BRACKET SOUSA’S ENLISTED FIDELIS FIDELIS ENLISTED SOUSA’S 1St ROUND FINAL 1St ROUND SIXTEEN EIGHT FOUR FOUR EIGHT SIXTEEN

Total Page:16

File Type:pdf, Size:1020Kb

BRACKET SOUSA’S ENLISTED FIDELIS FIDELIS ENLISTED SOUSA’S 1St ROUND FINAL 1St ROUND SIXTEEN EIGHT FOUR FOUR EIGHT SIXTEEN MARCH MANIA 2019 BRACKET SOUSA’S ENLISTED FIDELIS FIDELIS ENLISTED SOUSA’S 1ST ROUND FINAL 1ST ROUND SIXTEEN EIGHT FOUR FOUR EIGHT SIXTEEN COMMANDO MARCH ATHLETIC FESTIVAL MARCH MARCH 4 MARCH 5 ENTRY OF THE GLADIATORS AMERICAN PATROL THE DIPLOMAT MARCH 20 MARCH 21 THE WASHINGTON POST MARCH 8 MARCH 9 HANDS ACROSS THE SEA THE CIRCUS BEE SEMPER FIDELIS MARCH 28 MARCH 29 THE FAIREST OF THE FAIR MARCH 12 MARCH 13 THE PURPLE PAGEANT KING COTTON DEFENDERS OF FREEDOM MARCH 24 MARCH 25 GUIDE RIGHT MARCH 16 MARCH 17 MARINES OF BELLEAU WOOD MIDWAY MARCH APRIL 1 APRIL 2 STARS AND STRIPES FOREVER VALDRES MARCH 6 MARCH 7 HAIL TO THE SPIRIT OF LIBERTY RIGHT-LEFT THE LIBERTY BELL MARCH 22 MARCH 23 THE THUNDERER APRIL 3 MARCH 10 MARCH 11 MARCH FROM 1941 BY LAND AND SEA REVIEW MARCH 30 MARCH 31 SONS OF UNCLE SAM MARCH 14 MARCH 15 THE INVINCIBLE EAGLE CENTURY OF SERVICE THE PRIDE OF PITTSBURGH MARCH 26 MARCH 27 ENTRY MARCH OF THE BOYARES PRESENTED BY THE UNITED STATES MARINE BAND MARCH 18 Listen and vote at www.marineband.marines.mil. MARCH 19 OH, HENRY! NATIONAL EMBLEM Competition begins March 4. MARCH MANIA 2019 March 4 − April 3 | 9 a.m. (ET) Daily From March 4 through April 3, “The President’s Own” will host its annual “Sousa’s COMPETING MARCHES March Mania,” a tournament pitting 32 marches against each other for the Marine Band online community to determine which one is the favorite. Every day through April 3, marches will compete head to head while our friends and fans vote which marches advance in the tournament! how to pARTICIPATE STEP 1: Visit the Marine Band website (www.marineband.marines.mil) to listen to the competing marches. STEP 2: Fill out the bracket on the back with your winning picks. STEP 3: Vote every day for your favorites beginning March 4 and support your marches on social media. You can vote on the Marine Band website or Facebook page (facebook.com/marineband). STEP 4: Become a March King! At the end of the competition, anyone with the winning march on their bracket, completed prior to the first match (honor system), will officially be dubbed an honorary “March King” for a day! Participants are invited to share completed brackets with the Marine Band by emailing them to [email protected] or posting to Facebook and Twitter. Teachers are encouraged to create their own reward system as well. www.marineband.marines.mil.
