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May 2019 Digital
MAY 2019 80 YEARS OF CINEMA MAY 2019 MAY GLASGOWFILM.ORG | 0141 332 6535 CINEMASTERS: HIROKAZU KORE-EDA | ITALIAN FILM FESTIVAL | HIGH LIFE 12 ROSE STREET, GLASGOW, G3 6RB WOMAN AT WAR | TOLKIEN | VOX LUX | FINAL ASCENT | AMAZING GRACE CONTENTS Access Film Club: Eighth Grade 20 Nobody Knows 9 The Straight Story - 35mm 8 Amazing Grace 13 Shoplifters 10 MOVIE MEMORIES Arctic 14 Still Walking 9 Rebecca 19 Ash Is Purest White 15 CINEMASTERS: Rebel Without a Cause 19 Beats 14 STANLEY KUBRICK SCOTTISH MENTAL HEALTH Birds of Passage 14 2001: A Space Odyssey 10 ARTS FESTIVAL Dead Good 5 Dr Strangelove or: How I Learned to 10 Evelyn + Skype Q&A 8 Stop Worrying and Love the Bomb Donbass 15 Irene’s Ghost + Q&A 8 13 Full Metal Jacket 10 Eighth Grade SPECIAL EVENTS Final Ascent 13 EVENT CINEMA Asbury Park: 6 Have You Seen My Movie? 13 Bolshoi Ballet: Carmen Suite/Petrushka 18 Riot, Redemption, Rock ‘n’ Roll High Life 14 Margaret Atwood: Live in Cinemas 18 Cléo from 5 to 7 6 The Keeper 15 NT Live: All My Sons 18 Crossing the Line: Al Ghorba: 6 Madeline’s Madeline 14 NT Live Encore: One Man, Two Guvnors 18 Be:Longing in Britain The Thing 14 NT Live: The Lehman Trilogy 18 Dead Good + Q&A 5 Tolkien 15 NT Live: Small Island 18 Inquiring Nuns + Skype Q&A 7 Neither Wolf Nor Dog + Q&A 7 @glasgowfilm Too Late to Die Young 15 ITALIAN FILM FESTIVAL Visible Cinema: Edie 20 Capri-Revolution 11 Preview: Freedom Fields + Q&A 6 Vox Lux 13 The Conformist 11 Preview: In Fabric + Q&A 7 Woman at War 13 Daughter of Mine 12 Preview: Sunset - 35mm + Q&A 5 XY Chelsea 15 -
UK-Films-For-Sale-Filmart-2018.Pdf
3 Way Junction TBeta Cinema Cast: Tom Sturridge, Stacy Martin, Tommy Flanagan Tassilo Hallbauer Genre: Drama [email protected] Director: Juergen Bollmeyer Market Office: EFP Umbrella 1C-E14 Status: Completed Home Office tel: +49 89 67 34 69 828 Synopsis: Suffering from a massive career disappointment, London architect Carl Walters travels to the grand dunes of the Namibian Desert to escape. However, destiny soon strikes and he finds himself stranded alone in the African nowhere, desperately waiting for a ride that never comes. Carl embarks on a bitter rite of passage, a trial only overcome if he is willing to radically change his attitude towards life. In the face of his own demise, Carl learns the simple truth: To survive, you need to act. 6 Children And 1 Grandfather TPremiere Ent. Group Cast: John Savage, Burt Young, Blanca Blanco, Bret Roberts Gabby Axume Genre: Family [email protected] Director: Yann Thomas Market Office: 1C-B14 Status: Completed Home Office tel: +1 213 534 3139 Synopsis: One day can change everything All The Devil's Men TGFM Films Cast: Milo Gibson, Gbenga Akinnagbe, Sylvia Hoeks, Morgan Edoardo Bussi Spector, William Fichtner [email protected] Genre: Action/Adventure Market Office: UK Film Centre 1C-F22 Director: Matthew Hope Home Office tel: +44 20 7186 6300 Status: Completed Synopsis: A battle-scarred War on Terror bounty hunter is forced to go to London on a manhunt for a disavowed CIA operative, which leads him into a deadly running battle with a former military comrade and his private army. The -
First Line of Title
