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Celtic Solar Goddesses: from Goddess of the Sun to Queen of Heaven
CELTIC SOLAR GODDESSES: FROM GODDESS OF THE SUN TO QUEEN OF HEAVEN by Hayley J. Arrington A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Women’s Spirituality Institute of Transpersonal Psychology Palo Alto, California June 8, 2012 I certify that I have read and approved the content and presentation of this thesis: ________________________________________________ __________________ Judy Grahn, Ph.D., Committee Chairperson Date ________________________________________________ __________________ Marguerite Rigoglioso, Ph.D., Committee Member Date Copyright © Hayley Jane Arrington 2012 All Rights Reserved Formatted according to the Publication Manual of the American Psychological Association, 6th Edition ii Abstract Celtic Solar Goddesses: From Goddess of the Sun to Queen of Heaven by Hayley J. Arrington Utilizing a feminist hermeneutical inquiry, my research through three Celtic goddesses—Aine, Grian, and Brigit—shows that the sun was revered as feminine in Celtic tradition. Additionally, I argue that through the introduction and assimilation of Christianity into the British Isles, the Virgin Mary assumed the same characteristics as the earlier Celtic solar deities. The lands generally referred to as Celtic lands include Cornwall in Britain, Scotland, Ireland, Wales, and Brittany in France; however, I will be limiting my research to the British Isles. I am examining these three goddesses in particular, in relation to their status as solar deities, using the etymologies of their names to link them to the sun and its manifestation on earth: fire. Given that they share the same attributes, I illustrate how solar goddesses can be equated with goddesses of sovereignty. Furthermore, I examine the figure of St. -
CELTIC MYTHOLOGY Ii
i CELTIC MYTHOLOGY ii OTHER TITLES BY PHILIP FREEMAN The World of Saint Patrick iii ✦ CELTIC MYTHOLOGY Tales of Gods, Goddesses, and Heroes PHILIP FREEMAN 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Philip Freeman 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978–0–19–046047–1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books, Inc., United States of America v CONTENTS Introduction: Who Were the Celts? ix Pronunciation Guide xvii 1. The Earliest Celtic Gods 1 2. The Book of Invasions 14 3. The Wooing of Étaín 29 4. Cú Chulainn and the Táin Bó Cuailnge 46 The Discovery of the Táin 47 The Conception of Conchobar 48 The Curse of Macha 50 The Exile of the Sons of Uisliu 52 The Birth of Cú Chulainn 57 The Boyhood Deeds of Cú Chulainn 61 The Wooing of Emer 71 The Death of Aife’s Only Son 75 The Táin Begins 77 Single Combat 82 Cú Chulainn and Ferdia 86 The Final Battle 89 vi vi | Contents 5. -
Autochthons and Otherworlds in Celtic and Slavic
Grigory Bondarenko Coleraine Address AUTOCHTHONS AND OTHERWORLDS IN CELTIC AND SLAVIC 1. Introduction. Separation of Ireland in Mesca Ulad. When dealing with Irish Otherworld one encounters the problem of the beginning of historical consciousness in Ireland. The time immemorial when the Túatha Dé were said to have ruled Ireland as described in the first half of ‘The Wooing of Etaín’ (Tochmarc Etaíne) is perceived as a period during which there is no sharp division between this world and the Otherworld, nor between sons of Míl and the Tuatha Dé, the time when gods walked on earth (Bergin, Best 1934–38: 142–46).1 One can even argue that even in the later periods (according to Irish traditional chronology), as they are reflected in early Irish tradition, the border-line between this world and the ‘supernatural’ existence is transparent and in any relevant early Irish narrative one can hardly trace a precise moment when a hero enters the ‘Otherworld’. What is remarkable is that one can definitely detect ‘other- worldly’ characters in this environment such as the supernatural beings (áes síde) that are associated with a particular locus, a síd. The seemingly ‘historical’ question of when lower Otherworld in Ireland was first separat- ed from the middle world of humans is dealt with in a number of early Irish tales. Let us focus on a short fragment from an Ulster cycle tale ‘The drunk- enness of the Ulaid’ (Mesca Ulad). The problem of áes síde and their oppo- sition to humans is posed here only in order to determine the conflict in the tale. -
Than 6800 Verbal Articles in 9 Black Speech
