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SBS 2 May 17
Program Guide Week 21 Sunday May 17th, 2015 5:20 am Latin American News - News via satellite from Television National de Chile, in Spanish, no subtitles. 5:50 am Urdu News - News via satellite from PTV Pakistan in Islamabad, in Urdu, no subtitles. 6:20 am Weatherwatch And Music - A continuously updated weather report, bringing viewers the latest weather conditions from around Australia, and featuring a selection of quality music. 6:30 am Tour of California 2015 - Stage 7: Ontario to Mt. Baldy - Live coverage of the Amgen Tour of California, a cycling road race created and presented by AEG that challenges the world’s top professional cycling teams to compete along a demanding course that traverses hundreds of miles of California’s iconic highways, byways and coastlines each spring. The teams chosen to participate have included Olympic medallists, Tour de France contenders and World Champions. Riders will begin in Sacramento and make their way across the Californian terrain over 8 stages to the finish line in Pasadena. (Cycling) **Live Eastern States Only** 8:30 am Macedonian News - News via satellite from public broadcaster MRT in Skopje, in Macedonian, no subtitles. 9:00 am PopAsia - Features back-to-back videos from artists across Asia and all the latest news and interviews from the Korean, Japanese, Mandarin and Cantonese pop scenes. Hosted by Jamaica dela Cruz and Andy Trieu. (An SBS Production) (Entertainment Series) PG 11:00 am Portuguese News - News via satellite from RTP Portugal (Lisbon), in Portuguese, no subtitles. 11:30 am Croatian News - News via satellite from HRT Croatia, in Croatian, no subtitles. -
Annual Report 2014/15 Report | Annual
Screen Australia | Annual Report 2014/15 Screen Australia Annual Report 2014/15 www.screenaustralia.gov.au Published by Screen Australia October 2015 ISSN 1837-2740 © Screen Australia 2015 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2014/15. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. All Annual Report enquiries should be addressed to: Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated Communications Unit (electronically or in hard copy) in whole Screen Australia or part without the prior consent of Level 7, 45 Jones Street RegionalTAM. Ultimo NSW 2007 This Annual Report is available to download Toll free: 1800 213 099 as a PDF from www.screenaustralia.gov.au Phone: 02 8113 5800 Front cover image from Mad Max: Fury Road. -
Book Now Brisbanecomedyfestival.Com
BRISBANE POWERHOUSE + BRISBANE CITY HALL + SUNPAC BOOK NOW BRISBANEPAGEC OMED1 YFESTIVAL.COM Canned laughter. Brisbane Comedy Festival Partner newsteadbrewing.com.au Powerhouse Comedy Fest Ad.indd 1 15/11/18 5:16 pm Celebrate in Style! See our 5 new collections Bloom Breeze Cresence Outline Casablanca NSW | QLD | VIC Valiant.com.au | valiant.events PAGE 2 CONTENTS Brisbane Comedy Queerstories 29 Festival Opening Gala 02 Nath Valvo 30 Ross Noble 03 Alex Ward 30 Frocking Hilarious 04 Rhys Nicholson 31 Felicity Ward 05 Around the Campfire 37 Danny Bhoy 06 CONTENTS Class Clowns 38 Damien Power 07 Whimpy Chimpy 38 Tim Ferguson 07 The World According Ronny Chieng 08 to Farts 39 Mel Buttle 09 Stinky Silly Show 39 Welcome to Nazeem Hussain 09 Jeff Green 40 Dave Hughes 10 Georgie Carroll 41 Brisbane Comedy Luke Heggie 11 Breakout Showcase 41 FESTIVAL COMEDY BRISBANE Jan van de Stool 11 Neel Kolhatkar 42 Festival 2019 Lawrence Mooney 12 Nikki Osborne 43 DeAnne Smith 13 Ivan Aristeguieta 44 Brisbane Comedy Festival is turning double Dave Thornton 13 Brisburned 45 digits, and just like any pre-teen, we are Demi Lardner 14 The Elvis Dead 45 growing up before your very eyes…minus Corey White 14 Guy Montgomery 46 the awkward haircut and Justin Bieber Daniel Sloss 15 Charity Werk 46 fascination. We’re celebrating hitting the big Scared Weird Little Guys 16 Michael Shafar 46 1-OH with 75 hilarious comedy acts. From Paul Foot 17 ImproMafia 47 stand-up, sketch, improvisation and cabaret, Double Denim 17 Dusty Rich 48 we’re inviting you to get skit-faced with Becky Lucas 18 New in Town 48 Australia’s fastest growing comedy festival. -
