Course Offerings & Graduation Requirements Booklet
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Factsheet the Netherlands and the European Audiovisual Sector
25 years of MEDIA Factsheet The Netherlands and the European audiovisual sector MEDIA budget invested in The Netherlands (2007-2015): €42.4 million Since 1991, MEDIA has provided support to strengthen Europe’s audiovisual sector, including the film, TV and videogames industries, so that it can creatively convey the breadth of Europe’s rich cultural diversity to audiences around the world. Over €2.4 billion has been invested in enhancing the careers of audiovisual professionals and in giving new audiences access to Europe’s wealth of creative and cultural achievements in cinemas, on TV and on digital platforms. EXAMPLES of success stories Many Dutch projects have benefited from the help of the MEDIA programme: CineMart - International Film Festival Rotterdam (2007-2015: €1,950,000) – Market Access IDFA Bertha Fund-Europe - St. Jan Vrijman Fonds (2014-2015: €620,000) – International Coproduction Funds DocsOnline (2007-2015: €1,085,000) – Online Distributie … Paradise Now! (2005) Kauwboy (2012) Fish Tank (2009) Best Foreign Language Film Best First Feature at the Berlinale Jury Prize Award at Cannes Festival at Golden Globe awards European Discovery - Prix Fipresci Alexander Korda Award for Best British Nominated for the Academy Award at European Film Awards Film at BAFTA awards for Best Foreign Language Film Cinekid is supported through the calls for Festivals, Market Access, Audience Development and Training and this enables them to support the whole audiovisual chain: from script development, co-production, distribution/acquisition to knowledge exchange. This is of vital importance in a rapidly changing media landscape. Thanks to the MEDIA support, Cinekid can focus on cultural diversity and artistic quality. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
MSJC Option B 2020-2021
MT. SAN JACINTO COMMUNITY COLLEGE DISTRICT General Education Graduation Requirements for California State Universities and Colleges Transfer Pattern & Planning Guide 2020-2021 OPTION B-TRANSFER EMPHASIS AREA A—English Language Communication and Critical Thinking AREA D—Social Sciences 9 semester/12 quarter units required. Select one course from each of the Areas: A1, A2, A3 9 semester/12 quarter units required. Select three courses from at least two disciplines. C IP N A1.* Oral Communication: 3 semester/4 quarter units required C IP N Administration of Justice 102, 111; American Sign Language 110; Anthropology Communication 100, 100H, 103, 103H, 104, 104H, 106, 201 102, 102H, 104, 104H, 105, 107, 115, 121+, 125; Biology 128+, 128H+; Child Other course: Development & Education 110, 110H, 125, 125H; Communication 108, 108H, 116; Economics 201, 201H, 202, 202H; Education 136; Geography 102, 107, 108, 111; A2.* Written Communication: 3 semester/4 quarter units required C IP N History 101, 101H, 102, 102H, 103, 103H, 104, 104H, 106, 106H, 107, 107H, 108, 109, 109H, 111, 111H, 112, 112H, 115, 115H, 117, 117H, 120, 120H, 121+, 124, 124H, 125, English 101 or 101H ENGL____ ENGL____ ENGL____ 128+, 128H+, 140, 140H, 141, 142, 150, 150H, 160, 160H; Legal Assistant 100; AP or other course: Political Science 101, 101H, 102, 102H, 103, 103H, 104, 104H, 105, 105H, 106, 106H, 120, 120H; Psychology 101, 101H, 102, 103, 103H, 104, 104H, 105+, 105H+, 107, A3.* Critical Thinking: 3 semester/4 quarter units required C IP N 107H, 108, 108H, 112+, 124, 124H; Sociology 101, 101H, 102, 103, 105+, 105H+, 106, Communication 104, 104H; English 103, 103H; Philosophy 103, 103H, 112 108, 110, 112+, 115, 125 Other course: AP or other course: AREA B—Scientific Inquiry / Quantitative Reasoning 9 semester/12 quarter units required. -
Hist 101 Syllabus
HIST 101 World History I 5-Hist101 Course Guide Self-paced study. Anytime. Anywhere! History 101 World History I University of Idaho 3 Semester-Hour Credits Prepared by: Kenneth Faunce, Ph.D. RPA Adjunct Faculty University of Idaho RV: 06/2014 5-Hist 101 Copyright Independent Study in Idaho/Idaho State Board of Education 2 5-Hist101 Table of Contents Welcome ................................................................................................................................................. 4 Policies and Procedures .......................................................................................................................... 4 Course Description .................................................................................................................................. 4 Course Materials ..................................................................................................................................... 4 Course Delivery ....................................................................................................................................... 4 Course Introduction ................................................................................................................................ 4 Course Objectives .................................................................................................................................... 5 Lessons ................................................................................................................................................... -