Recommended publications
  • JOHN PHILIP SOUSA MARCHES (Reprinted from Their Original Editions) Sunday, October 28, 2012
    BOVACO Catalog ‐ JOHN PHILIP SOUSA MARCHES (reprinted from their original editions) Sunday, October 28, 2012 Catalog# Price Across The Danube March BOV‐S3689‐00 $60.00 America First March BOV‐S3690‐00 $60.00 Anchor And Star March BOV‐S3691‐00 $60.00 The Beau Ideal March BOV‐S3693‐00 $60.00 The Belle Of Chicago March BOV‐S3694‐00 $60.00 Extra condensed score BOV‐S3694‐01 $6.00 Ben Bolt March BOV‐S3695‐00 $60.00 Bonnie Annie Laurie March BOV‐S3697‐00 $60.00 The Boy Scouts Of America March BOV‐S3698‐00 $60.00 The Bride Elect March BOV‐S3699‐00 $60.00 Bullets and Bayonets March BOV‐S3700‐00 $60.00 The Chantyman's March BOV‐S3701‐00 $60.00 The Charlatan March BOV‐S3702‐00 $60.00 Comrades Of The Legion March BOV‐S3703‐00 $60.00 Congress Hall March BOV‐S3704‐00 $60.00 The Corcoran Cadets March BOV‐S3705‐00 $60.00 Extra condensed score BOV‐S3705‐01 $6.00 The Crusader March BOV‐S3706‐00 $60.00 Extra condensed score BOV‐S3706‐01 $6.00 Daughters Of Texas March BOV‐S3707‐00 $60.00 The Diplomat March BOV‐S3708‐00 $60.00 All amounts are USD. Prices are subject to change without notice. Page 1 BOVACO Catalog ‐ Sousa Marches Catalog# Price Extra condensed score BOV‐S3708‐01 $6.00 The Directorate March BOV‐S3709‐00 $60.00 El Capitan March BOV‐S3710‐00 $60.00 Esprit De Corps March BOV‐S3711‐00 $60.00 The Fairest Of The Fair March BOV‐S3712‐00 $60.00 Extra condensed score BOV‐S3712‐01 $6.00 One of Sousa’s most melodic and tuneful marches! Composed 1908.
    [Show full text]
  • Sousa Cover the ONE.Qxd 24/7/08 2:38 Pm Page 1
    Sousa cover THE ONE.qxd 24/7/08 2:38 pm Page 1 Chan 4535 CHANDOS BRASS FROM MAINE TO OREGON THE WILLIAMS FAIREY BAND PLAYS SOUSA MARCHES CONDUCTED BY MAJOR PETER PARKES CHAN 4535 BOOK.qxd 24/7/08 2:41 pm Page 2 Sousa Marches 1 Semper Fidelis arr. C.W. Hewitt 2:55 2 The Crusader arr. Peter Parkes 3:36 3 El Capitan March 2:33 4 The Invincible Eagle arr. Peter Parkes 3:47 5 King Cotton 2:58 6 Hands across the Sea arr. Peter Parkes 2:57 7 Manhattan Beach arr. C.W. Hewitt 2:25 8 Our Flirtations arr. James Howe 2:43 9 The Picadore arr. Peter Parkes 2:58 10 The Gladiator March 2:58 11 The Free Lance arr. Norman Richardson 4:33 12 The Washington Post arr. C.W. Hewitt 2:46 13 The Beau Ideal arr. Peter Parkes 3:36 14 The High School Cadets arr. John Hartmann 2:45 15 The Fairest of the Fair arr. Norman Richardson 3:50 16 The Thunderer arr. Harry Mortimer 2:57 17 The Occidental arr. Peter Parkes 2:55 18 The Liberty Bell arr. J. Ord Hume 3:49 19 The Corcoran Cadets arr. Peter Parkes 3:15 John Philip Sousa (1854–1932) 20 National Fencibles March arr. Norman Richardson 3:36 Royal College of Music 21 The Black Horse Troop arr. Peter Parkes 3:34 22 The Gridiron Club March arr. James Howe 3:38 23 The Directorate arr. Norman Richardson 2:38 24 The Belle of Chicago arr.
