DOCSLIB.ORG

JOHN PHILIP SOUSA MARCHES (Reprinted from Their Original Editions) Sunday, October 28, 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JOHN PHILIP SOUSA MARCHES (Reprinted from Their Original Editions) Sunday, October 28, 2012 BOVACO Catalog ‐ JOHN PHILIP SOUSA MARCHES (reprinted from their original editions) Sunday, October 28, 2012 Catalog# Price Across The Danube March BOV‐S3689‐00 $60.00 America First March BOV‐S3690‐00 $60.00 Anchor And Star March BOV‐S3691‐00 $60.00 The Beau Ideal March BOV‐S3693‐00 $60.00 The Belle Of Chicago March BOV‐S3694‐00 $60.00 Extra condensed score BOV‐S3694‐01 $6.00 Ben Bolt March BOV‐S3695‐00 $60.00 Bonnie Annie Laurie March BOV‐S3697‐00 $60.00 The Boy Scouts Of America March BOV‐S3698‐00 $60.00 The Bride Elect March BOV‐S3699‐00 $60.00 Bullets and Bayonets March BOV‐S3700‐00 $60.00 The Chantyman's March BOV‐S3701‐00 $60.00 The Charlatan March BOV‐S3702‐00 $60.00 Comrades Of The Legion March BOV‐S3703‐00 $60.00 Congress Hall March BOV‐S3704‐00 $60.00 The Corcoran Cadets March BOV‐S3705‐00 $60.00 Extra condensed score BOV‐S3705‐01 $6.00 The Crusader March BOV‐S3706‐00 $60.00 Extra condensed score BOV‐S3706‐01 $6.00 Daughters Of Texas March BOV‐S3707‐00 $60.00 The Diplomat March BOV‐S3708‐00 $60.00 All amounts are USD. Prices are subject to change without notice. Page 1 BOVACO Catalog ‐ Sousa Marches Catalog# Price Extra condensed score BOV‐S3708‐01 $6.00 The Directorate March BOV‐S3709‐00 $60.00 El Capitan March BOV‐S3710‐00 $60.00 Esprit De Corps March BOV‐S3711‐00 $60.00 The Fairest Of The Fair March BOV‐S3712‐00 $60.00 Extra condensed score BOV‐S3712‐01 $6.00 One of Sousa’s most melodic and tuneful marches! Composed 1908. The Federal March BOV‐S3713‐00 $60.00 Flags Of Freedom March BOV‐S3714‐00 $60.00 The Free Lance March BOV‐S3716‐00 $60.00 From Maine To Oregon March BOV‐S3717‐00 $60.00 The Gallant Seventh March BOV‐S3718‐00 $60.00 The Gladiator March BOV‐S3719‐00 $60.00 Extra condensed score BOV‐S3719‐01 $6.00 Globe And Eagle March BOV‐S3720‐00 $60.00 Glory Of The Yankee Navy March BOV‐S3721‐00 $60.00 Guide Right March BOV‐S3722‐00 $60.00 Hail To The Spirit Of Liberty March BOV‐S3723‐00 $60.00 Composed for the Paris Exposition of 1900, and premiered by the Sousa Band on its first trip to Europe. Awe inspiring! Hands Across The Sea March BOV‐S3724‐00 $60.00 Extra condensed score BOV‐S3724‐01 $6.00 Composed in 1899, one of Sousa's most brilliant and energetic marches! High School Cadets March BOV‐S3725‐00 $60.00 (1890) Composed for the Washington, DC Central High School drill team, this has remained one of Sousa's most beloved marches. Imperial Edward March BOV‐S3726‐00 $60.00 All amounts are USD. Prices are subject to change without notice. Page 2 BOVACO Catalog ‐ Sousa Marches Catalog# Price The Invincible Eagle March BOV‐S3727‐00 $60.00 Jack Tar March BOV‐S3728‐00 $60.00 Keeping Step With The Union March BOV‐S3740‐00 $60.00 King Cotton March BOV‐S3729‐00 $60.00 Composed for the Cotton States Exposition of 1895, at which Sousa’s Band was a featured attraction. The Lambs March BOV‐S3730‐00 $60.00 The Liberty Bell March BOV‐S3731‐00 $60.00 One of Sousa’s most universally recognized marches, this 1894 gem is a perennial audience favorite! Liberty Loan March BOV‐S3732‐00 $60.00 This rollicking 6/8 march was one of several gems penned by Lt. Cmdr. Sousa as part of his patriotic efforts during WWII. Composed for the essential Liberty Loan campaigns of wartime, this is a lesser known Sousa gem. Stirring! The Loyal Legion March BOV‐S3733‐00 $60.00 The