More than 6800 verbal articles in 9 black speech dialects Orcish Type Dialect English Russian a prefix LOS, HORN (he) of; (he) from (он) из RE a suffix HORN one who does тот, кто делает RE < "snaga" a prefix DS away; out из; прочь; от â prep ZA at в; у; на â conj DS and и ab prefix DS after; behind; following после; сзади; позади; следующий abgur- v DS follow; chase after; pursue следовать; преследовать; выслеживать aburzgur n SV, MERP manure навоз; компост; удобрение adad n DS being бытиё; существование adh adj HORN other другой; иной; остальной âdhn- v LOS, HORN, EH, RN leave; abandon оставлять; отказываться от; покидать; RE уезжать из âdhûd prep HORN, EH, RN without без RE âdhûn adv LOS, HORN alone один RE âdmûrz adj RN alone один; одинокий âdul adv HORN little немного; мало; несколько adûn n LP West запад Adûnaic "Anadûnê", “adûn” aent n SV tree дерево aent-uzg n SV forest лес af- v LOS, RN cast; throw бросать; кидать; метать afar prep SV of из; предлог родительного падежа afar prep SV, MERP near; by возле; у; около; рядом; почти afûm n LOS (UNF) adjective прилагательное agh conj TK, LOS, SV, HORN, and и MB, RN agh conj HORN but но; однако agh- v HORN add добавлять; прибавлять agh-ash conj SV another one ещё один agh-zash conj SV also; too также; тоже agl- v LP speak говорить Khuzdul “G-L”, compare with Neo- Khuzdul reconstruction “Aglâb” (language) agnakh- v DS (PO) return возвращать(ся) written as "nakʰ" in the source; Adunaic "NAKH" (come, approach), see "nakh-" agon n LOS, SV, EH, RN dusk; twilight сумерки; закат SV agon n MERP dawn рассвет agon n SV eye глаз agor n DS blood кровь Sindarin "agar", Etym. -
Irúnië Fiondilo: the Freeing of Fiondil
iRúnië Fiondilo: The Freeing of Fiondil A Bilingual Story in Dialogue Form by Arthur Austin Boccaccio Illustration by David Wyatt Copyright © 2005 1 Concerning Copyright and Other Matters Some of the persons and locations in the following story are loosely based on persons and locations described in Tolkien’s works. This is for the purpose of atmosphere only and is not intended as a reinterpretation of Tolkien’s works. This story was originally written for the author’s personal amusement as an attempt to better understand the Quenya language in all its beauty and complexity, but it is essentially a neo-Quenya text. The grammatical structure, syntax and vocabulary are mostly based on Thorsten Renk’s Quetin i lambë eldaiva, and Helge Fauskanger’s Quenya Course. Any divergence from this is based on my own interpretation of the language. Reconstructed words either from Sindarin or Common Eldarin not found in the usual wordlists are so noted. For those who find neo-Quenya untenable, may I respectfully suggest you treat the language of the text as dialectical, since it is attested that there were dialectial differences between the three groups of Elves living in Valinor. And while Quenya was never spoken in Númenor as an everyday language, for purposes of this story, this is the language of choice among the various characters. Due to the complexity of, and even uncertainty about, the Quenya pronomial system, certain editorial decisions were made. Thus, for purposes of this story, the following holds true: The second person pronomial endings are: -tyë/-t: familiar singular -ccë/-l: familiar plural -lyë/-l: polite singular -llë/-l: polite plural The third person singular pronomial endings are –ryë/-s for all genders. -
From the Graeco–Roman Underworld to the Celtic Otherworld: the Cultural Translation of a Pagan Deity
From the Graeco–Roman Underworld to the Celtic Otherworld: The Cultural Translation of a Pagan Deity angana moitra edieval narratives and literary texts are outfitted with text- worlds inhabited by figures who are as diverse and complex as Mthey are numerous in number. Although many of these figures represent unique artistic creations, some constitute prototypes with echoes in other literary and textual cultures. Although the narrative trajectories of medieval texts demarcate intended (or unintended) destinations for its cast of characters, it is important to note that the mere act of appearance within the narrative text-world is itself the destination for many of these figures, a destination that is often reached via a circuitous cultural pere- grination. As reflections of cultural attitudes which are dynamic, protean, and in a state of constant flux, literary figures are effervescent and contin- uously adapting to contextual specificities. But although discrete literary cultures have their own defining and unique characteristics, they do not exist in a vacuum, hermetically sealed off from developments in religious, political, and sociocultural life. On the contrary, textual cultures and lit- erary figures often demonstrate patterns of continuity (albeit in different forms) as the cultural systems of which they are a part interact with each other. Although such intercultural communication is typically viewed as a necessary by-product of an increasingly globalised world, it is not an invention of the modern age. Medieval cultures have all too frequently been negatively viewed as insular, monolithic systems frozen in time as fossilised blocs, which constitutes a reductive and totalising approach that overlooks how the social, political, literary, and religious systems of the Middle Ages actively mingled with each other in many contexts. -