DREAMS ON THE SCREEN: AN EXPLORATION OF DARIO ARGENTO’S GREATEST NIGHTMARES by Matthew Bleacher A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of the Arts in Italian Studies Summer 2020 © 2020 Matthew Bleacher All Rights Reserved DREAMS ON THE SCREEN: AN EXPLORATION OF DARIO ARGENTO’S GREATEST NIGHTMARES by Matthew Bleacher Approved: __________________________________________________________ Giorgio Melloni, Ph.D. Co-Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ Laura Salsini, Ph.D. Co-Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ Meredith K. Ray, Ph.D. Interim Chair of the Department of the Languages, Literatures and Cultures Approved: __________________________________________________________ John Pelesko, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Douglas J. Doren, Ph.D. Interim Vice Provost for Graduate and Professional Education and Dean of the Graduate College ACKNOWLEDGMENTS I would like to start by thanking the entire Italian Department at the University of Delaware and professors Laura Salsini and Giorgio Melloni in particular. Laura Salsini acted as editor in chief, kept me organized throughout the thesis writing process, and believed in me when I did not. Giorgio Melloni offered invaluable insights into Italian cinema, and I am especially grateful to him for stepping out of his comfort zone to watch and discuss horror films. I would also like to thank Meredith Ray for encouraging me to undertake this endeavor, which has been the highlight of my academic career. Thanks also to my family and friends for their various forms of support. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
UNSTITCHING the 1950S FILM Á COSTUMES: HIDDEN
1 UNSTITCHING THE 1950s FILM Á COSTUMES: HIDDEN DESIGNERS, HIDDEN MEANINGS Volume I of II Submitted by Jennie Cousins, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Film Studies, October 2008. This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. …………………………………. 2 Abstract This thesis showcases the work of four costume designers working within the genre of costume drama during the 1950s in France, namely Georges Annenkov, Rosine Delamare, Marcel Escoffier, and Antoine Mayo. In unstitching the cinematic wardrobes of these four designers, the ideological impact of the costumes that underpin this prolific yet undervalued genre are explored. Each designer’s costume is undressed through the identification of and subsequent methodological focus on their signature garment and/or design trademark. Thus the sartorial and cinematic significance of the corset, the crinoline, and accessories, is explored in order to determine an ideological pattern (based in each costumier’s individual design methodology) from which the fabric of this thesis may then be cut. In so doing, the way in which film costume speaks as an independent producer of cinematic meaning may then be uncovered. By viewing costume design as an autonomous ideological system, rather than a part of mise-en- scène subordinate to narrative, this fabric-centric enquiry consolidates Stella Bruzzi’s insightful exploration of film costume in Undressing Cinema, Clothing and Identity in the Movies (1997). -
CV Peter Strickland
CV│Peter Strickland After more than a decade of making short films, Peter Strickland rose to international prominence in 2009 with his first feature film, KATALIN VARGA. His sophomore effort in 2012 was BERBERIAN SOUND STUDIO, which is now being adapted into a play at the Donmar Warehouse. In between films he co-directed a concert film for Björk during her Biophilia tour in 2013. After his third film in 2015, THE DUKE OF BURGUNDY, Peter continued his exploration of sound and went on to write and direct several immersive radio plays. His most recent film, IN FABRIC, starring Marianne Jean-Baptiste and Gwendoline Christie, recently screened at festivals and will be released in 2019 by Curzon/Artificial