Man Behind The Gun March BOV‐S3734‐00 $60.00 Manhattan Beach March BOV‐S3735‐00 $60.00 Extra condensed score BOV‐S3735‐01 $6.00 This 1893 Sousa gem was named for the popular New York summer resort area, frequently visited by the Sousa Band. Mikado March BOV‐S3736‐00 $60.00 Mother Goose March BOV‐S3737‐00 $60.00 Mother Hubbard March BOV‐S3738‐00 $60.00 National Fencibles March BOV‐S3739‐00 $60.00 Extra condensed score BOV‐S3739‐01 $6.00 Naval Reserve March BOV‐S3741‐00 $60.00 One of Sousa’s brilliant WWI patriotic marches. Dignified and rousing! New York Hippodrome March BOV‐S3742‐00 $60.00 All amounts are USD. Prices are subject to change without notice. Page 3 BOVACO Catalog ‐ Sousa Marches Catalog# Price The Occidental March BOV‐S3743‐00 $60.00 Extra condensed score BOV‐S3743‐01 $6.00 On Parade March BOV‐S3744‐00 $60.00 Extra condensed score BOV‐S3744‐01 $6.00 On The Tramp March BOV‐S3745‐00 $60.00 Our Flirtations March BOV‐S3746‐00 $60.00 Extra condensed score BOV‐S3746‐01 $6.00 The Pathfinder Of Panama March BOV‐S3747‐00 $60.00 Written in 1915 to honor the Panama Canal, this excellent Sousa march was premiered at the Panama‐Pacific Exposition in San Francisco. Brilliant variation technique in the trio! The Pet Of The Petticoats March BOV‐S3748‐00 $60.00 The Picadore March BOV‐S3749‐00 $60.00 Extra condensed score BOV‐S3749‐01 $6.00 Powhatan's Daughter March BOV‐S3750‐00 $60.00 Pushing On March BOV‐S3751‐00 $60.00 Resumption March BOV‐S3752‐00 $60.00 Revival March BOV‐S3753‐00 $60.00 The Rifle Regiment March BOV‐S3754‐00 $60.00 Extra condensed score BOV‐S3754‐01 $6.00 Right Forward March BOV‐S3755‐00 $60.00 Extra condensed score BOV‐S3755‐01 $6.00 Right‐Left March BOV‐S3756‐00 $60.00 Sabre And Spurs March BOV‐S3757‐00 $60.00 Extra condensed score BOV‐S3757‐01 $6.00 Semper Fidelis March BOV‐S3758‐00 $60.00 Extra condensed score BOV‐S3758‐01 $6.00 One of the most rousing marches ever composed, "Semper Fidelis" (Always Faithful) is the official march of the United States Marine Corps. Composed 1888. All amounts are USD. Prices are subject to change without notice. Page 4 BOVACO Catalog ‐ Sousa Marches Catalog# Price Solid Men To The Front March BOV‐S3759‐00 $60.00 Sound Off March BOV‐S3760‐00 $60.00 Extra condensed score BOV‐S3760‐01 $6.00 The Stars and Stripes Forever March BOV‐S3761‐00 $60.00 Extra condensed score BOV‐S3761‐01 $6.00 The most famous march ever composed, and the official march of the United States of America. Reprinted from the original 1897 edition. The Thunderer March BOV‐S3762‐00 $60.00 Extra condensed score BOV‐S3762‐01 $6.00 An early Sousa classic (1889). Features trumpets and drums in "reginemtal" style. Transit Of Venus March BOV‐S3763‐00 $60.00 The Triton March BOV‐S3764‐00 $60.00 Triumph Of Time March BOV‐S3765‐00 $60.00 U. S. Field Artillery March BOV‐S3766‐00 $60.00 Extra condensed score BOV‐S3766‐01 $6.00 The Volunteers March BOV‐S3767‐00 $60.00 The Washington Post March BOV‐S3768‐00 $60.00 Extra condensed score BOV‐S3768‐01 $6.00 Sousa’s most famous two‐step march, which created a musical craze when first introduced! We Are Coming March BOV‐S3769‐00 $60.00 The White Plume March BOV‐S3771‐00 $60.00 The White Rose March BOV‐S3772‐00 $60.00 Who's Who In Navy Blue March BOV‐S3773‐00 $60.00 Extra condensed score BOV‐S3773‐01 $6.00 Composed for the U. S. Naval Academy at Annapolis, Maryland (1920). Wolverine March BOV‐S3774‐00 $60.00 Yorktown Centennial March BOV‐S3775‐00 $60.00 Sunday, October 28, 2012 All amounts are USD. Prices are subject to change without notice. Page 5.