About Feather River College Student Life
What you'll encounter on your way to class at Feather River College: towering mountains, acres of forestland, clean air and water, and wildlife. What you won't find: traffic. If you're looking for a change of scenery, look into Feather River College. Plumas National Forest provides a million-acre classroom in which to learn, and vast open spaces and a four season climate in which to play. We can't guarantee you won't be late to class, but at least your excuse will be a good one. To learn more and to arrange a campus tour, e-mail [email protected], or call 1(800) 442-9799, ext. 315. 570 Golden Eagle Avenue Quincy, California 95971 www.frc.edu GREETINGS FROM FEATHER RIVER COLLEGE Small college … big education. Home to the million-acre classroom. Feather River College is known by many names - we are also known as a college that cares about your success. Nestled in a small, rural mountain community, Feather River College offers many opportunities that you will not find elsewhere. Our faculty, staff and administrators are dedicated to helping students both inside the classroom and in extracurricular activities. Championship athletic teams, outdoor recreation programs and unique programs in Equine Studies, Fish Hatchery Management and Environmental Studies are some of our special educational opportunities available to students. Feather River College has the privilege to offer one of the first bachelor degrees from a California community college. In May 2018, FRC awarded its first Bachelor of Science in Equine and Ranch Management. In addition, we offer traditional transfer programs, vocational training certificates and personal enrichment courses. -
Paradise Now
FILMHANDLEDNING Paradise Now Konflikten i Mellanöstern fyller dagstidningarnas i Israel, i Tel Aviv. Det är hans vän Jamal som förmedlar budska- spalter var och varannan dag. Israel som ocku- pet. Said förklarar för sin mamma att han fått ett arbetstillstånd i pant med en militär förtryckarapparat, palestini- Israel. Said har svårt att sova den natten, han går över till Suha erna som hänsynslösa självmordsbombare. Para- med hennes bilnycklar klockan fyra på natten och de dricker thé dise Now handlar just om två självmordsbom- och pratar om bio och livet under israelisk överhöghet. Det är bare. Vad driver dem? Vilka krafter ligger bakom? ockupationsmakten som definierar motståndet, menar Said, där- för allt våld. Nej, motståndet kan ta sig många uttryck, svarar Suha som är emot våld i alla dess former. Världen förändras och Rekommenderad från gymnasiet vi med den, säger Saids mamma som är orolig för sonen, vid ett senare tillfälle. en filmhandledning av Dagen därpå går Jamal och Said till en hemlig lokal där sen andreas hoffsten den mytomspunne ledaren Abu Karem och andra berättar och ger instruktioner om hur det hela kommer att gå till. De får också framför en videokamera ge sin syn på varför de ställer upp Handling som martyrer. Dessa inspelningar kommer senare att säljas som Vägspärrarna styr mycket av det dagliga livet på Västbanken och ”martyrfilmer” på video. Även bilder tas till kommande affischer i Gaza. Suha får sitt bagage genomsökt vid en israelisk vägspärr. över ”hjältemartyrerna”. Det är nästan som en välorganiserad En daglig förnedring där det gäller för henne att åtminstone liten industri. -
The Reel World: Contemporary Issues on Screen
The Reel World: Contemporary Issues on Screen Films • “Before the Rain” (Macedonia 1994) or “L’America” (Italy/Albania 1994) • “Earth” (India 1998) • “Xiu-Xiu the Sent Down Girl” (China 1999) • (OPTIONAL): “Indochine” (France/Vietnam 1992) • “Zinat” (Iran 1994) • “Paradise Now” (Palestine 2005) • “Hotel Rwanda” (Rwanda 2004) • (OPTIONAL): “Lumumba” (Zaire 2002) • “A Dry White Season” (South Africa 1989) • “Missing” (US/Chile 1982) • “Official Story” (Argentina 1985) • “Men With Guns” (Central America 1997) Books • We Wish to Inform You That Tomorrow We Will be Killed With Our Families: Stories from Rwanda by Philip Gourevitch • (OPTIONAL/RECOMMENDED): A Dry White Season by André Brink Course Goals There are several specific goals to achieve for the course: Students will learn to view films historically as one of a number of sources offering an