staff Writer up a conversation, and things went from there. They studied together, On November 17, Colby stu- they spent time getting to know dents, faculty and administration one another, and after two weeks had the opportunity to attend "He they were not exactly dating, but Said, She Said," a lecture and dis- they were both very interested. cussion on date rape presented by One night Peter planned to take national speakers Katie Koestner her on a "real date" to a restaurant and Brett Sokolow. Koestner, who in Williamsburg. He wore a three- spoke on campus last year, was piece suit, she wore her tenth grade excited by the large student turn- homecoming dress. At the restau- out, especially from male students rant he ordered champagne, and although Koestner did not drink at at Colby. She commented that last Echo photo hy Melame Guryansky year she thought she "was at a the time, he persuaded her to have women's college and some of the Katie Koestner visits Colby. just one glass. He off ered to take women had brought their boy- something that happened in dark her to his house in Greece for the friends along." In the case of sexual alleys, the attacker was a stranger, summer under the condition that assault, both men and womenalike and the notion that a rapist could she would have sex when he should be aware of the risks, re- be a friend was not even consid- wanted to. -
Behind the Gear Studios and I Worked There for Three Weeks
brothers - I’d had enough. So then I went to A&M Behind The Gear Studios and I worked there for three weeks. The studio This Issue’s Guru of Gadgets sucked then. There was sort of a bad, lean-on-the- by Larry Crane shovel attitude. I felt like everyone there was just collecting paychecks - I like to work. So I went to the Jonathan Little Village Recorders, which is a nice studio. It was owned by Geordie Hormel. I worked there from 1984 to 1987. I’d gotten to know Jimmy Iovine and Shelly Yakus from the Cherokee days. They were working at Cherokee and we did the Tom Petty record Southern Accents and the Eurythmics [Be Yourself Tonight], one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson’s first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn’t have From the first moment another engineer Phase-Corrected Speaker Systems” (which later I put in to sit in the room all the time, but back then you were raved about a Little Labs DI to me, I knew the end of the IBP manual). I sent that out with my pretty involved in the whole process. I built my first that this company was onto something resume, saying, “This is some of my work.” Tom Lubin, mic pre while I was there. Tchad Blake and Mitchell special. It turns out Little Labs is the editor of RE/P Magazine, said to come see him in Froom really liked it. -
Metal Storm - Marillion - Somewhere Else Review
Metal Storm - Marillion - Somewhere Else review http://www.metalstorm.ee/pub/review.php?review_id=4193 Are Death Metal Ringtone Alchemy Irish Music You Emo? Send this ringtone to your phone No other band sounds like this. Great Nova Scotia Vacation User: Guest TheEmoQuiz.com right now! Listen now. You'll be satisfied. Packages Plan Your Travel to Nova RingRingMobile.com DVicklund.googlepages.com/AlchemScotia Now Login novascotia.com Register band 6 Search NAVIGATION MARILLION - SOMEWHERE ELSE REVIEW SITE STATS Index | RSS | A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Website Bands: 2374 Musicians: 7117 Home Albums: 9985 FAQ RSS feeds Reviews: 3498 T-shirts Marillion - Somewhere Else Interviews: 312 Promo media 9 April 2007 News: 4207 MS Awards 2006 01. The Other Half Registered users: 13209 Community 02. See It Like A Baby Forum 03. Thankyou Whoever You Are Members 04. Most Toys GOOGLE ADS Contributions 05. Somewhere Else 06. A Voice From The Past Rating: Featured bands 07. No Such Thing 08. The Wound Bands 8.7 09. The Last Century For Man Oh No - I'm Emo Albums 10. Faith Are You Emo? Take Top albums the Quiz! Videos TheEmoQuiz.com Musicians Label: Intact Records Distribution in France: Replica Records News & events News If I have to be honest, I will say that my favorite Marillion's period New releases was and will ever be the one with Fish when the band uses to Upcoming releases release albums like "Misplaced Childhood" or "Clutching At Straws". -
Words and Guitar