Load more

Recommended publications
  • The Gallant Seventh John Philip Sousa
    PROGRAM NOTES The Gallant Seventh John Philip Sousa Written during the final decade of his life, The Gallant Seventh is widely considered to be among the composer’s greatest works. Sousa composed this march for the 7th Regiment, 107th Infantry of the New York National SYMPHONIC BAND David Scott, conductor Guard. The conductor of the regiment’s band was Francis W. Sutherland, who had been a member of Sousa’s own band before joining the military Tuesday, October 4, 2016 - 8 p.m. during the First World War. This piece was premiered by an ensemble MEMORIAL CHAPEL consisting of members of both the Sousa band and the 7th Regiment band. The Gallant Seventh (1922) John Philip Sousa Dance of the Jesters Pyotr Ilyich Tchaikovsky (1854-1932) ed. Frederick Fennell Tchaikovsky experienced a renewed fascination with his Russian nationalism in music following his meeting with fellow Russian composer Dance of the Jesters Pyotr Ilyich Tchaikovsky Nicolai Rimsky-Korsakov in 1868. From this point forward, Russian folk (1840-1893) music and dance would become a major driving force in Tchaikovsky’s arr. Ray Cramer compositions. In this piece, you will hear sounds characteristic of his many ballets, his melodic excitement, and his boundless energy. Song of Threnos “A Thenody for Band” (1961) Alfred Reed (1921-2005) Song of Threnos”A Thenody for Band” (1961) Alfred Reed Austin Davis, conductor The word “threnody” comes from the Greek “threnoidia”, which, in turn, is Fortress (1988) Frank Ticheli derived from a combination of two other Greek words, “threnos”, meaning (b. 1958) lament, and “oide”, meaning song.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D.
    [Show full text]
  • Bride-Elect March
    Bride-elect march. Chicago: The John Church Company, 1897 https://digital.library.wisc.edu/1711.dl/WIZGJ4LFUFK7P8F http://rightsstatements.org/vocab/NKC/1.0/ The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu Bor Sg ies , ar ae ae ee a co —— ie. ee = aS Sele = ——— ee De < & ee 2 ae : : i a S ee ) oe : a : : fo es : } ‘ JZ Se — = es eee ¥ a; i e ai a > & S ) = 7 uy | hi ORF iad | | co | a ; ~ ok j eh = 4 : Wy = a 6 é . ae ae @ Xx . oy By BOHN PHILIP SOUSA? 3 a it SS i PiANo 2Hanps 50. CN aM 2 MANDOLINS & GUITAR, 70. : PiANO 4 HANDS 1.29 GUITAR SOLO 40. ; PiANO 6 HANDS 1.50 ZITHER DUET 90. \. GuITAR Duet 50. an ORCHESTRA 129 ¥¢92MANDOLIN SOLO 40% BANJO SOLO 40. ILITARY BAND 50. /“| MANDOLIN & PIANO co] BANuO Duet 50. fae Soto 50. M ees — 50. an BANJO & PIANO 60. <a ? iz ANDOLIN-PIANO & GUITAR 80. \Qo ——<e 29 od 2 MANDOLINS & PIANO Sy 80. j | PUBLISHED BY , THE JOHN CHURCH COMPANY. # CINCINNATI, NEWYORK, CHICAGO, LEIPSIC. — ; a A — } { Z : The Bride-Elect MARCH. JOHN PHILIP SOUSA.