interpretation of the past Students will acquire a knowledge of the key terms, facts, and events in contemporary world history and thereby gain an informed historical perspective Students will take from the class the skills to critically appraise varying historical arguments based on film and to clearly express their own interpretations Students will develop the ability to synthesize and integrate information and ideas as well as to distinguish between fact and opinion Students will be encouraged to develop an openness to new ideas and, most importantly, the capacity to think critically Course Activities and Procedures This course is taught in conjunction with “The Contemporary World,” although that course is not a prerequisite. We will use material from that course as background and context for the films we see. Students who have already taken “The Contemporary World” can review the material to refresh their memories before watching the relevant titles if they feel the need to do so. -
Frederick Mennonite Community
Community Life Calendar- Aspen Village January 2016 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY *Activities and times are 1 2 subject to change New Year’s Day Brain Teasers 10:00 Daily Bread *Spontaneous activities are Mummers Parade Saturday Matinee offered daily A Look Back on 2015 New Year’s Customs Exercise Around the World 7:00 Bill Long Plays 3 4 5 6 7 8 9 10:30 Worship Service Brain Teasers 10:00 Exercise with Lisa Exercise Your Mind 11:00 Exercise with Lisa 10:00 Daily Bread Brain Teasers 1:30 Art Studio 11:00 Bible Study 11:00 Zumba with Kathy Exercise Your Mind Trivia Sunday Matinee 1:30 Exercise with Lisa 1:30 Mary Etta Mest Plays Hang Man 12:00 John Marks on the 11:00 Bible Study Saturday Matinee Piano Critter Crafts Bingo Keys Tea and Poetry A Little Story 3:30 Bob’s Stories A Little Story 1:30 Catholic Mass Exercise Salon Carola 2:00 Laugh a Day Program Exercise 6:30 Hymn Sing 6:30 Duet with Lori & James 3:30 Bob’s Stories 2:00 Exercise in the Body 6:30 Karl Hausman Performs Shop 10 11 12 13 14 15 16 10:30 Worship Service Ladder Ball 10:00 Exercise with Lisa 11:00 Zumba with Kathy Trivia 10:00 Daily Bread Brain Teasers Mind Quest Mind Quest Bingo 11:00 Exercise with Lisa 10:15 Jewelry Class Sunday Matinee 1:30 Art Studio 11:00 Bible Study In-Words 3:30 Bob’s Stories 11:00 Bible Study Saturday Matinee 1:30 Exercise with Lisa Salon Carola 1:30 Winter Drive Experiments with Vegetables 2:00 Exercise in the Body Exercise More Critter Crafts 3:30 Bob’s Stories 6:30 Joe Soltysik and Norman Rockwell: Shop Exercise Ralph Tobias Duo What Do You See? 7:00 Bill Long Plays Guitar 17 18 19 20 21 22 23 10:30 Worship Service Martin Luther King Day 10:00 Exercise with Lisa Ladder Ball Exercise with Lisa 10:00 Daily Bread Brain Teasers Mind Quest 11:00 Bible Study Spelling Bee Baking Cookies 10:15 Jewelry Class Sunday Matinee 1:30 Art Studio 11:30 S.P.C.A. -
Medea of Gaza Julian Gordon Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Theater Honors Papers Theater Department 2014 Medea of Gaza Julian Gordon Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/theathp Part of the Theatre and Performance Studies Commons Recommended Citation Gordon, Julian, "Medea of Gaza" (2014). Theater Honors Papers. 3. http://digitalcommons.conncoll.edu/theathp/3 This Honors Paper is brought to you for free and open access by the Theater Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Theater Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. GORDON !1 ! ! Medea of Gaza ! Julian Blake Gordon Spring 2014 MEDEA OF GAZA GORDON !1 GORDON !2 Research Summary A snapshot of Medea of Gaza as of March 7, 2014 ! Since the Summer of 2013, I’ve been working on a currently untitled play inspired by the Diane Arnson Svarlien translation of Euripides’ Medea. The origin of the idea was my Theater and Culture class with Nancy Hoffman, taken in the Spring of 2013. For our midterm, we were assigned to pick a play we had read and set it in a new location. It was the morning of my 21st birthday, a Friday, and the day I was heading home for Spring Break. My birthday falls on a Saturday this year, but tomorrow marks the anniversary, I’d say. I had to catch a train around 7:30am. The only midterm I hadn’t completed was the aforementioned Theater and Culture assignment. -
International Film Festival