    [Show full text]
  • American Bald Eagle Recovery and National Emblem Commemorative Coin Act
    PUBLIC LAW 108–486—DEC. 23, 2004 AMERICAN BALD EAGLE RECOVERY AND NATIONAL EMBLEM COMMEMORATIVE COIN ACT VerDate 11-MAY-2000 05:14 Jan 22, 2005 Jkt 039139 PO 00486 Frm 00001 Fmt 6579 Sfmt 6579 E:\PUBLAW\PUBL486.108 BILLW PsN: PUBL486 118 STAT. 3934 PUBLIC LAW 108–486—DEC. 23, 2004 Public Law 108–486 108th Congress An Act To require the Secretary of the Treasury to mint coins celebrating the recovery and restoration of the American bald eagle, the national symbol of the United Dec. 23, 2004 States, to America’s lands, waterways, and skies and the great importance of [H.R. 4116] the designation of the American bald eagle as an ‘‘endangered’’ species under the Endangered Species Act of 1973, and for other purposes. Be it enacted by the Senate and House of Representatives of American Bald the United States of America in Congress assembled, Eagle Recovery and National SECTION 1. SHORT TITLE. Emblem Commemorative This Act may be cited as the ‘‘American Bald Eagle Recovery Coin Act. and National Emblem Commemorative Coin Act’’. 31 USC 5112 note. SEC. 2. FINDINGS. The Congress finds as follows: (1) The bald eagle was designated as the national emblem of the United States on June 20, 1782, by our country’s Founding Fathers at the Second Continental Congress. (2) The bald eagle is the greatest visible symbol of the spirit of freedom and democracy in the world. (3) The bald eagle species is unique to North America and represents the American values and attributes of freedom, courage, strength, spirit, loyalty, justice, equality, democracy, quality, and excellence.
    [Show full text]
  • WCB Programs 1964.Cwk (WP)
    1964 WCB Programs 32nd Division GB Roses La Mascarada Skaters Waltz 76 Trombones Exodus Leader Man Rag Sleepy Lagoon 76 Trombones Falling in Love Leathernecks Small Hotel Air for Band Fantasy for Band Legendary Air Song is You American Patrol Fascination Let Me Call You Song of the Islands Anchors Aweigh GB ferris Wheel Sweetheart St. Julien GB Army Air Corps From Tropic to Tropic Lonesome Road Stardust Around the World Gasconader GB Lonesome Road Stars and Stripes Forever Around the World Getting to Know You Look for the Silver Lining Stars and Stripes Forever At a Georgia Camp Gigi Love Walked In Stars and Stripes Forever Meeting Glow Worm Love Walked In GB Ballin’ the Jack God and Country MacNamara’s Band Stars and Stripes Forever Band Played On God and Country Make Believe GB Barnum and Bailey’s God and Country Make Believe Swanee River Favorite GB God Bless America Many Years Ago Sweet Adeline Rock basin Street God Bless America GB March Gloria Swing-a-roo Polka Bill Bailey Goofus March of the Spanish Tailgate Ramble Billboard GB Guard of Honor (C&A) Soldiery Tailgate Ramble Birth of the Blues Hall of Fame Metropolis tea for Two Bless This House Hall of Fame Minute Waltz March The Squealer Blow Gabriel Blow Heads UP Moon River The Trumpeters Blow gabriel Blow Hello Dolly Moon River Them Basses Bombasto hello Dolly Moon River Torch of Liberty Bombasto Hey Look Me Over Moon River Torch of Liberty Bombasto High Society Moon River Totem Pole Bravura Honeysuckle Rose My Gal Sal Trombone King bravura GB Hoop De Doo National Emblem Tropico
    [Show full text]
  • Americanlegionvo1371amer.Pdf (7.501Mb)
    Haband comforl joe slacks matching shirts $15.95ea. 100 Fairview Ave., WHAT WHAT HOW WHAT HOW 7TE-03V waIst? INSEAM? MANY? 7TE-16R MANY? Prospect Park, NJ 07530 B Khaki F Aqua Please send me C Royal A Ligint Blue pairs of slacks. I enclose D Teal E Teal purchase price G Grey B Wtiite plus $3.95 toward postage M Navy C Grey and liandling. Check Enclosed Exp.: LIFETIME GUARANTEE: 100% Satisfaction Guaranteed or _Apt.#_ Full Refund of Purchase Price At Any Time! -Zip. I Full S-t-r-e-t-c-li Waist Wear them with a belt or without; either way, you'll love the comfort! \ khaki Crisp, cool fabric is from famous Wamsutta Springs Mills. The polyester and cotton blend is just right for machine wash and dry easy care! Plus you get: • Full elastic waist & belt loops • Front zipper & button closure • NO-IRON wash & wear • 2 slash front pockets • 2 back patch pockets • Full cut made in U.S.A. •5 FAVORITE COLORS: Choose from Khaki, Grey, Royal, Navy, & Teal. WAISTS: 30-32-34-35-36-37- 38-39-40-41-42-43-44 *BIG MEN'S: Add»2.50 per pair for 46-48-50-52-54 INSEAMS: S(27-28], M(29-30) L(31-32), XL(33-34) Matching shirt 15*£4ch Handsome color-matclied yarn-dyed trim accents chest and shoulder.l-landy chest pocket. Cotton/polyester knit. Wash & wear care. Imported. Sizes: S(14-14'4), M(15-15'/2), L{16-16'/j),XL{17-17y2), 'Add ^2.50 per shirt for: 2XL(18-18'/2),and aXMig-IO'/^) ^^^^J lOO Fairview Ave., Prospect ParK,NJ 07530 26 The Magazine for a Strong America Vol.