    [Show full text]
  • Til OOIHT Seiel 1 %
    EISITY Mil 8 IB AIL SOCIETY EARL V. MOORE, Musical Director CHARLES A. SINK, Business Manager BOARD OF DIRECTORS FRANCIS W. KELSEY, President HARRY B. HUTCH INS Vice-President DURAND W. SPRINGER Secretary- LEVI D. WINES Treasurer G. FRANK ALLMENDINGER HORACE G. PRETTYMAN JUNIUS E. BEAL SHIRLEY W. SMITH MARION LEROY BURTON ALBERT A. STANLEY JAMES INGLIS JAMES H. WADE A Til OOIHT SEiEl 1 % FIFTH SEASON FIRST CONCERT No. CCCXCVIII COMPLETE SERIES SOUSA AND HIS BAND Lieutenant-Commander JOHN PHILIP SOUSA, Conductor HARRY ASKIN, Manager Miss NORA FAUCHALD, Soprano MR. JOHN DOLAN, Comet Miss RACHEL, SENIOR, Violin MR. GEORGE CAREY, Xylophone MONDAY EVENING, OCTOBER 22, 1923, AT EIGHT O'CLOCK HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM 1. RHAPSODY, "THE INDIAN" Orem Among those who have made careful records and researches of the music of the Aborigines of America may be named Thurlow Lieurance, Charles Cadman, and Arthur Farwell. The Indian themes introduced into this rhap­ sody were recorded by Mr. Lieurance and welded into rhapsodic form by the well-known composer, Preston Ware Orem. 2. CORNET SOLO, "CLEOPATRA" Denture MR. JOHN DOLAN 3. PORTRAITS, "AT THE KING'S COURT" Sousa (a) "Her Ladyship, the Countess" (b) "Her Grace, the Duchess" (c) "Her Majesty, the Queen" 4. SOPRANO SOLO, "THE LARK NOW LEAVES HIS WAT'RY NEST" Parker (OVER) PROGRA M—Continued 5. FANTASY, "THE VICTORY BALL" ScJielling This is Mr. Schelling's latest-completed work. The score bears the inscription, "To the memory of an American soldier." The fantasy is based on Alfred Noyes' poem, "The Victory Ball," here­ with reprinted, by permission, from "The Elfin Artist and Other Poems," by Alfred Noyes, copyright 1920, by Frederick A.
    [Show full text]
  • Sousa Cover the ONE.Qxd 24/7/08 2:38 Pm Page 1
    Sousa cover THE ONE.qxd 24/7/08 2:38 pm Page 1 Chan 4535 CHANDOS BRASS FROM MAINE TO OREGON THE WILLIAMS FAIREY BAND PLAYS SOUSA MARCHES CONDUCTED BY MAJOR PETER PARKES CHAN 4535 BOOK.qxd 24/7/08 2:41 pm Page 2 Sousa Marches 1 Semper Fidelis arr. C.W. Hewitt 2:55 2 The Crusader arr. Peter Parkes 3:36 3 El Capitan March 2:33 4 The Invincible Eagle arr. Peter Parkes 3:47 5 King Cotton 2:58 6 Hands across the Sea arr. Peter Parkes 2:57 7 Manhattan Beach arr. C.W. Hewitt 2:25 8 Our Flirtations arr. James Howe 2:43 9 The Picadore arr. Peter Parkes 2:58 10 The Gladiator March 2:58 11 The Free Lance arr. Norman Richardson 4:33 12 The Washington Post arr. C.W. Hewitt 2:46 13 The Beau Ideal arr. Peter Parkes 3:36 14 The High School Cadets arr. John Hartmann 2:45 15 The Fairest of the Fair arr. Norman Richardson 3:50 16 The Thunderer arr. Harry Mortimer 2:57 17 The Occidental arr. Peter Parkes 2:55 18 The Liberty Bell arr. J. Ord Hume 3:49 19 The Corcoran Cadets arr. Peter Parkes 3:15 John Philip Sousa (1854–1932) 20 National Fencibles March arr. Norman Richardson 3:36 Royal College of Music 21 The Black Horse Troop arr. Peter Parkes 3:34 22 The Gridiron Club March arr. James Howe 3:38 23 The Directorate arr. Norman Richardson 2:38 24 The Belle of Chicago arr.