Civil Charges Still May Be Laid “It’S Important to Keep the Reintroduced the Father of a Man Bob Eibl Said
Lavrick Engineering BOC Gas and Equipment Mechanical Repairs Specialist Labour Air-conditioning Hire Providers New Car Servicing & Warranty Phone: Olympic Way OLYMPIC DAM SA 5725 08 8671 2450 Ph: 86710404 Fax: 86710418 le08060609 Fax: 08 8671 0850 Thursday, June 8, 2006 Your Community Newspaper Ph: (08) 8671 2683 www.themonitor.com.au Fax: (08) 8671 2843 Mission Accomplished Mission ac- complished was the Mark and Rachel Young's resounding message Wedge-Tailed Eagle following an Arid sculpture has landed at the Recovery working bee Arid Recovery site on Sunday, May 28. More than 30 volunteers came along to do maintenance work at the site and complete a number of projects, including mounting a magnificent Wedge Tailed Eagle sculpture at the front entrance. Other works included replacing sand which had shifted at the hide – a shelter used at dusk to observe nocturnal mammals like bettongs and hopping mice eating at dusk. Sand was also replaced over the tunnel entrances to the viewing boxes alongside the hide. A conveyor belt used to stop bilbies digging into control sites was shifted onto a dune bordering the second expansion control site where the previous belt had deteriorated. Arid Recovery media offi cer Chris Schultz said moving the belts was a diffi cult task. Civil charges still may be laid “It’s important to keep the reintroduced The father of a man Bob Eibl said. lives, not just my son's,” A SafeWork SA was killed on July 19, mining safety at the mine. animals out of the second killed in an underground Bob Eibl said the he said. -
THE TWEED N E Volume 2 #40 E
SCENE THE TWEED N E Volume 2 #40 E Thursday, June 17, 2010 R Advertising and news enquiries: G G G Phone: (02) 6672 2280 [email protected] [email protected] Page 14 www.tweedecho.com.au LOCAL & INDEPENDENT Council threatens From freeze over cap wagging tails to Ken Sapwell ers, leading to rate rises of more than 50 per cent. Tweed Shire Council is threatening ‘This may seem to be a windfall telling tales to impose a freeze on developments for the big developers of the massive worth billions of dollars in a surprise urban release areas in the shire, but rebellion against a state government the government’s actions are likely to directive to cap developer contribu- have the opposite effect,’ he said. tions at $20,000. ‘It is unlikely that any council, in- In a rare act of defiance, the council cluding the Tweed, would raise their will tell the NSW government it’s not annual rates to fund the infrastruc- prepared to raise rates to cover the ture as the premier has suggested. shortfall in contributions to pay for ‘In the absence of a rate rise to meet roads and other infrastructure to ser- the funding gap, the infrastructure vice mega projects now on the draw- would not be provided and these ing board. projects will flounder with land de- They include Bob Ell’s Cobaki velopers going out of business.’ Lakes and Kings Forest developments Cr Polglase said the government and other multi-residential projects had imposed the cap without any at Terranora and Bilambil which are consultation in a bid to create more currently being assessed by the Plan- affordable houses, but the move was ning Department. -
The Voice of China: Interactive Television and Participatory Audiences in Mainland China