Eye in the UK and A24 in the States. IN FABRIC 2017/18 Feature film Writer and director Producer: Andy Starke THE LINGUIST In development Feature film Writer and director Producer: Andy Starke NIGHT VOLTAGE In development Feature film Writer & director Producer: Tristan Goligher THE LEN DIMENSION 2016/7 Radio play Writer and director Producer: Russell Finch Radio 4 THE STONE TAPE 2015 Radio play Writer and director Producer: Russell Finch Radio 4 THE LEN CONTINUUM 2015 Radio play Writer and director Producers: Polly Thomas, Russell Finch Radio 4 Agent/s: Ian Benson, The Agency Email: [email protected], telephone: +44 (0)20 7727 1346 David Kopple & John Garvey, CAA Email: [email protected], [email protected], telephone: + 1424 288 2000 © Copyright The Agency (London) Ltd. 2011 CV│Peter Strickland THE DUKE OF BURGUNDY 2013/14 Feature -
Starring Marianne Jean-Baptiste, Hayley Squires, Leo Bill with Julian Barratt and Steve Oram As Stash & Clive and Gwendolin
BFI and BBC Films present in association with Head Gear Films, Metrol Technology and Twickenham Studios. A Rook Films Production In association with Blue Bear Film & TV STARRING MARIANNE JEAN-BAPTISTE, HAYLEY SQUIRES, LEO BILL WITH JULIAN BARRATT AND STEVE ORAM AS STASH & CLIVE AND GWENDOLINE CHRISTIE ALSO STARRING BARRY ADAMSON, JAYGANN AYEH, SIDSE BABETT-KNUDSEN, RICHARD BREMMER, TERRY BIRD, FATMA MOHAMED HAIR AND MAKE-UP BY EMMA SCOTT, SOUND RECORDING BY ROB ENTWISTLE, SOUND DESIGN BY MARTIN PAVEY, MUSIC BY CAVERN OF ANTI-MATTER, EDITING BY MATYAS FEKETE, CASTING BY SHAHEEN BAIG, LINE PRODUCER KASIA MALIPAN, EXECUTIVE PRODUCERS IAN BENSON, BEN WHEATLEY, STEPHEN KELLIHER, HILARY DAVIS, ANDREW BOSWELL, PHIL HUNT, COMPTON ROSS, LIZZIE FRANCKE, ROSE GARNETT, PRODUCED BY ANDY STARKE LA BOCA Written & Directed by Peter Strickland © ROOK FILMS FABRIC LTD, THE BRITISH FILM INSTITUTE and BRITISH BROADCASTING CORPORATION 2018 SYNOPSIS IN FABRIC is een wonderbaarlijke ghost story over een unieke rode jurk die tijdens de winter-uitverkoop van een luxe warenhuis over de toonbank gaat. Een alleenstaande moeder draagt het kledingstuk naar een blind date die niet loopt als verwacht. Via de kringloop- winkel komt hij in het bezit van een wasmachinemonteur, die meteen met onverklaarbaar onheil te maken krijgt. We volgen de jurk als deze van eigenaar wisselt en daarbij op steeds curieuzer wijze slachtoffers eist. Peter Strickland (Berberian Sound Studio, the Duke of Burgundy) toont zich opnieuw een meester in stijl. IN FABRIC is een lofzang op genrefilms -
Off the Beaten Path
Off the Beaten Path A Comprehensive List of the Horror Community’s Favorite Overlooked Films Tomatometer Audience Score Mentions Logline [Rec] (2007) 89% 82% Reporter Angela (Manuela Velasco) and her trusty cameraman Pablo are following a local fire crew for a segment of their reality television series "When You're Asleep" when the firefighters receive a distress call from a nearby apartment building. An elderly woman has become locked in her apartment; a routine call by any account. The police are already on the scene, so now it's up to firemen Manu (Ferran Terraza) and Alex (David Vert) to break down the door and ensure that no harm has come to her. Upon arriving at the building, everything appears normal. But the calm atmosphere at the moment betrays the horrors that begin to unfold after the firemen break down the tenant's door and experience something that no one would believe had it not been captured on camera. Later, as the building is surrounded and quarantined, Pablo continues to roll tape to