    [Show full text]
  • FREDERICK FENNELL and the EASTMAN WIND ENSEMBLE: the Transformation of American Wind Music Through Instrumentation and Repertoire
    FREDERICK FENNELL AND THE EASTMAN WIND ENSEMBLE: The Transformation of American Wind Music Through Instrumentation and Repertoire Jacob Edward Caines Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the Master of Arts degree in Musicology School Of Music Faculty of Arts University of Ottawa © Jacob Edward Caines, Ottawa, Canada, 2012 i Abstract The Eastman Wind Ensemble is known as the pioneer ensemble of modern wind music in North America and abroad. Its founder and conductor, Frederick Fennell, was instrumental in facilitating the creation and performance of a large number of new works written for the specific instrumentation of the wind ensemble. Created in 1952, the EWE developed a new one-to-a-part instrumentation that could be varied based on the wishes of the composer. This change in instrumentation allowed for many more compositional choices when composing. The instrumentation was a dramatic shift from the densely populated ensembles that were standard in North America by 1952. The information on the EWE and Fennell is available at the Eastman School of Music’s Ruth Watanabe Archive. By comparing the repertory and instrumentation of the Eastman ensembles with other contemporary ensembles, Fennell’s revolutionary ideas are shown to be unique in the wind music community. Key Words - EWE (Eastman Wind Ensemble) - ESB (Eastman Symphony Band) - Vernacular - Cultivated - Wind Band - Wind Ensemble - Frederick Fennell - Repertoire i Acknowledgements This thesis could not have been completed without the support of many people. Firstly, my advisor, Prof. Christopher Moore. Without his constant guidance, and patience, this document would have been impossible to complete.
    [Show full text]
  • Department of Music Programs 1983 - 1984 Department of Music Olivet Nazarene University
    Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1984 Department of Music Programs 1983 - 1984 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1983 - 1984" (1984). School of Music: Performance Programs. 17. https://digitalcommons.olivet.edu/musi_prog/17 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. EDUCATION WITH A CHRISTIAN PURPOSE Department of Music Programs 1983-1984 Olivet Hozarene College Kankakee, Illinois 60901 Telephone 815-939-5011 Olivet Nazarene College Artist Lecture Series presents GUEST RECITAL LOLA AUSTIN, P iano Fantasia in D Minor ...................................... W.A. Mozart (1756-1791) Andante Favori.................................... L. Van Beethoven (1770-1827) Sonata in C Major, Op. 5 3 ......................L. Van Beethoven "Waldstein" Movement 1. Allegro con brio Movement 2. Adagio Movement 3. Allegretto INTERMISSION Scherzo in B flat Minor Op. 3 1 ........................... F. Chopin (1810-1849) Nocturne in C sharp Minor Op. post ................... F. Chopin Three Etudes: A flat Major Op. 25, No. 1 ............. F. Chopin G. flat Major Op. 10, No. 5 C Minor Op. 25, No. 12 Fountains at the Villa d'este........................... Franz Liszt (1811-1886) L i t a n y .............................................. Schubert - Liszt Legende: St. Francis Walking on the Water ...
    [Show full text]
  • Report Spring 2019 Scott S
    CBDNA REPORT SPRING 2019 SCOTT S. HANNA Editor REPORT SPRING 2019 IN THIS ISSUE From the Podium – 1 Commissions and Premiers – 2 Programs – 3 FROM THE PODIUM The College Band Directors National Association is a Washington May 29-June 1. Our next national grass-roots organization that serves its membership in a conference will take place in Athens, GA, hosted by myriad of ways. At its inception CBDNA sought to Cynthia Johnston Turner and her staff at the University address common issues facing the college band director, of Georgia Hodgson School of Music February 17-20, raise the artistry of its conductors, and develop a 2021. repertoire of music distinct from the orchestral world CBDNA is overseen by a board of directors for which I and traditional marches. One of its early missions was to am president until 2021. This board also includes our six commission renowned composers who had never written division presidents, past president, immediate past for band, and great new pieces were composed by Ingolf president, president-elect, vice president, secretary, and Dahl, Aaron Copland, Howard Hanson, and Ernst treasurer. All positions except secretary and treasurer are Krenek to name just a few. These efforts resulted in a elected by the membership. There are a number of proliferation of consortia by band conductors that standing committees working on various topics and continues to this day, adding to a vibrant repertoire of issues. new music for band. In short, the College Band Directors National As the years have gone by our organization has tackled Association is a vibrant community of musicians many different issues facing our profession.