The Voice of China: Interactive Television and Participatory Audiences in Mainland China Xin Yao Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies March 2017 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived there from, may be published without the author’s prior, written consent. Abstract In 2012, the most popular reality TV show in China was The Voice of China (TVoC). It is an adaptation of The Voice of Holland, the format of which has been traded to many countries. Unlike its international versions, audiences cannot vote in TVoC due to government regulations. This research focuses on audience engagement with TVoC (2012), in light of this crucial difference. To investigate how audiences engage and make meanings with the show, this thesis is the first study approaches audience engagement in China by examining the tensions between government media policies, industry strategies and audience reception. Building on existing literature on media convergence and participatory culture in the West, this thesis argues that Internet technologies alongside social media enable and stimulate individual critical thinking and creativities which resist structural constraints such as censorship and commercialisation. Although direct online political participation is censored in China, audiences express and negotiate power as ways to construct political values. These online engagements bring new perspectives to understand participatory culture and ‘empowerment’ of audiences. Using political economy frameworks, this thesis highlights the power of government media policies in shaping TV industry and media content. -
Serena Resume
Serena Hunt Director/Assistant Director Ffunkymunky Productions M: !"#$ %"$ &'& E: ffunkymunky@gmail(com Top Technicians Management Ph: (!&)%%)* #'## crew@toptechsmanagement(com(au Serena Hunt has been fortunate enough to have worked in film and TV for over 20 years in Sydney, Vancouver and London on anything from corporates, shorts and music videos to TV series, TVC’s and feature films. Ffunky Munky is the business name Serena uses for freelance work in film/TV production as well as events and other projects she may find herself involved with. She is currently developing a number of personal projects with various collaborators. Equipment: Macbook pro, Suzuki Vitara (94 wagon SXM 883) Skills: Programmes including MS Office, Movie Magic Scheduling, Final Draft. Senior First Aid Certificate (Aug 2012), CPR (Nov 2014) Class C, R - NSW drivers license with a clean record FEATURE FILMS st 2015 1 AD / RABBIT (WORKING TITLE) No Authority Films Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone nd 2014 2 AD APPRENTICE (SINGAPORE) Birdcage Films (Aust. Unit) Aust Prod: Rachel Higgins, Dir: Boo Junfeng st 2014 1 AD / FAT PIZZA VS HOUSOS No Authority Films Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone nd 2013/14 2 AD TERMINUS Terminus Productions 1st AD/Prod: Marc Ashton, Dir: Marc Furmie st 2013 1 AD MANIFESTATION (TEASER) Green Light Productions Prod: Jonathon Green Dir: Josh Groom 2012 1st AD HOUSOS VS AUTHORITY No Authority Films Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2011 1st AD FORBIDDEN GROUND Rebellion Films 2013 release (US TITLE – BATTLE GROUND) Prod: Johan Earl, Denai Gracie, Dir: Johan Earl, Adrian Powers 2011 1st AD THE FIFTH SHADOW Aqua Cow Productions Prod: Paul Nunes, Dir: David Sparx 2003 1st AD THE LAST HORROR MOVIE (UK) Prolific Films Dir: Julian Richards 2000 1st AD SALVIDOR’S DELI (CANADA) Meridian 1998 3rd AD, PA SYDNEY: THE LIVING CITY Samson Productions (IMAX) Dir: Bruce Beresford 1st AD: Carolyn Cunningham, Jamie Crooks 1996/97 Prod. -
Serena Resume
Serena Hunt Producer/Assistant Director Ffunky Munky Productions M: 0413 943 262 E: [email protected] Serena Hunt is an accomplished film maker who has taken her passion to Sydney, Vancouver and London; providing production support on everything from corporates, shorts and music videos to TV series, TVC’s and feature films. Ffunky Munky is the business name Serena uses for freelance work in film/TV production as well as events and other projects she may find herself involved with. She is currently developing a range of projects from short film drams, comedy series and genre features. Equipment: Macbook pro, Suzuki SX4 (CG70GH) Skills: Programmes including MS Office, Movie Magic Scheduling, Final Draft. Provide First Aid Certificate (Aug 2018) Class C, R - NSW drivers license (6162FY) FEATURE FILMS 2017 1st AD CHOIR GIRL Nexus Productions Dir: Michael Wormald, Prod: Lucinda Bruce, Ivan Malekin 2015 1st AD (2nd unit) KILLING GROUND Hypergiant Films Prod: Joe Weatherstone, Dir: Damien Power 2015 1st AD (SFX Unit) THE OSIRIS CHILD Storm Vision Entertainment Add. 2nd AD Producers: Mat Graham, Brett Thornquest, Sidonie Abene, Shane Abess. 