    [Show full text]
  • Report Spring 2019 Scott S
    CBDNA REPORT SPRING 2019 SCOTT S. HANNA Editor REPORT SPRING 2019 IN THIS ISSUE From the Podium – 1 Commissions and Premiers – 2 Programs – 3 FROM THE PODIUM The College Band Directors National Association is a Washington May 29-June 1. Our next national grass-roots organization that serves its membership in a conference will take place in Athens, GA, hosted by myriad of ways. At its inception CBDNA sought to Cynthia Johnston Turner and her staff at the University address common issues facing the college band director, of Georgia Hodgson School of Music February 17-20, raise the artistry of its conductors, and develop a 2021. repertoire of music distinct from the orchestral world CBDNA is overseen by a board of directors for which I and traditional marches. One of its early missions was to am president until 2021. This board also includes our six commission renowned composers who had never written division presidents, past president, immediate past for band, and great new pieces were composed by Ingolf president, president-elect, vice president, secretary, and Dahl, Aaron Copland, Howard Hanson, and Ernst treasurer. All positions except secretary and treasurer are Krenek to name just a few. These efforts resulted in a elected by the membership. There are a number of proliferation of consortia by band conductors that standing committees working on various topics and continues to this day, adding to a vibrant repertoire of issues. new music for band. In short, the College Band Directors National As the years have gone by our organization has tackled Association is a vibrant community of musicians many different issues facing our profession.
    [Show full text]
  • Indian Princess and Roman Goddess: the First Fetuale Symbols of America
    Indian Princess and Roman Goddess: The First FeTuale Symbols of America JOHNHIGHAM KCAUSE America was bom in the mind of Europe, the marks ofthat origin have always been strong on the symbols B of its identity. The earliest allegorical images ofthe New World were almost wholly conventional reworkings of European memories: their patent lack of authenticity brings us today a shock of nonrecognition. Eventually, Americans themselves took charge of their symbols, which then acquired a more native inflection. In the long run, however, distinctiveness and separateness have been less pronounced in the visual language of American nationalism than we ordinarily suppose. None of the major embodiments of an American identity is understandable apart from its transatlantic origins, and none in its essential character has belonged to this country alone. The European invention of America occurred, of course, through symbols, and among the earliest were lines on a map. America had to be conceived as a place before it could acquire a ftirther meaning. Maps alone, however, are only empty diagrams. Along with the abstract proportionalities of maps, early modem people craved concrete depictions of what they could not see di- This paper, in a slightly different form, was presented at the semiannual meedng of the American Antiquarian Society held at the Massachusetts Institute of Technology on April iS, !(//>. JOHN HIGH AM is professor emeritus of history at The Johns Hopkins University. Copyright © i (;<;o hy American Antiquarian Society 45 ¿ßi'' American Antiquarian Society rectly. And between the two, connecting immediate representa- tions of sensory experience with some underlying scheme of mean- ing, they wanted imaginative symbols to infuse visible objects with ideal truths.