    [Show full text]
  • School of Music – University Band – Collective Repertoire
    School of Music – University Band – Collective Repertoire Adams, John - Short Ride in a Fast Machine Adler, Samuel – Southwestern Sketches Agay, Denes – Dance Toccata Anderson, Leroy - A Christmas Festival Arnold, Malcolm/Johnstone - English Dances Arnold, Malcolm/Paynter - Four Scottish Dances Arnold, Malcolm/Paynter - Prelude, Siciliano, and Rondo Arutiunian, Alexander/Duker - Trumpet Concerto Bach, Jan - Praetorius Suite Bach, Johann Sebastian/Moehlmann - Prelude and Fugue in B-flat Major Bach, P. D. Q. - Grand Serenade for An Awful Lot of Winds and Percussion Bach, P. D. Q. - March of the Cute Little Wood Sprites Barber, Samuel - Commando March Barber, Samuel/Beckel - Toccata Festiva * * * Carla Edwards, organ* * * Barnes, James - Yorkshire Ballad Basler, Paul - Mangulina Beckel, James A. Jr., - The American Dream Beckel, James A. Jr., - The Glass Bead Game * * * Richard Graef, horn * * * Beckel, James A. Jr., - Make A Joyful Noise Beckel, James A. Jr. – Music for Winds, Piano, and Percussion Beckel, James A. Jr. – Symphony for Band Beethoven, Ludwig van/Greissle - Military March in C Bennett, Robert Russell - Suite of Old American Dances Berlioz, Hector/Smith - Marche Hongroise "Rakoczy" from Damnation of Faust Bernstein, Leonard/Krance - Danzon Bernstein, Leonard/Beeler - Overture to "Candide" Bernstein, Leonard /Grundman - Slava! Bernstein, Leonard/Polster - Symphonic Dances from West Side Story Bird, Arthur - Suite in D Brahms, Johannes/Buehlman - "Blessed are They" from Ein Deutsches Requiem Britten, Benjamin/Jan Bach - "The
    [Show full text]
  • Sousa US 22/11/10 17:07 Page 8
    572651-52 bk Sousa US 22/11/10 17:07 Page 8 the 150th anniversary of the signing of the Declaration % The National Game (1925) of Independence, the Sesqui-Centennial Exposition Composed at the request of Judge Kenesaw Mountain WIND BAND CLASSICS march is also particularly appropriate for the celebration Landis, major league baseball’s first high commissioner, of Sousa’s own sesqui-centennial of his birth in 1854. It Sousa’s unique The National Game featured four features a chime solo evocative of the Liberty Bell. baseball bat solos. (Track 2 from 8.559093) (Track $ from 8.559092) SOUSA’S # La Flor di Sevilla (1929) ^ Bullets and Bayonets (1918) Composed for the 1929 Ibero-American Exposition in Bullets and Bayonets, another First World War rouser, Seville, the march La Flor di Sevilla was ‘written and was dedicated ‘To the officers and men of the U.S. GREATEST dedicated to the people of Spain’. The soaring trio tune Infantry’. is one of Sousa’s most flowering melodies. (Track # from 8.559059) (Track 5 from 8.559092) MARCHES & The Naval Reserve March (1917) $ The Corcoran Cadets (1890) The 1917 Naval Reserve March was composed for the The march The Corcoran Cadets was composed for a 300-piece naval band Sousa led at Great Lakes Navy crack Washington D.C. teenage drill team. Their Training Center during World War I. It was dedicated The Liberty Bell organization performed with colorful uniforms and “To the Officers and Men of the U.S. Naval Reserve”. bearing wooden rifles. The march was most likely The trio incorporates a popular Sousa song of the time: written for the band that accompanied their drill Blue Ridge I’m Coming Back to You.