Christianity, Paganism and Celtic Mythology in the Plays of JM Synge
! " # $ ! "%" &" $ ! "' ( ) * " + , " - . /# 0 / /1 2 2 / "' ( + ) " , "! - 1 3 ' * 4- 5 6 7 5 " & $ - & 6 89"' * $ # # & , " !!" !"!" # # ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-" % . %:=9: /- >:=9?4& )*5/ +) "3 " & :=9? CONTENTS Page No. Chapter One 3- 32 Introduction The Genesis of the Native Culture of Ireland: Birth of a Civilisation 3 The ‘Dark Ages’ of Irish Culture 12 Celtic Revival: The Phoenix Reborn 18 John Millington Synge and the New Theatre Movement 22 Chapter Two 33- 82 Synge’s Treatment of Christianity and Paganism: Return to the Primitive World of Rituals Pre-Christian Ireland: Celtic Paganism 33 Arrival of Christianity in Ireland 38 “The lord protect us from the saints of god”: -
List of Articles
list of articles Abercrombie, Lascelles Barrie, James Matthew Ace Books controversy Barrowclough, Sidney Acocks Green (Warwickshire) The Battle of Maldon Acta Senatus The Battle of the Eastern Field Adaptations The Battles of the Fords of Isen The Adventures of Tom Bombadil (poem) Baynes, Pauline Diana The Adventures of Tom Bombadil Bedford (Bedfordshire) and Other Verses from the Red Book ‘Of the Beginning of Days’ Ae Adar Nín ‘Of Beleriand and Its Realms’ Ainulindalë Belgium Akallabêth: The Downfall of Númenor Bennett, Henry Stanley Alcar mi Tarmenel na Erun Bennett, Jack Arthur Walter Aldarion and Erendis: The Mariner’s Wife Beowulf Aldershot (Hampshire) Beowulf: A Translation and Commentary Allegory Together with The Sellic Spell The ‘Alphabet of Dairon’ Beowulf: The Monsters and the Critics Aman ‘Of Beren and Lúthien’ Ambarkanta: The Shape of the World Beren and Lúthien (book) ‘The Ambidexters Sentence’ Berkshire Ancrene Riwle Bibliographies Ancrene Wisse and Hali Meiðhad The Bidding of the Minstrel, from the Annals of Beleriand Lay of Eärendel Annals of Valinor Bilbo’s Last Song (at the Grey Havens) Appearance Biographies An Application for the Rawlinson and Birmingham and environs Bosworth Professorship of Anglo-Saxon Birmingham Oratory . Oxford Blackwell, Basil Henry Art Bliss, Alan Joseph The Art of The Hobbit by J.R.R. Tolkien ‘The Bodleian Declensions’ The Art of The Lord of the Rings by Bombadil Goes Boating J.R.R. Tolkien The Book of Lost Tales Arthur and the Matter of Britain The Book of Lost Tales, Part One Athrabeth Finrod -
Juliette Trichet Philology in Tolkien's Work : the Creation of a Myth
Juliette Trichet Philology in Tolkien's Work : the Creation of a Myth through the Power of languages -------------------------------------------------------------------------------------------------------------------------- TRICHET Juliette. Philology in Tolkien's Work : the Creation of a Myth through the Power of languages, sous la direction de Manuel Jobert. - Lyon: Université Jean Moulin (Lyon 3), 2016. Mémoire soutenu le 30/05/2016. -------------------------------------------------------------------------------------------------------------------------- Document diffusé sous le contrat Creative Commons « Paternité – pas d’utilisation commerciale - pas de modification » : vous êtes libre de le reproduire, de le distribuer et de le communiquer au public à condition d’en mentionner le nom de l’auteur et de ne pas le modifier, le transformer, l’adapter ni l’utiliser à des fins commerciales. Faculty of Languages Department of English Studies 7jsJj%V11F6$G5F11FaD51Dj16Gc$15F.k$CjEg21#N6$C`^CsDt$89N65$68BjF5E4aEt%hFa6G8t#j1Dj7 Philology in Tolkien’s Work The Creation of a Myth through the Power of Languages j71Djt#86GahFt%aE45EjF865$69N8t$sD`^CF6$C1#N2gjEk$C.5F1c$6G1j1D5aD1F15F6$G1F1j%VsJ7j Juliette TRICHET Director of Research: Pr. Manuel JOBERT Master’s Thesis Master 2 LCE Anglais 2015-2016 “Not all those who wander are lost.” —J. R. R. Tolkien 1 Acknowledgments Thank you to M. Jobert, for your understanding of my initial fears regarding the scale of this master’s thesis. Thank you for your attentive ear, your guidance and your suggestion of this subject which proved to be so interesting to work on. Finally, thank you for these years of learning and discovering at Jean Moulin University, and for sparking my passion for phonetics and linguistics. Thank you to Maria Prozesky, lecturer at the University of Auckland, for instigating my fascination for Old and Middle-English and for all things medieval. -