    [Show full text]
  • School of Music – University Band – Collective Repertoire
    School of Music – University Band – Collective Repertoire Adams, John - Short Ride in a Fast Machine Adler, Samuel – Southwestern Sketches Agay, Denes – Dance Toccata Anderson, Leroy - A Christmas Festival Arnold, Malcolm/Johnstone - English Dances Arnold, Malcolm/Paynter - Four Scottish Dances Arnold, Malcolm/Paynter - Prelude, Siciliano, and Rondo Arutiunian, Alexander/Duker - Trumpet Concerto Bach, Jan - Praetorius Suite Bach, Johann Sebastian/Moehlmann - Prelude and Fugue in B-flat Major Bach, P. D. Q. - Grand Serenade for An Awful Lot of Winds and Percussion Bach, P. D. Q. - March of the Cute Little Wood Sprites Barber, Samuel - Commando March Barber, Samuel/Beckel - Toccata Festiva * * * Carla Edwards, organ* * * Barnes, James - Yorkshire Ballad Basler, Paul - Mangulina Beckel, James A. Jr., - The American Dream Beckel, James A. Jr., - The Glass Bead Game * * * Richard Graef, horn * * * Beckel, James A. Jr., - Make A Joyful Noise Beckel, James A. Jr. – Music for Winds, Piano, and Percussion Beckel, James A. Jr. – Symphony for Band Beethoven, Ludwig van/Greissle - Military March in C Bennett, Robert Russell - Suite of Old American Dances Berlioz, Hector/Smith - Marche Hongroise "Rakoczy" from Damnation of Faust Bernstein, Leonard/Krance - Danzon Bernstein, Leonard/Beeler - Overture to "Candide" Bernstein, Leonard /Grundman - Slava! Bernstein, Leonard/Polster - Symphonic Dances from West Side Story Bird, Arthur - Suite in D Brahms, Johannes/Buehlman - "Blessed are They" from Ein Deutsches Requiem Britten, Benjamin/Jan Bach - "The
    [Show full text]
  • John Philip Sousa (1854-1932)
    Composer Fact Sheets John Philip Sousa (1854-1932) FAST FACTS • Known as “The March King” • Played many different instruments, but his dad forced him to join the Marines • Became conductor of “The President’s Own” Marine Band • Wrote 136 marches and 15 operettas • Toured Europe many times with his band Born: 1854 (Washington, DC) Died: 1932 (Reading, PA) John Philip Sousa was a famous American composer and conductor who became known as the “March King” for the amount of patriotic and inspiring pieces he wrote for professional bands. Sousa began studying and playing piano, stringed instruments, woodwinds, and brass. When he tried to join a circus band at age 13, however, his father forced him to join the Marines. Sousa was only with the Marines eight years before he was discharged so he could perform violin professionally. He also began conducting theater orchestras at this time. Inspired by this kind of music, he began to write operettas (light-hearted shows much like musical theater of today). For 12 years, Sousa was appointed conductor of “The President’s Own”, which is the official music organization of the U.S. Marines. Sousa served five different presidents while he was the conductor of “The President’s Own”: presidents Hayes, Garfield, Arthur, Cleveland, and Harrison. He composed pieces for the band that gave people a sense of excitement and pride, called “marches”. In 1889, Sousa composed The Washington Post march , for which he received international fame. After the band took two separate tours, Sousa resigned to start his own community band. His band performed in New Jersey, but also performed at the World’s Columbian Exposition, also known as The Chicago World’s Fair in 1893.
    [Show full text]
  • American Music Research Center Journal
    Volume 15 2005 UNIVERSITY OF COLORADO AT BOULDER AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 15 2005 Laurie J. Sampsel, Guest Editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado at Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Cassandra M. Volpe, Archivist Sister Mary Dominic Ray, O. P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music Joice Waterhouse Gibson, Research Assistant, 2004–2006 Ross Hagen, Research Assistant, 2005–2007 EDITORIAL BOARD Alan Cass Portia Maultsby Susan Cook Tom C. Owens Robert R. Fink Katherine Preston William Kearns Catherine Parsons Smith Karl Kroeger Helen Smith Victoria Lindsay Levine Jessica Sternfeld Kip Lornell Joanne Swenson-Eldridge Jeffrey Magee The American Music Research Center Journal is published annually. Subscription rate is $14.50 per issue ($16.50 outside U.S.). Please address all inquiries to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. ISSN 1058-3572 © 2005 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro - posals from the scholarly community. All articles should be addressed to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. Each separate article should be submitted in two copies, on 81/2-by-11-inch paper, double-spaced, with 1" margins.