    [Show full text]
  • Music Library
    1/24/2017 Southeastern Massachusetts Community WInd Symphony Inc. Page 1 of 8 Music Library TITLE COMPOSER ARRAINGER P_DATE COST VENDOR CAT_NBR PDF_FLAG Overture 1812 Op49 P.I. Tchaikovsky Mayhew L. Lake 2000 65 Sheet Music Service 06080J362 Across The Danube John Philip Sousa 2017 0 http://www.marineband.marines.mil Y ""Also Sprach Zarathusta"" (2001) Richard Strauss David Wayne Bailey 1976 25 Adams Family Overture Ted Ricketts 2016 75 J.W.Pepper 10188609 Y Aida Selection Giuseppe Virdi L.P Lauendeau 2016 0 bandmusicpdf.org Y Air and March Henry Purcell Philip Gordon 1976 25 Borne Co. Y Air For Band Frank Erickson 2016 0 Y Air for the G String J.S. Bach John Caeavas 1976 25 Pepper Y Air Varie (The Old Home Donw On the Farm) Fred P. Harlow (solo: cornet,baritione,trombone) 2016 bandmusicpdf.org Y Aladdin, Selections from John Moss 1976 65 Hal Leonard 04001537 Y Alexander's Ragtime Band Irving Berlin Mayhew L. Lake 2016 0 bandmusicpdf.org Y All the Time Barry Manlow Robert W. Lowden 1976 25 Warner Bros CB0359 Y Alla Marcia (Mozart) Frank Erickson 1976 25 Bourne Co Y Allegro Con Brio (Cornet) Warren Barker 1976 28 Jenson 208-01020 Y Along Comes A Woman Peter Cetera & Mark Goldenberg Mike Story 1976 25 MCA SY8508 Y Amazing Grace Frank Ticheli 2015 0 Y America Henry Carey James D. Ployhar 2000 40 Y American Civil War Fantasy Jerry H. Bilik Y American Folk Rhapsody, No. 1 Clare Grundman 2005 90 J.W. Pepper & Son 147249 Y American Originals Sammy Nestico 1976 55 Jenson 242-0130 Y American Overture for Band Joseph Willcox Jenkins 1976 15 Theodor Cresser Y American Patrol F.W.
    [Show full text]
  • Sousa and Gershwin®! Contents
    A JOURNAL FOR THE CONTEMPORARY WIND BAND ISSUE 5 SPRING 2001 SOUSA AND GERSHWIN®! CONTENTS Defining the Wind Band Sound This issue ofWindWorks will celebrate two of America's most beloved composers and by Donald Hunsberger .. ............ .... .......... ...... ..... page 2 peiformers: John Philip Sousa and George Gershwin. While Sousa and his contemporary, John Philjp Sousa: His Marches Victor Herbert, developed many of their theatrical writing skills from earlier successes of Strauss, Gilbert and Sullivan, Offenbach, De Koven, and Lehm; Gershwin's Tin Pan Alley musicals were built upon the operettas ofSousa and Herbert. Both Sousa and Gershwin wrote W I N D LIBRA RY and peiformedfor the enlightenment of the public, but each also had his own experience and Cuban Overture background in developing classical repertoire. by George Gershwin ............... ..... ..... .. .... ... ...... page 10 "The" Gershwin concert opener! The Sousa saga is di vided into two parts, with his marches under scrutiny in this issue, and his original suites and fantasias for band examined in Issue 6, Fall, 200I. In addition, a most important book, John Philip Sousa, American Phenomenon by Paul E. Bierley, is being re­ Second Rhapsody for Piano and released concurrently with this journal publication. Bierley's biography of Sousa is one of Wind Ensemble several of his research books on Sousa and his music, and is a primmy source for research by George Gershwin ........................................ page ll on this American giant at the tum of the century. An outstanding contribution to the solo piano and wind band repertoire. When the centennial of George Gershwin's birth occurred in 1998, the DHWL began a series of publications of Gershwin compositions to provide interesting programming options ON T H E BOOKSHEL F for contempormy wind conductors.
    [Show full text]