# 2021/24 dschungel https://jungle.world/artikel/2021/24/words-and-guitar Ein Rückblick auf die Diskographie von Sleater-Kinney Words and Guitar Von Dierk Saathoff Vojin Saša Vukadinović Zehn Alben haben Sleater-Kinney in den 27 Jahren seit ihrer Gründung aufgenommen, von denen das zehnte, »Path of Wellness«, kürzlich erschienen ist. Ein Rückblick auf die Diskographie der wohl besten Band der Welt. »Sleater-Kinney« (LP: Villa Villakula, CD: Chainsaw Records, 1995) 1995 spielten die beiden Gitarristinnen Corin Tucker und Carrie Brownstein erst seit einem Jahr unter dem Namen Sleater-Kinney, waren nach Misty Farrell und Stephen O’Neil (The Cannanes) aber bereits bei der dritten Besetzung am Schlagzeug angelangt, der schottisch-australischen Indie-Musikerin Lora MacFarlane. Nach einer frechen Single und Compilation-Tracks auf Tinuviel Sampsons feministischem Label Villa Villakula erschien dort das Vinyl vom Debütalbum, die CD-Version aber auf Donna Dreschs Queercore-Label Chainsaw. Selten klang Angst durchdringender als auf diesem derben wie dunklen Erstlingswerk, das mit zehn Liedern in weniger als 23 Minuten aufwartet. Corin Tucker kreischt sich die Seele aus dem Leib und Carrie Brownsteins Schreien auf »The Last Song« stellt mit Leichtigkeit ganze Karrieren mediokrer männlicher Hardcore-Bands in den Schatten. Mit Sicherheit nicht nur das unterschätzteste Album der Bandgeschichte, sondern des Punk in den neunziger Jahren überhaupt. »Call the Doctor« (Chainsaw Records, 1996) Album Nummer zwei zeigte eine enorme musikalische Weiterentwicklung. »Call the Doctor« ist das streckenweise intelligenteste Album von Sleater-Kinney, das sich einerseits vor der avancierten Musikszene im Nordwesten der USA verneigte, in der die Band entstanden war (Olympia, Washington), zugleich aber äußerst eigenständig vorwärtspreschte und bei allem Zorn auf die Ausprägungen misogyner Kultur Anflüge von Zärtlichkeit nicht scheute: Selten wurde Unsicherheit so ehrlich vorgetragen wie auf »Heart Attack«. -
"David and Goliath" "Glitter" "The Little Things"
CD's cont. from pg.13 The tremendous harmony music make it an easy tar "David and Goliath" of the two female lead get for remix after remix singers is reinforced by the and their latest e.p., by Dan Williams, freshman skills of their own guitar S upersexy S win gin' Blood was pouring from the boxer's eye playing ability and by the Sounds, features some of his opponent looked at him and with a sigh skill of the male drummer them. Delivered a right hook, hard to the jaw and bassist. Tuscadero's X-Ray Spex are a And the crowd was amazed at what they saw The Pink Album is the feel very influential, female-led As the smitten crumpled over good album of the year. punk rock band that began nd lay in the ring Urge Overkill is a in the seventies. Germ They had just witnessed a wonderful thing typical "power trio" type Face Adolescents, their de The victor stood straight with hands in the air group with an untypical but album, has several pow Making two fists and a stone-cold stare sound. Who else could pull erful songs and is consid For the lightweight of only one-hundred and ten off a remake of Neil ered a punk classic. How Had defeated the giant and reigned champion. Diamond's "Girl, You'll Be ever, it is also their only al A Woman Soon" that bum that was considered sounds just as good, if not mildly good. Now, they better, than the original. -
8 Days a Week
San Francisco Bay Guardian | Arts and Entertainment Page 1 of 6 8 days a week Nov. 16-23, 2005 IN BETWEEN HELPING with the organization of the Tranny Fest film and video expo, staging the annual Fresh Meat transgender performance festival (unique in including modern dance in the oft-danceless queer cabaret format), and curating the Fresh Meat in the Gallery show of visual art with transgendered themes, choreographer Sean Dorsey somehow manages to create new work. Perhaps he has superhuman powers? More likely he is as devoted to his craft as he is to creating trans-centric queer community. Utilizing his experiences as transgendered in a rigidly gendered world, Dorsey has built a body of work that merges storytelling and dance and gives an eloquent, heartfelt voice to the challenges and sweetness of being a gender outsider. Dorsey's attention to nuance and the bare fact of his physical skill are breathtaking, and, joined by the compelling Mair Culbreth, he effortlessly takes his audience with him on personal voyages both tear-jerking and hilarious. His first solo performance, The Outsider Chronicles, is a return to work premiered previously as well as the debut of a new performance. An innovator within the dance world and accessible enough to engage folks who think they don't "get" modern dance, The Outsider Chronicles is a thrill for fans craving a Sean Dorsey rock block and a perfect way for the uninitiated to familiarize themselves with this genre-busting performer. Fri/18-Sat/19. 8 p.m., ODC Theater, 3153 17th St., SF.