    [Show full text]
  • Sousa US 22/11/10 17:07 Page 8
    572651-52 bk Sousa US 22/11/10 17:07 Page 8 the 150th anniversary of the signing of the Declaration % The National Game (1925) of Independence, the Sesqui-Centennial Exposition Composed at the request of Judge Kenesaw Mountain WIND BAND CLASSICS march is also particularly appropriate for the celebration Landis, major league baseball’s first high commissioner, of Sousa’s own sesqui-centennial of his birth in 1854. It Sousa’s unique The National Game featured four features a chime solo evocative of the Liberty Bell. baseball bat solos. (Track 2 from 8.559093) (Track $ from 8.559092) SOUSA’S # La Flor di Sevilla (1929) ^ Bullets and Bayonets (1918) Composed for the 1929 Ibero-American Exposition in Bullets and Bayonets, another First World War rouser, Seville, the march La Flor di Sevilla was ‘written and was dedicated ‘To the officers and men of the U.S. GREATEST dedicated to the people of Spain’. The soaring trio tune Infantry’. is one of Sousa’s most flowering melodies. (Track # from 8.559059) (Track 5 from 8.559092) MARCHES & The Naval Reserve March (1917) $ The Corcoran Cadets (1890) The 1917 Naval Reserve March was composed for the The march The Corcoran Cadets was composed for a 300-piece naval band Sousa led at Great Lakes Navy crack Washington D.C. teenage drill team. Their Training Center during World War I. It was dedicated The Liberty Bell organization performed with colorful uniforms and “To the Officers and Men of the U.S. Naval Reserve”. bearing wooden rifles. The march was most likely The trio incorporates a popular Sousa song of the time: written for the band that accompanied their drill Blue Ridge I’m Coming Back to You.
    [Show full text]
  • 2017Color Parademay22.Indd
    SEQUENCE OF EVENTS REVIEWING OFFICIAL MUSICAL SELECTION Band Leader Vice Admiral Jan Tighe, USN BRIGADE OF MIDSHIPMEN MARCH ON Lieutenant Commander Diane E. Nichols, USN Deputy Chief of Naval Operations for Information Warfare/ UNITED STATES ANNOUNCEMENTS Director of Naval Intelligence Band Drum Major Chief Musician James L. Hurd, USN AVAL CADEMY DRESS RIGHT DRESS N A ice Admiral Jan Tighe was born in Bowling Green, MARCH ON THE COLORS Kentucky, and raised in Plantation, Florida. She is a Drum and Bugle Corps Commander 1984 graduate of the U.S. Naval Academy and was Midshipman First Class Cabot Bisbee, USN NATIONAL ANTHEM commissionedV as a cryptologist. She studied Russian at the Defense BRIGADE OF MIDSHIPMEN Language Institute and graduated from the Naval Postgraduate Pipes and Drums Commander POST THE COLORS School, Monterey, California, in 2001 with a doctorate in electrical engineering and a Master of Science in Applied Mathematics. Midshipman First Class Sam Giddings, USN BAND SOUND-OFF Vice Admiral Tighe’s previous tours include duty with Naval Security Group Activities in Florida, Virginia, and Japan; Pipes and Drums Drum Major MANUAL OF ARMS Fleet Air Reconnaissance Squadron (VQ) 1; and the Naval Midshipman First Class Raj Patel, USN Information Warfare Activity. She also had staff assignments on the REPORTS Headquarters of the Pacific Fleet, Naval Security Group and Naval BRIGADE MARCH ON Network Warfare Command; and served as executive assistant to Eagle Squadron K. J. Alford COLOR COMPANY PRESENTATION commander, U.S. Cyber Command. She commanded more than H.M. Jollies K. J. Alford 2,800 multi-service and multi-agency personnel at the National 1941 (D & B Corps) John Williams OLOR HONORS FOR REVIEWING OFFICIAL Security Agency/Central Security Service Hawaii in Kunia.
    [Show full text]