ensure that whatever the outcome of this terrifying situation may be, there will be some evidence to ensure that the truth gets out. [Rec] 2 (2010) 68% 60% The highly anticipated sequel to one of the scariest films of all time, "[REC] 2" picks up 15 minutes from where we left off, taking us back into the quarantined apartment building where a terrifying virus has run rampant, turning the occupants into mindlessly violent, raging beasts. A heavily armed SWAT team and a mysterious government official are sent in to assess and attempt to neutralize the situation. -
The Loft Cinema Film Guide
loftcinema.org THE LOFT CINEMA Showtimes: FILM GUIDE 520-795-7777 SEPTEMBER 2019 WWW.LOFTCINEMA.ORG See what films are playing next, buy tickets, look up showtimes & much more! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Company Tamales, Burritos from Tumerico, Ethiopian Wraps from SEPTEMBER 2019 Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan LOFT MEMBERSHIPS 5 cookies and more! *Pizza served after 5pm daily. SPECIAL ENGAGEMENTS 6-22 SOLAR CINEMA 8, 12, 14 ESSENTIAL CINEMA 9 BEER OF THE MONTH: LOFT JR. 11 OKTOBERFEST SCIENCE ON SCREEN 15 SIERRA NEVADA BREWING CO. LOFT STAFF SELECTS 18 ONLY $3.50 ALL THROUGH SEPTEMBER! ANIME SERIES 24-25 COMMUNITY RENTALS 27-29 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! NEW FILMS 31-43 The Loft Cinema offers Closed Captions and Audio REEL READS SELECTION 35 Descriptions for films whenever they are available. Check our MONDO MONDAYS 46 website to see which films offer this technology. CULT CLASSICS 47 FILM GUIDES ARE AVAILABLE AT: FREE MEMBERS SCREENING • 1702 Craft Beer & • Epic Cafe • R-Galaxy Pizza RAISE HELL: THE LIFE & TIMES • Ermanos • Raging Sage OF MOLLY IVINS (SEE PAGE 38) • aLoft Hotel • Fantasy Comics • Rocco’s Little FRIDAY, SEPTEMBER 20, 7:30PM • Antigone Books • First American Title Chicago • Aqua Vita • Frominos • SW University of • Black Crown Visual Arts REGULAR ADMISSION PRICES • Heroes & Villains Coffee • Shot in the Dark $9.75 - Adult | $7.25 - Matinee* • Hotel Congress $8.00 - Student, Teacher, -
The Lion King
RAINBOW FILM FESTIVAL RAINBOW FILM FESTIVAL 6 – 16 SEPTEMBER YOUR LOCAL CINEMA JULY & AUGUST 2019 RAFIKI THE LION KING OW INB F A IL IMAGINE ME & YOU R M F E S T I V A L RAINBOW FILM FESTIVAL A DEAL WITH THE UNIVERSE LOVE, SIMON WEEKEND SEE OUR WEBSITE FOR FURTHER INFORMATION BOOK NOW AT THE CINEMA BOX OFFICE, TIC OR ONLINE www.saffronscreen.com www.saffronscreen.com CINEMA INFORMATION TICKETS FOR ALL FILMS ARE NOW ON SALE DAYTIME Full £7.30; 65 & over £6.50; other adult concessions £5.40; 16-30 £5.00; under 16s £4.60; family tickets (2 adults + 2 children or 1 adult + 3 children) £20.50 EVENINGS (films at or after 5pm) Full £8.40; 65 & over £7.80; other adult concessions £6.30; 16-30 £5.50; under 16s £5.20 (30 & under £4.50 Monday nights) KIND HEARTS CINEMA FOR TINIES Adults £4.00; children £3.00; under 2s free ALADDIN AFTER LIFE AND CORONETS ARTS ON SCREEN Please see ticket price information for each event. See our website for information about eligibility for concession price tickets. Group bookings 11 cinema tickets for the price of 10 (not available online). WELCOME Tickets are available: ● online at www.saffronscreen.com (booking fee applies) You certainly won’t be stuck for something to ● in person from the Box Office (opens 30 mins before each screening) do this summer with our jam-packed programme of ● in person from the Tourist Information Centre, Saffron Walden entertainment, including not one but two Disney live-action (booking fee applies) (telephone: 01799 524002, enquiries only). -