2007 International Film Festival FRIDAY 3 AUG France – La doublure Så som i himmelen Das Leben der Anderen Shijie 7pm (ends 8.25pm) Paradise Now A New Day in Old Sana’a L’enfant SÅ SOM I HIMMELEN (AS IT IS IN HEAVEN) L’enfANT (THE CHILD) Spain – Volver Sweden 2004 directed by Kay Pollak, 132 mins, rated M Belgium/France 2005 Directed by: Jean-Pierre & Luc Dardenne, 100 mins, rated M 9.15pm (ends 11.15pm) A successful international conductor returns to his childhood village in the far north of The Dardenne brothers focus on downbeat characters from the working classes of Sweden to recover from a heart attack. He gets involved with the local church choir and an industrialised Belgium in their trilogy ‘The Promise’, ‘The Son’ and ‘The Child’, all of extraordinary musical creation ensues. The score by Stefan Nilsson will leave you inspired which are emotionally powerful films. ‘The Child’ recounts the tale of a young thief who SATURDAY 4 AUG and appreciative of the beauty and power of music. A must-see for all lovers of fine music. actually sells his newborn baby and then gradually realises the enormity of his action. This Sweden – Nominated for an Oscar 2005. is a stunning cinematic experience, using understated techniques of naturalism which these Så som i himmelen directors favour. Won Golden Palm at Cannes Film Festival 2005 and numerous other awards 9.30am (ends 11.40am) Das LEBEN DER ANDEREN (THE LIVES OF OTHERS) and nominations. Germany 2006 directed by F Henckel von Donnersmarck, 137 mins, rated MA+restricted Germany – This multi-award-winning film, including winner of the Oscar 2007 for Best Foreign Film, SHIJIE (THE WORLD) China 2004 directed by Jia Zhangke, 140 mins, rated PG transports us into East Germany in the late 1980s, before the fall of the Berlin Wall. -
COURSE SYLLABUS and DESCRIPTION HISTORY 101: U.S. History to 1877 SECTIONS 2327 and 2337 FALL SEMESTER, 2015
COURSE SYLLABUS and DESCRIPTION HISTORY 101: U.S. History to 1877 SECTIONS 2327 and 2337 FALL SEMESTER, 2015 PROFESSOR EMILY RADER OFFICE: SOCS 116 EMAIL: [email protected] TELEPHONE: 660-3593, x3757 OFFICE HOURS: Mon. & Wed. 10:00-11:00 and 3:00-3:30; Tues. & Thurs. 2:30-3:30; other times by appointment. I am not on campus on Fridays. (See my full schedule on the last page of this syllabus.) TEXTBOOKS—Are Required You will need to buy a textbook package from the ECC bookstore. The package consists of (1) Roark, et al., Understanding the American Promise—A History, Vol. 1, 2nd edition (2) LaunchPad access number (3) Johnson, Reading the American Past: Selected Historical Documents, Vol. 1, 5th edition The price you pay at the ECC bookstore is cheaper than you can get the 3 items elsewhere. That’s because you are paying for the access to LaunchPad, and the textbooks are free. That’s a good deal! I recommend that you buy the bundle at the ECC bookstore, so you know you are getting the correct items. Copies of the course books are available for on-campus use in the Reserves Section of the library and in my office. BRING Understanding the American Promise TO ALL CLASS MEETINGS. Bring Reading the American Past when you have a reading assigned in it. OTHER REQUIRED ITEMS 1. A 3-hole binder for UAP. (I recommend 1½”.) 2. Regular access to a reliable computer and printer. 3. Current ECC ID card for computer use on campus and various services in the library. -
Face to Face and One Face Reflected in Many Mirrors
Irina Kolbutova Moscow [email protected] FACE TO FACE AND ONE FACE REFLECTED IN MANY MIRRORS In this article I would like to demonstrate how a very ancient theo- logical concept emerged unexpectedly through the mediation of the Platonic tradition almost simultaneously in the twelfth-century Latin West and in a remote oriental context, and how these two later devel- opments of the same set of ideas can clarify each other and their com- mon roots. At the outset it is worth making some observations concerning the use of the early Christian writings in this study, which scholars of the previous generations almost indiscriminately called “gnostic” thus us- ing the term by which, as was noted by A. DeConick, they att empted to reconstruct “an umbrella religion called ‘Gnosticism,’ a religion which in fact did not exist.”1 Furthermore, as R. G. Hall indicated, “the terms ‘Jewish,’ ‘Christian,’ and ‘gnostic’ are notoriously slippery when ap- plied to texts from early in the second century. The Odes of Solomon, with their close relationship to the Hodayot from Qumran, on the one hand, and to later gnostic literature, on the other, would belong equal- ly in studies of ancient Jewish hymnody, early Christian prophecy, and the origin of gnosticism. The Gospel of John belongs as clearly in a study of Gnostic origins as in a study of Christian origins and is Jew- ish to such an extent that one of the biggest issues it faces is being put out of the synagogue.”2 Finally, A. Golitz in highlighted the problem noting the “re-evaluation of apocalyptic literature, Christian origins, and the analysis of Gnosticism” for which scholars “had begun to look to more proximate (as opposed to distant Iranian), Jewish sources.” As this scholar observed, “we can fi nd a striking instance of this shift in the respective — and stunningly diff erent — analyses of the Acts of (1) A.