2015 1st AD / DUMB CRIMINALS Rabbit Productions Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2014 2nd AD APPRENTICE (SINGAPORe) Birdcage Films (Aust. Unit) Aust Prod: Rachel Higgins, Dir: Boo Junfeng 2014 1st AD / FAT PIZZA VS HOUSOS No Authority Films Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2013/14 2nd AD TERMINUS Terminus Productions 1st AD/Prod: Marc Ashton, Dir: Marc Furmie 2012 1st AD HOUSOS VS AUTHORITY No Authority Films Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2011 1st AD FORBIDDEN GROUND Rebellion Films 2013 release (US TITLE – BATTLE GROUND) Prod: Johan Earl, Denai Gracie, Dir: Johan Earl, Adrian Powers 2003 1st AD THE LAST HORROR MOVIE (UK) Prolific Films Dir: Julian Richards 1998 3rd AD, PA SYDNEY: THE LIVING CITY Samson Productions (IMAX) Dir: Bruce Beresford 1st AD: Carolyn Cunningham, Jamie Crooks 1996/97 Prod. -
Sbs Hd Tv Guide Perth
Sbs hd tv guide perth Continue National Public Television Network in Australia SBSCountryAustraliaBroadcast areaNationwideNetworkSBS TelevisionSloganA World DifferenceHeadquartersArtarmon, New South WalesProgrammingLanguage (s)EnglishPicture format1080i (HDTV) (selected channels only; reduced to 16:9 576i for SDTV)OwnershipOwnerSpecial Broadcasting ServiceSister channelsSBS HDSBS VicelandSBS World MoviesSBS FoodNITVHistoryLanched24 1980; 39 years ago (1980-10-24)Former namesSBS Ethnic TV (1979)Experimental multicultural television - MTV2 (1980)Channel 0/28 (1980)Network 0-28 (1983-1985)SBS TV (1985-2009)SBS ONE (June 12 20 4 July 2015)LinksWebsitewww.sbs.com.auAccessacenceTerlestorDVB-T7Freeview SBS (virtual)03Freeview SBS HD (virtual)30CableFoxtel/Optus (virtual)104TransACT (virtual)3SatelliteFoxtel (virtual)104VAST (virtual)3 SBS is the national public television network in Australia. Established on October 24, 1980, it is the responsibility of SBS's television division and is available nationally. In 2018, SBS's share of the audience was 7.9%. History Origins SBS began test broadcasts in April 1979 as SBS Ethnic Television when it showed various foreign language programs on ABV-2 Melbourne and ABN-2 Sydney on Sunday mornings. Full-time transmission began at 6.30 p.m. on 24 October 1980 (United Nations Day) as channel 0/28. At the time, SBS was broadcasting on UHF Channel 28 and VHF Channel 0. Bruce Gyngell, who introduced television to Australia back in 1956, was tasked with introducing the first batch of programs on the new station. The first program shown was a documentary about multiculturalism entitled Who are we? which was organized, produced and directed by renowned Australian journalist Peter Luck. When the show starts during the night, the opening ad will be as follows with Fanfare for the common man Aaron Copeland playing in the background: Welcome to Channel 0/28 multicultural television, Sydney and Melbourne. -
Programs on SBS Survey 2018
This contains colour coded graphs and is best printed in colour. Programs on SBS survey 2018 SaveOurSBS.org A0051182D supporters & friends of SBS Save Our SBS Inc Save Our SBS Inc PO Box 2122 Mt Waverley VIC 3149 ph: 03 9008 0644 www.SaveOurSBS.org [email protected] 12 June 2018 Programs on SBS survey 2018 Executive summary The Programs on SBS survey 2018 is the fourth in the series of periodic surveys undertaken about SBS. This was a Google Forms survey. The first Google Forms survey (n = 1176) was Survey 2017 about SBS. The earlier (non Google Forms) surveys were conducted in 2013: A study of 2044 viewers of SBS television on advertising, Charter, relevance and other matters (n = 2044); and 2008: One Minute Survey (n = 1733). In mid May 2018, 1249 people took part in this online Google Forms Programs on SBS survey 2018 . The survey was open nation-wide to anyone with internet access. Across all four surveys, four different cohorts totalling 6202 SBS viewers nationally