LIFF 2018 Catalogue
Welcome LEEDS INTERNATIONAL Welcome to FILM FESTIVAL the LIFF 2018 Catalogue The 32nd Leeds International Film Festival is presented in association with Leeds 2023, a partnership that has made possible the most extensive and diverse celebration of film in the city yet. From world premieres of films made in Leeds and Yorkshire to programmes chosen from over 6,000 films submitted from 109 countries, This festival’s winning short films may LIFF 2018 represents the epic scale and incredible qualify for consideration for the variety of global filmmaking culture. A big thank you to everyone who has contributed to the development of LIFF 2018 and to our audiences for their support of film culture in Leeds. Contents Partners 5 LIFF 2018 Team 6 Official Selection 9 Cinema Versa 63 Fanomenon 101 Time Frames 141 ENTRY REQUIREMENTS Leeds Short Film Awards 185 Oscars.org/Rules Index 243 2 3 Partners Partners Presented by Leading Funders Leading Partners In Association with Major Partners Supporting Partners Sorry to Bother You 4 5 Team Director Leeds City Centre Box Office Staff Venue Assistants Chris Fell Adam Hogarty, Dena Marsh, Kate Parkin, Katy Adams, Lewis Anderson, Daria Arofikina, LIFF 2018 Production Manager Dean Ramsden, Helen Richmond, Shirley Shortall. Jonathan Atkinson, Natasha Audsley, Tom Jamie Cross Bache, Ross Baillie-Eames, Jack Beaumont, Communications Manager Venue Coordinators Sophie Bellová, Emma Bird, Angie Bourdillon, Nick Jones Sue Barnes, Laura Beddows, Alice Duggan, Simon Brett, Hannah Broadbent, Michael Programme Manager Nils Finken, Matt Goodband, Tom Kendall, Brough, Jenna Brown, Julie Carrack, Jess Carrier, Team Alex King Katie Lee, Melissa McVeigh, Joe Newberry, Peter Clarke, Jessie Clayton, Sarah Danaher, Development Managers Vicki Rolley, Natalie Walton, Sarah Wilson. -
THE SOUVENIR a Film by Joanna Hogg (119 Mins, United Kingdom/USA, 2019) Language: English
Presents THE SOUVENIR A film by Joanna Hogg (119 mins, United Kingdom/USA, 2019) Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis 4 Production Notes 6 The Cast 14 The Crew 23 Credits 32 A24 Press Notes The Souvenir 2 Synopsis _ A24 Press Notes The Souvenir 4 Synopsis A shy but ambitious film student (Honor Swinton Byrne) begins to find her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man (Tom Burke). She defies her protective mother (Tilda Swinton) and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams. From acclaimed writer-director Joanna Hogg comes an enigmatic and personal portrait of the artist as a young woman, combining passionate emotions and exquisite aesthetics into a lush, dreamlike story of young adulthood and first love. At once enrapturing and mysteriously unsettling—and featuring a profoundly layered breakout performance by Honor Swinton Byrne—The Souvenir is an essential and enduring film from one of our most distinctive and exciting filmmakers. A24 Press Notes The Souvenir 5 Production Notes _ A24 Press Notes The Souvenir 6 Production Notes This beguiling tale of a dangerous, youthful love affair has striking individual moments each seem to build upon each the lived-in feeling of a powerful memory—a time capsule other into a mysterious accumulation, like the memory-laden of the delicious messiness and dark seduction of one of pages of a photobook—capturing a time and a place but also those unsettling, volatile, unforgettable relationships that a shifting internal world—as the audience experiences in become part of who we are.