Vinyar Tengwar 43
ISSN - inyar engwar Number · January Feature “Words of Joy”: Five Catholic Prayers in Quenya — J.R.R. Tolkien Part One: . Átaremma (Pater Noster) . Aia María (Ave Maria) . Alcar i Ataren (Gloria Patri) Departments Editor’s Musings Resources E.L.F. News Page Vinyar Tengwar · Number January January Vinyar Tengwar · Number Page Editor’s Musings In this issue I am very pleased to publish the first part (of two) of a pre- sentation and analysis of five hitherto unpublished Quenya texts by J.R.R. Tolkien, being his translations of five Catholic prayers: the Pater Noster, the Ave Maria, the Gloria Patri, the Sub Tuum Praesidium, and the Litany of Loreto. e first three of these are presented in this issue, and the last two will be presented in the next issue. All five texts have been co-edited by Pat- rick Wynne, Arden R. Smith, and myself. As always, we are deeply indebted to Christopher Tolkien and the Tolkien Estate for providing copies of these texts for publication, and for their unstinting generosity and encouragement in support of our work. We are also grateful to John Garth for his careful proofing and many helpful comments, all of which have improved our pre- sentation. It is interesting, instructive, and a bit sobering to compare Tolkien’s trans- lations of the Pater Noster with that made by Patrick Wynne and myself and published in VT (before we were aware even of the existence of Tolkien’s version, of course), and to consider the near-hits and the many misses of our own effort. -
Downloadable
Name Calling: Group Identity and the Other among First Age Elves 1 ____ Name Calling: Group Identity and the Other among First Age Elves By Angelica "…languages and names are for me inextricable from the stories." (JRR Tolkien, letter to W.H.Auden from The Letters of J.R.R. Tolkien, p.214) ___ The essay "Quendi and Eldar" (1) seems to be on a first reading mainly concerned with linguistic matters: a discussion of different roots in Elvish languages and how these roots evolved into different denominations for Elves and other beings. But the discussion of these names contains a wealth of social considerations and indications about the ways the different Elvish groups considered themselves and how they related to each other. Eldar / Avari In the beginning The first name Elves gave themselves upon Awakening was Kwendi (P. Q. and C. E. the Speakers, those who form words with voices, Q. Quendi) different from the other beings who did not speak (2). This wide reference would be narrowed to the Elvish people as a whole, different from Valar and Maiar, when they met these other speaking beings, and later, back in Middle-earth, different from all other Incarnates (3). This initial uniformity of all Elves disappeared with Örome's call and the debate prior to the Separation. These were defining events in Elvish history which generated feelings of hostility and bitterness and a sense of betrayal that were never overcome but persisted along the millennia. Two groups became separate and opposite: those who rejected the call and stayed in Middle-earth (Avari, CE. -
Chapter on History of the Otherworld
PERCEPTIONS OF ANNWN: THE OTHERWORLD IN THE FOUR BRANCHES OF THE MABINOGI Rhian Rees MA Celtic Studies Dissertation Department of Welsh and Bilingual Studies Supervisor: Dr Jane Cartwright University of Wales Trinity Saint David, Lampeter 2012 2 ABSTRACT There is little description or positive information about the realm of Annwn in the Four Branches, and relatively few publications have explored the Otherworld in the Mabinogi in any depth. The redactor presumably did not deem such detail necessary since in his time the Otherworld was a place familiar to his audience from many other stories and folk-tales which have not survived to inform our own times. The objective of this thesis, therefore, is to establish the perceived location of the Celtic Otherworld, its nature and topography, and to obtain descriptions of its people, buildings and animals and any distinctive objects or characteristics pertaining to it. The ways in which Annwn influences each of the Four Branches are also considered. Some sketchy evidence is available in Welsh poetry, mostly various descriptive names reflecting different aspects of Annwn, but for more detailed information it is necessary to trawl the waters of early Irish literature. The Irish poems and stories give much fuller particulars of all characteristics of the Celtic Otherworld, though they do suggest that there was more than one such other world. Some parallels from Norse literature and the Lais of Marie de France also reinforce certain themes of this thesis, such as magical tumuli and magical bags and