have been surveyed in every State and Territory. The data collated here is conveyed in easy to read colour coded graphs. The survey asked questions in five categories: Program content; Program titles; SBS platforms; Competition; and Advertising. SaveOurSBS.org supporters & friends of SBS page 2 of 82 Key points Of the 1249 people who participated in the survey– Most thought SBS to be a valuable public service (range per SBS outlet/platform: 58% to 88%). Almost three-quarters (70%) said SBS currently has insufficient niche programming and 69% said the programs on SBS are now of the type expected on commercial broadcasters rather than a public broadcaster compared to more than 10 years ago. -
Glebe Society Bulletin 2006 Issue 03
Anzac Day in Glebe, 2006 April/May 3/2006 Wreath-laying in the rain. Photo: Edwina Doe Each Anzac Day since 1994, there has been a ceremony at the Diggers’ Memorial in Foley Park. This year was no exception. About 60 people, much the same number as last year, attended this year’s service which was led by Rev Ken Cornwell, Minister and Past Moderator of the Uniting Church in Australia and a former Army chaplain. The address was given, as usual, by Glebe historian Max Solling, who stood beside a red and yellow banner, the Regimental Colours of the 55th/53rd Batallion, Royal Australian Regiment in World War II. The banner is usually kept at the back of St John’s church, together with the very fragile World War I Colours. Much-needed rain arrived a little too soon - about 10 minutes before the end of the service. But luckily we were able to dry out inside St John’s Church, where we gathered for morning tea, which was served by Louise Graber and with scones made by Robyn Solling. - Edwina Doe Max Solling’s speech at Glebe ANZAC Day Service War memorials are as old as conflicts between completed his long journey to each and every peoples. The Parthenon commemorates the war memorial constructed in Australia in the defence of Athens against invasion by the aftermath of the Great War. In Sacred Places - Persians. Westminster Abbey was built to War Memorials in the Australian Landscape celebrate the invasion of England by the (1998) Inglis and Jan Brazier have given voice Normans. -
The Australian Writers' Guild
AWG Submission to the Inquiry on Australian Content on Broadcast, Radio and Streaming Services WHO WE ARE The Australian Writers' Guild (AWG) is the proFessional association For Australian screen and stage writers principally in film, television, theatre, radio and digital media. On behalF oF its members, the AWG seeks to protect and promote the rights oF writers, advance their creative rights and promote the Australian cultural voice in all its diversity. The AWG has Fought For over 50 years to improve proFessional standards, conditions and remuneration within the industry. It has been instrumental in protecting and supporting Australian and children's content, including the introduction oF quotas on commercial television in the 1960s and 1970s, and being pivotal to the introduction oF the New Eligible Drama Expenditure for subscription television in the late 1990s. INTRODUCTION The AWG appreciates the Environment and Communications ReFerences Committee’s interest in the Australian film and television industry and welcomes the opportunity to contribute and oFFer assistance where possible to this inquiry. For the purpose oF this submission, we will Focus on the matters where we consider our contribution may be most valuable to the Committee. We will limit this submission to the specific areas of our expertise and avoid duplicating issues already addressed by other industry organisations. Our submission will argue that the government should, through policy intervention, promote and deFend Australian culture by supporting Australian screen content. We submit that the current regulatory Framework is fit for purpose, but that it must be updated to be platForm-neutral and to create parity between the commercial broadcasters and online content providers, both Foreign and domestic.